Kim Fonder

Sand and Stone

Wind on the Beach by Kim Fonder captures the gentle, flowing essence of a coastal breeze. This mixed-media artwork, measuring 36" by 36" with a depth of 1", exudes tranquility with l...

Kim Fonder loves texture and touch. Her paintings and furniture reflect her infatuation with these two characteristics. From the materials Fonder selects, to the way she crafts each ...

Sognare I by artist Kim Fonder is a abstract contemporary white, grey, and gold mixed media on burlap painting that has texture and is minimal. This painting meausures 67 x 49 and is priced at $5,900. Kim Fonder loves texture and touch. Her paintings and furniture reflect her infatuation with these two characteristics. From the materials Fonder selects, to the way she crafts each piece; these two attributes remain her focus. She seeks to honor Leonardo Da Vinci’s words, “Simplicity is the ultimate sophistication. Born Corvallis, Oregon creative director, aberson exhibits master of science in applied behavioral studies, school psychometrics bachelor of science degree education group shows and juried exhibitions biting the apple, IAO gallery, oklahoma city, oklahoma 1999 mayfest invitational gallery tulsa, oklahoma may 1999 biting the apple,IAO gallery, may 2001 mayfest invitational gallery may 2002 j joseph gierek fine art/ group show tulsa, oklahoma 2003-2004 oklahoma visual artists coalition “visionmakers” January 2006 “oklahoma friendly” oklahoma artist guild, march 2008 -honorable mention- “personal space” gallery RFD swainsboro, georgia october 2008 tubac center for the arts tubac, arizona october 2008 artspace international juried exhibition raleigh, north carolina november 2008 gallery shows fashionhaus, manhattan, new york june 2008 jordan art gallery corsicana, texas october 2008 marziart international galerie, hamburg, germany october 2008 helen yi, chicago, illinois october 2008 exhibit by aberson tulsa, oklahoma april 2009 fashionhaus, manhattan, new york 2010 leslie powell...

Kim Fonder, ETNOGRAFICA 30, Mixed Media on Canvas, 50.00 X 74.00 in, $6,200.00, Brown Blue, White, Abstract, contemporary, fine art Kim Fonder loves texture and touch. Her paintings...

encaustic on panel b. 1954, Reno Nevada Michael David is best known for his use of encaustic on large abstract paintings. A practitioner of Abstract Expressionism, David layers bees...

A large massive abstract with thick impasto paint. Beautiful tonal abstract. Please note the size of this piece, as it is quite large 9 feet tall and 6 feet wide. Unsigned. It can be...

Encaustic on panel. It's simple; I create art because it makes me happy. I try not to overthink the process of what I’m painting and let my intuition be my guide. I love laying do...

This artwork "Untitled" is an oil painting on canvas by noted American artist Ruth Wall, 1917-2009. It is signed in the back by the artist. The canvas size is 10.15 x 20 inches, framed size is 13.85 x 22.75. It is custom framed in a wooden gold frame. The painting is in excellent condition, the frame has some scratches and will be replaced if buyer wish, by a similar (not exactly the same) gold frame when is sold. It will be done at no extra cost. This will bring the over all condition to excellent. About the artist: Ruth A. Wall was born in Wyoming on September 10, 1917 but moved to a homestead on an Indian reservation in Uintah, Utah in 1919. After graduating from high school at age 16 she left home to attend college, graduating at age 20 and began teaching high school at age 21. She moved to Los Angeles where she became an Army materials inspector during WWII. She moved to Northern California and became a pilot, but entered the service as a WAC. Here she trained as a physical therapist and became an officer. She remained in the service until 1949. In 1950 she entered the California School of Fine Arts in San Francisco, studying there until leaving for Paris in 1952 where she moved into the Academie Frochot. Returning to the CSFA in 1955 she worked as an artist until she had to take a job to make a living in 1957. Most of her work in printmaking was done in 1952, before leaving for Paris. They are, for the most part, gestural, Abstract Expressionist lithographs, done on the press at the CSFA at night after everyone had gone home. Her teachers were James Budd Dixon, Robert McChesney and, after 1955, Nate Oliviera and fellow students included James Kelly...