Oversized More Art

Available in multiple color/finish options (inquire with gallery). Installations are made to order, sizes and shapes of butterflies vary. Unique, open edition. Ships with installation template and loaner tool kit. Installation can be arranged with JONATHAN FERRARA GALLERY. *Reach is a series of pieces with the same composition and butterfly elements. Variations in the materials (found aluminum cans) and in the finishes result in subtle differences making each Reach piece unique within the series. PAUL VILLINSKI has created studio and large-scale artworks for more than three decades. Villinski was born in York, Maine, USA, in 1960, son of an Air Force navigator. He has lived and worked in New York City since 1982. A scenic route through the educational system included stops at Phillips Exeter Academy and the Massachusetts College of Art, and a BFA with honors from the Cooper Union for the Advancement of Science and Art in 1984. He lives with his partner, the painter Amy Park, and their son, Lark, in their studios in Long Island City, NY. His work has been included in numerous exhibitions nationally. A mid-career retrospective, “Farther,” is currently on view at The Taubman Museum of Art in Roanoke, VA, through July, 2018. Recent solo exhibitions include “Paul Villinski: Burst” at the McNay Art Museum in San Antonio, TX and “Passage: A Special Installation,” at the Blanton Museum, University of Texas, Austin. Recent group shows include “Material Transformations” at the Montgomery Museum of Art, Montgomery, AL; “Re: Collection,” at the Museum of Arts and Design, New York, NY; “Making Mends,” at the Bellevue Museum of Arts, Bellevue, WA; and “Prospect .1,” an international Biennial in New Orleans, LA. “Emergency Response Studio,” a FEMA trailer transformed into an off-the-grid mobile artist’s studio, was the subject of a solo exhibition at Rice University Art Gallery, Houston, TX; the exhibition also travelled to Ballroom Marfa, in Marfa, TX; Wesleyan University’s Zilkha Gallery, Middletown, CT; and the trailer was featured in the New Museum’s “Festival of Ideas for the New City”, in New York, NY. Villinski’s work is widely collected, including major public works created by commission. “SkyCycles,” three full-scale “flying bicycles...

Robert Indiana Love Rug in Black and White (1995) Large Format This unique hand-tufted wool rug, created by the iconic American artist Robert ...

The colorful abstract artworks of Romanian artist Alex Voinea are inspired by experiments with paint poured over vibrating surfaces, such as speakers at full volume. Alex Voinea collaborates with chance to evoke the energy of the moment. Projections of paint, splashes of pure material, and streams of color are whiplash expressions of the temporary in his modern artworks. Voinea captures and freezes, in an instant, an imaginary and expressive burst of color that electrifies a space. This one-of-a-kind diptych measures a combined 35 inches high and 102 inches wide. It is comprised of two 35-inch tall by 51-inch wide canvases. It is a fluorescent abstract composition painted with acrylic paint on canvas by Alex Voinea. This artwork is signed and titled on the back. It does not require framing. This original painting is double-wired and may be installed vertically or horizontally. Free local Los Angeles area delivery. Affordable Continental U.S. and worldwide shipping are available. Provenance: Artplex Gallery. A certificate of authenticity issued by the art gallery is included with this original work. Alex Voinea was born in Romania in 1973. Leaving Romania after the revolution in 1989, he moved to Italy. Voinea's saturated abstract paintings are a rush of adrenaline and inspire liveliness in the spaces they are displayed. Although active, his work also finds balance and harmony. The challenge of each surface inspires Voinea and his studio is an incubator of color and energy. "I am interested in the physics of materials and the purity of pigments in their various states and how they respond to the different circumstances and situations that I create. With my work I try to convey the feeling of being immersed in a universe where color is the protagonist." Voinea now lives in Barcelona. His abstract paintings have been shown in varying international art hot spots, including Brussels, Paris, London, Milan, Amsterdam, New York, and Los Angeles. REPRESENTATION Artplex Gallery Los Angeles SOLO EXHIBITIONS 2024 Artplex Gallery, Los Angeles, CA, USA 2018 Alex Voinea, MM Gallery, Brussels, Belgium 2010 Galería Dharmakaya, Barcelona, Spain 2011 “Abstractos de Sitges”, Galería A037, Sitges, Spain 2011 Biennale a Confronto, Galería San Vidal, Venecia, Italy 2009 “Animales”, Galería A037, Sitges, Spain GROUP EXHIBITIONS 2021-23 Artplex Gallery, Los Angeles, CA 2019 Winter Collective, MM Gallery, Brussels 2018 “Carrement Abstrait”, MM Gallery, Brussels Summer Collective, MM Gallery, Brussels Collective, Maze Gallery, London, UK 2017 “Abstraction Group Show”, MM Gallery, Brussels, Belgium “VInt” ARTistes”, Fundación Pinnae, Vilafranca de Pendes, Spain 2016 Recicl’arte 2016, Drap-art y SAGA, Edificio Miramar, Sitges, Spain “Art al Vidre”, Fundación Pinnae, Vilafranca de Pendes, Spain “Naturalezas”, Museo Gustavo de Maeztu, Navarra...

