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Nathalie Fontenoy Nathalie Fontenoy French Artist Painting on Canvas"Formes Blanches" White Shapes1994
1994
$6,544.72
£4,873.41
€5,520
CA$8,992.81
A$10,064.65
CHF 5,252.97
MX$122,736.81
NOK 67,230.89
SEK 63,642.65
DKK 42,018.93
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About the Item
Painting "Formes Blanches" White Shapes.
Year 1994
Unframed, this can be rolled or we can fixe it on a frame "chassis" Please let us know to calculate the shipping price.
Nathalie Fontenoy is a French artist working and living in Paris.
Her painting is at the edge of abstraction and figuration . She comes from a family of artists. Her grand mother Lizica Codréano choreographer dancer (picture number 8)
of Romanian origin, arrives in Paris with her sister Iréne Codréano, sculptor; very quickly they are at the heart of the Parisian artistic avant-garde.
Close friends of Brancusi, Irene will be assistant of the sculptor, and Lizica will give performances at the edge of the performance in Constantin Brancusi's studio, especially on Erik Satie's Gymnopedies.
Between 1920 and 1930, Lizica will produce her creations on the Parisian art scene, from Darius Milhaud, Cocteau, Tzara, Soupault, Apollinaire, Picasso, Leger and will dance in sets and costumes from Delaunay.
Nathalie Fontenoy Lizica's granddaughter Codréano is a very known visual artist, her work fits in a historical continuity, she appropriates this inheritance, transform it, reinterpret it. She develops her creations in a dialogue with works of art
the first part of the 20th century.
Her painting is at the edge of abstraction and figuration where color is essential, her work has been shown in many personal and collective exhibitions in France and abroad.
She works on several series with different techniques, acrylic on canvass, paper collage, and inks on paper, weaving of photo papers…
Nathalie Fontenoy, Artist and Designer , Master in Fine Arts and Semiology (Iconography), University of Paris – Sorbonne, build her renowned through her transversal approach to creation :
Graphic design for Habitat (textile, carpet), Toulemonde Bochard, Elvé,
Roche-Bobois, Delse, Swatch, Dupont, Galeries Lafayette and more...
She also made a “revisited” furniture collection, winning the VIA label, which was presented in many exhibitions.
Her visual art teaching activities stress the dialogue between architecture and urban landscape. She has developed a course on color for students in architecture at the Ecole Spéciale d’Architecture (ESA) in Paris. She also taught at EPSAA (a Paris architecture school) and EFAP image-
Nathalie Fontenoy also participate at the conception and realization of cultural projects at the “Domaine de Chamarante” and the interactive exhibition “Inventer 89” with the Claude Mollard abcd agency and has recently conceived three installation projects:
- “Résonance Quantique” which confronts three Brancusi artworks with present astrophysics knowledge, with the active participation of Daniel Kunth, astrophysicist
- “Singulier portrait ou la tentation iconique” which brings into play our basic relation to images in relation with theology.
- “Experience immediate des sens” based on Edgar Morin work
- Scenography for international Dance Companies (Angelin Preljocaj, Karine Saporta), prizewinner for best scenography for “inventer 89” contest organized by the French ministry of Culture.
- Creator:Nathalie Fontenoy (1961, French)
- Creation Year:1994
- Dimensions:Height: 51.19 in (130 cm)Width: 51.19 in (130 cm)Depth: 0.12 in (3 mm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Paris, FR
- Reference Number:1stDibs: LU131915432151
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Nathalie Fontenoy is a french artist working and living in Paris. Her work has been shown in many personal and collective exhibitions in France and abroad. She comes from a family of artists. Her grand mother Lizica Codréano choregrapher dancer of Romanian origin, arrives in Paris with her sister Iréne Codréano, sculptor. Very quickly they are at the heart of the Parisian artistic avant-garde, with a close friends of Brancusi and Iréne will be assistant of the sculptor and Lizica gives performances at the ege of the performance in Constantin Brancusi's studio, especially on Erik Satie's Gymnopedies with great costumes as Sonia Delaunay decor and fabric.
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