Jean Daniel Salvat

N°1203 (Abstract Painting)

2020

Greens (Abstract Painting) Acrylic on acrylic panel - Unframed Each panel is 9 inches square. They hang from a cleat system which makes them appear to “float” off the wall .25 of a...

Mirage (Abstract painting) Acrylic on acrylic panel (plexi) - Unframed. This work is sold as a diptych and comes with a cleat system for hanging. Each panel has the following dimensions: 8.25" x 5.25" x .75" - 21 x 13.5 x 2 cm Mirage is from a new series titled Without Intention. The pieces exemplify time and the presence of Ramsay's hand in concert with painting tools...

Shield #2 (Abstract painting) Acrylic, plastic bags and thread on canvas - Unframed. The threaded lines suggest a physical barrier that interrupts the shapes and stops them from co...

Present Recorded (Abstract painting) Acrylic on polyester resin film - Unframed. This work is part of a series titled Year of Color and is about time-keeping. Debra Ramsay captured...

"Clue #2" is an abstract artwork by Stan Olthuis composed of acrylic paint on reclaimed bicycle inner tube, wrapped on torched and plain reclaimed canvas ...

"Clue #4" is an abstract artwork by Stan Olthuis composed of acrylic paint on reclaimed bicycle inner tube, wrapped on torched and plain reclaimed canvas stretchers. Clue #4 measures...

"Maybe" is an abstract artwork by Stan Olthuis composed of acrylic paint on polystyrene mounted in a painted wood frame. Maybe measures 26" high by 30" wide by 2.5" deep. Typical of the artist, this minimal geometric abstraction resonates with a rich charge. It's a sculpture and a painting. The circles, the discs, almost touch but not quite. The artist's obsession with geometry and shapes in proximity is a clear gesture here. The eye delights in the formal play of shape and color, while the mind engages the material force of the wood and paint. From Stan Olthuis – "My work has always involved tactility and expressionistic energy. I visualize the story and imagery simultaneously, allowing the work to surprise me and come to life as I work. I am almost careless in how I use color and texture, facing the fear of improvising on-the-fly. I like to leave the obvious raw record of the process visible, but I believe a mystery remains." Stan Olthuis looks for expressive opportunities in found and harvested raw material – wood, stone, metal, rubber – and brings a fabricator's expertise to the work of making minimalist, joyful sculptures. Geometry is key, as are a sense of play and an adept's feel for sacred energies. His work is exhibited and collected internationally, including private and corporate commissions in Canada, United States, France, Japan and Norway. Stan is represented by Gagné Contemporary in Toronto and New York City, and has select works available through the Art Gallery of Ontario (AGO), and Motokawa Gallery in Japan. Stan Olthuis' formal education began in Chicago with Henk Krijger, the celebrated master printmaker, type designer, painter and sculptor. Back in Toronto, Olthuis graduated (with distinction) with a degree in Experimental Arts at Ontario College of Art & Design (OCAD), studying under artists Fred Hagen, Tom Hodgson...

Pangea III is part of a series of paintings on plexiglass that depicts land masses. The maze like patterns are created using a router (woodworking tool...