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Judith PinsAbstract Expressionist "Fire Dance" Oil Painting Israeli Artist
$850
£644.96
€737.45
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A$1,320.03
CHF 689.25
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NOK 8,794.47
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About the Item
Dimensions: 10 3/4" x 6"
Dimensions w/Frame: 17" x 12" x 1/2"
Judith Pins, Painter. b. 1926, Germany. Emigrated to Australia 1956. Immigrated to Israel 1969. Studies: 1945-47 Studio Heede, Germany; 1956-59 Ceramics Studio, Sydney, Australia; 1959-62 Art College, Sydney; 1969 advanced studies, lithography, Haifa University. Teaching: 1972-73 Cultural Centre, Carmiel; 1970-85 private teaching, Carmiel. Prizes: 1964, 1966 from the Great Synagogue, Sydney; 1965 Art Festival, Sydney, Certificate of Excellence; 1967 Art Festival, Sydney, Certificate of Excellence for works in oils. 1968 Lived in Carmiel; 1997 moved to Parents' Home, Regba.
Education
1945-47 Studio Heede, Germany; 1956-59 Ceramics Studio, Sydney, Australia; 1959-62 Art College, Sydney; 1969 advanced studies, lithography, Haifa University
Teaching
1972-73 Cultural Centre, Carmiel; 1970-85 private teaching, Carmiel
Awards and Prizes
1964, 1966 from the Great Synagogue, Sydney; 1965 Art Festival, Sydney, Certificate of Excellence; 1967 Art Festival, Sydney, Certificate of Excellence for works in oils
- Creator:Judith Pins (1926, German)
- Dimensions:Height: 17 in (43.18 cm)Width: 12 in (30.48 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Surfside, FL
- Reference Number:1stDibs: LU38211602582
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View AllLarge Figurative Abstract Expressionist Textured Painting Adolf Benca
Located in Surfside, FL
Abstract oil painting on stretched canvas featuring figures against a dark brown background. Signed upper left.
Adolf Benca was born in Bratislava, Slovakia in 1959. He immigrated to the United States in 1969 and he studied at the Cooper Union for the Advancement of Science and Art, and received a Master's of Fine Art from the Columbia University College.
Adolf Benca (born 1959, in Bratislava, Czechoslovakia), is an American Post war/ Contemporary painter of Slovakian origin.
Benca was born on 16 May 1959, in Bratislava, Czechoslovakia. He was the older of two children, the younger being his sister Lubica. His family immigrated to the United States when he was ten years old, in 1969. From 1969 to 1973 he attended the Elementary Private School in Chicago. He attended Grayslake High School in Illinois between 1973 and 1977. He became interested in art very early in his life, attending several art schools in Chicago while he was an elementary student.
In 1966, while he was still living in Czechoslovakia, he was already illustrating children's books. In 1968, a year prior to his family emigrating from Czechoslovakia, because of Russian occupation of Bratislava, his family moved to Vienna, where young Benca became interested in philosophy and started painting mythological themes and subjects. He participated in a few young artist programs in 1970 and 1971.
Adolf Benca studied and graduated from several universities. From 1977 to 1981 he studied at The Cooper Union for the Advancement of Science and Art, art school in New York, where he received his B.F.A. (Bachelor of Fine Arts) degree. For the next four years (1982–1985) he studied at the Columbia University College of Physicians and Surgeons, graduating at 1987, receiving the title of Master of Fine Arts (M.F.A.). From 1987 to 1988 he studied the human anatomy at the University of Bologna in Italy where he received the title "Doctor honoris causa" (Dr.h.c.) in the area of anatomy. At University Johns Hopkins in Baltimore, Maryland he received the title "Doctor honoris causa" in the area of philosophy. As he was receiving his titles and studied, Benca continued to paint and exhibit his works in many galleries around the world, many of his paintings ending up in private collections.
In 1985 he became a member of the Swizzero di Roma.
In 1987 he became a member of the French Academy in Rome.
In 1988 he became a member of the American Academy in Rome.
In 1994 he became a member of the Swedish Institute in Rome.
In 2000 he became a member of the Academy of Arts in Berlin.
After "the Fall of the Iron Curtain" he decided to continue his career in Central and Eastern Europe.
In 2002 he started his work in Prague, and was awarded the award of the "Masaryk Academy".
