Items Similar to Darkening Pool, 1961, Greenleaves, Petworth, Sussex
Want more images or videos?
Request additional images or videos from the seller
1 of 17
Ivon HitchensDarkening Pool, 1961, Greenleaves, Petworth, Sussex
About the Item
‘ My pictures are painted to be listened to ‘Ivon Hitchens
One of the foremost Modernists of his age, Hitchens was known as ‘ the painter in the woods ’.
This picture is an exceptional example from a group of pictures which were international in spirit despite being rooted in the English countryside. They are regarded as the most lyrical sequences of landscapes and garden paintings in British art.
Darkening Pool was painted in the six acres of wooded gardens at Greenleaves, the artist’s home where as Andrew Lambirth observes, he became a ‘curator of woodland.’
Darkening Pool marks a transition for Hitchens echoing his earlier oeuvre while injecting a more vibrant palette. He combines different points of focus to produce a masterful, complex, sensual and colourful abstract composition, full of life and vitality.
Darkening Pool masterfully orchestrates different views of the pool held together in sequence with the lines of perspective meeting and forming the whole. This is what Hitchens is best known for.
Hitchens’ fluency in, and commitment to, expressing how he responds to nature, capturing his sensations on the canvas are demonstrated in this masterpiece
Darkening Pool illustrates how much Hitchens appreciated the nature surrounding his home and studio at Lavington Common, Sussex . It was the woods and streams that posed the questions he most wanted to answer, or suggested the visual music he most wanted to compose.
The immersive composition of Darkening Pool shows how Hitchens has included the landscape all around the pond. In one direction through the trees, and then another, and ahead of him while including of what was behind. He drew together the mixed experiences of being in the landscape beside the Darkening Pool giving the view a sensual and felt experience of this.
He has attuned to the landscape, 'listened’ to, and conveyed the conversation between the openness of the pond and the enclosed screening and undergrowth around it.
He also plays successfully with colour juxtaposing the dark palette of tones of black, purple, blue and green with vibrant orange, yellow and white. This captures the different qualities of light and shadow and reflection in the pond and landscape surrounding it.
All these conversations establish relationship between the pond and the canvas, the different elements of the composition, the painting and the viewer creating an experience of a felt sense of place.
’ His spacial grammar – the fact that he conceives of forms in space in terms of a system of flat screens of colour lying one behind another – this is purely Cubist in origin. ‘ Patrick Heron
Oil on canvas
Canvas length 117cm, height 51cm.
Cream Mount.
Silvered frame length 148cm, height 83cm, depth 7.5cm
“ What I see and feel, I try to reduce to patches and lines of pigment which have an effect upon our aesthetic consciousness, independent of (though interpreting) the facts of nature in terms of a relationship of all the parts.” Ivon Hitchens
VERSO :
Artist’s handwritten label “ Darkening Pool” 1961 by Ivon Hitchens, Greenleaves, Petworth, Sussex. This picture was painted in the 6 acre woods at Greensleaves.
Handwritten collection label AC10687 Hitches (misspelt), Ivon, Darkening Pool 1961, oil on canvas, framed size 25 5/8 x 52 ½.
Typed Paisnel Gallery label Ivon Hitchens (1893-1979) The Darkening Pool 1961 (mistitled), oil on canvas, 20x46 inches (51x117cm) signed.
'Setting up canvas and box in all weathers, I seek first to unravel the essential meaning of my subject, which is synonymous with its structure, and to understand my own psychological reactions to it. Next I must decide how best it can be rendered in paint, not by a literal copying of objects but by combinations and juxtapositions of lines, forms, planes, tones, colours etc., such as will have an aesthetic meaning when put down on canvas ... My pictures are to be listened to.’
The Artist, personal memorandum, c.1954
Comprehensive cataloguing available on request
Price on request, plus 3% AAR
- Creator:Ivon Hitchens (1893-1979, British)
- Dimensions:Height: 32.68 in (83 cm)Width: 58.27 in (148 cm)Depth: 2.96 in (7.5 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Eversholt, GB
- Reference Number:1stDibs: LU1466215563132
About the Seller
No Reviews Yet
Vetted Professional Seller
Every seller passes strict standards for authenticity and reliability
1stDibs seller since 2021
Typical response time: 8 hours
- ShippingRetrieving quote...Shipping from: Eversholt, United Kingdom
- Return Policy
Authenticity Guarantee
In the unlikely event there’s an issue with an item’s authenticity, contact us within 1 year for a full refund. DetailsMoney-Back Guarantee
If your item is not as described, is damaged in transit, or does not arrive, contact us within 7 days for a full refund. Details24-Hour Cancellation
You have a 24-hour grace period in which to reconsider your purchase, with no questions asked.Vetted Professional Sellers
Our world-class sellers must adhere to strict standards for service and quality, maintaining the integrity of our listings.Price-Match Guarantee
If you find that a seller listed the same item for a lower price elsewhere, we’ll match it.Trusted Global Delivery
Our best-in-class carrier network provides specialized shipping options worldwide, including custom delivery.More From This Seller
View AllJens Kjaer Seed Pods Oil Board Abstract Earth Pigments Ochre Sienna Umber 28.5"
Located in Eversholt, Bedfordshire
- The theme of fertility and fecundity is explored in this work.
