Art by Medium: Paper

Black And White Minimal Painting is an original artwork realized by TUSET in 2019. The work is unframed but has a rigid support on the back. The title of this works is "From the A...

Artist: Peter Max, German/American (1937 - ) Title: Statue of Liberty Year: 2009 Medium: Acrylic and Mixed Media on Paper, signed lower right Size: 11 x 8.5 inches Frame Size: 32 x 2...

A solitary figure harvests wheat under a darkening sky, embodying resilience against nature's elements... “It had been raining all morning but the clouds suddenly parted and we had ...

Robert Kummer (1810 - 1889) Nocturnal Landscape with Two Horsemen Oil on paper mounted on board 19.4 x 28.2 cm (48.7 x 41 cm including frame) Signed lower left

Flemish school from the beginning of the 17th century (Circle of Martin DE VOS) Drawing Pen and wash 38 x 32 cm (58 x 52 cm with the frame) Inscription "Martin de Vos" Excellent cond...

Charming and colorful mid century watercolor of a small coastal neighborhood and orchard by Zella Mae (Wunderlich) Dickinson (1895 - 1982). Initialed and dated "ZD '64" lower right c...

Guglielmo Ciardi (Venice 1842 - Venice 1917) - Market of Badoere. 20 x 27.5 cm (without frame) - 44.5 x 51 cm (with frame). Pencil on paper, within passe-partout, in wooden frame. ...

'Utopian Foyer III', Italian Brutalist architecture photography by Richard Heeps' from his series 'A Short History of Milan'. There is a reoccurring linear, structural theme through...

Mr. Brainwash World Class, 2009 Thirteen color silkscreen on hand stained archival art paper. Individually finished with spray paint and stencil balloon; unique variant Hand signed t...

Punch Diary — 8 Months, Reaching Ink on Georgian oil paper Shizico Yi Part of the Punch Diary series, ongoing since 2026 Shizico Yi’s drawing practice centres on immediacy and emoti...

This artwork is part of my “Interior” series – artworks created to bring lightness and beauty into your space. The series is designed to please the eye without overwhelming it, addi...

This drawing by Leonor Fini is hand signed by the artist in brown ink "Leonor Fini" in the lower right image. It was executed in 1977. This work is from a sketchbook. Condition: Ve...

Portrait miniature, French, 19th century of a fine lady, oil on vellum on card. The miniature is not signed but is of very good quality. Presented in a period wood frame with a chase...

Richard Heeps 'Ordinary Places' Series, captures Britain on the brink of change. It was Richard's first colour series and it achieved much success with an exhibition at the Photograp...

Here We Are, Again 2025 1 colour lithograph on Somerset Velvet Warm White, 400gsm 40 x 50.5 cm. Edition of 100 Signed, titled and numbered in pencil by Tracey Emin Published by Turne...

Signed lower right, 'Canete' for Robert Canete (American, born 1948) and painted circa 2000. This Carmel artist studied with Vincent Rascon in the 1960's and later with Dwight Mille...

Brussels: Uylenspiegel, 1859. Lithograph on lightweight cream wove paper, 13 7/8 x 10 1/2 inches (352 x 265 mm), the full sheet. In good condition with a soft horizontal fold, and s...

A stylish, vintage, 1940s fashion study featuring an elegant design for a woman's dress. Inscribed "Nettie Rosenstein at Marshall Field". Most likely a design study for a print adv...

This stunning abstract artwork was made in 1960, by the well known Italian artist Ermete Lancini. The artwork is a painting and a collage with newspaper...

Artist: Vahe Yeremyan Work: Print on Paper, Subject: Grand Canyon, Framed Size: 1.5" x 20.5" x 0.5''inch, 42x52x2cm, Ready to Hang, Metal Frame with the Glass, Plastic Wrapped. A...

Girl Blowing Bubble Gum, Wall, South Dakota by Michael Ormerod is a stunning Color Print on Hahnemuhle Paper in an Edition of 20 in this size. Sta...