In 2012 Adolf Benca and the "Bratislava's ship company" a.d. (Bratislavská lodná spoločnosť a. s ) have founded the company "Adolf Benca Académia s.r.o.". He was included in Bomb Magazine Painters & Writers No. 4 Along with William Wegman, David Salle, Nancy Spero, Francesco Clemente, Julian Schnabel, Pat Steir, and more. His works can be found all over the world, in private collections, as well as exhibits at museums, such as "Metropolitan Museum" and "Museum of Modern Art" in New York.
Select Museums
Museum of Modern Art, New York, NY – MoMA
Metropolitan Museum of Art, New York, NY
National Art Gallery, Washington, D.C.
Fred Jones Jr. Museum of Art, The University of Oklahoma
High Museum of Art Atlanta
Musei Vatican, Vatican, Rome
Williams College Museum of Art, Williamstown, Massachusetts
Arkansas Arts Center Foundation Collection, Little Rock, Arkansas
Henry Art Gallery at the University of Washington, Seattle
Contemporary Art Museum, Tel Aviv
Art Museum, Hong Kong
Floating Galleries of the Slovakia, Bratislava
National Gallery of the Slovakia, Bratislava
Select group exhibitions
Matica Slovenska, "Cultural Revolutions", Martin, Slovakia
United Nations, Artists From Slovakia
Arkansas Arts Center Foundation Collection
Achim Moeller Fine Art...
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20th Century Abstract Paintings
Materials
Canvas, Oil
Untitled Dynamic Colorful Abstract Expressionist Oil Painting, Israeli-American
Located in Surfside, FL
Nachume Miller (1949–1998) was a German born Israeli artist who immigrated to New York City in 1973, where he made a name for himself in the American Modern Art scene. Miller immigrated to New York to study at the School of Visual Arts, where he would later become a professor of painting and drawing. He was quickly identified as a star on the rise and at the age of 29, was included in the Guggenheim Museum’s “Young American Artists,” Exxon National Exhibition. A decade later he was granted a solo show at the Museum of Modern Art, where his work is now part of the permanent collection. Though his career was cut short by his untimely death in 1998, Nachume exhibited at some of the most prominent galleries in New York and around the world.
Miller's parents were both Holocaust survivors. His father was a captain in the front lines of the Russian Army during World War II and his mother was a Lithuanian who had once been held captive in a concentration camp. Both escaped the Nazis, re-united and fled to Israel. Nahum was born during their voyage, in Frankfurt, Germany, on January 28, 1949. He grew up in the town of Holon, Israel, where he was inspired by his father who spent most of his post-war days carving elaborate wood sculptures of Cubist human forms. Nachum, on the contrary, excelled in painting.
By the age of 16, Miller was painting elaborate surreal dream lands referencing religion, politics and the history of Modern Art. His earlier works show similarities to Hieronymus Bosch, Salvador Dali and Francisco Goya. Miller was enlisted in the Israeli Army where he worked as one of Ariel Sharon's personal assistants and also fought in the 1973 Yom Kippur War. He went to New York in 1966 to study at the School of Visual Arts, and joined the faculty in 1977 to teach painting and drawing. He was enlisted in the Israeli Army and fought in the 1973 Yom Kippur War. That same year, he received a scholarship from the Israeli-American Cultural Foundation. He married his girlfriend Ruth and moved to New York to study at the School of Visual Arts. In 1977, he joined the faculty to teach painting and drawing.
Over the next two decades, Nachume was prolific in the range of media, styles, and references he incorporated into his art. His paintings and three-dimensional works pay homage to artists throughout history, from the classical Greeks to Robert Rauschenberg. He prioritized craft over concept and was a disciplined painter, never neglecting workmanship in favor of a trend. His work is marked with curiosity, sincerity and intensity.
Cara McCarty, an assistant curator in the department of architecture and design, organized the current show. It reveals Mr. Miller as someone who finds common ground with both Turner and Jackson Pollock - with the former's Romantic re-creations of storms at sea and with the latter's search for content in abstract gesture.
Selected One-Person Exhibitions
1976: "Drawing Show", Bertha Urdang Gallery, New York
1981: "Figures", A&M Artwork, New York
1988: Exit Art, New York; "Projects: Nachume Miller", Museum of Modern Art, New York
1989: E.M. Donahue Gallery, New York
1990: "Nachume Miller: Views", E.M. Donahue Gallery, New York
1993: "Sensual Painting", E.M. Donahue Gallery, New York
1994: The Genia Schreiber University Art Gallery, Tel Aviv University
Selected Group Exhibitions
1968: "10+ For and Against", Tel Aviv
Aviva Uri, Michael Druks, Nahum Miller, Izzika Gaon, Izzika Raffi Lavie.
