Oversized Mixed Media

A rare opportunity to own a very unique and special painting by the late Svetlana Shalygina. This piece is titled "Straightforward" and it sure makes a statement from every angle. It...

"Suncatcher 1" is an original piece by Roxana Azar made from digital print on digital Print on acrylic, nylon chain. This pieces measures 50"h x 16"w and comes with a signed Certifi...

Painting on Panel signed verso Cecil Touchon Born 1956 Austin, Texas is a contemporary American collage artist, painter, published poet and theorist li...

This unique artwork is created through interweaving strips of painted fabriano paper in order to create a complex composition with depth and texture. The artwork is framed and floate...

Created in dynamic layers of molten red, this Storm Surge tondo by Shayne Dark envelops the viewer. The rich, almost baroque quality of the sculpted surface is enhanced by its metall...

Alison Haley Paul is a contemporary painter of lavishly textured landscapes full of nuanced color. Her work conjures up connotations and geographical memories: that summer you spent ...

Things We See Towards the End, 2020, acrylic, oil, graphite, pastel, thread, nails and yarn on canvas. Spider web. Blue, yellow, red, black, white, pink abstract. Custom framed in a...

The Sorcerer, 2020, acrylic, oil, graphite, pastel, thread and yarn on canvas. Green, blue, pink, abstract. Custom framed in a white floating frame.

In this contemporary mixed media artwork, carefully applied nontraditional materials including light green crushed jade, snakeskin shed, porcupine quills, bonded copper, fossilized w...

One of a kind Mixed Medium on Canvas Artwork: Original abstract mixed media work on canvas, which combines new media - digital original hand painting, printed on canvas, then hand p...

A note about succulents, Canvas, mixed media, 110x90cm The work is sold without a frame.

Artist: Noh Sang-Kyoon, Korean (1958 - ) Title: The Whole Towards the Hole II Medium: Sequins on Canvas, signed, titled and dated verso Size: 54 x 54 inches Frame Size: 55 x 55 inch...

Plaines & Mines, d’Ombre 2025.1 is a vibrant and intricate painting on wood created through the use of stencils, airbrushing, and pyrography. A hand-painted grid in vivid tones of el...

Steven H. Rehfeld (American, born 1954) "Congruence" 2022 Mixed Media, Oil paint, Resin, canvas, stretcher bars The painting is signed by the artist on the back of the canvas. 'Cong...

A child makes a graffiti painting with 'peace signs' on the wall. Because there is a lot of unrest and wars in the world, it wants to show that there should be peace. The symbol d...

This large, vibrant work exemplifies Richard Smith’s mastery of early British Pop Art, showcasing his iconic interlocking red shapes and joyful use of color and abstract form. Richa...

This original framed abstract painting on paper by Kelly Rossetti features a cool blue palette. Expressive strokes and drips of varying blue tones are contrasted by smaller warm dabs...

At Escat Gallery we are committed to maintaining the highest standards of trust and professionalism for our collectors. Every artwork in our collection comes with a Certificate of Au...

False Bar Oil, bitumen, graphite, sand, dry pigment on paper laid on canvas 38" x 50" I am a visual artist whose work investigates small and large -scale abstraction primarily in t...

Inspired by amateur archaeologists such as Heinrich Schliemann who discovered Troy and by past elaborate hoaxes like that of the Piltdown Man, Joshua travels the world performing sta...

