Conceptual Mixed Media

"Far From Home" by Michael Adetula is a poignant artwork that eloquently captures the essence of the human pursuit for a better life and the bittersweet experience of being far away ...

An original mixed media woven paper and staple wall sculpture by Jozef Bajus. This work can be acquired in a shadow box frame presentation for an additional $350.

"Gaze is a Powerful Language," a creation by the talented artist Michael Adetula, is a compelling artwork that explores the captivating and expressive power of a young woman's gaze. ...

The title for this work was inspired by the ruminations of Charles Manson in the 2010 publication Charles Manson NOW. “When you come to prison and you stay the fifteen years, all the dogs of the world are dead when you come back out, there is no dog that was a live when you were out last time. The three dog...

The focal point of the artwork, the man's free-flowing dreadlocks, serves as a potent symbol of individuality and cultural diversity. In many cultures, dreadlocks have deep-rooted historical and spiritual significance, representing a unique connection to heritage, self-expression, and identity. By emphasizing the man's hair in the portrait, Adetula calls attention to the fact that discrimination often arises from superficial judgments based on appearance, whether it be hairstyles, clothing choices, or language differences. The artwork's title, "I Need Some Love," conveys a heartfelt plea for compassion and understanding. It reminds us that discrimination and prejudice have no place in a harmonious and inclusive society. Adetula's creation urges us to break free from these harmful mindsets and cultivate a culture of empathy and acceptance toward one another. The message of the artwork resonates strongly with the call to let love prevail, irrespective of one's origin or outward appearance. Discrimination, whether conscious or unconscious, hinders our collective progress as a society. It erects barriers between individuals and communities, fostering mistrust and animosity. Adetula's artwork encourages us to dismantle these barriers and build bridges instead. Embracing diversity enriches our lives, broadens our perspectives, and fosters a climate of respect and unity. The man's free-flowing dreadlocks symbolize the beauty of embracing cultural differences and recognizing the uniqueness that each individual brings to the table. Moreover, "I Need Some Love" emphasizes the power of love as a transformative force. The artwork reminds us that by approaching others with love, compassion, and understanding, we can create an environment where everyone feels valued, respected, and heard. Correcting people with love, rather than judgment or hostility, allows us to foster meaningful connections and open up constructive dialogues, thereby nurturing a culture of growth and understanding. The man depicted in the artwork is a poignant reminder that every person deserves happiness and love, irrespective of their appearance, background, or language. Embracing diversity not only enhances our interpersonal relationships but also contributes to the betterment of society as a whole. When we treat one another with kindness and empathy, we foster a sense of belonging and acceptance that empowers individuals to thrive and contribute positively to their communities. In conclusion, "I Need Some Love" by Michael Adetula...

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. About Artist Michael Adetula...

The central theme of the artwork revolves around the concept of love, partnership, and the strength that comes from sharing life's journey with someone you truly cherish. The portrayal of a woman standing behind a man is symbolic and highlights the significance of being someone's backbone, providing much-needed support and encouragement in every situation. The title, "My Backbone and I," aptly captures the essence of the artwork. It emphasizes the interconnectedness of the couple, where each person complements and supports the other, forming an unbreakable bond. This piece reminds us that true love involves more than just being there during the good times; it means standing together, hand-in-hand, through life's challenges and triumphs. In the context of the artwork, the woman's presence behind the man represents her role as a steadfast pillar of strength, constantly supporting and empowering him. This representation challenges traditional gender norms, debunking the outdated notion that women should always stand behind men. Instead, it celebrates the idea that a successful partnership is built on mutual respect, equal footing, and shared responsibilities. The artist, Michael Adetula...

Generation A’, 2017, 20 x 24,3 cm, edition 2/10, digital C-Print based on a Polaroid collage with superimposed transparency. Numbered and signed on the back by the artist. A piece f...