"Path to Joy" is an original piece by Kevin Snipes made from ink, gouache, and acrylic on paper. This piece measures 19.5”h x 9.25”w and is signed en verso. Kevin Snipes (he/him) is...

"Road to Castle Valley" by Lorenzo Chavez (US based) is a handmade, landscape, pastel painting that depicts a meandering dirt road flanked by majestic sandstone cliffs. “Road to Ca...

This piece titled "This Must Be the Place VE 5/7" is a variable edition piece by Kate VanVliet and is made from Intaglio with soft ground on Rives BFK. This piece is an edition of 7 ...

Untitled is an original contemporary artwork realized by Lucio Fontana in 1963. Mixed colored photolithograph. Hand signed in pencil by the artist on the lower right margin. Numbe...

Obsessive, meticulous, almost monastic, Kramer immerses us in a universe of graphic and sculptural repetitions. His drawings on kraft paper glued with rabbit glue recall both ancient...

Artist: Peter Max Title: Flower Vase Medium: Mixed Media On Paper Edition: Original Size: 11"x15" inches Hand signed by the artist Frame size 22.25"x18.25" inches Condition: Excellent

Andre Lanskoy (French / Russian 1902-1976) Untitled from the portfolio La Genese, 1966 Color lithograph on wove paper Signed 'Lanskoy' lower right Edition 11 of 30. Numbered lower ri...

Drypoint etching with stencil on Arches paper, edited in 1975. Limited edition of 250 copies, numbered as 111/250 in lower left corner.
 Hand-signed by artist in pencil in the lower ...

1937 original travel poster by Georges Fustier Genève. This beautifully composed Art Deco poster depicts Lake Geneva framed by tall pines and lush gardens, with sailboats gliding acr...

A Fine 1930s Modern Academic Figure Study Drawing, Seated Male Nude Model by Notable Chicago Artist, Harold Haydon (Am. 1909-1994). An exceptionally well executed early 1930s charco...

Palm Springs Palm Trees (Californication) - 2023 50x49cm. Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist I...

Orazio De Gennaro's "Terra Bruciata (Scorched Earth) is a 10 x 10-inch abstract painting on paper mounted on board. The artist works with natural earth,...

Cyd Fontaine (Lausanne, 1992) is a contemporary artist renowned for her captivating use of dreamy atmospheric gradients, which has helped her carve a distinctive niche in the world o...