CHARLES LEVIER – "LE VASE BLEU" Oil on Canvas ⚜ Signed Lower Right & Verso ⚜ Professionally Framed A RARE MIDCENTURY STILL LIFE WITH HISTORICAL DEPTH A striking floral still life by...

Playing with the interaction between positive and negative space, strong colors on neutral backgrounds, Canadian artist Virginie Schroeder creates pop art portraits and iconic pop cu...

This exceptional artwork is currently on display and available for sale at Signet Contemporary Art Gallery and online. "Dreaming of Wildflowers" by Cat Tesla is an abstract explorat...

‘Your Song Refreshed My Soul’ is an original acrylic painting by Sarah Ollerenshaw. This painting resonates and inspires for a moment a spiritual transportation away from the busynes...

A colorful Cape Ann, Massachusetts marine harbor scene with boats docked by American artist Emile Albert Gruppé (1896-1978). Gruppé was born in Rochester, NY, and is renowned for his New England landscapes and vigorous portrayals of the harbors and houses of Gloucester, Massachusetts. The son of landscape artist Charles P. Gruppé (1860-1940), Emile enjoyed a long and successful career that spanned over six decades.In 1925, Gruppé began spending summers in Gloucester. He established a studio on Rocky Neck in East Gloucester where he taught plein-air classes. In 1942 —along with Bridgman, Carlson, Miller and Chapman—he established the Gruppé Summer School, which he continued to operate until 1970.Gruppé’s works hang in many colleges and museums: Smith College, Silberman College in Montreal, the University of Idaho, the Los Angeles Museum, the San Antonio Museum and the de Cordova Museum. His paintings are also at the White House in Washington, D.C. and the Gruppe Summer School in Gloucester. Oil on canvas, signed lower right, title inscribed on verso stretcher “Sunset, Rockport Harbor...

David Rankin is a New York-based, British-born Australian post-war and contemporary artist known for his expressionistic abstract paintings. His work can be categorized by his use of...

Pink and blue abstract contemporary concentric circle shaped painting by Houston, TX artist David Hardaker. Signed, titled, and dated by the artist on the reverse. Artist Statement:...

Where Dreams May Come, 130x180cm

medium: found aluminum cans, wire Available in multiple color/finish options (inquire with gallery). Installations are made to order, sizes and shapes of butterflies vary. Unique, ...

2021, 110x80 cm

Upon discovering a weathered steel drum that had been warped to resemble the sleeve of a garment, artist Gordon Chandler was inspired to embark on a series of kimono sculptures formed from found metal scraps. With an eye to the aesthetic possibilities of this humble material, Chandler invests the reclaimed steel with sculptural fluidity and a wry sense of form. Steel scraps salvaged from a hot water...

Small Fountain - The Circle of Life - "El Circulo de la Vida". Ed. 5/100 Technique: Bronze Fountain Sculpture. . Jalisco, Mexico.

Drawing inspiration from an immersive and impressionistic interpretation of nature, Canadian artist Vé Boisvert paints textural original artworks that capture the fleeting effects of...

A rectangular, steel outdoor sculpture in black is divided into three parts, like a puzzle, the edges polished and reflective. This seven-foot upright is mirrored in three reflective steel puddle shapes installed at its base. Inspired by the graphic design of river maps...

A wonderful New Hampshire landscape by American artist Charles Wilson Knapp (1823-1900). Knapp was born in Philadelphia, Pennsylvania, and his work was first exhibited at the Nationa...

The tapestry appears in age-appropriate condition. Visible staining to the lighter areas of the tapestry. The threading has pulled apart in various areas. The fringe is worn and fray...