Gouache and technic mixte on paper, signed in the text. Benjamin Vautier was born July 18, 1935 in Naples, Italy to a French family. He is the great-grandson of the Swiss painter Marc Louis Benjamin Vautier [fr] (1829-1898). He discovered Yves Klein and the Nouveau Réalisme in the 1950s, but he became quickly interested in the French dada artist Marcel Duchamp and the music of John Cage. In 1959, Vautier founded the journal Ben Dieu. In 1960, he had his first one-man show, Rien et tout in Laboratoire 32. Ben joined George Maciunas...

Gouche and technic mixte on paper.signed in the text. Benjamin Vautier was born July 18, 1935 in Naples, Italy to a French family. He is the great-grandson of the Swiss painter Marc Louis Benjamin Vautier [fr] (1829-1898). He discovered Yves Klein and the Nouveau Réalisme in the 1950s, but he became quickly interested in the French dada artist Marcel Duchamp and the music of John Cage. In 1959, Vautier founded the journal Ben Dieu.[2] In 1960, he had his first one-man show, Rien et tout in Laboratoire 32. Ben joined George Maciunas...

Ken Aptekar American (b. 1950) Go Know (Study) 1996 Graphite, white pigment, transparency film, and staples on paper Hand signed lower right sheet: 18 x 18 inches frame dimensions: 21 x 21 x 1 3/4 inches, wood frame with acrylic glazing Ken Aptekar is an artist who combines painting with text. He paints new versions of historical paintings and frames, bolting glass with sandblasted words to his painted panels. Aptekar’s work belongs to the tradition of painting, yet he brings to that tradition a recognition that paintings produce meaning only through their interaction with viewers. He investigates the nature of spectatorship. By “recreating” works of art in a painterly but utilitarian manner, Aptekar promotes viewers’ own narratives prompted by the image-text combinations. Born in Detroit, Aptekar received his BFA at the University of Michigan, then moved to Brooklyn to complete an MFA at Pratt Institute. Most recently, his work was featured at the Jewish Museum in Vienna, Austria, and in the Biennale Internationale d’Autun, in Autun, France. A major commissioned solo exhibition, NACHBARN (“NEIGHBORS”), 2016, was on view at the St. Annen Museum in Lübeck, Germany, including paintings with text, silverpoint drawings, and video all based upon medieval altarpieces in the St. Annen Museum’s collection. Previously, his work has been seen in solo exhibitions at the Victoria & Albert Museum in collaboration with the Serpentine Gallery (London), the Corcoran Gallery of Art (Washington, DC), Memorial Art Gallery (Rochester, NY), Centro da Cultura Judaica (Sao Paolo, Brazil), Musée Robert Dubois-Corneau (Brunoy, France), the New Museum (New York, NY), Douglas Cooley Gallery at Reed College (Portland, OR), Palmer Museum of Art at Penn State (State College, PA), Cummer Museum (Jacksonville, FL), and the Elaine Jacob Gallery at Wayne State University (Detroit, MI). In 2012 Aptekar’s work was the subject of a survey exhibition, ​“Ken Aptekar: Look Again,” at the Beard and Weil Galleries, Wheaton College, Massachusetts. He was in the show Words & Music with John Giorno, Cheonae Kim...

Et Dominus by Robert Perez Acrylic on wood 24x24 Conceptual Abstract, Mixed Media, Colors: Orange, Pink, Black, White, Green

Human Target 1 Anatol Pacanowski, (1945) Date: 1981 Acrylic, Airbrush and Collaged Media on Canvas, Signed and Dated right Size: 51 in. x 41 in. (129.54 ...

Artist: Dike Blair, American (1952 - ) Title: YES NO Year: 1986 Medium: Mixed Media Collage, signed and dated verso Frame Size: 98 x 17.5 inches

This is a one of a kind original conceptual paper collage by Southern California artist, May-Ling Martinez. It is framed as pictured. Its dimensions are 20"x27.5". A certificate of a...