Miriam Schapiro, "Curtain Call" 2002 Hand signed, dated and titled verso and signed and dated recto. acrylic paint, digital images, glitter and textile fabric on canvas, tooling with gold leaf embossing around self edge of painting. size: 60 x 50 in Miriam Schapiro (or Mimi Schapiro) (November 15, 1923 – June 20, 2015) was a Canadian-born artist based in America. She was a painter, sculptor and printmaker. She was a pioneer of feminist art. She was also considered a leader of the Pattern and Decoration art movement. Schapiro's artwork blurs the line between fine art and craft. Her paintings contain craft elements because crafts and decoration is associated with women and femininity. She used icons that are associated with women such as hearts, floral decorations, geometric patterns and the color pink. In the 1970s she made a small woman's object, the fan, heroic by painting it six feet by twelve feet. This bears the influence of the Pattern and Decoration movement artists such as Brad Davis, Mary Grigoriadis, Joyce Kozloff, Robert Kushner, Kim MacConnel, Sonya Rapoport, Miriam Schapiro and Valerie Jaudon. Shapiro was born in Toronto, Ontario, Canada. Her father was an industrial design artist who fostered her desire to be an artist and served as her role model and mentor. Her mother was a stay at home mother who worked part-time during the depression. As a teenager, Schapiro was taught by Victor d’Amico, her first modernist teacher at the Museum of Modern Art. In the evenings she joined WPA classes for adults to study drawing from the nude model. In 1943, Schapiro entered Hunter College in New York City, but eventually transferred to the University of Iowa. At the University of Iowa, Schapiro studied painting with Stuart Edie and James Lechay. She studied printmaking under Mauricio Lasansky and was his personal assistant, which then led her to help form the Iowa Print Group. Lasanky taught his students to use several different printing techniques in their work and to study the masters' work in order to find solutions to technical problems. At the State University of Iowa she met the artist Paul Brach, whom she married in 1946.. By 1951 they moved to New York City and befriended many of the Abstract expressionist artists of the New York School, including Joan Mitchell, Larry Rivers, Knox Martin and Michael Goldberg. Schapiro worked in the style of Abstract expressionism during this time period. Shapiro and Brach lived in New York City during the 1950s and 1960s. During this period Shapiro had a successful career as an abstract expressionist painter in the hard-edge style. In December 1957, André Emmerich selected one of her paintings for the opening of his gallery. Schapiro not only honored the craft tradition in women's art, but also paid homage to women artists of the past. In the early 1970s she made paintings and collages which included photo reproductions of Mary Cassatt's and Georgia O'keefe's paintings. Early in her career, Schapiro started looking for maternal symbols to unify her own roles as a woman. Her series, Shrines (1963), was her first artistically successful attempt at compartmentalizing her life roles. Her painting, Big Ox No. 1, from 1968, references Shrines, however no longer compartmentalized. The center O takes on the symbol of the egg which exists as the window into the maternal structure with outstretched limbs. Her series, Shrines was created in 1961–63. It is one of her earliest group of work that was also an autobiography. Each section of the work show an aspect of being a woman artist. They are also symbolic of her body and soul. In 1964 Schapiro and her husband Paul both worked at the Tamarind Lithography Workshop. One of Schapiro's biggest turning points in her art career was working at the workshop and experimenting with Josef Albers' Color-Aid paper, where she began making several new shrines and created her first collages. In the 1970s, Schapiro and Brach moved to California so that both could teach in the art department at the University of California. Subsequently, she was able to establish the Feminist Art Program at the California Institute of the Arts, in Valencia with Judy Chicago. The program set out to address the problems in the arts from an institutional position. They wanted the creation of art to be less of a private, introspective adventure and more of a public process through consciousness raising sessions, personal confessions and technical training. She participated in the Womanhouse exhibition in 1972. Schapiro's smaller piece within Womanhouse, called "Dollhouse", was constructed using various scrap pieces to create all the furniture and accessories in the house. Each room signified a particular role a woman plays in society and depicted the conflicts between them. Along with Nancy Spero, Joan Snyder, Joyce Kozloff, Audrey Flack and Judy Chicago, she is from that first generation of Jewish American feminist women artists and includes Judaica in her work. Schapiro's work from the 1970s onwards consists primarily of collages assembled from fabrics, which she called "femmages". As Schapiro traveled the United States giving lectures, she would ask the women she met for a souvenir. These souvenirs would be used in her collage like paintings. Her 1977-1978 essay Waste Not Want Not: An Inquiry into What Women Saved and Assembled - FEMMAGE (written with Melissa Meyer) describes femmage as the activities of collage, assemblage, découpage and photomontage practised by women using "traditional women's techniques - sewing, piercing, hooking, cutting, appliquéing, cooking and the like..." She was involved in Abstract expressionism, Minimalism, Computer art, and Feminist art. She worked with collage, printmaking, painting, femmage [fr] – using women's craft in her artwork, and sculpture. Schapiro not only honored the craft tradition in women's art, but also paid homage to women artists of the past. In the early 1970s she made paintings and collages which included photo reproductions of past artists such as Mary Cassatt. In the mid 1980s she painted portraits of Frida Kahlo on top of her old self-portrait paintings. In the 1990s Schapiro began to include women of the Russian Avant Garde in her work. The Russian Avant Garde was an important moment in Modern Art history for Schapiro to reflect on because women were seen as equals. Schapiro also did collaborative art projects, like her series of etchings Anonymous was a Woman from 1977. She was able to produce the series with a group of nine women studio-art graduates from the University of Oregon. Each print is an impression made from an untransformed doily that was placed in soft ground on a zinc plate, then etched and printed. Her image is included in the iconic 1972 poster Some Living American Women Artists by Mary Beth Edelson...