Signed watercolour on paper landscape by American post impressionist painter Maurice Brazil Prendergast. The work depicts children playing on the beach in Saint Malo, France as boats sail in the blue sea and white clouds role through the sky overhead. This work has remained in the Prendergast family for 3 generations and depicts a rare view of Saint-Malo executed during Prendergast's visit to the french coastal town in 1907 Signature: Signed lower left Dimensions: Framed: 21"x22" Unframed: 13'x14" Proveance: The collection of Charles Prendergast (1863-1948) The collection of Eugénie Prendergast-Van Kemmel (1895-1994) -wife and inheritor of the estate of Charles Prendergast The collection of Henri Van Kemmel (Lille, 1903-1963) - cousin of Eugenie Prendergast
- Madame Henri Van Kemmel Maurice Prendergast came with his family to Boston in 1861. Working in a textile store, Maurice Prendergast was at first self-taught in painting, making souvenir cards and shop signs. He went to Britain in 1886, then to Paris in 1891 and registered at the Académie Julian with Jean-Paul Laurens, Benjamin-Constant, and Charles Blanc as teachers, working also with Gustave Courtois at the Académie Colarossi. More importantly he saw the Impressionists’ paintings and the Nabis at the Galerie Durand-Ruel. He returned to the United States in 1895, settling in Winchester (Massachusetts) and went frequently to New York. In 1898 he again went to Europe where he stayed until 1900, visiting Paris, Florence, Siena, Rome, Capri, and Venice, where he spent six months. Between 1907 and the beginning of World War I he went again four times to Europe but never returned there after the war. In New York where he finally settled, with William Glackens, Robert Henri, and John Sloan among others, Prendergast was one of the members ofThe Eight, gathered by Robert Henri to counter the pervading academicism. The group exhibited in 1908 at the Macbeth Galleries and took part in the Armory Show of 1913. After that Prendergast did not exhibit again with the group. In 1914 he left Boston definitively for New York. Prendergast was in his thirties before he began to devote himself to painting. In his late beginnings he painted in the open air as the Impressionists did, mainly in watercolours with clear brushstrokes and an elegant virtuosity recalling his then admiration for James Whistler and Claude Monet. Between 1892 and 1905 he carried out two hundred monotypes, a technique of which he was the undisputed master in America at that time and which expressed the influence of Japanisme. During his stays in France he painted views of Paris, but also Brittany and Normandy. In this period, in 1896, he was chosen to illustrate My Lady Nicotine by Matthew Barrie. During his third stay in Europe, from 1898 to 1900, he painted in Paris, at Saint-Malo, and mainly in Venice, where, influenced by Vittore Carpaccio he introduced brightly coloured banners into his animated compositions. In oils he painted slowly, touching up his paintings by superimposed brushstrokes, sometimes over several years. He chose to use the divided stroke in an early period, a technique which had similarities with Post-Impressionism. After his travels in Europe and his discovery of Paul Cézanne, he evolved in the direction of the neo-Impressionism of Georges Seurat, placing little dots of colours with a knife, then of the Nabis and even later Fauvism, painting large brushed surfaces in bright colours. After 1899, his Ponte della Paglia in Venice freed itself from strict divisionism, adopting the dense composition in vertically superimposed planes of the Nabis. Like the members of the group of eight, he took his subjects from the daily life of ordinary people, in scenes in the parks or on the beaches of New England, picnics or sometimes circuses. Nevertheless the happy vision that he had of the world separated him strongly from the evolution that led his companions to paint the most miserable and populous milieus, which gave them the name of The Ashcan School. His compositions are arranged in surfaces superimposed vertically, without depth; while the Impressionists and Post-Impressionists were influenced by the layout of Japanese prints, Prendergast was inspired more by Persian miniatures. The decorative elements and the build-up of characters in crowds are placed frontally, like garlands on a tapestry, particularly as he seeks a texture effect, covered entirely by the subject without any empty spaces. His attraction to colours caused him to research all the motifs that he introduced into these compositions: umbrellas, parasols, balloons, draperies. In 1911–1912, he experimented with pastel and treated new subjects, nudes and still-lifes. After 1913, in sympathy with the Symbolists, he put nude figures and everyday characters side by side in the same composition. In his last years, and above all in the watercolours, he discarded the divided stroke and applied larger brushstrokes, similar to the technique of Henri Matisse. Fidelity to the leisurely settings and elegant grooming of the period gave his works, apart from their artistic value, a charming sociological aspect. Singular, almost marginal in his time, his paintings stand out by the density of their composition, in form and colouring, characterised by the accumulation of detail, minutiae of scenery, the serried ranks of people that animate them, the chromatic polyphony of elegance, umbrellas, parasols, and flags. He is a complete painter, particularly generous, who would never be happy to provide only samples of his art. Following Whistler and Mary Cassatt, Maurice Prendergast is one of the most interesting and original Post-Impressionist American painters, and perhaps marks exactly the boundary between the 19th and the 20th centuries. He was considered to be an ‘old master’ from 1920 on, and his works appeared in very many exhibitions of modern American painting. He had his first solo exhibition in 1897 at the Chase Gallery of Boston, where his works were noticed by Madame Montgomery Sears, who made a collection, taking the advice of Mary Cassatt. In 1915 six paintings and watercolours exhibited at the Carroll Gallery of New York established his success and drew the great collectors to him, among whom were Albert Barnes and John Quinn. Group Exhibitions 1974, Ten Americans, Andrew Crispo Gallery, New York 1976, Art of Impulse and Color, University of Maryland Art Gallery, College Park (Maryland) 1982, American Impressionists, Smithsonian Institution, Washington, DC (also presented at the Musée du Petit Palais, Paris) 1999, Town and Country: American Artists, 1870–1920 (Ville et campagne: les artistes américains, 1870–1920), Musée d’Art Américain, Giverny 2002, Japonisme in America: Works on Paper, 1880–1930 (Le Japonisme en Amérique: œuvres sur papier, 1880–1930), Musée d’Art Américain/Terra Foundation for the Arts, Giverny 2007, American Impressionists: Painters of Light and the Modern Landscape, Phillips Collection, Washington, DC 2008, Coming of Age: American Art 1850–1950, Paintings from the Addison Gallery of American Art, Massachusetts, Dulwich Picture Gallery, London 2008, Portrait of a Lady: Paintings and Photographs of American Women in France 1870–1915, Musée des Beaux-Arts, Bordeaux Solo Exhibitions 1934, Maurice Prendergast Memorial Exhibition, Whitney Museum of American Art, New York 1938, Retrospective Exhibition of the Work of Maurice and Charles Prendergast, Addison Gallery of American Art, Andover, MA 1960, Maurice Prendergast, 1859–1924, Museum of Fine Arts, Boston 1990, Art Institute of Chicago 2009, Prendergast in Italy, Peggy Guggenheim Collection, Venice Museum and Gallery Holdings Andover, MA (Addison Gal. of American Art): At the Shore, St. Malo No. 1 and 2 (c. 1907, watercolour and graphite on wove paper, 2 works); Along the Cove (1910–1913, oil on canvas); seven sketches of Paris (1893, oil on wood) Chicago (AI): In the Park (1918–1919) Chicago (Terra Foundation for American Art Collection): Festa del redentore (c. 1899, monotype); The Opera Cloak...

