Elizabeth Gourlay

Untitled - Contemporary Geometric Abstract Orange Yellow Green Stripes, 2024

2024

In this painting by Elizabeth Gourlay, clean and precise, carefully ordered stripes and blocks of color in orange, green, yellow, red and brown are warm and vibrant against the soft ...

In this contemporary abstract painting in gouache and acrylic on paper, clean and precise, carefully ordered thick horizontal stripes in shades of peach, light blue, dark navy, and a...

In this abstract painting by Elizabeth Gourlay, clean and precise, carefully ordered stripes and blocks of color in gray, light green, red orange and blue are lively and vibrant agai...

Clean and precise, carefully ordered stripes and blocks of color in orange, green, pale lemon yellow, gray, blue and brown are lively and vibrant against the soft beige background. Signed, dated and titled on verso. Elizabeth Gourlay’s work is a meditation on color and form, a gradual yet progressive analysis leading to a complex vocabulary of shapes, color and line. Musical composition, emotional states and our collective subconscious resonate within bars, lines and blocks of color. The abstract forms emerge, layer and shift in precisely ordered, carefully composed rhythms. Gourlay's artwork is a contemplation of the elements that make color in reduced forms come to life: size, flatness, relation to its edges, and how the presence of other colors affect how it is perceived. Gourlay drew inspiration from shapes found in everyday life and in her studio. The observed shapes either remain as they are or become simplified to their essential geometric elements. Subtleties in color, area, edge or orientation are the catalyst for emotive responses. Palette is minimized; the artist rarely used a wide palette within one work. Rather, a broad range of colors are explored and then reduced. Gourlay investigates color properties: complementary or analogous color, value, saturation and color harmony vs. color anomaly. Elizabeth’s Gourlay’s work has been shown extensively throughout the United States. The artist was the recipient of numerous residencies, fellowships and awards including Artist in Residence at the studio of Sol LeWitt in Spoleto, Italy. Gourlay’s work has been written about in The New Criterion, Painters’ Table and Gorky’s Granddaughter, to name a few. Gourlay earned her MFA at Yale University School of Art, New Haven, CT, and her BA from Edinburgh...

Precise squares in orange, rust red, green, grey, maroon and white dance, overlap and swirl on a washed canary yellow ground in this intimate canvas by Milly Ristvedt. Color and the grid are the focus of Ristvedt's paintings that through one's lens of experience will reveal a narrative. "Painting is my freedom 'to be' in the world, to transform what I think and feel about life, to express the essence of things that matter. Colour is the magical sensation and substance, the 'philosopher's stone,' that for me represents hope in a time of great challenge for us all." Milly Ristvedt Early in her career in Toronto in the late 1960s, Ristvedt shared a studio with Canadian painter Jack Bush, met art critic Clement Greenberg and was inspired by American painters Jules Olitiski and Frank Stella. Ristvedt's work can be found in major public collections including the Art Gallery...

Dan Christensen Untitled, circa 1970-71 Acrylic and enamel on canvas 44 x 20 inches Provenance: The artist Sherron Francis (gift from the above) Dan Christensen was an American abs...

Gordon House was born in 1932 in Pontardawe, South Wales. Early exposure to art on trips to the Glynn Vivian Art Gallery as a young boy inspired House towards creative endeavors and ...

Painting description: This is a new piece from my ongoing series, "Stripes & Shape". My attempt is to combine two elements in a non objective format. Impressions of overlapping trans...