An impressive abstract expressionist painting by Christophe measuring 54"x38" framed.. There is an excitement in the art world when you find the artist that is going to be the next ...

In his abstract figurative work, internationally collected artist Alessandro Siviglia deconstructs everyday objects, landscapes, and human subjects into colorful geometric shapes in ...

The title of the series derives from one of the many conversations in which Jorge Luis Borges, a lover of walks and strolls through streets, parks, and gardens, in those conversation...

In Melisa’s optical and pulsating compositions, the natural world acts as blue-print while she explores the notion of the sublime through blur and precision. The artist develops an a...

In Melisa’s optical and pulsating compositions, the natural world acts as blue-print while she explores the notion of the sublime through blur and precision. The artist develops an a...

mixed medium, possibly titled "Bird". signed and dated and titled in pencil. Bruce Robbins, shows at Marlborough Gallery in New York City. born in Philadelphia, graduated from the Co...

Artist: Ruben Poblano – Mexican (20th century ) Title: Astronomo Year: 1968 Medium: Mixed Media on canvas Canvas size: 31.5 x 47.5 inches. Framed size: ...

This piece is an abstract botanical work on paper featuring hues of blue, green, purple, yellow and white in a simple white box frame behind UV Plexiglas. Caroline Bullock is inspired by the work of Agnes Martin, Anish Kapoor, Katharina Grosse, Andy Goldsworthy and Lucy Dodd...

Marilla Palmer Inspired by Rainbows, 2021 watercolor, pressed flowers, Durabrite print, mulberry paper on Arches paper 30 x 40 in. overall 4 panels at 15 x...

In James' paintings, he explores how uncertainty can lead to meaning and understanding. How harmony can be experienced even within tension and chaos and how the recognizable can rise out of purely abstract form. In his abstract paintings he responds to these phenomena by creating contemporary icons – works meant to encourage contemplation and meditation. James' more recent works have evolved from the romantic representational ideal into the symbolic, abstract archetype. He comes from a classical background inspired by the great romantic landscape painters such as Turner, Lorrain, Friedrich and Moran, his recent work is more influenced by the work of artists like Klee, Miro, Rothko, Pollock, Riley and Richter. James creates complex abstractions layered in familiarity and veiled in mysteriousness. The unorthodox methods he uses to apply and move oil paint allow him to create compositions that are formally beautiful – infused with tension and drama but also expressive of the spiritual, symbolic, mysterious and eternal. James' work counters...

Painting on Canvas signed verso, blue white navy blue Cecil Touchon Born 1956 Austin, Texas is a contemporary American collage artist, painter, published poet and theorist living in...

Bitcoin Graffiti Abstract Canvas Art, Cryptocurrency Bitcoin Painting H48"XW70" Innovative and Contemporary Original Mixed Media Painting Abstract ...

Love Between Horses Couple Painting One of a kind Mixed Medium on Canvas Artwork: Original abstract mixed media work on canvas, which combines new media - digital original hand pain...