1970: "10+ In a Circle", Tel Aviv
Moshe Gershuni, Buky Schwartz, Igael Tumarkin, Reuven Kadim (Berman),
1972: "Symbols and Imagination", Artists' Pavilion, Tel Aviv; "July '72", Gallery 220, Tel-Aviv
1975: "The Work of Nine Graduates of the School of Visual Arts", New York; 112 Greene Street Gallery, New York; "Group Indiscriminate", 112 Green Street Gallery, New York
1976: "8 Israeli Artists", Bertha Urdang Gallery, New York
1978: "Young American Artists", Exxon National Exhibition, Guggenheim Museum, New York
1979: The Kadishman Connection Israel Museum, Jerusalem
Menashe Kadishman, Larry Abramson, Yaacov Agam, Nachum Miller, Jacob El Hanani,Samuel Bak, Koki Doktori...
Category
1990s Abstract Expressionist Abstract Paintings
Materials
Canvas, Oil
Abstract Oil Painting by noted Figurative Expressionist Israeli Artist Joel Kass
By Joël Kass
Located in Surfside, FL
Medium: Oil
Surface: Canvas
Country: Israel
Dimensions: 29" x 21 1/4" x 3/4"
Dimensions w/Frame: 29 1/4" x 22"
Kass paints in thick layers and realizes unique effects by sublimating...
Category
20th Century Neo-Expressionist Figurative Paintings
Materials
Canvas, Oil
Israeli "Inbal Dancers at Midnight" Modernist Dance painting
By Joseph Wolins
Located in Surfside, FL
Genre: Expressionist
Subject: Figures
Medium: Oil
Surface: Board
Country: United States
Dimensions: 18" x 24"
Dimensions w/Frame: 23 1/4" x 29 1/2"
Joseph Wolins
1915-1999
Wolins ...
Category
Mid-20th Century Modern Figurative Paintings
Materials
Oil
Large German Neo Figuarist Abstract Expressionist Oil Painting Werner Liebmann
Located in Surfside, FL
WERNER LIEBMANN (German b. 1951)
"Elf Köpfe Bei Nacht,"
Oil on canvas, signed L/R, "Liebmann;"
29 1/4'' x 35 1/2'', framed 31'' x 37''.
Werner Liebmann (born 1951) is a German painter and graphic artist .
Werner Liebmann was born in Königsthal in Thuringia. Born in Königsthal from 1969 to 1973 he studied chemistry at the Martin Luther University in Halle (Saale) . From 1973 to 1976 he worked as a project engineer. He was active as a chemist until he opted for an artistic career and studied painting at the University of Art and Design in Halle. A master student of Bernhard Heisig, he graduated at the College of Fine Arts Leipzig.
Since then, he has been a freelance artist, as well as a professor at the College of Fine Arts in Dresden and currently at the Art school Berlin – Weissensee. His works were represented at numerous group exhibitions and solo exhibitions in Halle, Hamburg, Berlin, Düsseldorf and further cities, mostly in Germany. Influenced by the Neo Figuraist artists of the Junge Wilde painters. In 1978, the Junge Wilde painting style arose in the German-speaking world in
opposition to established avant garde, minimal art and conceptual art. It was linked to the similar Transavanguardia movement in Italy, USA (neo-expressionism) and France (Figuration Libre). The Junge Wilde painted their expressive paintings in bright, intense colors and with quick, broad brushstrokes very much influenced by Professor at the Academy of Art in Berlin, Karl Horst Hödicke (b:1938). They were sometimes called the Neue Wilde. Berlin: Luciano Castelli, Rainer Fetting...
Category
Late 20th Century Neo-Expressionist Abstract Paintings
Materials
Canvas, Oil
1960's Large Colorful Abstract Expressionist Swiss Oil Painting Robert Lauro
Located in Surfside, FL
Oil Painting on canvas
Hand signed to lower right Lauro.
Provenance: Eleonore Austerer Gallery, San Francisco, CA
Work Size: 39.5 x 39.5 in. framed 44 X 44 inches.
Roberto Lauro is a British-Swiss Post War & Contemporary artist who was born in 1932.
