Jim Waid

Amethyst Haze

2020

mixed media on panel signature and year on back Influenced by his background in architecture, his work incorporates 3D modeling to create complex hard edge compositions that give ...

oil and mixed media on canvas Having grown fond of the pared down vocabulary of line, form, and color, Robert Kelly assembles work with a formal approach. As a seasoned traveler t...

b. 1954, Reno Nevada Michael David's artwork is included in the public collections of the Metropolitan Museum of Art, New York; the Guggenheim Museum in New York; the Jewish Museum ...

signature on verso images and video copyright by artist and Bentley Gallery, Inc. b. Long Beach, CA (April 9, 1926 – January 17, 2018) Ed Moses was a prominent figure in the Los Angeles art scene and key promoter of Post-War, West Coast art for almost 60 years. Best known for his eclectic range, his canvases are formal abstractions that use a variety of processes to experiment with surface—creating striations, cracks, marks and blurs at times juxtaposed with hard-edge geometric abstraction. As he described, “Painting is like discovery, trying this, trying that, bending this, twirling that, and then, every once in a while, it goes bing!” As a young man, Moses joined the military during World War II as a Navy Medical Corps surgical technician and discovered an aptitude for treating injuries. After his tour ended, he enrolled in Long Beach City College's pre-med program with the intent of becoming a doctor. After a painting course with Pedro Miller, Moses switched his major to art. He then went on to study at the University of California, Los Angeles, where he would receive both his bachelor’s and master’s degrees. While enrolled in his master’s program, fellow artist Craig Kauffman introduced Moses to Walter Hopps, future owner of the influential Ferus Gallery. Though he’d been exhibiting since 1949, Moses first showed at Ferus in 1958—while still enrolled at UCLA—and quickly became part of the “Cool School” with artists Robert Irwin, Larry Bell, Ed Ruscha, John Altoon, and others. Following graduation, Moses moved to New York City where he became friends with Franz Kline, Milton Resnick, William de Kooning, and Mark Rothko, with whom he would exhibit in New York, Washington, D.C., and elsewhere. In 1959, Moses married Avilda Peters and moved back to Los Angeles to start a family, travel, and continue his painting career. Always working with process and experimenting with materials as a painter, Moses was critically lauded for his bold composition and innovation. In 1968, he received a Tamarind Lithography Fellowship as well as the offer of a teaching position at the University of California, Los Angeles, his alma mater, where he would teach until 1972. After travels in Europe, he would return to UCLA to teach until 1976, the same year he was recognized with a National Endowment for the Arts Fellowship Grant and his first museum shows: a show of drawings from 1958-1970s at the Wight Gallery at UCLA, and a show of new abstract and cubist red paintings at LACMA curated by Stephanie Barron, the latter marking a transitional moment in his career. While drawing was prominent in his work in the 1960s and early 70s, by the mid-70s, Moses was turning increasingly to painting. In 1980, Moses was awarded a Guggenheim Fellowship and traveled in Japan. Moses worked with Peter Goulds...

Collage No. 26 by Kim Fonder is an abstract original artwork that embodies a rich blend of layered paper and organic textures. Crafted on burlap over panel, this large-scale piece at...

Peter Liashkov (b. 1939) French, Russian, Argentine, American artist "Life and Death (Two Figures)," 1966 Oil on board (mixed media with collage) Hand ...

Técnica mixta sobre lienzo

Técnica mixta sobre lienzo