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Kinda Adly"Red Clouds" Acrylic & Inks Painting 39" x 39" inch by Kinda Adly2019
2019
$4,750
£3,607.74
€4,149.56
CA$6,636.68
A$7,400.65
CHF 3,861.34
MX$90,808.77
NOK 49,148.76
SEK 46,567.38
DKK 30,969.72
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About the Item
"Red Clouds" Acrylic & Inks Painting 39" x 39" inch by Kinda Adly
Kinda Adly, born in Egypt in 1989, is a self-taught artist. She grew up in Egypt and currently lives in Switzerland.
Her love for art has inspired her to experience colors through different media and techniques, which she has captured in her paintings through a mixture of abstraction and reality of the familiar world. She combines geometric shapes and lines with human figures. This combination of detail, bright colors and layering gives texture and depth to her paintings. The dynamic environment portrayed in them reflects a unique energy in each individual painting.
Her inspiration comes from the historical cultures of the world, the bustling city life and the beautiful landscape of the cities she visits.
- Creator:
- Creation Year:2019
- Dimensions:Height: 39 in (99.06 cm)Width: 39 in (99.06 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Culver City, CA
- Reference Number:1stDibs: LU1085110609542
Kinda Adly
Kinda Adly is a self-taught artist who left a career in marketing to pursue her passion for art. Her paintings are inspired by pop art symbolism and the Japanese super flat concept, a postmodernist movement based on manga and anime. Her love for texture is clear in her painstaking layering technique that combines different patterns with contrasting colors using multiple mediums. Kinda’s incredibly detailed and intricately worked canvases this time demonstrate a progression from the exclusively pop art style that gained her recognition. There is a notable development in the use of shapes and figures. After studying with esteemed talent Mohamed Abla, the condensation of her composition is not as dense, offering her canvases the added element of more space, which provides a liberating and grounding sensation. Kinda’s latest works demonstrate a welcome sensation of less rigidity, and the inclusion of even more plant and animal imagery offers these pieces a more grounded, holistic and organic appeal.
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ABOUT THE ARTIST:
Nomad from birth, Guela Tsouladzé was born on November 8, 1959 in Tbilisi, Georgia, from a French mother and a Georgian father. His father was one of the first Georgian psychanalyst; but working with the conscient and subconscient of the homo sovieticus was a disputed occupation, criticized by the soviet ideology. Therefore, it required a significant dose of audacity; it’s in this context of insubordination and freedom, that Guela tirelessly repeats that he will be an artist, without ever having painted anything.
The father thus commissioned his first work: a black dot on the ceiling of his office, which his patients would fix during the sessions. The gateway to hypnosis, and the artist’s future signature. Perhaps Guela's innate sense of daring and escapism comes from there; these two themes are till today reflected in his works.
Guela grows up in a surreal artistic universe, between France and Georgia, inspired in particular by Pirosmani, the brothers Zdanevitch and Salvador Dali, whom he met shortly before his death in 1981 at Portiligat Cadaques, and surrounded by the filmmaker Paradjanov, a friend of the Tsouladze family. He begins his studies at the Fine Arts on Tbilisi in 1977, but the ultimate horizon is Paris. He joins the Art Décoratifs from 1980 to 1983 and then the Beaux-Arts from 1983 to 1985. He becomes the assistant of Christian Boltanski, whom he follows from exhibition to exhibition.
In France, the 80s are colorful years, wild like a Fauvist painting. Art comes out of museums and gives birth to the free figuration, an elusive movement, which was slowly taking shape in the lethargy of the Beaux-Arts. Pop culture, in its spontaneity and in its lack of self-control, takes over everything and breaks down all codes, groups and borders. Art is free from all constraints and analysis.
Guela is there at the right time, in the right place, with the right people. The Holy Trinity, as he likes to repeat. These crazy years are an ecstatic playground for his artistic instincts.
Guela paints on everything: papers, canvases or newspapers. His grand formats are at the scale of his silhouette; he leaves the Beaux-Art and joins the first squats in the nineteenth arrondissement of Paris, notably the Quai de Seine workshop, which he shares with Remy Blanchard and Vincent Scali. These are the years of Ben, of the Di Rosa brothers, of Robert Combas and François Boisrond.
Art for everyone, and party for all. Guela follows his intuitions to Ibiza and Barcelona from 1987 to 1993, where he works at the Casa Caritad, which will later become the city's Museum of Modern Art. This colorful and collective delight contrasts with the dark anxieties of our time. Contrary to the widespread dystopia, it was then the utopia that reigned!
New York is its epicenter, shaped by Basquiat and Keith Haring. Guela lives there from 1993 to 1998, including several years at the legendary Chelsea Hotel, of which he covers the walls and furniture with Georgian calligraphy. This is where his simplistic, black, and loving figures were born, later becoming his trademark and one of the symbols of Batumi.
It was precisely at the end of the 90s that his desire to build bridges between his native country and France became deeper. The Soviet Union died in a burst of freedom, and the Georgians slowly come out of a fratricidal war, fueled by Russia. Georgia needs love, so Guela replaces the flag’s crosses with hearts, following the 2003 Rose Revolution.
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