Artist: Peter Max Title: Brooklyn Bridge Medium: Mixed Media on Paper, Original Painting on Lithograph Size: 16" x 21", unframed Year: 2018 Inscription: Signed "Max" on front Peter M...

Mid-Century Miniature Watercolor Landscape - Rockport, Maine Impressionistic watercolor landscape by American artist Johan Selmer Larson, Jr. (1916-1999.) This marshy landscape is r...

Los Angeles street artist Gary John exploded onto the international art scene first during Art Basel Miami in 2013. John’s playfully bold work quickly gained attention and he was nam...

This elegant circa 1895 poster for The Maid of Athens, presented at the Opéra Comique, embodies the refined theatrical aesthetic of the late 19th century. Blending classical inspirat...

Benjamin II Vautier (1895–1974) was a Swiss-born artist, known for his contributions to both painting and graphic art. He was born into a family with artistic roots, as the son of Ot...

This is an exclusive handprinted limited edition cyanotype. "Lake Tahoe Panorama" shows a sequence of abstracted ripples of the calm Tahoe waters. Details: + Title: Lake Tahoe Panor...

ABOUT THIS PIECE: French photographer Ludwig Favre recently road tripped to California. His pictures of California's iconic architecture and beaches carry the same romantic feel of a...

THIS PIECE IS AVAILABLE FRAMED. Please reach out to the gallery for additional information. ABOUT THIS PIECE: Briggs Edward Solomon's artwork is known for its balance and juxtaposi...

Ertè - Exhibition Poster is a vintage offset and screen print realized in 1971. The artwork was realized in the occasion of the artist's exhibition held in Galleria Marino in Rome. ...

A demonstration print executed in front of a live audience in New York City in 1933. Etching on cream laid paper, 6 7/8 x 4 7/8 inches (178 x 127 mm); sheet 11 7/8 x 8 3/16 inches (...

