Harald Dry Schmidt

Into The Blue - 1983 Original Oil on Board

1983

Beautiful teal and lavender toned abstract expressionist painting by Bay Area artist Michael Pauker (American, b.1957). Hues of blue and green take up most of the canvas, with light ...

A Case of the Blues - Abstract Expressionism An abstract expressionist painting in vibrant hues of blue swimming in multiple layers and colors, creating a work that is defined by d...

Beautiful oil abstract titled "Coming Out" by Grady McDonald (American, 1938-1980). Signed lower right, titled and dated 1974 on verso. Unframed. Image, 50”H x 44”W. Grady McDona...

Ocean Lights - Expressionist Composition in Acrylic on Canvas Bold abstract composition by California artist Charles "Dave" Francis (American, 1951-2018). The background of this pie...

Blue Composition is an original abstract artwork realized by Marcello Grottesi in 1977. Oil on canvas. Hand-signed and dated in light-blue color on the back. The artwork has been...

This mixed media contemporary abstract painting in a vivid blue colour is by Bulgarian-Canadian artist Ivo Stoyanov. Ivo Stoyanov’s work is bold and dynamic. Inspired by nature’s co...

Amy Smith is a self-educated contemporary artist. Born in New Jersey, she moved to Los Angeles where she found inspiration, mentors, and support in the Street Art community. In her ...

Dan Christensen (1942-2007) is widely recognized as one of America’s foremost color abstractionists. Over the course of forty years as an artist, Christensen was devoted to exploring and expanding the constantly shifting trends of 20th century abstraction. Christensen established his reputation at the end of the 1960s, as began using spray guns to create colorful stacks, loops, and lines in his artworks. This body of work was considered by the legendary art critic Clement Greenberg among the most original abstract paintings of the decade. Unlike many of his contemporaries who dedicated their practice to a signature style, Christensen was unrelentingly curious and allowed his dynamic version of abstraction to evolve as he tried new techniques and aesthetics. During the 1980's and 1990's in particular, Christensen focused on experimenting with different forms of washing, spraying, and layering colours over top of each other. The works from Christensen's late period combine the gestural drama of Abstract Expressionism with the stained surface look popularized by the color field artists. The aesthetic complexity he achieved with these combined techniques are perfectly demonstrated in this later untitled work (aka "Blue...