Artist: Josep Grau-Garriga, Spanish (1929 - 2011) Title: Nivea and Insects Year: circa 1966 Medium: Acrylic and Collage on Paper Size: 23.5 x 18 in. (59.69 x 45.72 cm)

Abstraction About Subtle Royal blue with gold leaf on carved wood panel. Krzysztof (Chris) Sokolovski born in 1985 in Eisiskes in Lithuania. Visual artist creating neosacral art: pa...

An original mixed media work on paper and wooden sculpture by American artist Andrew Topolski. This piece is signed and dated "82" upper left. This unique combination was created f...

An original salt on paper work by contemporary conceptual artist Jody Hanson. This piece is "Clutch", 2019, Copper sulfate and Potassium ferricyanide on paper. Artwork size 20” x ...

A unique wheat pasted photograph onto found wood by American conceptual artist Max Collins (b.1988). This work was featured in a unique exhibition curated...

An original mixed media woven paper and staple wall sculpture by Jozef Bajus. This work can be acquired in a shadow box frame presentation for an additional $350.

An original contemporary mixed media work by conceptual artist Jody Hanson. Botanical, 2013, Potassium ferricyanide and salt on paper. artwork size 16” x 12”

Roni Nicholson (American, XX), "The Child (Aids)", Mixed Media on Linen with Assemblage Elements, 1991-1992, signed, titled, dated, and exhibition form verso, unframed. 53.5" H x 54...

Roni Nicholson (American, XX), "Flight", Mixed Media on Linen with Assemblage Elements, 1982, signed, titled, and dated verso, unframed. 53.5" H x 54.25" W x 1.25" D. Provenance: A...

Roni Nicholson (American, XX), "Argentina", Mixed Media on Linen with Assemblage Elements, 1985, signed, titled, dated, and inscribed "Red painting with child's black shirt" verso, u...

Scott Froschauer is an experimental artist who lives and works in Los Angeles, where his primary focus is exploring new spaces and techniques for communication. This series "Word on ...

Scott Froschauer is an experimental artist who lives and works in Los Angeles, where his primary focus is exploring new spaces and techniques for communication. This series "Word on ...

Scott Froschauer is an experimental artist who lives and works in Los Angeles, where his primary focus is exploring new spaces and techniques for communication. This series "Word on ...

This triptych "Before and After" consists of three conceptual drawings on paper from the collection "Manuscripts". The size is 40x30cm of each artwork, high-density paper (360g/m2). ...

This is a one of a kind original conceptual paper collage by Southern California artist, May-Ling Martinez. It is framed as pictured. Its dimensions are 20"x27.5". A certificate of a...

Scott Froschauer is an experimental artist who lives and works in Los Angeles, where his primary focus is exploring new spaces and techniques for communication. This series "Word on ...

Scott Froschauer is an experimental artist who lives and works in Los Angeles, where his primary focus is exploring new spaces and techniques for communication. This series "Word on ...

Scott Froschauer is an experimental artist who lives and works in Los Angeles, where his primary focus is exploring new spaces and techniques for communication. This series "Word on ...

Scott Froschauer is an experimental artist who lives and works in Los Angeles, where his primary focus is exploring new spaces and techniques for communication. This series "Word on ...

Scott Froschauer is an experimental artist who lives and works in Los Angeles, where his primary focus is exploring new spaces and techniques for comm...

Scott Froschauer is an experimental artist who lives and works in Los Angeles, where his primary focus is exploring new spaces and techniques for communication. This series "Word on ...

Scott Froschauer is an experimental artist who lives and works in Los Angeles, where his primary focus is exploring new spaces and techniques for communication. This series "Word on ...

Patrick is a conceptual artist, curator, and theorist exploring how media shape our perception of reality as well as the borders between the digital and the material. He is best know...

