20th Century More Art

In the letter Bernik, slovenian painter and graphic artist, writes the editor Nesto Jacometti about his regret about some issues, but still by his willingness to help. He hopes to be...

Marc Chagall (1887 Liozna near Vitebsk – 1985 Saint-Paul-de-Vence), Jerzy Ficowski: Lettre à Marc Chagall with five etchings by the artist, 1969 Technique: etching on paper Dimensio...

KIPPENBERGER, Martin. Hotel-Hotel. 494 pp. Illustrated with 245 reproductions. 4to., bound in original wrappers in a new cloth box. Koln: Verlag der Buchhandlung Walther Konig, ...

La Maison Tellier is an original modern rare book illustrated by Edgar Degas (Paris, 1834 – Paris, 1917) and written by Henri-René-Albert-Guy de Maupassant (Tourville-sur-Arques, 185...

"AR 135 Young Wood Owl" white earthenware with decoration in oxides, knife engraved on white enamel clay vessel by artist Pablo Picasso. From an edition of 500. Edition Picasso Madou...

"Glass Fused Ceramic Vase" is vintage Mid-Century Modern. This handsome vase has an elongated neck with a white glass-fused inlay portion on the front body...

"Il Selvaggio, no.7-8- 1935", "Annual supporter subscription - Una Copia 40 Cent - Fortnightly Newspaper of arts and science", including original woodcut prints by the artist Mino M...

Dipen Bose - Durga Acrylic on Canvas 36 x 30 inches (Framed & Delivered) In this striking acrylic work, Dipen reimagines the divine form of Goddess Durga with bold lines, vibrant re...

The letter thanked Buzzi Countess Pecci Blunt for his visit to his studio in Milan, and communicates the end of the works of painting of his theater. Good conditions.

Edition of 221 copies including 29 original etchings by Auguste Brouet. One of the 160 copies on Vélin d'Arches, with the definitive state of etching. Original editorial soft cover o...

Jack Earl Mug Material: Clay, glaze Size: approx. 5.5 x 4.5 x 2 Date unknown Signed by artist Jack Earl (born August 2, 1934 in Uniopolis, Ohio) is an Ameri...

Gouache and tea on masking tape Signed and dated, l.l. This artwork is offered by ClampArt, located in New York City. Born in New York City and educated at the Maryland Institute C...

Haren Das - Dream Woodcut Edition 12/15 10.6 x 11.6 inches, 1976 ( Unframed & Delivered ) Born in Dinajpur in present day Bangladesh on 1 February 1921, Das took a diploma in fine a...

Taureau et Toreador, Picasso, Bull, Corrida, Design, Tile, Ceramic, 1950's Taureau et Toreador Unique work 11.2.1957 Painted and partially glazed ceramic, hexagonal tomette tile 15 ...

Text and illustrations by Gus Bofa. Plates and spine partially missing and restored. Inside excellent conditions and partially uncut.

Ann Eliza Reed is an original modern rare book illustrated by Oskar Kokoschka (Pöchlarn, 1886 – Montreux, 1980) in 1952. Original Edition. Published by Maximilian Geselschaft, Hamb...

I am a multi-disciplinary artist who has professionally shown my work in dozens of galleries and museums since the late 1990s. But while my work can take many different forms, my practice is rooted in drawing. Whether I am working on the watercolor and acrylic pieces, or fiber-based pieces, every project and every idea begins with a drawing. Through that process I lay out my ideas, ask myself questions, experiment with different options, and try to resolve all the formal and conceptual issues I will attempt in my final piece. The themes I have explored in my work from 1999 on, and even before then, have remained the same even though my style has shifted radically. I have been interested in exploring self-portraiture, personal narratives, femininity, politics, and the use of text in art. I have remained constant in my exploration of critical theory and art history, and drawn influence from artists as diverse as Joseph Beuys, Henry Darger, and Adrian Piper.

Jean-Michel Basquiat Keith Haring 1991: Rare historic invitation to a joint Keith Haring and Jean-Michel Basquiat exhibition entitled, “Paintings”, at the legendary Tony Shafrazi Gal...

