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Judy ChicagoHildegarde of Bingen, gorgeous Cloisonne Brooch, jewelry The Dinner Party signed1987
1987
$2,800
£2,128.77
€2,456.68
CA$3,919.25
A$4,388.51
CHF 2,289.71
MX$53,470.80
NOK 29,054.74
SEK 27,623.33
DKK 18,337.52
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About the Item
Judy Chicago
Cloisonne Brooch of Hildegard of Bingen from The Dinner Party, 1987
Limited Edition Cloisonne brooch/pin with clasp on the back and Judy Chicago's incised signature and copyright
2 in diameter
Artist's incised signature, date and copyright incised on the reverse (very rare)
Produced by Artwear Concepts, California
Despite Judy Chicago's incredible productivity and popularity, design objects like this exquisite cloisonné brooch, created in the 1980s. are very scarce. This work is dated 1987, with Judy Chicago's original incised signature and copyright. The brooch depicts the original “Hildegard of Bingen” place setting from The Dinner Party. (For inspiration only, we are showing a photograph of Hildegard Dinner Party setting in the permanent collection of the Brooklyn Museum). Hildegard of Bingen (or Saint Bingen) was a German Christian mystic and visionary who lived between 1098-1179. Her other-worldly visions inspired her much celebrated and studied writings, music compositions, and philosophy. In addition to her religious pursuits, Hildegard wrote volumes on medical diagnosis and treatment along with scientific findings and documentation, she is credited as the founder of scientific natural science in Germany. As Judy Chicago writes in the attached documentation, "Hildegarde of Bingen was one of the greatest and most original thinkers of Medieval Europe. She was an abess, a scientist, a leading medical woman, a scholar, a musician and prolific composer, political and religious figure and a visionary. Her writings are among the earliest most important mystic works of the Middle Ages...I have adopted the design of her plate, which relates to the image of a stained glass window, for this pin, which is meant to be worn in commemoration of women's rich heritage.."
Judy Chicago's The Dinner Party is a groundbreaking work of feminist art and is a transformative accomplishment in American art of the 20th century. It debuted to much sensationalism in 1979, The Dinner Party ultimately toured several continents reaching an audience of millions. After many years in storage, in 2007 it re-opened in its permanent home at the (likely soon to be re-named!) Elizabeth A. Sackler Center for Feminist Art at the Brooklyn Museum, New York. Judy Chicago conceptualized this large-scale installation to serve as a symbolic history of women in Western civilization. The Dinner Party is comprised of a huge ceremonial banquet table with 39 place-settings. Each place-setting commemorates a historical or mythical female figure including artists, goddesses, activists, and martyrs. Each of these unique place-settings includes a hand-painted plate depicting a brightly-colored and elaborately styled pattern (often in forms that recall female sexual organs). Like many of the elements of The Dinner Party, this cloisonné pin similarly embellishes and celebrates a marginal (but radical) figure from the history of civilization and feminist history.
Judy Chicago
Judy Chicago (born 1939) is an American feminist artist, art educator, and writer known for her large collaborative art installation pieces about birth and creation images, which examine the role of women in history and culture. Chicago's work incorporates a variety of artistic skills, such as needlework, counterbalanced with labor-intensive skills such as welding and pyrotechnics. Chicago's most well known work is The Dinner Party, which is permanently installed in the Elizabeth A. Sackler Center for Feminist Art at the Brooklyn Museum. Her work is in the collections of the British Museum, Metropolitan Museum of Art (New York), National Gallery (Washington DC), LACMA, Hammer Museum, San Francisco Museum of Modern Art, and Tate Modern.
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When she was 18, Saint Phalle eloped with Henry Matthews, an author and childhood friend. While Matthews studied music at Harvard University, Saint Phalle began to explore painting, and gave birth to her daughter Laura in 1951, when she was 20 years old.
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In 1952, the Matthews and Saint Phalle moved to Paris, where he continued to study music and Saint Phalle studied theater. The couple traveled extensively in Europe, gaining exposure to art by the Old Masters. The following year, Saint Phalle was diagnosed with a "nervous breakdown" and hospitalized in a psychiatric facility. She was encouraged to paint as a form of therapy, and consequently gave up her theater studies in favor of becoming an artist.
The couple moved to Mallorca off the coast of Spain, where their son Philip was born in 1955. During this time, Saint Phalle developed her imaginative, self-taught style of painting, experimenting with a variety of forms and materials. She also discovered the architecture of Antonio Gaudi, which had a strong influence on her work. Gaudi's Park Guell in Barcelona was instrumental in Saint Phalle's early conceptualization of the elaborate sculpture garden she would fulfill much later in her career.
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At the end of the 1950s, Saint Phalle and her husband moved back to Paris. In 1960, however, the couple separated and Saint Phalle moved to a new apartment, established a studio, and met artist Jean Tinguely, with whom she would collaborate artistically. Within a year, they had moved in together and begun a romantic relationship.
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