20th Century More Art

Original vintage travel poster to the French Riveria, the Cote D'Azur. Linen-backed lithograph created by the artist Roger Bezombes, for the French National Railways. A small Fr...

Edition of 351 copies. Copy number 2 on vergé d'Arches paper. Includes 2 drawings reproduced in lithograph by Yves Tanguy. Superb copy in perfect conditions. Uncut.Louis Aragon was b...

Neues Album is an original modern rare book illustrated by Wilhelm Busch (Wiedensahl, 15 aprile 1832 – Mechtshausen, 9 gennaio 1908) in 1925. First augm...

Edition of 426 copies including original engravings by Daragnés. Copy on Japon Imperial (one of the only 60 on this paper). Perfect conditions. 

Jacqueline Lee "Jackie" Kennedy Onassis (July 28, 1929 – May 19, 1994) was an American socialite, writer, and photographer who became First Lady of the United States as the wife of P...

A New Cagli's Period - Autograph is an interesting L.A.S.s.d. Autograph Letter Signed and Dated) by the Italian artist, Corrado Cagli (1910-1976) to the Countess and patron of arts, ...

Ex Libris - J. C. J. Vanschagen is a Modern Artwork realized in the mid-20th Century. Woodcut print on paper.  The work is glued on a cardboard. Good conditions.

Jacqueline Lee "Jackie" Kennedy Onassis (July 28, 1929 – May 19, 1994) was an American socialite, writer, and photographer who became First Lady of the United States as the wife of President John F. Kennedy. Her popularity as First Lady was due to her devotion to historical preservation of the White House, her fashion sense, and her devotion to her children, which endeared her to the American public. During her lifetime, Jackie was regarded as an international fashion icon. Her ensemble of a pink Chanel suit and matching pillbox hat that she wore in Dallas, Texas, when the president was assassinated on November 22, 1963, has become a symbol of her husband's death. (wikipedia) Description: Jackie Kennedy, Ari Onassis...

MEDIUM: ​Original Production Cel on Printed Background IMAGE SIZE: 12 Field PRODUCTION: Looney Tunes SKU: IFA2670 ABOUT THE IMAGE: Looney Tunes is a series of animated short films b...

Alberto Giacometti Dessins - Lithographies - Eaux-fortes is the title of the artist's catalogue, written for the exhibition 31 May - 22 October 1986, at the Patrick Cramer Gallery, G...

Hommage à Pablo Picasso is the catalogue of Pablo Picasso's exhibition of paintings held at the Grand Palais des Champs-Élysées (commonly known as the Grand Palais) in Paris, Novembe...

B.A.S. addressed to Countess Pecci Blunt. 2 pp. 15. 11 cm, on letterhead "Confédération Internationale des Sociétés d'auteurs et compositeurs. The Président”, with envelope and stamp...

Jacqueline Lee "Jackie" Kennedy Onassis (July 28, 1929 – May 19, 1994) was an American socialite, writer, and photographer who became First Lady of the United States as the wife of P...

Letter written by Camille Bryen to Nesto Jacometti, with no date (most probably 1950s or early 1960s) and is written in French.

"Ex Libris Helge Sterner" is an original Modern Artwork realized in the XX Century. Original woodcut print on ivory-colored paper. The work is glued on cardboard. Total dimensio...

Die Passagiere der leeren Platze is an original modern rare book written by Martin Andersen Nexø (Dresden, 1869 – Dresden, 1954) and illustrated by George Grosz (Berlin, 1823 - 1959...

In the letter the italian painter Silvano Bozzolini (1911-1998) writes about a project for an exhibition to his friend Nesto Jacometti.

A New Cagli's Autograph is a L.A.S.s.p.. Autograph Letter Signed and Dated by the Italian artist, Corrado Cagli (1910-1976) to the Countess and patron of arts, Anna Laetitia Pecci-Bl...