Early Twentieth Century Modern British Landscape Oil Painting of Dinham Bridge on the River Teme and Ludlow Castle, Shropshire. "Dinham Bridge and Ludlow Castle" Oil on Canvas, Signe...

Edition of 600 copies. One of the 100 copies out of commerce, with the original signature of the author. Includes some original xylographies on the cover, on the frontispiece and on ...

SUSIE Q. SMITH Medium: Newspaper comics Distributed by: King Features Syndicate First Appeared: 1945 Creators: Linda and Jerry Walter 6 X 18.25 Like her contemporaries, Aggie Mack,...

Les lithographies de Renoir is a splendid limited edition of Renoir's lithographs. Specimen number 327 of 3000 copies printed on Grand Véline Renage Filigrane paper. From a note at...

Der Zauberer is an original modern rare Book engraved by Karl Thylmann (Darmstadt, 1888 - Groß-Auheim, 1916) and written by Nikolaj Gogol in 1919. Original First Edition. 1000 unnumbered copies. Published by Kurt Wolf Verlag, Leipzig. Format: in 8°. The dimensions and the weight of the book are indicative. The artwork includes 101 pages with 12 full page woodcuts. Mint conditions. Karl Thylmann (Darmstadt, 1888 - Groß-Auheim, 1916). He was a German book artist , graphic artist and poet. n Darmstadt, the son of a senior teacher attended the Ludwig-Georgs-Gymnasium , where he made the acquaintance of the later composer Wilhelm Petersen . During his architecture studies at the Technical University of Munich , he also got to know Stefan George...

Rapsodia Satania by Pietro Mascagni is arare book. Realized in 1915. With the dedication of the writer, and dated "1917" Good conditions.

This is the Autograph Postcard Signed by Arturo Noci to Carlo Ferrari, both painters between the end of 19th and the beginning of 20th Century in It...

Kuznetsov porcelain - Butter dish duck, porcelain h 13 cm; L 19 cm; W 10 cm Kuznetsov Porcelain Factory in Riga was founded in 1841 as a factory ...

Jean-Michel Basquiat, Fred Hoffman Fine Art, Beverly Hills 1993; Rare vintage 1990s Basquiat announcement card published on the occasion of: Jean-Michel Basquiat, 'Paintings, Drawing...

This is a Autograph Greeting Postcard Signed by Vittorio Rieti to the Countess Anna Laetitia Pecci-Blunt. Rome, July 27th 1954. In Italian. Excellent c...

Autograph Letter Signed by Arturo Martini to Gaetano Chiurazzi Milan, December 16th 1935 XII. One page, single-sided. In Italian. Excellent condition, with minor aging signs. This...