Style: Contemporary, Modern, Conceptual Small study for the series “Rare Earth"

Style: Contemporary, Modern, Conceptual Small study for the series “Rare Earth"

Inkjet print of digital photograph on Kakejikuya kozo washi Kojun is an self-taught multimédia American artist born in 1977 based in Tokyo, Japan since 1999. Kojun project started i...

Jo Yarrington has always been interested in chance and the found {moment, object, person}. How random experiences click in to place, form a narrative, reveal a truth. All the work ...

Jo Yarrington has always been interested in chance and the found {moment, object, person}. How random experiences click in to place, form a narrative, reveal a truth. All the work ...

Jo Yarrington has always been interested in chance and the found {moment, object, person}. How random experiences click in to place, form a narrative, reveal a truth. All the work ...

Jo Yarrington has always been interested in chance and the found {moment, object, person}. How random experiences click in to place, form a narrative, reveal a truth. All the work ...

Jo Yarrington’s photographs, prints, works on paper, glass sculptures and architecturally-based installations have been shown in exhibitions at the Aldrich Contemporary Art Museum, Y...

Jo Yarrington’s photographs, prints, works on paper, glass sculptures and architecturally-based installations have been shown in exhibitions at the Aldrich Contemporary Art Museum, Y...

Jo Yarrington’s photographs, prints, works on paper, glass sculptures and architecturally-based installations have been shown in exhibitions at the Aldrich Contemporary Art Museum, Y...

Jo Yarrington’s photographs, prints, works on paper, glass sculptures and architecturally-based installations have been shown in exhibitions at the Aldrich Contemporary Art Museum, Yale University, Cornell University, the Museum of Glass, the DeCordova Museum and Sculpture Park, Artists Space, St. John the Divine Cathedral, Grounds for Sculpture, the Museum of American Glass and ODETTA, among others. International exhibitions have included Guangzhou Academy of Fine Arts Museum, Glasgow School of Art, Glasgow Cathedral, Glasgow University, Galeria Sala Uno and Centro de las Artes de Guanajuato. She represented the United States at the Sharjah Biennial, United Arab Emirates and participated in the Berlin Biennial. in 2010 she received the Bronze Prize, the Museum of Contemporary Art, Skopje, Macedonia. Yarrington is a recipient of artist grants and Fellowships from the Pollock Krasner Foundation, the New York Foundation for the Arts, the Pennsylvania Council on the Arts and the Connecticut Commission on Culture and Tourism. She has received Residency Fellowships from the MacDowell Colony, the Museum of Glass, the Museum of American Glass, the Bridge Virtual Residency/ SciArt Center, the Lucile Walton Fellow/Mountain Lake Biological Station, the Virginia Center for Creative Arts, the Anderson Center and the Ucross Foundation, among others. International grants and fellowships have included the Banff Center for Arts and Creativity/Canada, SIMS Residency/ Iceland, Cill Rialaig Artists Residency/Ireland, the Burren College of Art Residency/Ireland and the American Scandinavian Foundation. She is a Professor of Visual and Performing Arts at Fairfield University and lives and works in New York City. STATEMENT In site-specific exhibitions, public art commissions, collaborative and individual projects Jo Yarrington has used varied combinations of glass, waxed surfaces, found artifacts and experimental analog photography to investigate the way we perceive – searching for, experimenting with and developing throughout a sensory-based vernacular. Her mostly translucent materials function as physical framework and symbolic membrane. Light, both natural and ambient, provides a kinetic or time-based element to her work. Scale and the integration of architecture are also pivotal components. In the 6-part installation for the two-person exhibition Illuminated, Yarrington continues her interest in the connections between vision, sound and language. In Mute-ability: Compositions 1 – 6, her title for this light-based comprehensive work, she combines the words mute and malleability. The work focuses on found piano rolls, a music storage medium, originally conceived as coded notations or ‘note control data’ for music produced in pneumatic player pianos...