March 24x32 cm, oil/cardboard, 1990

Pablo Picasso (1881-1973) - Man with Pipe (1911) Lithograph from 1946. Dimensions of work: 48 x 32.8 cm Publisher: Pantheon. The work is in Excellent condition. Fast and secure ...

Kunsttöpferei Kandern (1897-1927), Thrown vase with two layers of glaze, between 1914 and 1927, terracotta, marked 'KTK' on the underside and marked as model number '781', 19 cm (hei...

SUSIE Q. SMITH Medium: Newspaper comics Distributed by: King Features Syndicate First Appeared: 1945 Creators: Linda and Jerry Walter 6.5 X 18 Like her contemporaries, Aggie Mack, Candy and Patsy Walker (before her conversion to a superhero), Susie Q. Smith was a female Archie-type — not exactly an imitator, because Archie, who had started only four years earlier, hadn't yet become popular enough to spawn imitators, but part of his genre. She attended high school, where her teachers often seemed unreasonable to her, interacted with the opposite gender in a typically adolescent way, and her parents didn't completely understand her. And she was cute and perky as only a teenage girl can be. Susie was the star of a comic strip distributed by King Features, the biggest of the comic strip syndicates, whose other offerings have ranged from Jackys Diary to Prince Valiant...

This is an Autograph Letter Signed by Carlo Levi to the Countess A.L. Pecci Blunt. Rome, December 9th 1950. In Italian. One page, single-sided. Excellent condition, perfecly readable. Including original envelope. Carlo Levi (Tourin,1902 – Rome, 1975), the Italian painter, writer, activist, anti-fascist, best-known for his "Cristo si è fermato a Eboli" (Christ Stopped at Eboli),writes this letter to the Countess and patron of arts, A.L. Pecci Blunt to introduce the Italian playwright and director Alessandro Fersen (Łódź, 1911 - Rome, 2001). Artistic Intentions and common initiatives could arise. The background: In the same year of this letter, in 1950, Alessandro Fersen together with Walter Cantatore and Emanuele Luzzati...

Book: Georges Annenkoff Author: Courthion, Pierre (Swiss, 1902-1988) Published by Chroniques du Jour, Paris, 1930 First edition. Numbered #244 . In original hard paper. Slight dam...

Mid century carved marble figurative girl and kitten by Rodney Marshall Winfield (American, b. 1925). Presented in rustic wood frame. Bio on verso. Image, 14"H x 10"W. Rodney studied at Cooper Union School in New York and worked as a designer at the Emil Frei...

Incredible Brutalist torch-cut wall mountable sculpture by artist Gene Montez Flores. Designed to hang as shown. Produced during in the early 1960s in his California studio. Has neve...

Edition of 317 copies including engravings by Chas Laborde. Copy on Vergé de Rives. Perfect Conditions. Partially Uncut.

Mythologies is an original Rare Book engraved by André Masson (Balagny, Oise, 1896 - Paris, 1987) in 1946. Original Edition. Published by Editions de la Revue Fontaine, Paris. Fo...

Jack Scott "#20" 1980 Interwoven, continuous line charcoal drawing on paper 40"x30" site, black wood gallery frame float mount 42.5"x32.75" museum glass Sig...

Jacqueline Lee "Jackie" Kennedy Onassis (July 28, 1929 – May 19, 1994) was an American socialite, writer, and photographer who became First Lady of the United States as the wife of President John F. Kennedy. Her popularity as First Lady was due to her devotion to historical preservation of the White House, her fashion sense, and her devotion to her children, which endeared her to the American public. During her lifetime, Jackie was regarded as an international fashion icon. Her ensemble of a pink Chanel...

Damien Hirst "I want to spend the rest of my life everywhere with everyone," 1997 Hardback monograph with hand signed ink inscription Fine provenance: Hand signed and inscribed to a...