This depicts King David playing the harp, along with a verse in Hebrew from the Psalms. all made by hand. woven and stitched. Vintage, original piece. Kopel Gurwin (Hebrew: קופל גורבין‎) (1923–1990) was an Israeli tapestry wall hanging, painter and graphic artist. Kopel (Kopke') Gurwin (Gurwitz) was born and raised in Vilna, the capital of Lithuania. He spoke Yiddish at home, but simultaneously studied Hebrew at their school which was part of the Tarbut educational network. Kopel was active in the Hashomer Hatzair youth movement. In the 1930s, as a teenager, Kopel helped his parents with the home finances by working in a suit workshop, there he first encountered the art of sewing. With the outbreak of the Second World War and the German invasion of Vilna, the Jews were imprisoned in camps and ghettos. Kopel and his brother Moshe were separated from their parents and were put to work in coal mines and peat. Kopel's parents were taken to the Stutthof Nazi concentration camp where they died of typhus within a month of each other. Kopel's 12-year-old sister Chava was turned over to the Germans by a Polish family and murdered. The brothers were arrested by the Germans, but were saved thanks to the connections of Nina Gerstein, Kopel's drama teacher. They hid in an attic until they were discovered, fled and moved to Riga, where they were caught and sent to the Stutthof concentration camp where they were imprisoned until the end of the war. They were put to work maintaining and cleaning trains and took part in one of the death marches. In July 1946, Kopel and Moshe sailed to Helsingborg, Sweden, as part of operation "Folke Bernadotte", in which Sweden took in ill survivors for rehabilitation. Once he recovered, Kopel worked in a publishing house and later was appointed director of the local branch of the Halutz movement. In 1950 Kopel and Moshe made aliyah to Israel. Kopel worked as a survey for the Survey of Israel Company. In 1951, he enlisted to the Communication Corps and served as a military draftsman. There he won first prize for the design of the front cover of the Communication Corps bulletin. With his discharge from the army at 29 he started studying drawing and graphics at the Bezalel Academy of Arts and Design in Jerusalem. Among his teachers were Isidor Ascheim, Shlomo Vitkin, Yossi Stern and Jacob Steinhardt. At the end of his first year of study, Kopel won the Reuben and Sarah Lif Excellence Award in written studies. During his studies he also won additional prizes: In 1956 he won first prize from the Lethem Foundation in California for poster design. Later the same year, Kopel won the Hermann Struck prize for his drawing on the theme of Jerusalem. In 1957 he won an additional first prize from the Lethem Foundation and second place from the printing company Ortzel for a drawing for a Jewish New Year greeting card. In 1958 he won first prize in a competition to design a poster for Tel Aviv's jubilee. Two years later he won three other awards: First and third prize for designing a poster for Israel Independence Day, celebrating 12 years of the State of Israel. Also that year Kopel won first prize for a poster to mark the 25th Zionist Congress. In 1964 he entered the Independence Day poster competition on the theme of aliyah and won first and second prize. Four years later he again entered the competition on the theme of 20 years of Israel's independence and won first prize. The poster was styled like a Holy Ark curtain with two lions and a menorah at its centre. This poster appeared on the cover of the famous book Jewish Art and Civilization, edited by Geoffrey Wigoder as well as the record Voices of 20 Years, 1948-1968, edited by Yossi Godard. In April 1971 he won first prize in the Independence Day poster competition for the fourth time. Kopel's Folk Art tapestry won the Israeli Independence Day Poster Contest in 1968 With the completion of his studies at Bezalel Kopel moved to Tel Aviv and was hired by Shmuel Grundman's graphics and design studio. Grundman took him to Europe with him to design and supervise the construction of Israeli exhibition pavilions. During his time at Grundman's he discovered the fibrous felt from which he produced most of his wall hangings. At the 1964 Levant Fair exhibition he used felt stuck onto wooden panels for the first time. The first felt wall hanging that Kopel produced was intended for the American Cultural Centre in Jerusalem and its theme was the United States Declaration of Independence. The wall hanging, which measured 2.85 X 1.85 meters, was stuck on a wooden panel. Kopel ordered rolls of felt from France and began work on wall hangings based on bible stories. He used a needle, hand sewing small even stitches with black embroidery thread which framed and highlighted every detail in the work, as well as using appliqué. The interior designer, Alufa Koljer-Elem, introduced him to Ruth Dayan who managed the shop Maskit in September 1967 he opened his first solo exhibition at the Maskit 6 gallery, in which 12 wall hangings were displayed. In light of the exhibition at Maskit 6, Meira Gera, the director of artistic activity at the America-Israel Cultural Foundation, organized an additional exhibition of his works at the foundation's exhibition hall in New York City. The exhibition sparked immense press interest, and was also displayed for a few months at the New York Jewish Museum, from where it travelled throughout the United States. Followed by the exhibition at the Delson-Richter gallery in Old Jaffa, which was later also exhibited at the Jerusalem Theatre. Kopel's tapestry "The Time for Singing has Arrived" was printed on a UNICEF greeting card in 1978 and again in 1981. The Israeli Philatelic Service issued three stamps based on three of Kopel's holy ark curtains and one stamp based on an Independence Day poster he designed. Kopel's creations decorate a large number of synagogues, public buildings, hotels and private collections which were purchased in Israel and around the world. They have decorated, among others, the walls of the King David Hotel...