Amitabh Sengupta - Inscription (Dyptich) Acrylic on Canvas, 72 x 36 inches (Unframed Size) , 2008 ( Unframed & Delivered ) Style : In Amitabh Sengupta's works TIME is depicted in va...

Debra Smith Holding Light, Large #2, 2022 pieced vintage silk 48.4 x 72 in. (smi129) This original artwork by Debra Smith consists of black and cream-colored pieces of cut vintage ...

TYPE: Textiles, wall hanging, mixed media MEDIUM: Faux Crocodile, lace, doilies, hemp cord, faux jewels, fringe, upholstery cord, gesso, and sequins BRIEF STATEMENT for The Remnants ...

"Cascadia 6" explores the assimilation of aerosol painting, pyrography and sanding techniques on wood. The artist engages her work with notions of repetition, mark-making and blur de...

Alea Pinar Du Pre's original mixed media artworks portray human figures in a graphic pop-realist style. An enterprising autodidact merging technology and fine art, her vibrant contemporary pop-figurative artworks colorfully explore the territory between human reality and artificial reality. Her paintings portray the fact that our perceptions of solid reality are deceptively virtual. This unique collage is a part of her "Snapshot" series, as she explains: "We consist of the same atoms, created billions of years ago in a supernova. And here we are living and breathing and experiencing life, and we think we are all so different. I think we are all the same, it’s just that are masks and poses are different. I love humanity and this game we are playing. With snapshot, I am trying to capture the unawareness of the fact that we are the greatest wonder of the universe". This one-of-a-kind 47 inch high by 62 inch wide artwork depicts the portrait of a female figure. Pinar Du Pre's fusion of materials - acrylics, printed elements, and layers of gilt captured under an epoxy lens - represents the layered reality she aims to depict. The sides of this canvas are painted as a continuation of the front and it does not require framing. Pinar Du Pre has signed, titled, and dated this original artwork on the back of the canvas. Free local Los Angeles area delivery. Affordable Continental U.S. and worldwide shipping available. A certificate of authenticity issued by the art gallery is included. Building on the synthetic intensity of digital art, her figurative style depicts a familiar but warped daily life. Alea Pinar Du Pre has been influenced deeply by the traditional fine art and design practices of Kunstlerhaus and Wiener Werkstaette, two artist societies with roots in Vienna, Austria. Paying tribute to her main influences, Alea describes her style as "Jugendstil Pop-Art". But where Pop art was stimulated by the iconography of materialism and the mass culture of its time, her vision is more intimate in its subversive intent. Alea Pinar Du Pre lives and works in Vienna, Austria. Her artworks are exhibited and collected in international hot spots across Europe, Asia, and North America. REPRESENTATION Artplex Gallery, Los Angeles, USA EXHIBITIONS 2021-23 Artplex Gallery, Los Angeles, CA 2019 “Voltage,” Artplex Gallery Los Angeles, California Palm Springs Fine Art Fair, Artplex Gallery 2018 Singapore Artstage, Emmanuel Fremin Gallery “Layered Boldness,” Artplex Gallery, Los Angeles, CA Palm Beach Art Fair, Emmanuel Fremin Gallery “Frequencies,” Sol Art Gallery, Dublin, Ireland Artsource Ireland, Sol Art Gallery, Dublin, Ireland Vue Art Fair, Sol Art Gallery, Dublin, Ireland Istanbul Contemporary Art Fair, Sevil Dolmaci Gallery Group Show, Emmanuel Fremin Gallery AFF New York, Emmanuel Fremin Gallery Solo Show, Sevil Dolmaci Gallery Group Show, Ransom Gallery Artstage Singapore, Emmanuel Fremin Gallery, Singapore Wynwood Art Fair, Sol Art Gallery, Miami, FL AFF Battersea, Cube Gallery AFF Antwerp, Cube Gallery 2017 Scope Miami, Emmanuel Fremin Gallery, Miami, Florida Istanbul Contemporary Art Fair, Redart Gallery, Istanbul “FaceTime,” Solo Show, Sol Art Gallery, Dublin, Ireland AFF New York, Emmanuel Fremin Gallery, New York AFF Hong Kong, Emmanuel Fremin Gallery, Hong Kong Artsource Ireland, Sol Art Gallery, Dublin, Ireland Art Hamptons, Emmanuel Fremin Gallery, Southampton Cube Art...