Alexander Calder (after) Paper Ball, 2001 100% silkscreen on silk scarf 33 inches × 35 inches - fully opened (unfolded) Unframed Published by Powerball, with special authorization from the Estate of Alexander Calder In 1949 Calder was commissioned by the New York firm Laverne Originals to create two designs for use as fabric and wallpaper. This design - Paint Ball, a beautiful silk scarf...

Woodcut print realized by Lucien Pissarro to illustrate Gerard de Nerva's Hitoire de la Reine du Matin et des Soliman Princes des Genies. Hand signed Edition of 50 copies (41/50)

Andy Warhol Record Art 1983 for Rats & Stars: Early 1980s record album with cover design by Andy Warhol. Medium: Offset printed album cover accompanied by its vinyl record album. Cover: Very good to excellent condition. Includes original record in excellent condition. Looks super cool framed. Featured prominently in 'Andy Warhol: The Record Covers, 1949-1987- Catalog Raisonne' by Warhol scholar Paul Marechal. Andy Warhol album art: Further Background: In 1983 Warhol was commissioned to design the cover for the Japanese pop group's Rats & Star’s album ‘Soul Vacation’. Warhol has incorporated blocks of irregularly shaped color along with printed hand-drawn elements helping create a bold, vibrant image. The band’s name is a palindrome (it reads the same backwards and forwards) and originates in the belief that it is possible to be a rat, coming from a less prosperous background, and still become a star: a notion close to Warhol’s heart...

This sophisticated lithograph was executed by the renowned visual artist Peter Eugene Ball circa 1970. Realized in black and white, it depicts a styl...

Ex Libris Carl Aberg is a Modern Artwork realized in Mid 20th Century. Ex Libris. Woodcut on ivory paper. The work is glued on ivory cardboard Total dimensions: 20x 15 cm. The ...

Edition of 548 copies including and original xylography by Alexeieff on frontispiece.  Copy in near perfect conditions and uncut, n. 10 belonging to the 73 copies on vélin and Holla...

Edition of 30 copies including one coloured linocuts and 29 b/n linocuts realized by Mino Maccari from 1924 to 1931. Double sheets Japanese style. Probably the only copy with each s...

 Ex Libris - R. Gijselhart is a Modern Artwork realized in the mid-20th Century. Woodcut print on paper.  The work is glued on a cardboard. Good conditions.

Stephen Talasnik Untitled sculpture, from the collection of Dick Polich, Tallix Foundry, ca. 1997 Cast light metal signed by the artist on the work (see close up photograph) 6 3/5 × 12 × 4 inches Provenance Estate of Dick Polich, founder of the legendary Tallix Foundry and Polich Art works Beacon, NY Manufacturer Stephen Talasnik at Tallix Foundry, Beacon, New York This work is signed by the artist (see close up photograh) Abstract metal sculpture The work is lightweight so it is believed to be in aluminum or an aluminum alloy, Provenance: acquired from the Estate of Dick Polich - founder of the legendary Tallix foundry and Polich Art Works. Polich and Tallix fabricated significant sculptural works over many years, collaborating with such as, Willem de Kooning, Jeff Koons, Roy Lichtenstein, Frank Stella, Helen Frankenthaler, ERTE, Julian Schnabel, Richard Artschwager, Isamu Noguchi, Isaac Witkin...

Ce vice impuni, la Lecture  is a book written by Valery Larbaud. Collection La Phalange : Directeur Jean Royere. Paris, Albert Messein, Editeur , 1925. Good conditions, expect for...

Not dated nor located, this interesting collection of letters is addressed to Nesto Jacometti Graphic Art Editor and Collector. It's entirely hand written and in very good condition...