- The arrangement of the forms within the abstract composition and the handling of the paint creates texture and a rhythmic quality.
- The palette of earth pigments creates an inherent nurturing, wamth and the dark umber tones draw the eye into the work
- A striking, warm, decorative picture
Oil on board Length 54.5 cm, Height 54cm
Floated in a black box frame Length 72cm, Height 54 cm, Depth 3cm
JENS KJAER...
Category
1980s Abstract Abstract Paintings
Materials
Oil, Board
Spectral Rivers, 2000-1, in 6 panels, length 144", height 96"
By Maurice Cockrill
Located in Eversholt, Bedfordshire
MAURICE COCKRILL RA (1936-2013)
SPECTRAL RIVERS, 2000-1
Polyptych : six separate canvases
Each panel Height 244, Length 61cm, Overall Length 366cm
• Spectral Rivers comprises six s...
Category
Early 2000s Abstract Abstract Paintings
Materials
Acrylic
Filtration Abstract Mixed Media Contemporary
Located in Eversholt, Bedfordshire
Just purchased, more information to follow
Filtration, signed lower right Doylan
In a ebonised oak moulded frame Length 103cm, Height 104cm Depth 4cm
Striking, decorative, contempo...
Category
1980s Contemporary Abstract Paintings
Materials
Mixed Media
Basil Nubel Village in the Rain Abstract Impressionist
Located in Eversholt, Bedfordshire
- Colourful, decorative, impressionistic work capturing the refreshing quality and colour refraction of light rain
- The composition is beautifully balanced the houses either side of the lane, with a strong foreground and light background recreating the visual depth of the landscape
- The purple, blue, green, pink, and earth tones of the palette create liveliness and softness within the work and the light tones of the water on the lane have the strong reflective quality of a water
- Injecting colour and atmosphere into the interior
Basil Nubel ARCA, British 1923-1981 : Village in the Rain
Signed & Dated 1969 lower right, reverse canvas inscribed 1.12.69 and varnished
In the original wooden box frame
The reverse bearing remains of Gallery Petit, Marble Arch, London W1
Basil Nubel was a landscape painter in oil and watercolour born in Great Yarmouth, Norfolk, to an English mother and German father. Nubel studied at Leeds College of Art under Alfred Daniels and Maurice de Sausmarez, then at the Royal College of Art under Carel Weight, Robert Buhler...
Category
1960s Abstract Impressionist Landscape Paintings
Materials
Canvas, Oil
Jazennes 1967
By John Piper CH
Located in Eversholt, Bedfordshire
JOHN PIPER (1903-1992)
JAZENNES, 1967
Watercolour, pen, ink & gouache on paper
56x75cm
Signed & titled and dated lower right
From the mid 1950s, Piper travelled frequently in France...
Category
1960s Abstract Landscape Paintings
Materials
Watercolor, Gouache
Price Upon Request
Coalport Shropshire, 1957
By John Piper CH
Located in Eversholt, Bedfordshire
JOHN PIPER (1903-1992)
COALPORT SHROPSHIRE, 1957
Signed lower right
57x78cm
PROVENANCE :
Private Collection
Paisnel Gallery
Private Collection
Comprehensive cataloguing available on ...
Category
1950s Abstract Landscape Paintings
Materials
Watercolor, Gouache
Price Upon Request
You May Also Like
Attrahere Noted (Abstract painting)
By Xanda McCagg
Located in London, GB
Attrahere Noted (Abstract painting)
Oil and graphite on canvas — Unframed.
This artwork will be shipped rolled in a dent-resistant tube.
This method is especially safe for large wo...
Category
2010s Abstract Abstract Paintings
Materials
Canvas, Oil, Graphite
Threshold (Abstract painting)
By Xanda McCagg
Located in London, GB
Threshold (Abstract painting)
Oil and graphite on canvas — Unframed.
McCagg's work is informed and influenced by formal elements such as line and space, which provide an underlying...
Category
2010s Abstract Abstract Paintings
Materials
Canvas, Oil, Graphite
Approach (Abstract painting)
By Xanda McCagg
Located in London, GB
Approach (Abstract painting)
Oil and graphite on canvas — Unframed.
McCagg's work is informed and influenced by formal elements such as line and space, which provide an underlying ...
Category
2010s Abstract Abstract Paintings
Materials
Canvas, Oil, Graphite
Utterance (Abstract painting)
By Xanda McCagg
Located in London, GB
Utterance (Abstract painting)
Oil and graphite on canvas — Unframed.
McCagg's work is informed and influenced by formal elements such as line and space, which provide an underlying...
Category
2010s Abstract Abstract Paintings
Materials
Canvas, Oil, Graphite
Dawn (Abstract painting)
By Xanda McCagg
Located in London, GB
Dawn (Abstract painting)
Oil and graphite on canvas — Unframed.
McCagg's work is informed and influenced by formal elements such as line and space, which provide an underlying aest...
Category
2010s Abstract Abstract Paintings
Materials
Canvas, Oil, Graphite
Hold-Ing (Abstract painting)
By Xanda McCagg
Located in London, GB
Hold-Ing (Abstract painting)
Oil and graphite on canvas — Unframed.
McCagg's work is informed and influenced by formal elements such as line and space, which provide an underlying ...
Category
2010s Abstract Abstract Paintings
Materials
Canvas, Oil, Graphite