Amitabha Banerjee Untitled ( Perched Bird ) Pastel on Paper 21.6 x 21 inches 54.8 x 53.3 cm ( Framed and Delivered ) About the Artist and his work : Born : In 1929 born in Ba...

Modigliani Exhibition is a lot, composed of two items between Palma Bucarelli and the Countess Pecci Blunt, concerning the extension of the successfull Modigliani's exhibition at the National Modern Art Gallery in Rome in 1954. In Italian. Very good conditions,except for minor aging signs. In details: a Typewritten document of the Superintendence at the National Gallery of Modern Art, addressed to the Countess Mimì Pecci Blunt. A formal letter of request, asking for the extension of the courtesy of Pecci Blunt's Portrait of Jean Cocteau...

Twilight Plate is an original decorative limited edition porcelain plate realized in the 1990s. This plate was produced by Royal Doulton, an English ceramic manufacturing company fo...

Letter addressed to Mino Maccari. Fagnano, 14 May 1933. "The promise of Ansaldo". During his pre journalistic period, the wannabe novelist Benedetti used to use the stage name of Ar...

"Downtown Hartford" Hooked rug tapestry, various landmark buildings in Hartford, Connecticut, congregate within composition, including capital building, Colt building, Wadsworth Mus...

Oriental Floral Composition is an original artwork realized by Anonymous Japanese artist in the early 20th Century. Colored enamels and painted gilded decorations. Includes wooden ...