Andy Warhol album art 1983-1986: A collection of four 1980’w LPs with individual cover art designed by Andy Warhol. Each piece is featured prominently in 'Andy Warhol: The Record Covers, 1949-1987- Catalog Raisonne' by Andy Warhol scholar, Paul Marechal. Featuring the following recording artists Aretha Franklin, John Lennon, Paul Anka & Rats & Star. Classic 1980's Andy Warhol imagery that makes for fantastic 1980s Pop wall-art. Medium: Offset printed album covers accompanied by their individual vinyl record albums. 12 x 12 inches / 30.48 x 30.48 cm (applies to each individual). Covers: Ranging from good to very good overall vintage condition. Includes original records in good to excellent condition. Unsigned from an edition of unknown. Andy Warhol record art: Further Background: In the late 1950s, as the record industry began to expand at an extraordinary rate, Warhol was hired by both Columbia and RCA Records on a freelance basis to create album covers and promotional content and, from there, carried the skill throughout his career. When Warhol arrived in New York he met with his schoolmate George Klauber who was, at the time, working for a creative agency run by Will Burtin. Klauber did Warhol a favour and introduced him to Burtin and the opportunity to work with Columbia’s, and later RCA’s, art director Robert M. Jones. Robert M. Jones remembered it fondly and suggested that the commissions may have been his first: “I gave him three little spots to do for the corners of the standard albums. He needed money...