Original art by Daria Kusto. Acrylic , acrylic spray on canvas Shipped rolled in a tube, From Spain.

Original Mosaic on cement panel. Ref.: Domus 1948, p. IX and p. 29. An awesome and beautiful example on Campigli's Art of creating imaginative characters following his creativity,...

This elegant portrait, presented by Titan Fine Art, depicts a beautiful young lady seated in a wooded area, resting one arm on a rock, before a landscape and a warm evening sky. She is wearing a white smock under russet-coloured silks, loosely held in place by an immense black diamond clasp on the sleeve, and her body is enveloped in a voluptuous swag of azure silk; the costly fabrics and jewels reveal that the sitter was a paragon of a wealthy and privileged society that she belonged to. Much of the attractiveness of this portrait resides in its graceful composition and the beauty of the youthful sitter. The flowing water in the left margin of the picture and the shell that she holds are compositional devises often used at the time to allude to her potential as wife and mother, recalling Proverbs, Chapter 5, Verse 18: “Let thye fountain be blessed, and rejoice in the wife of thye youth”. Symbolism was a key component to many works of this period and contemporary viewers would have deciphered them immediately. Such images exude a sense of status and Augustan decorum, and were highly influential in transmitting these values into the first half of the eighteenth century. Held in a good quality and condition gilded antique frame. Herman Verelst was from a great dynasty of painters, with many members achieving great success. Specialising in portraits and still life paintings, he was one of the legions of foreign-born artists working in England at the time. Today, many of his pictures are given to other artists or are simply relegated to that term “circle of” which is a great disservice because he had an ability to render faces and drapery on par with some of the best artists at the time. Herman’s work is quite distinctive in the way he rendered faces and this particular pose was a favourite. His faces were portrayed with great skill often using the sfumato technique which gave them a very smooth feel to the skin with no hard lines, and many known works by him show that he could also render drapery with great affect. Our painting was painted in the 1690’s. His father, Pieter Hermansz Verelst...

Plastically materializing the energetic atmosphere typical of the meditative mental space and thereby inducing states of contemplation and introspection has been the purpose of the w...

Sequential blinking light sculpture by contemporary artist David Szfranski. Blanket Wood Substrate Lights Electronic Blinking mechanism. Box 9"x 6" x 5.5" The sculpture has a hypn...

Danny Brown’s artworks allocate an intrinsic connection between himself and the diverse communities occupying Los Angeles. Brown combines art history, streetwear trends, and pop art symbolism to create a signature style with a soft and fun, yet edgy character. He is willing to address a very unique point of view about social issues of our day with unmistakable perspectives. His artworks have the potential to influence a new generation of artists, incorporating diversity and respect for varying cultures. This one-of-a-kind acrylic and oil stick painting...

Divyendu Anand - Arcane Valley Oxidised Bronze over Stone Composite Granite Base Edition of 9, H 45 x W 27 x D 10 inches, 2024 Growing up with the thoughts of altruism, idealism and...

An oil painting of boats at rest as seen from Secret Beach in Sag Harbor. "Secret Beach" is the name Ben Fenske has given to his favorite painting spot in Sag Harbor, NY. A place he ...

A fine impressionist painting of boats by a bridge in Paris by French artist Claude Montier (b. 1900). Oil on canvas, signed lower right, a...

US Navy veteran Randy Morales fuses nostalgia and graphic expressionism within his street-pop artworks. The choice of subjects within his artworks is strongly influenced by his exper...

Agfachrome (2014) by Roberto Fonfría Acrylic, graphite, and oil pastels & are transferred on tempered wood pegboard Image size: 47.6 in. H x 48 in. W One of Kind Mixed Media _______...

Teoría de Interferencia (2019) by Roberto Fonfría Mixed media on canvas: Collage, acrylics, oil pastel, graphite Image size: 37 in. H x 70 in. W One of Kind Mixed Media ___________...

Only 1 Available in this size. Claude Monet's painting of his lily pond at Giverny is transformed into this beautiful dramatic jacquard tapestry woven in Belgium. Monet painted many ...

Nick Thomm - ONYX - SET (XL SIZE 36" x 48" per print). Limited Edition #15 of 25. Hand Signed & Numbered. Archival Pigment Print on Hahnemühle 308gsm Fine Art Paper. Condition: NEW -...

Portrait of a Gentleman in Armour beside a Table with Helmut c.1685 Follower or circle of Johann Kerseboom (d.1708) This exquisite Grand Manner work, presented by Titan Fine Art, wa...

