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Jacques LipchitzJacques Lipchitz; The Rape Of Europa Sculpture Painting 19381938
1938
About the Item
Jacques Lipchitz Watercolor with ink and wash sculptural Painting. this painting represents Lipchitz’s most iconic Bronze and stone sculpture “The Rape of Europa” which was exhibited in 1938 at the same time as this painting.
French/American, 1891-1973
The Abduction of Europa, circa 1938
Signed Lipchitz (ul)
Ink and wash on paper laid down on canvas
9 1/2 x 14 inches (24.1 x 35.5 cm)
Provenance:
Sale, Sotheby Parke Bernet, Inc., New York, Apr. 10, 1980, lot 47
Sale: Doyle Auctions, New York, 2024
Framed: 15 1/2 x 20 inches
Condition: Excellent. Slightly toned; edged with paper tape. New frame with archival materials and museum glass.
Jacques Lipchitz
Druskieniki, Lithuania, 1891–Capri, 1973
The sculptor Jacques Lipchitz is best known for the Cubist works he made in Paris during the early 1900s. As a collector he was mainly interested in African art, which had a profound influence on his work, but he also acquired modern works from artist friends, particularly Pablo Picasso.
Lipchitz moved to Paris from his native Lithuania in October 1909 to study sculpture at the École des Beaux-Arts and Académie Julian. He began exhibiting his work in 1911 and by 1916 was active in local avant-garde circles that included Guillaume Apollinaire, Jean Cocteau, Max Jacob, Henri Matisse, Jean Metzinger, Oscar Miestchaninoff, Amedeo Modigliani, and Pierre Reverdy. In 1913 the artist Diego Rivera introduced him to Picasso, and three years later he met Juan Gris through the dealer Léonce Rosenberg. Lipchitz and Gris collaborated from 1916 to 1920. Working in their distinct mediums, sculpture and painting respectively, the artists drew inspiration from each other’s work, often sharing the same motifs among them the figure of Harlequin. They investigated ways in which they could expand the application of geometry to Cubist language, introducing mathematical formulas and systems of proportion. Lipchitz was also friendly with the architects Pierre Chareau, Le Corbusier, and Robert Mallet-Stevens, and in 1922 Lipchitz and Miestchaninoff commissioned a double house and studio from Le Corbusier in Boulogne-sur-Seine (completed in 1925).
In his sculpture, Lipchitz used clay and plaster to explore the formal language of Cubism. Early in his career, the artist was associated with the Parisian dealer Paul Guillaume, but in 1916 he signed a contract with Léonce Rosenberg. He held his first solo exhibition at Rosenberg’s Galerie de L’Effort Moderne in 1920, the same year in which the French art critic Maurice Raynal, an early promoter of Cubism, published the first monograph on Lipchitz. After 1926, he also began showing work at Jeanne Bucher’s Galerie de la Renaissance in Paris. Bucher represented the artist from 1926 until 1941 and mounted his first large retrospective in 1930.
Coco Chanel and Dr. Albert C. Barnes were early patrons of Lipchitz’s work, and they contributed significantly to his popularity through their promotion of his work in France and the United States. Lipchitz immigrated to the United States in 1941 and settled in New York. The following year he signed a contract with Curt Valentin, and he exhibited at Valentin’s Buchholz Gallery until the dealer’s death in 1954, the same year in which the Museum of Modern Art held a large retrospective of the artist’s work.
In addition to collecting works by his friends, Lipchitz admired and owned works by Théodore Géricault. He also assembled a large collection of African art, eighty items of which were exhibited at the Museum of Primitive Art, New York, in 1960. The Estate of Jacques Lipchitz is represented by the Marlborough Gallery.
- Creator:Jacques Lipchitz (1891-1973, French)
- Creation Year:1938
- Dimensions:Height: 15.5 in (39.37 cm)Width: 20 in (50.8 cm)Depth: 2 in (5.08 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Dallas, TX
- Reference Number:1stDibs: LU2724215669702
Jacques Lipchitz
Biography: Jacques Lipchitz was a celebrated Lithuanian-born French sculptor best known for his Cubist works depicting figures, portraits, and still lifes made of bronze or stone. Born Chaim Jacob Lipchitz on August 22, 1891 in Druskinikai, Lithuania to a Litvak (Lithuanian Jewish) family. To please his parents, Lipchitz studied engineering as a young man. But around 1909, he decided to pursue art instead and moved to Paris to study at the Ecole des Beaux Arts and the Académie Julian in Paris. Lipichitz was a part of the artistic milieu in the famed Montmarte neighborhood of Paris, which included Pablo Picasso, Amedeo Modigliani, and Juan Gris. He became especially influenced with work by Pablo Picasso, who had pioneered a style of art called Cubism. Cubism was an art movement in which images were fractured and broken into simultaneous fragmented shards of perspective. It was strongly geometric and not based on traditional representational art like portraits or landscapes. At the beginning of his career, Lipchitz created figural sculptures, but by around 1913 he'd shifted direction toward Cubism. At the time, most Cubist artists were painters, but Lipchitz had met Russian sculptor Alexander Archipenko, who was experimenting with Cubist sculpture. However he always retained recognizable figural elements in his work.
When faced with the Nazi occupation, he fled to the United States during World War II. Lipchitz went on to have a retrospective exhibition in 1954 which travelled from The Museum of Modern Art in New York to the Walker Art Center in Minneapolis, and finally to the Cleveland Museum of Art. Today, his works are in the collections of the Art Institute of Chicago, The Metropolitan Museum of Art in New York, the Tate Gallery in London, the Los Angeles County Museum of Art, and the National Gallery of Art in Washington, D.C., among others. Lipchitz died on May 16, 1973 in Capri, Italy.
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