Harding Black San Antonio (1912 - 2004) Huge Heavy Crackle Vase 1985 Height 14'' Across Widest 8" Biography Harding Black San Antonio (1912 - 2004) Harding Black was born on a farm in Nueces County between Ingleside and Aransas Pass and moved with his family to San Antonio in 1916. There he graduated from Brackenridge High School and attended San Antonio Junior College (1929-30). In 1931 Black joined an archaeological expedition to the Big Bend area sponsored by the Witte Memorial Museum. Initially a painter, he was taught by Rudolph Staffel in 1933 to make wheel- thrown pottery and in the same year began to teach children's ceramic classes at the Witte. Between 1937 and 1939, Black directed ceramic installation in a San Antonio reconstruction project sponsored by the National Youth Administration and the Works Progress Administration art program. In 1955 he retired from teaching and devoted his time to ceramics. Black became a well-known ceramist from his research, innovations, and writings in the field. Exhibitions: San Antonio Local Artists Annual Exhibition (1939-42, 1945, 1947); Texas General Exhibition (1940 award, 1942, 1948 honorable mention); National Ceramic Annual Exhibition, Syracuse Museum of Art (1947-54); River Art Group, San Antonio (1948-49); National Collection of Fine Arts, Washington D.C. (1951, 1956); Dallas Museum of Fine Arts (1952 one-man); Martin Museum of Art, Baylor University (1991 one-man); San Antonio Museum of Art (1995 retrospective); National Museum of Art, Washington, D.C. (1995); University of Texas at Dallas, Irving (1998 retrospective). Collections: Dallas Museum of Art; Museum of Fine Arts, Houston; San Angelo Museum of Fine Arts; San Antonio Museum of Art; Martin Museum of Art, Baylor University, Waco; National Museum of American Art, Washington D.C.; New Orleans Museum of Art; Everson Museum of Art, Syracuse, new York; Alfred University (New York). Harding Black resided in San Antonio Texas where he worked as a potter for over 60 years and far as anyone knows he was completely self taught. I find it amazing that anyone could ever accomplish what he did with with no formal training in either ceramics or chemistry. It was a long and prolific journey from the early hand built earthenware pottery to become recognized as a master of glazes. While I feel that his forms often could be better this is more than compensated for by the spectacular glazes he developed. Constant experimentation and his acquired knowledge of chemistry were the foundations for the wonderful glazes that adorn his pottery. The following quote is from an interview with Rudolf Staffel His copper reds are unbelievably beautiful. Harding was a master of glazes and one of the most generous human beings in the ceramic field that I've known. He had literally a room full of beautifully organized test tiles of all his glazes, and he would just throw the room open to anybody who wanted to rummage through his tiles. All the recipes were there and he shared them with anyone who was interested. It was wonderful to go and visit him. Although accurate records of all test firings were kept for reference it I have been told that it would be difficult to reproduce many of these glazes because of the kiln he built and clays he used. This may not be the case because in a recent phone conversation (4/11/2007) with Peter Pinnell he told me that some of his students had success replicating some glazes using Harding's formulas By concentrating on the bowl and vessel forms Harding remained true to the historical traditions of pottery making. The magnificent Harding Black journey began in 1932. At that time he joined the Witte Museum Archaeological Society which provided him with access to their collections of Native American pottery. Harding became fascinated by these pollychromed vessels and he began attempting to create hand built pots. He had very little or no success but a life long of working in clay had begun. It was about this time that he met up with Rudolf Staffel and it was from him that Harding learned wheel throwing and developed ideas of how to operate a studio. Harding was given access to working space at the Witte where he built a wheel and in 1933 he was given a position as ceramic instructor. In this position it was his responsibility to establish a ceramics department. The first kiln Harding built was using plans that were obtained from Newcomb College. He scrounged parts from a junkyard which were used in its construction. This project was not totally successful because of problems reaching required temperatures. As usual this did not deter Harding. He seemed to have a wonderful ability to learn from failure and move on. In the early 1940's Harding began working with formulas for copper red glazes prepared by Arthur Baggs and Edgar Littlefield. This work only added to his interest in Oriental pottery and fostered a desire to rework many old glazes. Being greatly influenced by A Potters Book published in 1940 by Bernard Leach Harding was now on his way seeking to incorporate form, function and surface treatment into a single entity where the whole is greater than the sum of the parts. In the 1950's Harding left the Witte and built his own studio where he spent the rest of his life creating his wonderful art. The body of his work is a living tribute to the Harding Black lifelong love of ceramics. Along with being a researcher he was also a teacher always willing to share his knowledge with others. He spent his life producing pots and occasionally taking time off to do a bit if fishing. According to Harding Black - Harding Black 11/14/90 "I am one of the lucky ones. When I get up in the morning I can hardly wait to get to work." 1912 Born April 15 near Aransas Pass, Texas 1916 Family moved to San Antonio 1929 Graduated from Breckenridge High School 1929-30 Attended San Antonio Junior College 1931 Joined Archaeological Society of the Witte Museum, San Antonio, and participated in excavations of ancient Basket maker Indian mounds and caves in the Big Bend area of Texas 1933 Taught by Rudolf Staffel to make wheel-thrown pottery. Set tip studio in a streetcar behind Witte Museum and began teaching children’s ceramic classes 1937-39 Appointed Superintendent of Ceramic Installation for N Y A /W P A reconstruction project in San Antonio 1943 Moved from streetcar studio to new facilities in the reconstructed Ruiz House on the grounds of the Witte Museum Began firing to stoneware temperatures 1947-54 Exhibited each year in the annual National Ceramic Exhibition, Syracuse Museum of Art 1951 Exhibited at the National Museum of Art, Washington, DC 1952 Toured ceramic centers throughout the United States 1953 “Opening the Door to Copper-Reds” by Harding Black, published in January issue of Ceramics Monthly “Harding Black Profile” published in February issue of Ceramics Monthly 1954 “Iron Spotted Glazes” by Harding Black, published in February issue of Ceramics Monthly 1955 Built present studio at 8212 Broadway, San Antonio Retired from teaching at the Witte Museum 1956 Exhibited at the National Museum of Art, Washington, DC 1961 “Lava Glazes” by Harding Black, published in October issue of Ceramics Monthly 1964 “Harding Black Texas Potter” by Jean R Lange, published in November issue of Ceramics Monthly 1971 The Meyer Family Master Potters of Texas, co-authored by Harding Black and Georgeanna H Greet 1980 Harding Black’s biographical information entered into the archives of the Smithsonian Institution, Washington, D C 1983 Harding Black traveled throughout China 1984 Awarded Glaze Research Grant by Southwest Craft Center, San Antonio 1985 Solo exhibition at the Southwest Crafts Center 1987 Selected as Artist of the Year by the San Antonio Art League 1988 Incarnate Word College, San Antonio, establishes Harding Black Fund to aid ceramics students 1990 “Harding Black Pottery...

