Der Blaue Reiter

The Blue Rider (in German: Der blaue Reiter) is a group of artists of expressionist inspiration, which was formed in Munich.

Printed in Paris in 1962 for Derrière le Miroir for "Der Blaue Reiter" issue (No. 133-134) and published by the atelier Maeght.

Kádár was a Hungarian painter influenced by Der Blaue Reiter, Cubism, Futurism, Neo-Primitivism, Constructivism, and Metaphysical painting.

Der Blaue Reiter, based in Munich, was founded by Wassily Kandinsky, Alexej von Jawlensky, and Franz Marc, among others.

Kádár was influenced by a range of art movements in the early years of the century, including Der Blaue Reiter, Cubism, Futurism, and Constructivism.

Kádár was a Hungarian painter influenced by Der Blaue Reiter, Cubism, Futurism, Neo-Primitivism, Constructivism, and Metaphysical painting.

Size of actual Peice is 2.8" X 3.5" Béla Kádár (1877–1956) was a Hungarian painter influenced by Der Blaue Reiter, Cubism, Futurism, Neo-Primitivism, Constructivism, and Metaphysic...

Famous Expressionist paintings are Edvard Munch’s The Scream, Wassily Kandinsky’s Der Blaue Reiter, and Egon Schiele’s Sitting Woman with Legs Drawn Up.

She began to develop an interest in printmaking while studying the linocuts of Picasso and Der Blaue Reiter during her time at Christie’s.

She began to develop an interest in printmaking while studying the linocuts of Picasso and Der Blaue Reiter during her time at Christie’s.

Max Ackermann studied with Franz Von Stuck and Adolf Holzel. He was a member of Der Blaue Reiter in 1918-1919. He was friendly with Mondrian, Adolf Loos, and exhibited in Stuttgart w...

He collected works by French and German Expressionist artists, from groups including Die Brücke and Der Blaue Reiter, such as Ernst Ludwig Kirchner, Max Pechstein, Emil Nolde, Wassil...

He collected works by French and German Expressionist artists, from groups including Die Brücke and Der Blaue Reiter, such as Ernst Ludwig Kirchner, Max Pechstein, Emil Nolde, Wassil...

After successful avant-garde exhibitions, he founded the influential Munich group Der Blaue Reiter and began completely abstract painting.

After successful avant-garde exhibitions, he founded the influential Munich group Der Blaue Reiter and began completely abstract painting.

He was born in Wurtzburg, Germany, and was early influenced by the Munich expressionists called der "Blaue Reiter," translated "Blue Rider." The group was founded by Wassily Kandinsk...

Arp gave Rebay a copy of Vasily Kandinsky’s seminal treatise On the Spiritual in Art (1911) and the almanac Der Blaue Reiter. He introduced her to the Dada movement in Zurich and to ...

Arp gave Rebay a copy of Vasily Kandinsky’s seminal treatise On the Spiritual in Art (1911) and the almanac Der Blaue Reiter. He introduced her to the Dada movement in Zurich and to ...

She was also a member of the German-based art movement Der Blaue Reiter. Born in Russia, she moved to Paris in 1921 and lived there until her death.

Palmié Charles Johann Palmié was a famed German Pointillist, or Neo-Impressionist, especially noted for being a founding member, with Wassily Kandinsky, in 1909, of the Neue Künstl...

Béla Kádár Art Movement: Expressionism, Cubism Béla Kádár (1877–1956) was a Hungarian painter influenced by Der Blaue Reiter, Cubism, Futurism, Neo-Primitivism, Constructivism, and ...

Together with Kandinsky he was one of the founders of Der Blaue Reiter group. During 1904-1907, at the time he worked on the illustrations for Stella Peregrina, he is known to have...

He was a founding member of the Hylaea group of poets and painters and exhibited with Wassily Kandinsky’s Der Blaue Reiter (The Blue Rider) in Munich. A towering, boisterous personal...

She began to develop an interest in printmaking while studying the linocuts of Picasso and Der Blaue Reiter during her time at Christie's, and she is largely self-taught in the craft...

She began to develop an interest in printmaking while studying the linocuts of Picasso and Der Blaue Reiter during her time at Christie's, and she is largely self-taught in the craft...

She began to develop an interest in printmaking while studying the linocuts of Picasso and Der Blaue Reiter during her time at Christie’s, and she is largely self-taught in the craft.

She began to develop an interest in printmaking while studying the linocuts of Picasso and Der Blaue Reiter during her time at Christie’s, and she is largely self-taught in the craft.

She began to develop an interest in printmaking while studying the linocuts of Picasso and Der Blaue Reiter during her time at Christie’s, and she is largely self-taught in the craft.

