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Clemens WolfRed and White I, Expanded Metal Painting2017
2017
About the Item
His The panel paintings "Expanded Metal Paintings" are the closest to the classic art of painting. Firstly paint is applied by a brush on a primed canvas. Then wire mesh is dunked into black and white paint and is used to create abstract patterns on top of the red and light grey areas. Similar to traditional blueprints with textiles, the wire mesh is moved across the canvas like a mold. Fingerprints remain as well as the redundant paint. The finished work bears a haptic sensation, the form resembles calligraphy: the surface's sensuality takes center stage.
The organic surfaces of Wolf's work, with their vibrant colors and glossy finish, evoke a sense of decomposition and decay while retaining a polished elegance. The lightweight, airborne nature of parachutes introduces themes of gravity and suspension, merging fragility with permanence. Clemens Wolf's work focuses on transformation, with a particular interest in discarded parachutes—an homage to his passion for parachuting. These parachutes are coated in epoxy resin, carefully folded, and set into circular frames, sculptures, or canvases, creating a unique blend of painting, sculpture, and drawing.
Hand-signed back by the artist
Mounted on a stretcher
Unique
Clemens Wolf (born in 1981 in Vienna) studied painting with Ursula Hübner at the University of Art and Design Linz. In his artistic work, he deals with the capturing of irreproducible moments. At the beginning of this involvement stood the urban space with its ruins and fences. Wolf captured the beauty of decay and transience in large, monochrome landscape paintings. Wolf has had exhibitions in China, Switzerland, France, Germany and the USA. He is represented internationally by several galleries and is part of renowned collections such as the Albertina Museum.
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Located in Miami Beach, FL
His The panel paintings "Expanded Metal Paintings" are the closest to the classic art of painting. Firstly paint is applied by a brush on a primed canvas. Then wire mesh is dunked into black and white paint and is used to create abstract patterns on top of the red and light grey areas. Similar to traditional blueprints with textiles, the wire mesh is moved across the canvas like a mold. Fingerprints remain as well as the redundant paint. The finished work bears a haptic sensation, the form resembles calligraphy: the surface's sensuality takes center stage.
The organic surfaces of Wolf's work, with their vibrant colors and glossy finish, evoke a sense of decomposition and decay while retaining a polished elegance. The lightweight, airborne nature of parachutes introduces themes of gravity and suspension, merging fragility with permanence. Clemens Wolf...
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