James Brooks
Plant-like
c.1945

Name: Plant-like
Brand: James Brooks
Price: 18848.17 AUD
Availability: InStock
Rating: 4.9 (46 reviews)

About the Item

James Brooks (1906-1992). Plantlike, c.1945. Oil on canvas measures 18 x 24 inches; 24 x 30 inches in a painted wood frame of the period. Signed "J. David Brooks" lower right, Signed and titled in pencil on stretcher strip en verso. Original condition with some painting shrinkage resulting in alligatoring effect. We will leave the decision regarding conservation to the buyer. A painter of both Social Realism and Abstract Expressionism and part of the so-called New York School, James Brooks did many large-scale paintings that expressed a sense of cosmic space as though a high-powered telescope were penetrating space so deeply that one feels the color, the form, and the surge of movement. He used much black, so that darkness seemed equal to the other colors of his canvases and conveyed a sense of void amongst floating and colliding bright colors. He was born in St. Louis, Missouri, and during his childhood, moved frequently throughout the Southwest. In the mid and late 1920s in Dallas, Texas, he attended Southern Methodist University and the Dallas Art Institute where he studied with Martha Simkins. In 1926, he moved to New York City and worked as a commercial lettering artist, while taking night classes at the Art Students League from 1927 to 1930. From 1931 to 1934, he traveled and painted in the American West and Southwest, painting in a Social Realist style. Between 1936 and 1942, he worked on murals for the WPA Federal Art Project including ones for Queensborough Public Library, Woodside Branch Library, and La Guardia Airport. The LaGuardia mural called Flight, later destroyed, was especially impressive and huge--12 feet by 235 feet. He served in North Africa as an army artist during World War II, and the end of this service also marked the end of his painting in realistic styles. In 1949, having observed Jackson Pollock's drip style, Brooks experimented with pouring pigment on the back of un-sized canvas, and became much lauded for his achieving of balance between spontaneity and control. In 1953, he abandoned that technique for much more densely packed, tightly controlled structure resembling Cubism. In the early 1960s, he added linear calligraphy to his painting. From 1947 to 1975, Brooks taught at various colleges and universities including Pratt Institute, Columbia University, and Cooper Union in New York City, the Art Center in Miami, Yale University, and the University of Pennsylvania. In 1963, he was artists in residence at the American Academy in Rome and in 1967 had a Guggenheim Fellowship. Brooks died in East Hampton, New York in 1992, having suffered from Alzheimer's disease beginning 1985. Studied: Southern Methodist Univ., 1923-25; Dallas Art Inst., 1925-26, with Martha Simkins; ASL, 1927, with Kimon Nicolaides & Boardman Robinson; priv. study with Wallace Harrison, 1945. Exhibited: WMAA annuals & biennials, 1933-72; PAFA, 1935, 1954, 1962, 1964, 1966; AIC, 1947, 1957 (prize); CI, 1956 (prize); SFMA, 1963; Dunn Int., Tate Gallery, London, 1964; Philadelphia A. All., PA, 1966 (solo); The New American Painting and Sculpture, MoMA, 1969; 48 Sts. Competition; Dallas MFA, 1937, 1972; WMAA, 1963, retrospective; Martha Jackson Gallery, NYC. Awards: Norman Wait Harris Silver Medal & Prize, 1961; Ford Foundation Purchase Award, 1962; F., Guggenheim Found., 1967-68. Member: NIAL, 1973; Century Assn.; Artists Union; Mural Painters; Woodstock Artists Assoc. Work: Guggenheim Mus.; MoMA; MMA; BM; AIC; CI; BMFA; PAFA; Dallas Mus. FA; Detroit IA; Albright -Knox Gal.; Brandeis Univ.; Tate Gallery, London, England. WPA murals, USPO, Little Falls, NJ Comments: A leading member of the New York school of Abstract Expressionism. As a WPA artist, he painted the 12 feet by 235 foot mural, "Flight" (destroyed) at LaGuardia Airport, NY, in 1942. Artist-correspondent in WWII. Teaching: instr. drawing, Columbia Univ., 1946-48; instr. lettering, Pratt Inst. Art School, 1948-59; vis. critic, Yale Univ., 1955-60; artist-in-residence, Am. Acad., Rome, 1963; vis. artist, New College, Sarasota, FL, 1965-67; Miami Beach Art Center, FL, 1966; prof. art, Queens College, 1966-67, 1968-69.

Creator:
James Brooks (1906-1992, American)
Creation Year:
c.1945
Dimensions:
Height: 30 in (76.2 cm)Width: 24 in (60.96 cm)Depth: 1.5 in (3.81 cm)
Medium:
Cotton Canvas,Oil
Movement & Style:
Abstract Expressionist
Period:
1940-1949
Condition:
Some conservation may be required at the discretion of buyer.
Gallery Location:
Wilton Manors, FL
Reference Number:
1stDibs: LU2452628612

Shop All James Brooks

James Brooks

A painter of both Social Realism and Abstract Expressionism and part of the New York School, James Brooks did many large-scale paintings that expressed a sense of cosmic space as though a high-powered telescope were penetrating space so deeply that one feels the color, the form and the surge of movement. He used much black, so that darkness seemed equal to the other colors of his canvases and conveyed a sense of void amongst floating and colliding bright colors.

In 1926, Brooks moved to New York City and worked as a commercial lettering artist, while taking night classes at the Art Students League from 1927 to 1930. From 1931 to 1934, he traveled and painted in the American West and Southwest, painting in a Social Realist style.

Between 1936 and 1942, he worked on murals for the WPA Federal Art Project including ones for Queensborough Public Library, Woodside Branch Library, and LaGuardia Airport. The LaGuardia mural called Flight, later destroyed, was especially impressive and huge — 12 feet by 235 feet. Brooks served in North Africa as an army artist during World War II, and the end of this service also marked the end of his painting in realistic styles.

In 1949, having observed Jackson Pollock's drip style, Brooks experimented with pouring pigment on the back of un-sized canvas, and became much lauded for his achieving of balance between spontaneity and control. In 1953, he abandoned that technique for much more densely packed, tightly controlled structure resembling Cubism. In the early 1960s, he added linear calligraphy to his painting.

From 1947 to 1975, Brooks taught at various colleges and universities including Pratt Institute, Columbia University, and Cooper Union in New York City, the Art Center in Miami, Yale University, and the University of Pennsylvania. In 1963, he was an artist-in-residence at the American Academy in Rome and in 1967 had a Guggenheim Fellowship.

Brooks died in East Hampton, New York, in 1992, having suffered from Alzheimer's disease beginning 1985.

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