This depicts a Crab, In Hebrew Mazel Sartan (the Zodiac symbol Cancer, June-July) all made by hand. woven and stitched. Kopel Gurwin (Hebrew: קופל גורבין‎) (1923–1990) was an Israeli tapestry wall hanging, painter and graphic artist. Kopel (Kopke') Gurwin (Gurwitz) was born and raised in Vilna, the capital of Lithuania. He spoke Yiddish at home, but simultaneously studied Hebrew at their school which was part of the Tarbut educational network. Kopel was active in the Hashomer Hatzair youth movement. In the 1930s, as a teenager, Kopel helped his parents with the home finances by working in a suit workshop, there he first encountered the art of sewing. With the outbreak of the Second World War and the German invasion of Vilna, the Jews were imprisoned in camps and ghettos. Kopel and his brother Moshe were separated from their parents and were put to work in coal mines and peat. Kopel's parents were taken to the Stutthof Nazi concentration camp where they died of typhus within a month of each other. Kopel's 12-year-old sister Chava was turned over to the Germans by a Polish family and murdered. The brothers were arrested by the Germans, but were saved thanks to the connections of Nina Gerstein, Kopel's drama teacher. They hid in an attic until they were discovered, fled and moved to Riga, where they were caught and sent to the Stutthof concentration camp where they were imprisoned until the end of the war. They were put to work maintaining and cleaning trains and took part in one of the death marches. In July 1946, Kopel and Moshe sailed to Helsingborg, Sweden, as part of operation "Folke Bernadotte", in which Sweden took in ill survivors for rehabilitation. Once he recovered, Kopel worked in a publishing house and later was appointed director of the local branch of the Halutz movement. In 1950 Kopel and Moshe made aliyah to Israel. Kopel worked as a survey for the Survey of Israel Company. In 1951, he enlisted to the Communication Corps and served as a military draftsman. There he won first prize for the design of the front cover of the Communication Corps bulletin. With his discharge from the army at 29 he started studying drawing and graphics at the Bezalel Academy of Arts and Design in Jerusalem. Among his teachers were Isidor Ascheim, Shlomo Vitkin, Yossi Stern and Jacob Steinhardt. At the end of his first year of study, Kopel won the Reuben and Sarah Lif Excellence Award in written studies. During his studies he also won additional prizes: In 1956 he won first prize from the Lethem Foundation in California for poster design. Later the same year, Kopel won the Hermann Struck prize for his drawing on the theme of Jerusalem. In 1957 he won an additional first prize from the Lethem Foundation and second place from the printing company Ortzel for a drawing for a Jewish New Year greeting card. In 1958 he won first prize in a competition to design a poster for Tel Aviv's jubilee. Two years later he won three other awards: First and third prize for designing a poster for Israel Independence Day, celebrating 12 years of the State of Israel. Also that year Kopel won first prize for a poster to mark the 25th Zionist Congress. In 1964 he entered the Independence Day poster competition on the theme of aliyah and won first and second prize. Four years later he again entered the competition on the theme of 20 years of Israel's independence and won first prize. The poster was styled like a Holy Ark curtain with two lions and a menorah at its centre. This poster appeared on the cover of the famous book Jewish Art and Civilization, edited by Geoffrey Wigoder as well as the record Voices of 20 Years, 1948-1968, edited by Yossi Godard. In April 1971 he won first prize in the Independence Day poster competition for the fourth time. Kopel's Folk Art tapestry won the Israeli Independence Day Poster Contest in 1968 With the completion of his studies at Bezalel Kopel moved to Tel Aviv and was hired by Shmuel Grundman's graphics and design studio. Grundman took him to Europe with him to design and supervise the construction of Israeli exhibition pavilions. During his time at Grundman's he discovered the fibrous felt from which he produced most of his wall hangings. At the 1964 Levant Fair exhibition he used felt stuck onto wooden panels for the first time. The first felt wall hanging that Kopel produced was intended for the American Cultural Centre in Jerusalem and its theme was the United States Declaration of Independence. The wall hanging, which measured 2.85 X 1.85 meters, was stuck on a wooden panel. Kopel ordered rolls of felt from France and began work on wall hangings based on bible stories. He used a needle, hand sewing small even stitches with black embroidery thread which framed and highlighted every detail in the work, as well as using appliqué. The interior designer, Alufa Koljer-Elem, introduced him to Ruth Dayan who managed the shop Maskit in September 1967 he opened his first solo exhibition at the Maskit 6 gallery, in which 12 wall hangings were displayed. In light of the exhibition at Maskit 6, Meira Gera, the director of artistic activity at the America-Israel Cultural Foundation, organized an additional exhibition of his works at the foundation's exhibition hall in New York City. The exhibition sparked immense press interest, and was also displayed for a few months at the New York Jewish Museum, from where it travelled throughout the United States. Followed by the exhibition at the Delson-Richter gallery in Old Jaffa, which was later also exhibited at the Jerusalem Theatre. Kopel's tapestry "The Time for Singing has Arrived" was printed on a UNICEF greeting card in 1978 and again in 1981. The Israeli Philatelic Service issued three stamps based on three of Kopel's holy ark curtains and one stamp based on an Independence Day poster he designed. Kopel's creations decorate a large number of synagogues, public buildings, hotels and private collections which were purchased in Israel and around the world. They have decorated, among others, the walls of the King David...

Animation Celluloid Image Size: 7.5 x 9.5 Frame Size: 13 x 15 Medium: Celluloid "Bugs in Bow Tie" Signed by Chuck Jones

KG Subramanyan Untitled ( Flowers ), Water Colour on Paper 11 x 10 inches 27.9 x 25.4 cm 1982 ( Framed & Delivered ) Style : K G Subramanyan was one of the leading artists who wa...

ABECEDA is an original modern Rare Book written by Vítezslav Nezval (Prague, 26 May 1900 – 6 April 1958) and illustrated by Karel Teige (13 December 1900 – 1 October 1951) in 1926. ...

Margaret Putnam (1913-1989) San Antonio Artist Image Size: 8 x 10 Frame Size: 18 x 20 Medium: Gouache "The Mystery" Margaret Putnam (1913-1989) Margaret Putnam left an artistic legac...

Edition of 98 copies. Copy on Verge d'Arches paper, including soft editorial cover. Edition reserved to the Société Stendhalienne. The rare volume was ...

