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Charles CloughCharles Clough Picture Generation Abstract Expressionist Oil Enamel Painting1989
1989
$2,600
£1,942.08
€2,251.53
CA$3,610.04
A$4,046.38
CHF 2,106.83
MX$49,408.09
NOK 26,749.13
SEK 25,355.77
DKK 16,798.83
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About the Item
This vibrant colorful painting is fully hand signed, dated and titled verso.
It might be acrylic but it looks like oil or enamel ad I have seen it described thusly.
This listing is for 1 painting. the last image shows all 4 that I have hung as grouping.
Charles Sidney Clough (born February 2, 1951, in Buffalo, New York) is an American painter. His art has been exhibited in over 70 solo and over 150 group exhibitions throughout North America and Europe and is included in the permanent collections of over 70 museums, including the Metropolitan Museum of Art, National Gallery of Art, and Smithsonian American Art Museum. Clough has received fellowships and grants from the New York State Council on the Arts, National Endowment for the Arts, Adolph Gottlieb Foundation, the Jackson Pollock-Lee Krasner Foundation, and the John Simon Guggenheim Foundation.
Charles Clough was born and raised in Buffalo, New York where he attended Hutchinson Central Technical High School. He then attended Pratt Institute in Brooklyn from 1969-1970 where the two-dimensional design teacher Joseph Phillips, introduced Artforum magazine to him. Clough dropped out and on January 5, 1971 decided that he would devote his life to art. He traded his sculptor's assistant services for studio space with artist Larry W. Griffis Jr., at the Ashford Hollow Foundation's 30 Essex Street former ice-house facility. From 1971-1972 he attended the Ontario College of Art and was introduced to the artists and galleries of Toronto, Ontario, Canada. By 1973 many of the University at Buffalo's and Buffalo State's art professors had rented studios at 30 Essex Street. One of these, Joseph Panone, brought his student, Robert Longo and introduced him to Clough, which resulted in the program of exhibitions and artists' visits which became Hallwalls in 1974. Panone and his wife, Cindy Sherman, assisted in presenting, amongst many others, the works of Vito Acconci, Kathy Acker, Laurie Anderson, Lynda Benglis, Ross Bleckner, Barbara Bloom, Eric Bogosian, Jonathan Borofsky, Chris Burden, Robert Creeley, Eric Fischl, Philip Glass, Jack Goldstein, Dan Graham, Robert Irwin, Sol LeWitt, Robert Mangold, Malcolm Morley, David Salle, Julian Schnabel and Michael Snow. In 1978 after separating Hallwalls from the Ashford Hollow Foundation, establishing its board of directors and obtaining its own 501c3 status, Clough returned to New York City to pursue his art.
Clough has said, of his artwork, "What I like most about painting, all kinds of painting, is that it ain't what it looks like. Not that it's simply an illusion. I like the contradiction, that my things can have an old master look, the look of Abstract Expressionism and a look of shiny smoothness. I like those paradoxes—flatness and its opposite, the way the photo reveals and the paint conceals. Shuffling and reshuffling, then adding another deck and reshuffling that." In his autobiographical book of images, Pepfog Cluff, Clough has written of the period following his commitment to art that: "my examination of impulses, desires, and intentions finally began to coalesce in my journal-like Studio Notes with which I have developed the themes and procedures which articulate my meanings to this day. At that point I had abandoned illustrational strategies for paint-as-material processes, generally, as established by Pollock and his progeny. My wood carving gave way to making maquettes for Tony Smith-like sculptures. My photographs reflected Walker Evans on the one hand and Jan Dibbets on the other."
Beginning in 1978 Herbert and Dorothy Vogel (New York City) began collecting Clough's art and since then acquired over four hundred works, many of which were distributed to a museum in each of the fifty (United) States through a project implemented by the National Gallery of Art (Washington). Clough has been awarded grants by National Endowment for the Arts (1982, 1989), New York State Council on the Arts (1983) and the Pollock-Krasner Foundation (2009). His work was included in The Metropolitan Museum of Art's The Pictures Generation, 1974–84, from April 21-August 2, 2009. (along with 1980's art stars Cindy Sherman, Barbara Kruger, Louise Lawler, Robert Longo, David Salle, Richard Prince, Sherrie Levine, John Baldessari and Allan McCollum). As of July, 2015 Clough established his studio, and the Clufffalo Institute, on the Roycroft Campus in East Aurora, New York, outside of Buffalo, New York.
Charles Clough is married to book designer Liz Trovato
- Creator:Charles Clough (1951, American)
- Creation Year:1989
- Dimensions:Height: 22.5 in (57.15 cm)Width: 22.5 in (57.15 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:good. minor age commensurate wear.
- Gallery Location:Surfside, FL
- Reference Number:1stDibs: LU38215080682
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View AllCharles Clough Picture Generation Abstract Expressionist Oil Enamel Painting
By Charles Clough
Located in Surfside, FL
This listing is for 1 painting. the last image shows all 4 that I have hung as grouping.
Charles Sidney Clough (born February 2, 1951, in Buffalo, New York) is an American painter. H...
Category
1980s Abstract Expressionist Abstract Paintings
Materials
Enamel
Charles Clough Picture Generation Abstract Expressionist Oil Enamel Painting
By Charles Clough
Located in Surfside, FL
This vibrant colorful painting is fully hand signed, dated and titled verso.
It might be acrylic but it looks like oil or enamel ad I have seen it described thusly.
This listing is...