Linnets Over Salthouse by Joanna Padfield [2022] limited_edition and hand signed by the artist Linocuts Edition number 50 Image size: H:30.5 cm x W:30.5 cm Complete Size of Unframed Work: H:38 cm x W:38 cm x D:0.1cm Sold Unframed Please note that insitu images are purely an indication of how a piece may look Linnets Over Salthouse is an original limited edition linocut print, printed in a light blue. All of my prints are printed by hand. The inspiration for this print comes from walks along the beautiful North Norfolk coast. Salthouse is a small and very pretty village. On one side is the heathland and woodland, and on the other are marshes and the sea, making this village rich in wildlife. Jo Padfield, printmaker and artist, is available for sale online and in our gallery at Wychwood Art. Jo Padfield is an artist based in rural Norfolk - I love the natural world and my work celebrates nature and the natural environment, using bright vibrant colours and bold eye catching shapes and patterns. After studying at Norwich School of Art I went on to study and work in architecture. As my path in design continued, I have developed my love of colour and graphics in print making to create linocut prints. I like the process of cutting fresh lino with sharp tools and the anticipation of peeling paper off an inked...

A piece of art from the feature film movie 'Stay' by Stefanie Schneider Stefanie created the art for both main actors Naomi Watts and Ryan Gosling in the movie 'Stay' directed by Ma...

A charming, colorful 1948 Mid-Century Modern beach scene by notable Chicago artist, Harold Haydon. Depicting a sunlit beach scene with bathers and sailboats painted along the sandy ...

ABOUT THIS PIECE: "As a self-portrait artist, I use the observation of my surroundings, personal experiences, and my own personal growth to create conceptual images. I am a highly po...

Shipping Procedure FREE Shipping Worldwide Ships in a well-protected tube. This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. "Adesewa" is an artwork that glorifies the grace and resilience of African women with a regal and sophisticated touch. It showcases their deep connection to cultural roots and the affirmation of identity through the adorned Banky Knots, a traditional African hairstyle. Additionally, the piece embodies themes of self-affirmation and embracing one's true self. Olalekan Odunbori...

The photos from the series Let Me Tell You a Story show, each one individually, certain themes through strongly narrative visual units. Each photograph is dedicated to a specific rep...

This exquisite Art Nouveau postcard, created around 1900 by Alphonse Mucha, features the month of January (Janvier) in a poetic and dreamlike composition. Mucha, renowned for his ele...

An iconic image by the photographer Peter Ruck. Roger Moore, downs a Martini, July 17th, 1968. Moore had recently been awarded his second Bravo Otto award for most popular television...

Le Dur Désir de Durer is an original Modern Rare book and written by Paul Éluard (Saint-Denis, 1895 – Charenton-le-Pont, 1952) and illustrated by Marc Chagall (Lëzna, 1887 – Saint-Pa...

Rainbow Apartments, Italian architecture photograph from Richard Heeps series A Short History of Milan. A Short History of Milan' began in ...

George Dannatt (1915-2009) Icon 1970 Oil on paper 12.7 x 17.7 cm Vertical orientation George Dannatt’s long career as a painter and sculptor ended with the artist’s death in 200...

Rocky Point - Vintage Big Sur Landscape, Original California Painting Beautiful California seascape of Rocky Point in Big Sur, California by an un...

A Timely and Prescient, 1940s WWII Era Political Cartoon / Illustration Ink Drawing by Notable Chicago Modern Artist, Harold Haydon (Am. 1909-1994). Titled "USA No Admittance". A p...

Lovers is an ink and pencil drawing on paper realized in the early 20th Century by Louis Anquetin (1861-1932). Hand-signed on the lower. Good condition. Louis Émile Anquetin (26 J...

THIS PIECE IS AVAILABLE FRAMED. Please reach out to the gallery for additional information. ABOUT THIS ARTIST: French photographer Ludwig Favre recently road tripped to California...