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Jane Sangerman
Sangerman_Proto1-2Diptych_2018, Acrylic, SprayPaint, Abstraction, Found Object

2018

About the Item

Jane Sangerman's artwork exists in two worlds—one tangible, informed by the inherent entropy of the urban spaces she encounters daily and, the other, a vibrant metaphysical space that comes from within. Attracted to populated areas with surfaces worn through human use. there is a romanticism in the decay of urban entropy, but it is also a record—a blueprint of lives lived. Her surfaces are dappled with shapes created as tiles and peeling paint fall from decaying surfaces. The Digit series heavily features the addition of the artist's fingerprints which are stamped with linoleum prints. These works form a human record pointing to the physical world. The pieces are mixed media on paper. She draws with tape and stratify some combination spray paint, acrylic wash, oil paint, wax and linoleum stamping on my surfaces. The physicality of the process is a key factor of her practice. Jane Sangerman lives and works in New York City. She has a BFA from the University of New Mexico and an MFA from SUNY Buffalo. She has had one and two person shows in many cities including New York City and Chicago and exhibited nationally and internationally. In addition to teaching art at Ramapo College her experience also comprises various visiting artist and guest lecture opportunities including the Parsons School of Design at The American School in Paris, The Glasgow School of Art, The University at Buffalo Anderson Gallery and The University of Northern Arizona. Jane received Fellowships at the Virginia Center for the Creative Arts, The Ucross Foundation, The Constance Saltonstall Foundation for the Arts, The Jerome Foundation, and an Illinois Painters Three Award. Her artwork is part of more than 25 public collections including the New York City Public Library and The Brooklyn Museum.
  • Creator:
    Jane Sangerman (American)
  • Creation Year:
    2018
  • Dimensions:
    Height: 9 in (22.86 cm)Width: 24 in (60.96 cm)Depth: 1 in (2.54 cm)
  • Medium:
  • Movement & Style:
  • Period:
  • Condition:
    In order to preserve the paintings and show them at their best, we recommend that the works be hinged and floated to present the deckled edge of the paper. then to frame them, white on white, or neutral.
  • Gallery Location:
    Darien, CT
  • Reference Number:
    1stDibs: LU17223780771

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Elizabeth Riley’s work addresses questions concerning the complex and changing world we inhabit and our “mixed reality,” living between physical and digital/virtual contexts – are we our everyday, familiar, material past, or our digital future, and is this apparent “mixed reality” of the moment to be embraced or resisted. Is the digital present the bells and whistles of an unchanged and familiar humanity or does it define us, and the future. This project is embodied in tabletop cityscapes, structural wall works and installations including video, inkjet-printed video stills, and found home furnishings. Other continuing threads at play in my body of work are the struggle to overcome oppression as a woman – and a relationship with the urban environment and constructed space, as both personal and paradigmatic space. Exhibited in Excessive Frugalities, Digital Feet and Rocking Posture are three dimensional wall works made from multicolored video stills inkjet-printed on paper, and paint on the tough mylar-like material, duralar. These work combine illusionistic space with constructed elements in a multidimensional mashup of traditional and new mediums. . A long time New Yorker, Elizabeth Riley graduated from Barnard College and received an MFA from Hunter College. In April 2017, the site-specific participatory installation, City Remix, appeared in the exhibition Reconstruct at LIU, in Brooklyn, and in June 2017 the 20 x 20 ft installation, Paper Dragons, Broolyn, which functions as a walk-in, physical video, appeared in Bigger Bolder Better at 470 Vanderbilt Ave, Brooklyn, sponsored by Chashama. In 2016 a multipart tabletop cItyscape, Video City, appeared in the exhibition, Land, Air, Place at Project ARTspace in Manhattan. In 2014-2015 large-scale installations by the artist appeared in exhibitions of site-specific work in Brooklyn at Storefront Ten Eyck, curated by Karin Bravin, and in Atlanta and Duluth, Georgia presented by Dashboard. In 2011-2013 her work was exhibited in a number of 2- and 3-person shows or screenings, including at Kijdome, Boston, and dB Visual Artist Series / Dungeon Beach, Storefront Bushwick, Creon Gallery and Studio Salon curated by David Gibson, all in New York City. Groups shows include exhibitions at Denise Bibro Fine Arts, Lesley Heller Workspace, Van Der Plas Gallery, Janet Kurnatowski Gallery, Norte Maar, Associated Gallery, Brooklyn Fire Proof, Active Space, Sugar in Bushwick, NY Studio Gallery, Sideshow Gallery, PS 122, and Nurtureart. Elizabeth Riley's videos have appeared in screenings at home and abroad, including venues in England, Madrid, Copenhagen and Berlin. She was awarded a BRIC Media Arts Fellowship in 2014 and has been honored with twelve artist residencies, including the Heliker-Lahotan Residency, Great Cranberry Island...
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