Tracey Emin

I Could Have Really Loved You (Limited Edition Elegantly Wrapped Lavender Soap)

2011

Red Grooms New York City Newsstand, "Extra, Extra Read All About It", 2003 Mixed Media 3-D Construction in Custom Fitted Lucite Box 20 × 26 1/2 × 10 1/2 inches Frame included Edition...

Mark Wallinger It's the Thought that Counts, 2001 Mixed media Christmas cracker, colored paper/ cardboard and ribbon with snap Plate signed by Mark W...

Romero Britto Friar's Club Award for Tony Bennett, 2016 Mixed Media Enamel and Iron Sculpture on marble base This sculpture is signed by the artist with permanent marker on the base ...

Howard Kanovitz The People, 1971 3-5 Mixed Media Silkscreen on Plexiglas and aluminum base Signed: Artist's Signature etched on the work and annotated A.P., Edition of 1 (an Artists Proof, aside from the regular edition of 75) 15 × 16 × 1 1/2 inches Signatured etched on the work and annotated A.P. , aside from the limited edition of 75. This excellent 1971 3-D photo realist work "The People" is a multiple based upon a larger work the artist did of people beholding a work of art. Here, we see them only from behind, because they are busy looking at art - a clever photorealist work - art about art - catching people in the process of looking at art. Howard Kanovitz Biography Howard Kanovitz was a leader of Photo Realism: a documenter of style and fashion, depicting members of the art scene at openings, or superimposing known critics and curators onto images of board room meetings. In his particular style, he explored the intersections of painting, photography, fiction, and fact. Kanovitz studied at the Rhode Island School of Design and The Art Studenst League in Woodstock where he worked with Yasuo Kyniyoshi before moving to New York an apprenticing with Franz Kline. As a member of New York’s downtown art scene, Kanovitz painted abstract paintings, which he exhibited at Tenth Street Galleries early in his career. Following his father’s death in 1963, Kanovitz went through family photos, an experience which prompted him to interrogate the relationship between images and perception. At this time, Kanovitz abandoned abstraction in favor of a figurative style and worked arduously in this new direction. These efforts culminated in a 1966 solo exhibition at the Jewish Museum, securing his place as a leader of Photo Realism among artists such as Larry Rivers, Alex Katz, and Chuck Close. His photo based, representational paintings exhibited at the Jewish Museum show were the first to be called “photo-realist” and shocked many in the art community prompting a symposium which was held at the New York Studio School for “downtown artists” to weigh in on this perennial “hot topic”, newly addressed by one of their own. Kanovitz first began using airbrush in 1967, giving his paintings a feeling of photographic perfection. Cut out figures created using this precisionist technique were placed in the viewers space, often in front of Kanovitz’s painted canvas depicting the luminaries of the art world of the time. This type of installation was the centerpiece in the first of several Waddell Gallery shows. Kanovitz has been the subject of many solo museum shows internationally and his work is collected by institutions such as the Whitney Museum of American Art, Metropolitan Museum of Art, Tate Britain, London, and Museum Moderner Kunst, Vienna. -Courtesy Eric Firestone...

"Altai Argaliu" is a beautiful contemporary sculpture created by the Canadian artist Yulia Shtern. Her work depicts beautifully decaying remnants of species on our planet that are cu...

"For Fox Sake" is a sculpture by the Italy-based Canadian Artist Yulia Shtern. Red Fox is the species of fox with the widest distribution. They inhabit most of the Northern Hemisphere. Their status is listed as "least concern" by the International Union for Conservation of Nature due to their ability to adapt to human expansion. However, having been introduced to Australia with disastrous results, the red fox is on the list of the world's 100 worst invasive species. This piece is made from completely up / recycled materials, lessening the artist's carbon footprint in the art world. From the artist: "One of the biggest, ugliest truths of our time is that we have been knowingly destroying our planet and killing off its natural life in pursuit of the falsehoods promised by mass consumption. Displaying a trophy of a stuffed dead animal...

"Eastern Puma" is a wonderfully morbid sculpture created by the Canadian artist Yulia Shtern. This piece is part of her Mini Zoo Series depicting beautifully decaying remnants of species on our planet that are currently endangered. An unfortunate truth of our current society that is often forgotten. Shtern creates these beautiful pieces to draw the viewer in and force them to engage with reality head-on. Follow our gallery, or message us for more works by Yulia Shtern and special pricing. From the artist "My new series of sculptures Magical Zoo observes this calamity through the prism of the wonder and playfulness of the natural world, through the miracle and majesty that is found in each and every animal, big and small, aquatic and land. The medium of the series consists of post mass consumption up-cycled material: paper products, packaging, non-recyclable plastics, fabric leftovers, other items that would have otherwise gone to a landfill. All the color on the finished sculptures comes from swatches of the up-cycled material itself. The only other substance added to the work is the transparent varnish glue. The pieces in the series are produced in an environmentally sustainable manner. Magical Zoo creates its own reality through the dualism of a colorful, whimsical representation of an animal whose habitat has been destroyed by industrial expansion or deforestation. Or an animal that was a hair away from going extinct, or an animal that could be next unless we do something today to stop this tragedy. The element of magic makes it easier to cope with the fact that our planet is dying...

"Midnight," is a stunning sculpture by Canadian artist, Yulia Shtern. She as modeled this work after the endangered Mongolian species Altai Argali. The animal is brightly colored, in a rainbow color scheme in this work. She has done a fabulous job of making her subject matter eye catching and dynamic. Shtern styles this series after the tradition of mounting heads by hunters, but instead she gives life to her up-cycled materials and fights against the inhumane act of trophy hanging. Follow our storefront, or message us for more works by Yulia Shtern, and for special pricing. From the artist: "One of the biggest, ugliest truths of our time is that we have been knowingly destroying our planet and killing off its natural life in pursuit of the falsehoods promised by mass consumption. Displaying a trophy of a stuffed dead animal...