Titan Fine Art presents this exquisite oil on panel portrait depicting a handsome young gentleman in an exuberant black damask doublet. The pose, with one hand holding gloves and the other akimbo, was one that was well-established for gentleman of the upper echelons of society by the time this work was painted. The principle governing portraits at this time was the recording and defining in visual terms of the position of a sitter in society. In addition to brilliant and complex symbols of luxury, they often contained many symbolic elements too; the inclusion of gloves was often used in portraits that celebrated a betrothal as in ancient times gloves were used to seal a marriage contract. The extraordinary costume of a black shimmering doublet, the brilliant white reticella ruff, and the cuffs edged with lace were immensely costly… this attire proclaims to every onlooker that this is a superior being. The rendering of the reticella lace ruff is exquisite and the artist has recorded the design that runs through the black damask fabric with meticulous attention to detail. The preservation of this black pigment is remarkable considering the age of the work. Black pigments are especially vulnerable to fade and wear over time partly due to environmental condition but also from unprofessional cleaning. This work is an exquisite example from the period. According to the inscription in the upper right, the gentleman was in his 22nd year of age in 1624. The coat of arms, which is displayed without a crest, may be ‘blazoned’ in the language of heraldry, as: Sable on a Chevron between in chief two Roundels and in base a Billet [or possibly Square] Or three Martlets Sable. In plainer English this means a black (Sable) background, spanned by a gold (Or) chevron, above which are two golden solid circles (Roundels), and below which is a gold rectangle (Billet); on the chevron are three small black birds (Martlets). Martlets are a stylised form of heraldic bird, believed to be based on the swift, which are conventionally drawn with small tufts instead of feet. In Continental Europe it is also conventional for them to be drawn without beaks, as appears to be the case here. The birds in this instance also have a vaguely duck-like appearance. Five families have been identified with very close armorial bearings to the one in our portrait. They are the (van) Houthem’s (of Brabant), the Prévinaire’s (of Flanders and Holland), and the Proveneer’s (of Liège) and it must be noted that the locations of these families also fit with the painting’s Flemish origins. However the French Grenières’s (of Île-de-France) and the Jallot’s (of Normandy) are the next closest matches and plausible matches, as Frans Pourbus had settled in Paris just a few years before our portrait was painted. This painting has been assessed by a professional conservator prior to going on sale, and as thus, it can be hung and enjoyed immediately. Frans Pourbus the Younger...