“Never taking anything for granted, I am so grateful to be able to paint every day.” Anne Harney is a representational painter beginning her work from observation and concluding wit...

Mother of Pearl is a large work from Susan Bleakley and it has all the hallmarks of intricacy for which she is known and collected on both sides of the Atlantic Ocean. Nacre is natur...

Presenting an extraordinary and commanding work of art, an extra-large metal assemblage in post-war style which truly makes a statement. The patinated metal objects create a rich, darkened and golden metallic nuances that are deep and saturated. The physical three-dimensionality arising from the of the metal assemblage further enriches the overall depth, creating an intensely dramatic and captivating visual experience. Due to its size and volume this piece is both remarkable and rare, and will without a doubt stand out in any interior. Within the assemblage, a diverse array of scrap metal objects and plates of varying sizes and forms coexist alongside intriguing remnants, including a leather sole, large leather straps, fragments of a robe, and vintage nails...

Angelica Raquel is a multidisciplinary artist living and working in San Antonio, Texas. She earned her MFA from The University of Texas at San Antonio and a BFA from Texas State Univ...

Paul Manes was born May 4, 1948, in Austin, Texas. He began his professional career in New York City in the early 1980s. His art has been widely exhibited in America and Europe and h...

Mixed media on canvas. Mixture of acrylic and oil paint, and acrylic spray paint. Contemporary Wood Frame Excellent condition. signed

GREG MILLER "OK" Acrylic, Collage 60 x 48 in. Drawing from the diverse cultural and geographic makeup of his Californian roots, Greg Miller explores his relationship with the space...

76 x 38.5 inches

68 x 39 inches

Artist: Verbicky, James Title: Bhavanga 28 Series: Bhavanga Date: 2021 Medium: Mixed Media / Enamel & Crystallina on Canvas Unframed Dimensions: 48" x 48" x 2" Signature: Sign...

1909, 0971 and 1785, Triptych, 2022 by Salvatore Arnone From the ONE series 1909: Photography, pencil, ink, acrylic and pastel on fabric 0971 and 1785: Photography, pencil, ink and p...

"At Sea Between Fossils and Satellites II2" is a textured mixed-media painting that explores the connection between the ancient and the celestial. Created with acrylic, latex, copper...

Beautiful abstract expressionist collage/ painting by Bay Area artist Michael Pauker (American, b.1957). Beige and black are layered with found objects like vintage stamps and paper ...

"KATE", 2018, 140 x 120 cm, is a mixed media work by German artist Devin Miles. The mixed media work on canvas creates an impressive depth and three-dimensionality due to the artists...

A stunning original abstract by the late Svetlana Shalygina with heavy texture on top and subtle dark grey crackle on bottom with a white band in the middle. This contemporary mixed ...

Spanish Windows II Oil, bitumen, graphite, marble powder, burlap on canvas 48" X 72" I am a visual artist whose work investigates small and large -scale abstraction primarily in the...

In Melisa’s optical and pulsating compositions, the natural world acts as blue-print while she explores the notion of the sublime through blur and precision. The artist develops an a...

Joseph Glasco (American, 1925-1996) Lanzorate, 1985 Monotype with fabric collage and mixed media on paper Signed and dated lower right, 1/1, titled lower left 31.5 x 48 inches 37 x 5...

Signed front and verso Oil and acrylic on canvas.

Unique Screenprint Collage on Canvas Reimann specializes in the further development of pop art in the tradition of Warhol’s portraits, paying homage to the icons of the 20th century...

"Behind the Moving Elements" (FRAMED) Abstract Painting 60 x 48 in by Yoram Katz Medium: Mix Media, Acrylic & Enamel on Canvas Comes in frame Size framed: 61 x 49 in ABOUT THE AR...