Roberto Lauro was born in 1932 in Gorey Harbor on the island of Jersey (Great Britain) the son of a Swiss mother, Rosa Ramseier, from Oberdiessbach / Emmental, Switzerland, and and Italian father Innocenzo Roberto Lauro, born in Mondovi, Italy. In 1941 he moved to Switzerland with his mother. 1949-1953 he lived in Gunten (Switzerland) where he did an Apprenticeship as a lithograph and offset printer and graphic designer in Thun. There he was introduced to the color theory of Johannes Itten by Hermann Oberli at the Bern School of Applied Arts. From 1953 to 1955 he worked as a fine art printer in Norway where he was influenced by the color theory of Edvard Munch. These works bears the influence of Russian artist Andre Lanskoy, Tachisme and the Cobra artists Karel Appel, Constant, Corneille, Christian Dotremont, Asger Jorn, and Joseph Noiret.
In 1955-1956 he worked as an offset printer in Amsterdam (Netherlands). Visit to the Instituut voor Kunstnijverheidsonderwijs. In 1957 he returned to Gunten, Switzerland. Where he started working in printmaking and and oil painting. He resumed his studies at the Bern School of Applied Arts. He was greatly impacted and influenced by abstract art on the occasion of a large Paul KIee exhibition. In 1958 he moved to Zurich where he worked part-time work as an offset copyist; fulfilling graphic orders for advertising agencies. In 1962 he took his final examination as graphic designer at the Zurich School of Applied Arts. In 1980 he begins his development of three-dimensional picture objects, Sculpture, detachment from the canvas, using metal as a support and play space for light and color. By 1981 he has turned full time to fine art. He spends the next years growing and developing his considerable talent. Inspired by classical music, the rhythm, mood and lightness of which form the basis for the large swings and loops of his colorfully lacquered metal and blown glass sculptures. These are "pensieri", thought sketches that capture the emotions in countless versions. There is something dance-like about his rotating sculptures. Everything becomes music and the rhythm of colors. In 1988, after exhibitions in Europe, he has his first exhibitions in Atlanta and San Francisco (USA), In 1989 he does his first glass and metal sculptures at the Roberto Niederer glassworks, Hergiswil (Switzerland). In 1992 has a retrospective exhibition in the Tan Gallery, Zurich, and the Eleonore Austerer Gallery, San Francisco. They Publish a catalogue raisonne, Eine Retrospektive, covering a 45 year career. In 1993 he creates A Retrospective, a unique sculpture in a table top form that contains his catalogue raisonne and an original lithograph.
1993–1995 he begins work on a number of large scale public outdoor commissions, including Light Columns for a Bank building, and a commission of a sculpture-fountain in Oetwil am See. In 2001 he creates a wall sculpture entitled "Color Poems of the Yearly Cycle. A linen bound book enclosed in a unique plexi display with a one - of a - kind metal and glass sculpture,containing 12 linocuts each printed in colors and signed.
Roberto Lauro's sculptural work work is spontaneous and loaded with energy. The furrows, rifts, cracks and scars in the metal allow light to enter; it is then reflected back by the glass. His work is a clear statement of our times, uniting the intellect and the heart in search of the spiritual. Like the interplay of light and shadow, his sculpture combines fragile, transparent glass with solid, heavy iron. These colorful and luminous sculptures convey a powerful presence and emit vibrant positive energy. With their jagged exteriors and translucent cores, the spectacular sculptures created by the synergy of metal and glass are powerful - yet fragile. Lauro has created and mastered his own idiom and proven that through the artist sheer will and vision, seemingly incompatible materials such as iron and glass can indeed be combined. In 2004 he has an anniversary exhibition Light and Color, Love of Life on the island of birth, Jersey. Ceramic works (raku with glass inclusions). Roberto Lauro's works have been shown in numerous exhibitions in Europe and the USA around the world, and he has also realized projects such as "KUNST AM BAU" in public spaces and for industry. He lives and works in Switzerland.
Select Exhibitions
Eleonore Austerer Gallery, Palm Desert
ART IN THE FRAME FOUNDATION: The Harbour Gallery, Isle of Jersey
Galerie fur Gegenwartskunst,, Bonstetten, Switzerland
Galerie Annamarie Anderson, Zurich, Switzerland
“Color and Light,” Austerer-Crider Gallery, Palm Springs, CA, USA
“Color and Light: the art of Roberto Lauro,” Eleonore Austerer Gallery, San Francisco, CA, USA
“Flower Power,” with Ed Baynard, Roberto Azank, Siegward Sprotte, and Daniel Phil...
Category
1960s Abstract Expressionist Abstract Paintings
Materials
Canvas, Oil
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