Bestie del '900 is an original modern rare book illustrated by Mino Maccari (Siena, 1898 – Rome, 1989) and written by Aldo Palazzeschi in 1951. Original First Edition. Published b...

L.T.S. addressed to Countess Pecci Blunt, on letterhead Reform Club, Pall Mall. August 23, 1937. In English. Excited to meet his future patron, Belloc co...

PLAN OF A PART OF NEWPORT, R.I. SHOWING CHANGES IN HIGHWAYS ASKED FOR BY O.H.P. BELMONT, ESQ. The original ink and watercolor plan on paper from 1907. The plan is extremely large; if fully assembled it would measure no less than 11.5 feet in height and 6.5 feet in breadth. Segmented and backed on modern linen in four sections – each section is 70 x 39 inches. This grand oversized folding map can be folded down to four sections each 17.5 x 11 inches and stored in a modern made leather and marble paper case 18 x 11.75 x 3 inches. Text continues, "Prepared for Charles Warren Lippitt at the office of J. P. Cotton, C.E. Newport, R.I. Oct. 28, 1907." A fine manuscript plan of the Bellevue neighborhood of Newport, depicting the street layout and the detailed footprints of the area’s many mansions. The plan was produced at the behest of Charles Warren Lippett (1846-1924), who served as governor of Rhode Island from 1895-1897. The Lippett “Breakwater” mansion is also shown on this plan, situated at the southernmost tip of the peninsula. Though the circumstances are unclear, Lippitt seems to have requested the plan be drawn out of some concern for road construction proposed by Oliver Hazard Perry...

Beautiful and charming, this woven silk child's kimono robe in frame makes a wonderful accent. Circa 1970. Presented in wooden frame under glass with ornat...

Un Plan de Travail en Amérique Latine (A Working Plan in Latin America) is the main content of this autograph correspondance between Jean-Pierre Guillermet and Nesto Jacometti. Com...

Bowl "Nature" by Emile GALLE (1846-1904) Exceptional bowl in multi-layered blown-molded glass, decorated in interlayer with metal oxydes and powders. Ornated with a glass marquetry,...

Confidential Letter by the General of the Armies, John Joseph Pershing to Cecil Charles Blunt. Typewritten Letter Signed. Washington, November 16th, 1920. One page, single-sided. In English. On letterhead paper "General of the Armies Washington". Excellent condition, including original envelope. Letter of apology sent to the Count Cecil Charles Blumentahal, later changed to Blunt, a wealthy Jewish banker from New York: "I reget very much that I was unable to see you while you were in Washington". John Joseph Pershing (Laclede, 1860 - Washington, 1948) John Joseph Pershing, best-known as "Black Jack", was an American general. He distinguished himself in the Spanish-American war for his courage and after a long and brilliant career in the Philippines and Mexico against the rebels of the two countries. Pershing led the US expedition in World War I and later served as chief of staff of the United States Army. for this reason he is considered the mentor of a generation of US generals who fought in World War II such as George Marshall, Dwight D. Eisenhower, Omar Bradley, Lesley James McNair, George Smith Patton and Douglas MacArthur. Like George Washington, he was the only soldier to obtain the highest US military rank, that of General of the Armies of the United States. Pershing was one of the first generals in history to be able to coordinate light infantry with twentieth-century war inventions such as tanks and armored cars for the great offensives during the punitive expedition to Mexico against Pancho Villa...

Autograph Card Signed by Afro Basaldella to the Countess Anna Laetitia Pecci-Blunt. Rome, 1950's (1958-1959). In 24°. In Italian. Excellent condition: ...

Color offset lithograph. Signed, numbered or inscribed by hand. Edition: 180. In good condition, minimal traces of storage. A beautiful artwork that looks good in every room and ...

This collage of gouache and mixed materials combines handmade paper, book cover, paint and glass. Turkish lettering appears on the glass in the traditiona...

This collage of gouache and mixed materials combines handmade paper, book cover, paint and glass. Turkish lettering appears on the glass in the traditiona...

This collage of gouache and mixed materials combines handmade paper, book cover, paint and glass. Turkish lettering appears on the glass in the traditiona...