She began to develop an interest in printmaking while studying the linocuts of Picasso and Der Blaue Reiter during her time at Christie’s, and she is largely self-taught in the craft.

She began to develop an interest in printmaking while studying the linocuts of Picasso and Der Blaue Reiter during her time at Christie’s, and she is largely self-taught in the craft.

Emerging from a background of law and economics, he embraced painting in his late thirties and soon became a central figure in avant-garde circles—including co-founding the Munich-ba...

Emerging from a background of law and economics, he embraced painting in his late thirties and soon became a central figure in avant-garde circles—including co-founding the Munich-ba...

Emerging from a background of law and economics, he embraced painting in his late thirties and soon became a central figure in avant-garde circles—including co-founding the Munich-ba...

Emerging from a background of law and economics, he embraced painting in his late thirties and soon became a central figure in avant-garde circles—including co-founding the Munich-ba...

Emerging from a background of law and economics, he embraced painting in his late thirties and soon became a central figure in avant-garde circles—including co-founding the Munich-ba...

Emerging from a background of law and economics, he embraced painting in his late thirties and soon became a central figure in avant-garde circles—including co-founding the Munich-ba...

Emerging from a background of law and economics, he embraced painting in his late thirties and soon became a central figure in avant-garde circles—including co-founding the Munich-ba...

Emerging from a background of law and economics, he embraced painting in his late thirties and soon became a central figure in avant-garde circles—including co-founding the Munich-ba...

At all events, naive art can be regarded as having occupied an "official" position in the annals of twentieth-century art since - at the very latest - the publication of the Der Blau...

Emerging from a background of law and economics, he embraced painting in his late thirties and soon became a central figure in avant-garde circles—including co-founding the Munich-ba...

Emerging from a background of law and economics, he embraced painting in his late thirties and soon became a central figure in avant-garde circles—including co-founding the Munich-ba...

Emerging from a background of law and economics, he embraced painting in his late thirties and soon became a central figure in avant-garde circles—including co-founding the Munich-ba...

Emerging from a background of law and economics, he embraced painting in his late thirties and soon became a central figure in avant garde circles, including cofounding the Munich ba...

Emerging from a background of law and economics, he embraced painting in his late thirties and soon became a central figure in avant garde circles, including cofounding the Munich ba...

Since around 1911 Verdilhan's preoccupations brought him very close to the work of the German expressionists, and in particular to the group of early Expressionist artists known as t...

Emerging from a background of law and economics, he embraced painting in his late thirties and soon became a central figure in avant-garde circles—including co-founding the Munich-ba...

Emerging from a background of law and economics, he embraced painting in his late thirties and soon became a central figure in avant-garde circles—including co-founding the Munich-ba...

Emerging from a background of law and economics, he embraced painting in his late thirties and soon became a central figure in avant-garde circles—including co-founding the Munich-ba...

Emerging from a background of law and economics, he embraced painting in his late thirties and soon became a central figure in avant-garde circles—including co-founding the Munich-ba...

Emerging from a background of law and economics, he embraced painting in his late thirties and soon became a central figure in avant-garde circles—including co-founding the Munich-ba...

During his time in Montmartre, Derain began to shift from the brilliant Fauvist style to more subdued hues, showing the influence of Cubism and Paul Cézanne. He exhibited with the D...

During his time in Montmartre, Derain began to shift from the brilliant Fauvist style to more subdued hues, showing the influence of Cubism and Paul Cézanne. He exhibited with the D...

During his time in Montmartre, Derain began to shift from the brilliant Fauvist style to more subdued hues, showing the influence of Cubism and Paul Cézanne. He exhibited with the D...

During his time in Montmartre, Derain began to shift from the brilliant Fauvist style to more subdued hues, showing the influence of Cubism and Paul Cézanne. He exhibited with the D...

During his time in Montmartre, Derain began to shift from the brilliant Fauvist style to more subdued hues, showing the influence of Cubism and Paul Cézanne. He exhibited with the D...

Emerging from a background of law and economics, he embraced painting in his late thirties and soon became a central figure in avant-garde circles—including co-founding the Munich-ba...

Emerging from a background of law and economics, he embraced painting in his late thirties and soon became a central figure in avant-garde circles—including co-founding the Munich-ba...

Emerging from a background of law and economics, he embraced painting in his late thirties and soon became a central figure in avant-garde circles—including co-founding the Munich-ba...

Emerging from a background of law and economics, he embraced painting in his late thirties and soon became a central figure in avant-garde circles—including co-founding the Munich-ba...

Emerging from a background of law and economics, he embraced painting in his late thirties and soon became a central figure in avant-garde circles—including co-founding the Munich-ba...