This magnificent oil on panel portrait, presented by Titan Fine Art, is a splendid example of the sumptuous female portraits that were painted for members of the upper echelons of society during the early part of the 1600’s. The artist has rendered this portrait with meticulous attention to detail and the surface effects of the fine materials. The elaborate lace coif and cuffs are painstakingly delineated, as is the bold black damask, and sumptuous gold decoration of her skirt and stomacher, which is wonderfully preserved and quite remarkable considering the age of the work and the fact that darker pigments are particularly vulnerable to fading and wear. This work with its spectacular depiction of costume is of absolute quality, it can be rated as one of the best works in the artist’s oeuvre and as such it is an important and splendid example of Dutch portraiture. The Dutch Golden Age of painting was a period in Dutch history, roughly spanning the 17th century, in which Dutch trade, science, military, and art were among the most acclaimed in the world. Dutch explorers charted new territory and settled abroad. Trade by the Dutch East-India Company thrived, and war heroes from the naval battles were decorated and became national heroes. During this time, The Dutch Old Masters began to prevail in the art world, creating a depth of realistic portraits of people and life in the area that has hardly been surpassed. The Golden Age painters depicted the scenes that their discerning new middleclass patrons wanted to see. This new wealth from merchant activities and exploration combined with a lack of church patronage, shifted art subjects away from biblical genres. Dress was a key component in portraits, and the exuberant attire reiterates the incredible wealth of this woman. The sitter will have visited the artist’s workshop and inspected examples on display. They would have chosen the size and the sort of composition and on that basis negotiated the price – which would have also been determined by the complexity of the clothing and the jewels that were to be depicted, and by the materials to be used. When all was considered, this portrait would have cost the sitter (or her husband) a substantial sum. The colour black was regarded as humble and devout yet at the same time refined and sophisticated and the most expensive colour of fabric to dye and to maintain. Citizens spent fortunes on beautiful black robes. Such uniformity must also have had a psychological side-effect and contributed to a sense of middle-class cohesion; the collective black of the well-to-do burgess class will have given its members a sense of solidarity. The colour was always an exciting one for artists and when this portrait was painted there were at least fifty shades of it, and as many different fabrics and accoutrements. Artists went to great lengths to depict the subtle nuances of the colour and the fabrics and textures and how they reflected light and it was an ideal background against which gold and crisp white lace could be juxtaposed to dramatic effect. The sitter is either a married women or a widower as is evident by the clothing that she wears and the position, toward her right, it is highly likely that this portrait was once a pendant that hung on the right-hand side of her husband’s portrait as was convention at the time. She wears a vlieger which was a type of sleeveless over-gown or cape worn by well-to-do married women in the late 16th and early 17th centuries. Variations with short sleeves or high shoulder rolls are known. Sometimes sleeves were attached with aiglets, and often slits were made to allow belts or the hands to pass through. Three-piece vlieger costumes of this kind were standard items of clothing in portraits of the women of the civic elite in the period 1600-40 and was a variant of the Spanish ‘ropa’ and served as a trademark of well-to-do married burgher women. Girls and unmarried woman, including beguines, wore a bouwen (a dress with a fitted bodice and a skirt that was closed all round) instead. This clear distinction between apparel for married and unmarried women is clear not only from inventories and trousseau lists, but also from contemporary sources such as the Dutch Spanish dictionary published by Juan Rodrigues in 1634. In it, a bouwen is described as a ‘ropa de donzella’ (over-gown worn by a virgin) and a vlieger as a ‘ropa de casada’ (overgown worn by a married woman). It is striking how few women are depicted wearing a bouwen, unless they are part of a group, family or children’s portrait and it can therefore be assumed that independent portraits of unmarried women were seldom commissioned. It is also believed that the clothing worn in these portraits existed and were faithfully reproduced when cross-referenced with the few exact documents. These sources also demonstrate that clients wanted their clothing to be depicted accurately and with this in mind precious garments and jewels were often left in the painter’s studio. The prominent white lawn molensteenkraag (or millstone ruff) is held up by a wire supportasse and was reserved only for the citizens that could afford this luxurious item that often required 15 meters of linen batiste. The fabulous wealth of this sitter is also evident by the elaborate lace coif and cuffs which have been exquisitely depicted; lace was often literally copied by artists in thin white lines over the completed clothing. The gold bracelet with jewels is a type that was evidently fashionable as it is seen in a number of portraits during the 1610s and 1620. Clothing and jewellery were prized possessions and were often listed in inventories of estates and passed down from generation to generation. There were a great number of jewellers of Flemish origin working at all the courts and cities of Europe, competing with the Italians, and then the French, adapting themselves to the tastes and positions of their patrons and the raw materials available in the country where they worked. The fashion for jewels “in the Flemish style” succeeded that of the Italian style. Cornelis van der Voort, who was probably born in Antwerp around 1576, came to Amsterdam with his parents as a child. His father, a cloth weaver by trade, received his citizenship in 1592. It is not known who taught the young Van der Voort to paint, but it has been suggested that it was either Aert Pietersz or Cornelis Ketel. On 24 October 1598 Van der Voort became betrothed to Truytgen Willemsdr. After his first wife’s death he became betrothed to Cornelia Brouwer of Dordrecht in 1613. In addition to being an artist, Van der Voort was an art collector or dealer, or both. In 1607 he bought paintings from the estate of Gillis van Coninxloo, and after an earlier sale in 1610 a large number of works he owned were auctioned on 7 April 1614. Van der Voort is documented as appraising paintings in 1612, 1620 and 1624. In 1615 and 1619 he was warden of the Guild of St Luke. He was buried in Amsterdam’s Zuiderkerk on 2 November 1624, and on 13 May 1625 paintings in his estate were sold at auction. Van der Voort was one of Amsterdam’s leading portrait painters in the first quarter of the 17th century. Several of his group portraits are known. It is believed that he trained Thomas de Keyser (1596/97-1667) and Nicolaes Eliasz Pickenoy (1588-1650/56). His documented pupils were David Bailly (c. 1584/86-1657), Louis du Pré...

Late 19th-Century American Gilt Frame with Ornamental Acanthus Details This impressive 1880s American giltwood frame exemplifies the richly decorative style embraced by the Barbizon ...

