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Natalia GontcharovaLe Thé du Capitaine - Rare Book Illustrated by Natalia Gontcharova - 19261926
1926
$1,003.90
£755.78
€850
CA$1,382.94
A$1,548.80
CHF 808.14
MX$18,917.93
NOK 10,281.87
SEK 9,691.90
DKK 6,470.32
About the Item
Le Thé du Capitaine is an original modern rare book engraved by Natalia Gontcharova (1881 – 1962) and written by Joseph Kessel (1898 – 1979) in 1926.
Published by Au sans pareil, Paris.
Original edition.
1260 numbered copies
Format: small 8°.
42 pages with 6 full page etchings.
Mint conditions.
Joseph Kessel (1898 – 1979), also known as "Jef", was a French journalist and novelist. He was a member of the Académie française and Grand officer of the Legion of Honour. Kessel wrote several novels and books that were later represented in the cinema, notably Belle de Jour (by Luis Buñuel in 1967). In 1943 he and his nephew Maurice Druon translated Anna Marly's song Chant des Partisans into French from its original Russian. The song became one of the anthems of Free French Forces during the Second World War.
Natalia Gontcharova (1881 – 1962). Goncharova's lifelong partner was fellow Russian avant-garde artist Mikhail Larionov. She was a founding member of both the Jack of Diamonds (1909–1911), Moscow's first radical independent exhibiting group, the more radical Donkey's Tail (1912–1913), and with Larionov invented Rayonism (1912–1914). She was also a member of the German-based art movement Der Blaue Reiter. Born in Russia, she moved to Paris in 1921 and lived there until her death. Her painting vastly influenced the avant-garde in Russia. Her exhibition held in Moscow and St. Petersburg (1913 and 1914) were the first promoting a “new” artist by an independent gallery. When it came to the pre-revolutionary period in Russia, where decorative painting and icons were a secure profession, her modern approach to rendering icons were both transgressive and problematic. She was one of the leading figures in the avant-garde in Russia and carried this influence with her to Paris.
- Creator:Natalia Gontcharova (1883 - 1962, Russian)
- Creation Year:1926
- Dimensions:Height: 7.49 in (19 cm)Width: 5.75 in (14.6 cm)Depth: 0.12 in (3 mm)
- Medium:
- Period:
- Condition:Insurance may be requested by customers as additional service, contact us for more information.
- Gallery Location:Roma, IT
- Reference Number:Seller: M-1173221stDibs: LU65037881412
Natalia Gontcharova
Natalia Gontcharova (Russian, 1881-1962) was born in Ladyshino near Tula in central Russia in 1881. She moved to Moscow to attend school in 1892, where she met Mikhail Larionov, who encouraged her to paint and became her lifelong companion. The following year, she enrolled at the Moscow Institute of Painting, Sculpture, and Architecture to study sculpture. Goncharova participated in an exhibition of Russian artists organized by Sergei Diaghilev at the 1906 Salon d'Automne in Paris. Her early work shows the influence of Impressionism, Fauvism, and Russian folk sculpture. By 1910 she had traveled to Paris and along with Larionov had begun to be heavily involved in Russian avant-garde circles. Together they evolved a neo-primitive style that was favored in the years shortly before the outbreak of the war. Goncharova participated in numerous important exhibitions of new art in Moscow. While she favored Primitivist and Cubist styles, she adopted Cubo-Futurist and Rayonist-for which she credited as a founder of- styles around 1912. She was represented at the second Blau Reiter exhibition in 1912 and the 'Erste deutsche Herbstsalon at the Der Sturm gallery in Berlin in 1913. Around this time, she and Larionov began their collaboration with Diaghilev and his Ballets Russes, which lasted until the impresario's death in 1929. By 1913, Goncharove, along with Larionov, had turned her attention to a more abstract style, heavily influenced by Italian Futurism and French Cubism; together they evolved a style known as Rayonnism. In 1914 they traveled to Paris at the invitation of Serge Diaghiliv to collaborate on costumes and designs for the Ballet Russe. She settled permanently in Paris in 1917, and became a French citizen in 1938. She exhibited in Moscow, Paris, London and Brussels. She married Larionov in 1955. She died in Paris in 1962.
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