Ernst Barlach

Der Kopf - Rare Book Illustrated by Ernst Barlach - 1919

1919

Der Findlich is an original Rare Book illustrated by the Expressionist German artist Ernst Barlach (1870- 1938) in 1922. Original First Edition. Format: in 4°. Published by Paul Cassirer, Berlin. The book includes 77 pages and Twenty several full page woodcuts. Mint conditions. Ernst Barlach (1870- 1938), a German expressionist sculptor, printmaker and writer. His participation in the war made him change his position, and he is mostly known for his artworks protesting against the war. Barlach trained under French artists and produced Art Nouveau-style sculpture and works on paper, but at first unable to find success. This led to a trip to Russia where the artist began creating figurative sculptures inspired by early Gothic art, carving spiritual and emotional themes from hard-woods and bronze casts. Barlach's fame increased after the war, he received many awards and became a member of the prestigious Preußische Akademie der Künste ( Prussian Art Academy) in 1919. He was a supporter of the war in the years leading to World War I, he generated many anti-war sculptures...

Die neue stadt is an book written by J. Luitpold and illustrated by Otto Rudolph Schatz (Wien, 1900 - Wien, 1961) in 1926. Original First Edition. Published by Buchergilde Gutenberg, Berlin. Format: In Folio. The dimensions of the book are indicative. The book includes 38 pages with 12 Woodcuts. Good conditions. This Book has been illustrated by Otto Rudolf Schatz...

plate signed. Jacob Steinhardt 1887-1968 Steinhardt, Jakob, Painter and Woodcut Artist. b. 1887, Yaacov Steinhardt was born in the then remote, largely Polish town of Zerkow in the Posen District of Germany. (poland/german) Immigrated 1933. Studies: 1906 School of Art, 1906 Studied in Berlin Arts and Crafts School. Berlin; 1907 painting with Lovis Corinth and engraving and etching with Hermann Struck; advanced studies, 1908-10 Paris, with Henri Matisse and Steinlen; 1911 Italy. Teaching: Bezalel, Jerusalem, 1953-57 Director. 1910 Participated in the “New Sezession”, Berlin. 1912 together with Ludwig Meidner and Janthur he founded the "Pathetiker" group very early in the German expressionist movement. Running afoul of the Nazis, he fled to Tel-Aviv and then Jerusalem in the early 30s, showing in “Der Sturm” Gallery. 1914 Exhibited with ludwig Meidner at first Expressionist Exhibition in Berlin. Worked mainly in woodcuts depicting biblical and other Jewish subjects. 1955-58 International awards for his woodcuts. receives graphic commissions from Fritz Gurlitt. 1922 Marries Minni Gumpert. Active in organizing Secession exhibits. 1925 Trips to Mark Brandenburg and Holy Land. Turns primarily to painting; stops work on etchings and lithographs. 1933 Emigrates to the Palestine. 1934 Moves to Jerusalem and opens an art school; attempts some etchings. 1948 Closes the art school and becomes Chairman of Graphics Department, Bezalel School for Arts and Crafts. 1954-57 Director of Bezalel School for Arts and Crafts. Taken up by J. B. Neumann who became the agent for his etchings. Exhibited Sturm Gallery, Herbst-salon. 1914 Outbreak of World War I; Steinhardt enlists in German army. 1916-18 First on Eastern Front in Poland and Lithuania, then after short training period in Berlin, sent to Macedonia. 1917 Exhibition of Lithuanian drawings at Berlin Secession in Spring. Elected member of the Secession. He often used wood-cutting techniques that were popular amongst German Expressionists. Steinhardt was driven to express ideas clearly and decisively through art. Amongst the themes found in his work the prophets of the Bible, such as Jonah, are noticeable. Steinhardt identified deeply with Jonah due to his attempt to run from God's call to duty. Additionally, the image of beggars was often found in Steinhardt's works and in his artistic presentation of the less fortunate, the artist's love for his fellow man becomes evident. Moreover, the grotesque was a theme noticeable in Steinhardt's earliest pieces. These were fantastical images; it was unclear whether or not they were human or demon. In the 1950's, Steinhardt returned to these images upon learning of the Holocaust of Europe's Jews. At that time he resided in New York and there, in the shadow of the skyscrapers, Steinhardt's reaction to WWII was expressed through his art. A Collection of Works by Artists of the Land of IsraelThe Bezalel National Museum, Jerusalem 1940 Artists: Shemi, Menahem Rubin...

Karl Michel, 'Ex Libris Dr. Witropp - Homunculus und Galatee', etching, 1923, edition not stated. Signed, dated, and numbered 'Op. 140' (the artist's inventory number) in pencil. Si...