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Dion Johnson
Introduction (blue)

2020

$3,125
£2,399.87
€2,750.22
CA$4,399.23
A$4,928.11
CHF 2,567.99
MX$60,112.74
NOK 32,633.31
SEK 30,770.88
DKK 20,526.86

About the Item

acrylic on paper, framed b. 1975, Bellaire, OH Dion Johnson’s paintings combine and explore dynamic opposites: expansiveness and compression, surface and depth, and darkness and light. Gradient color fields are juxtaposed to and interwoven with planes of precise hardedge abstraction. These color fades are both intimate and vast – they may reflect internal moods with wandering thoughts and insightful realizations, or they may suggest vivid sunsets on Mercury or Mars with chemical skies and radiant perspectives. The hardedge shapes seem to reach up and stretch down; their elongated curves, interlocking contours, and bold colors allude to kinetic sensations and evolving environments. Johnson attended Yale Norfolk Summer School of Music and Art, received his BFA from the Ohio State University and MFA from Claremont Graduate University in Claremont, CA. His work has been reviewed and featured in articles in The New York Times, The Los Angeles Times, ART News, Art Forum, and others. His work is in public collections such as The Columbus Museum of Art, Columbus, OH; Twitter Inc., Santa Monica, CA; The Capital Group Companies, Los Angeles, CA; Creative Artists Agency, CA; Pizutti Collection Columbus, OH; and many more.
  • Creator:
    Dion Johnson (1975, American)
  • Creation Year:
    2020
  • Dimensions:
    Height: 20.5 in (52.07 cm)Width: 19.5 in (49.53 cm)Depth: 2 in (5.08 cm)
  • Medium:
  • Movement & Style:
  • Period:
  • Condition:
  • Gallery Location:
    Phoenix, AZ
  • Reference Number:
    Seller: 2020050821stDibs: LU1376206952

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2010s Abstract Abstract Paintings

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The Skies of Sky #2 (blue)
By Louise Blyton
Located in Phoenix, AZ
b. Melbourne, Australia Louise Blyton is a reductive artist exploring the romance of raw linen and dry pigment. The artist’s geometrically shaped canvases explore color, light, and form through the visual language of Reductivism, an aesthetic style characterized by streamlined compositions, restricted color, and a reduction of form and means. Identifying with Reductivism’s simplicity, Blyton’s shaped canvases and three-dimensional wall sculptures elevate craftsmanship and process, achieving a compositional clarity that unifies color and form. To construct her works, Blyton covers custom built balsa wood stretchers with raw linen, adorning them with layers of pure pigment or acrylic paint. Each pigment reacts differently to raw linen and requires a specific number of coats to reach the artist’s desired level of saturation. As the artist explains, “I’m always looking for a kind of quietness and harmony when making my works even if the color being used is loud.” The artist creates her own spatial dimension by manipulating the shape of the canvas, which escapes from the flat surface of the wall, confusing its role as a painting. “Rather than responding to the architecture they ask particular attributes of the building to act as support,” as some works appear to climb the surface of the walls, while others straddle columns and corners. Louise Blyton lives and works in Melbourne, Australia. She graduated with a Bachelor of Fine Art at RMIT University, Melbourne, Australia in 1988. Her works are held in significant corporate and private collections in Australia, China, France, United Kingdom, Portugal, and the United States. Since 2000, Blyton has run an artist supply store called, St. Luke Artist Colourman, which specializes in professional paint and raw materials, with her husband David Coles.
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