Hard cover designed and handmade by Ardengo Soffici, in excellent conditions. On the frontispiece we can read handwritten: "Silvio e Luigi Perina Roma 5 Marzo 1916". Language: Italian.

Letter from Louis Marcoussis to Countess Pecci Blunt is an original manuscript. The letter is addressed to Countess Pecci Blunt and it's written from Hotel Minerva, Florence Marco...

This work by Pavel Tchelitchew (1898-1957) is offered by CLAMP In New York City. Jacques Stettiner c. 1927 Signature stamp in purple ink, verso; Also titled in pencil, verso Ink o...

Ex Libris Laszlo is an original Contemporary Artwork realized in the 1920s. Original B/W woodcut on ivory-colored paper. Signed and dated on plate on the lower margin: "Nemes Irm...

Chinese Lanterns by Judith Rothchild - 2001 Judith Rothchild is an American born artist, having grown up in Boston, Massachusetts. She now lives in the Languedoc region of France, w...

These are Autographs by the legendary bullfighters Antonio Ordoñez, Manolo Vazquez (Sevilla, 1930-2005) and Juan José Rueda, with autograph notes by A. Ordoñez (Ronda, 1932 - Siviglia, 1998). Around 1960. A card addressed to the Countess Anna Laetitia Pecci Blunt. In spanish. Original envelope included. Short sentence of greetings with the ending hope to see the Countess agains. "Millones de Gracias, esperamos poder corresponder en España". Countess Anna Laetitia Pecci - Blunt (Rome, 1885 - Marlia, 1971) Best-known as "Mimì" Pecci-Blunt , the Italian noblewoman was an art collector, patron and nephew of Pope Leo XIII. Extremely volcanic, she was very active in the cultural field, opening numerous lounges, galleries and theaters. In 1919 she married Cecil Blumenthal, later changed to Blunt, a wealthy Jewish banker from New York, heir to an important collection of nineteenth-century French painting. His Parisian and Roman salons was frequented by artists and intellectuals of the caliber of Salvador Dalì, Paul Valery, Poulenc, Paul Claudel...

Érastène Ramiro Ramiro, Félicien Rops, Paris, Pellet-Floury, 1905. Vol. in 8º, pp. 215, cm 26.5 x 3.5 x 20, in French. One of the few copies on original editorial soft cover and ja...

Ex Libris Gheri Mantero is an original Contemporary Artwork realized in Italy in the mid-20th Century. Original Ex Libris. The artwork has been realized by Alina Kalczinska. Origin...

Measures about 3.75 X 3.5 inches. Box is 11 X 11 inches. (Piece is in excellent condition. box frame has some minor wear and piece might need to be remounted, it has been removed and...

Jacqueline Lee "Jackie" Kennedy Onassis (July 28, 1929 – May 19, 1994) was an American socialite, writer, and photographer who became First Lady of the United States as the wife of P...

This Sculpture was created by DM, from sand cast brass. The Figurative Sculpture " Standing Man ” is a piece created by David Marshall in 1999, sand cast in brass and lost wax t...

The last works of Henri Matisse  is a catalogue of the artist realized by the search of Monroe Wheeler.  64 pages, 44 plates ( 13 in color).  Distribuited by Doubleday & Co, Inc. G...

20th century Judaica Plaque, Rabbi Blowing Shofar in the synagogue.

Oil on canvas, 1961. Signed in oil in lower right. Signed and dated in oil on verso. Per the Guggenheim Musuem (New York), whose collection has works by Sugai., he "was part of th...

Edition of 1010 copies. Copy on Alfa paper. Superb copy in perfect conditions and uncut.Paul Eluard was born in 1895 and died in 1952. He was a French poet and one of the founders of...

Edition of 1107 copies. One of only 71, plus 10 out of commerce, copies on Japon Imperial paper. Language: french. One of the most famous works by the french journalist and novelist Anatole France...