Chloe Hedden

Plum, Sky Blue and Prussian Blue Excess combo (texture thick vibrant painting)

2025

Hot Pink, Prussian Blue and Vermilion Excess combo is a trio of thick and vibrant impasto paintings on wood. The elegant texture is spontaneously built up and creates the dynamic sur...

Persian Rose, Hot Pink, and Manganese Blue Excess Trio Combo by Chloe Hedden is an electrifying collision of warmth, vibrancy, and clarity—a palette that radiates emotional boldness ...

Manganese, Prussian Blue, and Vermillion Excess Trio Combo by Chloe Hedden presents a high-impact chromatic narrative that oscillates between intensity, depth, and heat. Together, th...

Sap Green, Forget Me Not, and Prussian Blue Trio Combo by Chloe Hedden offers a contemplative journey through emotional tone, natural reference, and material excess. In this trio, He...

Impasto-painted strokes of bright colors are the framework of artist Shiri Phillips’ abstract artworks. Her paintings are flooded with texture through the layering of acrylic paint i...

Contrapuntal (4/19) is a unique acrylic on canvas, gloss finish painting by contemporary artist James Lumsden, dimensions are 50 × 50 cm (19.7 × 19.7 in). The artwork is signed, sol...

48"x36" abstract composition in indigo blue, turquoise and rose on a white ground. The painting surface incorporates impasto brushwork and poured paint to give an active composition. This painting is signed on reverse by the artist, Debra Drexler. Debra Drexler maintains studios in both New York and Oahu, Hawaii, and her work is informed by her unique bi-coastal experience. In her luminous, large-scale abstract paintings, she brings the transcendent experience of the Hawaiian landscape to a New York audience. Through her New York based studio and curatorial practices, she is also deeply engaged in critical conversation surrounding new abstraction. She states “Abstraction takes us to a state of timelessness that is primal in its humanity, disconnecting us momentarily from the mediated “now” of our electronic devices, and connecting us to a “now” that gives us a glimpse of the infinite. While our insistent digital projections can take us away from both our animal and spiritual nature, abstract painting reminds us again of what it means to be human. The corporality of the paint mirrors the flesh of the body and transports us into the timeless.” Debra Drexler's paintings are informed both by participating in the contemporary resurgence of abstraction coming out of New York, and by living in the Post Colonial Pacific for close to three decades. In the 21st century, much of our experience is mediated through the screens of our devices. In contrast, the making and viewing of paintings remains a direct, engaging experience in Drexler's paintings. She aims to take us to a state of timelessness that is primal in its humanity, disconnecting us momentarily from the mediated “now” of our electronic devices, and connecting us to a “now” that gives us a glimpse of the infinite. As a colorist, Debra Drexler provokes unexpected color relationships and creates spatial contradictions that come from those interactions. Some of her color choices reference the post digital experience with its highly saturated synthetic color. The luminosity and saturation also mirror the unique quality of light and tropical color interactions in Hawai’i, where Drexler also lives. Her work is driven by an athletic painting...

Phthalo Blue, Acrylic on Canvas Painting by Robert Standish, 2019 Additional information: Medium: Heavy body acrylic on canvas Dimensions: 40 x 30 inches About artist: For twenty y...