Acrylic on wood.

The Emperor Napoleon Coat of Arms tapestry features the imperial eagle of Napoleon Bonaparte (1769-1821). This is a Belgian-made, Jacqu...

Extraordinary garden torch with one burner insert on an untreated oak spot. If the spot is set up outside, she develops a gray patina. Customization possible and designed in 2010. Al...

This cotton beach towel features Rokkaku's painting UNTITLED (2021), which depicts a floating dreamscape of colourful clouds. At a closer look, wide-eyed girls and other fantastical ...

Playing with the interaction between positive and negative space, strong colors on neutral backgrounds, Canadian artist Virginie Schroeder creates pop art portraits and iconic pop cu...

US Navy veteran Randy Morales fuses nostalgia and graphic expressionism within his street-pop artworks. The choice of subjects within his artworks is strongly influenced by his exper...

This is a beautiful patchwork piece by Zita Chocarro. Her exploration of color plays with form and contrast, as the intersection of the shapes she uses masterfully come together to ...

Nick Thomm - ONYX - Dusk (XL SIZE 36" x 48"). Limited Edition #15 of 25. Hand Signed & Numbered. Archival Pigment Print on Hahnemühle 308gsm Fine Art Paper. Condition: NEW - Unopene...

Abstract minimalist artist Jason DeMeo presents a collection of artworks designed to engage viewers in a meditative experience, drawing them closer to the enduring ideals of truth, b...

This silk and cotton fabric was made by an unknown Ashanti artist. It features green and orange accents. The Ashanti are a major ethnic group of the Akans in Ghana, a fairly new nation, barely more than 50 years old. Ghana, previously the Gold Coast, was a British colony until 1957. It is now politically separated into four main parts. Ashanti is in the center and Kumasi is the capital. The Ashanti have a wide variety of arts. Bark cloth was used for clothing before weaving was introduced. With weaving, there is cotton and silk. Women may pick cotton...

Titan Fine Art present this striking portrait, which was painted by one of the most talented artists working in England during the last half of the 17th century, John Greenhill. Gre...

Harrison Gilman's large original artworks begin with a layer of fast-paced gestural abstraction followed by organic shapes and geometric structures. Some of his paintings remain in t...

Harrison Gilman's large original artworks begin with a layer of fast-paced gestural abstraction followed by organic shapes and geometric structures. Some of his paintings remain in t...

An exceptional woodland winter landscape with a blanket of fresh fallen snow by well known American artist Aldro Thompson Hibbard (1886-1972). Hibbard was born in Falmouth, MA, stud...

Pink Islands - Textures and loose brushstrokes create expressive visual shapes and a sense of movement in this abstracted landscape painting. Parts are le...

Polaroids, 2023 by Roberto Fonfría Xerox transfers, Acrylics, oils pastels, and graphite on canvas Image size: 54 in. H x 44 in. W x 1.5 D Mounted on a stretcher. ------ Roberto Fon...

Danny Brown’s artworks allocate an intrinsic connection between himself and the diverse communities occupying Los Angeles. Brown combines art history, streetwear trends, and pop art symbolism to create a signature style with a soft and fun, yet edgy character. He is willing to address a very unique point of view about social issues of our day with unmistakable perspectives. His artworks have the potential to influence a new generation of artists, incorporating diversity and respect for varying cultures. This one-of-a-kind acrylic painting on canvas measures 64 inches high by 50 inches wide. It is signed by Brown on the back. The artwork is stretched, wired, and ready to hang. It does not require framing. Free local Los Angeles area delivery. Affordable Continental U.S. and International shipping available. A certificate of authenticity issued by the art gallery is included. Danny Brown is a first-generation American urban artist born in Los Angeles. His parents relocated their family from Oaxaca, Mexico in search of opportunities in the United States. Brown uses his interest in fashion as well as his knowledge of color, design, and culture as inspiration for his paintings. The loss of friends to violence and incarceration, combined with the loss of a family member to gang violence pushed Brown to use art as a source of therapy and to project a positive inspiring image for his community. Brown’s art coalesces youth culture, art history, fashion, and American consumerism and melds them all to create his unique style. Instantly relatable and recognizable, his cathartic paintings represent contemporary issues as well as a demographic that is traditionally underrepresented in fine art. His works speak to young Americans and inspire a whole new generation of art collectors and admirers. Since 2016, Daniel Brown...