Color woodcut on Japan paper. Signed by the artist in ink, lower right. Titled and numbered 22/100 in pencil, lower left. Strong, vibrant colors; a richly-inked impression. Cata...

Blue Striped Abstract Expressionist Composition in Acrylic on Paper Bright, saturated abstract painting by California-based artist Ricardo de Silva (American/Brazil, 20th C). This p...

Edition of 334 copies. Copy number 2 on Velin pur fil Lafuma Navarre paper. Includes 12 original etchings by Jean Emile Laboureur. Partially uncut. Perfect conditions. 

Yvaral Lithograph Structure géométrique 1 Signed in pencil Numbered 209/225 Circa 1974 59x64 cms 950 euros

This is a thin cotton (that is my best estimate. it does not feel like silk) scarf, woven textile, fabric piece. It is signed in the print and hand numbered. Josep Guinovart (1927 –2007) was a Spanish Catalan painter most famous for his informalist or abstract expressionist work. In 1941, he began to work as a decorator. Three years later, he started his studies at the Escuela de Artes y Oficios de la Llotja (Art School of La Llotja) where he stayed until 1946. He first exhibited his work in 1948 in Galerías Syla in Barcelona. In 1951, he produced his first engravings entitled 'Homage to Federico García Lorca'. Two years later, he was awarded a grant from the French Institute to study in Paris for nine months. Here he discovered the cubist works of Henri Matisse and Pablo Picasso and travelled to Belgium, Holland and Germany. On his return to Barcelona and after a period working as an illustrator and set designer, around 1957 he began moving towards abstract art. His work is highly unconventional and usually on a large scale, using a wide range of materials, three-dimensional objects and organic substances such as eggshell, earth and straw. He has done some amazing 3D wool tapestry wall hangings...

Kim Dingle, Pop artist and social commentator, was born in Pomona, California in 1951. She is known for cartoon-related images of little girls in surreal situations that explore both personal and perceived societal dilemmas. Dingle received her Bachelor of Fine Arts degree in 1988 from California State University, Los Angeles, and her Master of Fine Arts degree in 1990, from the Claremont Graduate School, California. selected group exhibitions 2014 “Secrets and Lies” Museum of Contemporary Art, San Diego 2014-2015 "The Avant Garde" Orange County Museum of Art 2014 Collezione Maramotti, Reggio Emillia, Italy 2013 “Untitled (Giotto’s O) , Sperone Westwater, Lugano, Switzerland Museum of Contemporary Art, 6 October – 14 January 2001; P.S.1Contemporary Art Center/MOMA Affiliate, Long Island City, 4 “Uncomfortable Beauty,” Jack Tilton/Anna Kustera, New York, 8 December 2000 – 13 January 2001 “Pop & Post-Pop (On Paper),” Texas Gallery, Houston, 23 January – 3 March 2001 MOMA, New York "Mapping" Robert Stor curator Los Angeles County “Made in California: Art, Image and Identity, 1900-2000,” Museum of Modern Art San Francisco, 22 October 2000 – 25 February 2001 “The Darker Side of Playland San Francisco Museum of Modern Art, 1 September 2000 – 2 January 2001 (catalogue) "Whitney Biennial," Whitney Museum of American Art, New York, 23 March – June 2000 (catalogue) "Arte Americana; Ultimo Decennio," Museo d'Arte della Citta di Ravenna, 1999 "Looking at Ourselves: Works by Women Artists from the Logan Collection," San Francisco Museum of Modern Art, 9 January–20 April 1999 (catalogue) 1998 "Family Viewing," Museum of Contemporary Art, Los Angeles "Presumed Innocence," Anderson Gallery, School of the Arts, Virginia Commonwealth University "Sunshine and Noir: Art in L. A. 1960–1997, - Louisiana Museum of Modern Art, Humlebaek, Denmark, -Kunstmuseum Wolfsburg, Germany - Castello di Rivoli, Turin, Italy, - Hammer Museum, Los Angles, fall...