Category
1980s Abstract Expressionist Abstract Paintings
Materials
Enamel
Charles Clough Picture Generation Abstract Expressionist Oil Enamel Painting
By Charles Clough
Located in Surfside, FL
This vibrant colorful painting is fully hand signed, dated and titled verso.
It might be acrylic but it looks like oil or enamel ad I have seen it described thusly.
This listing is...
Category
1980s Abstract Expressionist Abstract Paintings
Materials
Enamel
1960's Large Colorful Abstract Expressionist Swiss Oil Painting Robert Lauro
Located in Surfside, FL
Oil Painting on canvas
Hand signed to lower right Lauro.
Provenance: Eleonore Austerer Gallery, San Francisco, CA
Work Size: 39.5 x 39.5 in. framed 44 X 44 inches.
Roberto Lauro is a British-Swiss Post War & Contemporary artist who was born in 1932.
Roberto Lauro was born in 1932 in Gorey Harbor on the island of Jersey (Great Britain) the son of a Swiss mother, Rosa Ramseier, from Oberdiessbach / Emmental, Switzerland, and and Italian father Innocenzo Roberto Lauro, born in Mondovi, Italy. In 1941 he moved to Switzerland with his mother. 1949-1953 he lived in Gunten (Switzerland) where he did an Apprenticeship as a lithograph and offset printer and graphic designer in Thun. There he was introduced to the color theory of Johannes Itten by Hermann Oberli at the Bern School of Applied Arts. From 1953 to 1955 he worked as a fine art printer in Norway where he was influenced by the color theory of Edvard Munch. These works bears the influence of Russian artist Andre Lanskoy, Tachisme and the Cobra artists Karel Appel, Constant, Corneille, Christian Dotremont, Asger Jorn, and Joseph Noiret.
In 1955-1956 he worked as an offset printer in Amsterdam (Netherlands). Visit to the Instituut voor Kunstnijverheidsonderwijs. In 1957 he returned to Gunten, Switzerland. Where he started working in printmaking and and oil painting. He resumed his studies at the Bern School of Applied Arts. He was greatly impacted and influenced by abstract art on the occasion of a large Paul KIee exhibition. In 1958 he moved to Zurich where he worked part-time work as an offset copyist; fulfilling graphic orders for advertising agencies. In 1962 he took his final examination as graphic designer at the Zurich School of Applied Arts. In 1980 he begins his development of three-dimensional picture objects, Sculpture, detachment from the canvas, using metal as a support and play space for light and color. By 1981 he has turned full time to fine art. He spends the next years growing and developing his considerable talent. Inspired by classical music, the rhythm, mood and lightness of which form the basis for the large swings and loops of his colorfully lacquered metal and blown glass sculptures. These are "pensieri", thought sketches that capture the emotions in countless versions. There is something dance-like about his rotating sculptures. Everything becomes music and the rhythm of colors. In 1988, after exhibitions in Europe, he has his first exhibitions in Atlanta and San Francisco (USA), In 1989 he does his first glass and metal sculptures at the Roberto Niederer glassworks, Hergiswil (Switzerland). In 1992 has a retrospective exhibition in the Tan Gallery, Zurich, and the Eleonore Austerer Gallery, San Francisco. They Publish a catalogue raisonne, Eine Retrospektive, covering a 45 year career. In 1993 he creates A Retrospective, a unique sculpture in a table top form that contains his catalogue raisonne and an original lithograph.
1993–1995 he begins work on a number of large scale public outdoor commissions, including Light Columns for a Bank building, and a commission of a sculpture-fountain in Oetwil am See. In 2001 he creates a wall sculpture entitled "Color Poems of the Yearly Cycle. A linen bound book enclosed in a unique plexi display with a one - of a - kind metal and glass sculpture,containing 12 linocuts each printed in colors and signed.
Roberto Lauro's sculptural work work is spontaneous and loaded with energy. The furrows, rifts, cracks and scars in the metal allow light to enter; it is then reflected back by the glass. His work is a clear statement of our times, uniting the intellect and the heart in search of the spiritual. Like the interplay of light and shadow, his sculpture combines fragile, transparent glass with solid, heavy iron. These colorful and luminous sculptures convey a powerful presence and emit vibrant positive energy. With their jagged exteriors and translucent cores, the spectacular sculptures created by the synergy of metal and glass are powerful - yet fragile. Lauro has created and mastered his own idiom and proven that through the artist sheer will and vision, seemingly incompatible materials such as iron and glass can indeed be combined. In 2004 he has an anniversary exhibition Light and Color, Love of Life on the island of birth, Jersey. Ceramic works (raku with glass inclusions). Roberto Lauro's works have been shown in numerous exhibitions in Europe and the USA around the world, and he has also realized projects such as "KUNST AM BAU" in public spaces and for industry. He lives and works in Switzerland.
Select Exhibitions
Eleonore Austerer Gallery, Palm Desert
ART IN THE FRAME FOUNDATION: The Harbour Gallery, Isle of Jersey
Galerie fur Gegenwartskunst,, Bonstetten, Switzerland
Galerie Annamarie Anderson, Zurich, Switzerland
“Color and Light,” Austerer-Crider Gallery, Palm Springs, CA, USA
“Color and Light: the art of Roberto Lauro,” Eleonore Austerer Gallery, San Francisco, CA, USA
“Flower Power,” with Ed Baynard, Roberto Azank, Siegward Sprotte, and Daniel Phil...
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