Gold acrylic on reclaimed wood on panel Blue acrylic on sides Born in Tallahasee Fl, William started his artistic career as a color consultant for his family's Design and Painting company that took on constant projects of custom painted interiors and decorating. This work of 20 yrs lead him to his fascination with textiles and paint, along with custom furniture. After creating and selling dozens of unique pieces of furniture, here began his transition from wall, to wood on furniture, to canvas. Painting on canvas was the culmination of his creative outlet. William feels that his lack of formal training in Fine Art has afforded him a freedom to paint what he envisions and feels, rather than conform to specific style or genre that he feels is limiting Inspired by hard edge abstraction and color field art such as Kenneth Noland, Joseph Albers, Gene Davis, Frank Stella, Anne Truitt, Imi knobel.William is showing his work locally and nationally and being collected in Palm Beach Island, Washington and New York. Gallery Representation DTR Modern Galleries 440 S. County, Palm Beach FL 33480 DTR Modern Galleries Boston NoSo Fine Art, 3716 S. Dixie Hwy West Palm Beach Fl 33405 Gary Rubinstein Antiques, Miami Fl JF Gallery...

acrylic, duct tape, metal, steel on wood acrylic on board Born in Tallahasee Fl, William started his artistic career as a color consultant for his family's Design and Painting company that took on constant projects of custom painted interiors and decorating. This work of 20 yrs lead him to his fascination with textiles and paint, along with custom furniture. After creating and selling dozens of unique pieces of furniture, here began his transition from wall, to wood on furniture, to canvas. Painting on canvas was the culmination of his creative outlet. William feels that his lack of formal training in Fine Art has afforded him a freedom to paint what he envisions and feels, rather than conform to specific style or genre that he feels is limiting Inspired by hard edge abstraction and color field art such as Kenneth Noland, Joseph Albers, Gene Davis, Frank Stella, Anne Truitt, Imi knobel.William is showing his work locally and nationally and being collected in Palm Beach Island, Washington and New York. Gallery Representation DTR Modern Galleries 440 S. County, Palm Beach FL 33480 DTR Modern Galleries Boston NoSo Fine Art, 3716 S. Dixie Hwy West Palm...

"Alphabet Colors" is an original mixed media drawing on canvas by Tom Shelton. The artist used crayon, colored pencil, and ink. The artist says: “Looking at cursive writing teachin...

Inkjet print of digtial photgraph on Kakejikuya kozo washi with origami backing paper Kojun is an self-taught multimédia American artist born in 1977 based in Tokyo, Japan since 199...

This sculptural installation incorporates running water and and interior light which activates the scene of a streambed along a grassy knoll. Kathleen Vance is an environmental artist who creates projects that connect people to local aspects of nature that are overlooked or under appreciated. With the series “Traveling Landscapes” Vance creates miniature landscapes with running streams and rivers inside vintage suitcases and trunks...

What's Old is New 18.0 x 20.0 x 4.0, 2.0 lbs Mixed Media Hand signed by artist Artist's Commentary: "What’s Old is New is part of series called: Mind Springs that all started wit...

Matte finish silver leaf over ABS thermoplastic viewer / Washi diffuser with silver gindei wash Kojun is an self-taught multimédia American artist born in 1977 based in Tokyo, Japan ...

Inkjet print of digital photograph on hemp washi Kojun is an self-taught multimédia American artist born in 1977 based in Tokyo, Japan since 1999. Kojun project started in 2010 expl...

UV print of digital photograph on pewter leaf on paper, mounted in Japanese silk scroll Kojun is an self-taught multimédia American artist born in 1977 based in Tokyo, Japan since 1...

Inkjet print of digtial photgraph on Kakejikuya kozo washi with origami backing paper Kojun is an self-taught multimédia American artist born in 1977 based in Tokyo, Japan since 199...

UV print of digital photograph on brass leaf on paper Kojun is an self-taught multimédia American artist born in 1977 based in Tokyo, Japan since 1999. Kojun project started in 2010...