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Lee WellsGray Scale Study for Pure Painting 92016
2016
About the Item
Gray Scale Study for Pure Painting 9, 2016
Acrylic on museum board mounted to board
Artwork size - 8 x 6.5 inches
Framed Size - 16 x 20 inches
signed and dated on recto
Lee Wells is a conceptual artist, curator, writer and technology consultant living and working in New York since 2000. He has presented his work internationally, including the 51st Venice Biennale, The Guggenheim Museum, NCCA Moscow, PS1/MoMA, and has lectured on art and new media at Princeton University, SVA, NYU among others. Wells was a co-founder of the critically acclaimed Perpetual Art Machine video art archive and curator at large for Scope Art Fairs prior to opening art project spaces in New York’s Lower East Side and Athens Greece through his performance art company IFAC,inc, which he originally founded in 1996.
- Creator:Lee Wells (August 25, 1971, American)
- Creation Year:2016
- Dimensions:Height: 20 in (50.8 cm)Width: 16 in (40.64 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:New York, NY
- Reference Number:1stDibs: LU326971303
Lee Wells
Lee Wells (b.1971) is a conceptual artist whose practice, rooted in the act of painting, draws inspiration from the epic myth of the avant-garde, the enthusiasm of the New York School, the praxis of the Situationists, the process of Fluxus, and the contradictions of Postmodernism. Wells enjoys making things, collaborating with others, and learning something new as often as possible. Most recently he has been experimenting with new technologies to expand on the new frontier of Human / AI collaboration in the arts. Historically his work has focused on systems of power and control in society and has been presented in various forms internationally for over 30 years, including the Guggenheim Museum, MCA Chicago, PS1/MoMA, 51st Venice Biennale, The National Arts Club, and Hermitage Museum, as well as numerous universities, festivals, art fairs, and galleries. Wells was a co-founder of The Perpetual Art Machine, the video art community portal project (2006-2011) and has directed the alternative curatorial platform IFAC Arts since 1996 which is currently based in New York’s Lower East Side and Athens, Greece.
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View AllGray Scale Study for Pure Painting 6
By Lee Wells
Located in New York, NY
Gray Scale Study for Pure Painting 6, 2016
Acrylic on museum board mounted to board
Artwork size - 8 x 6.5 inches
Framed Size - 16 x 20 inches
signed and dated on recto
Lee We...
Category
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They are soaked in the in nuances of early modernism- Klee, Miro and Matta. She explores emotive, expressionistic tender spaces in these lyrically rendered conceptual paintings - densely layered works that operate in the enigmatic gaps between rational structure and spontaneity. Misha also echoes Kandinsky and his sensuality of musical movement, evoking his concerns with the spiritual, all emerging naturally from the rich soil she has carefully laid down in her previous work. The language and texture of her materials are important to Misha who prepares her own pigment- paying great attention to form, surface and the moment-to moment physicality of her practice.
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Her paintings are sensorially rich and and yet muted, the masses of fleshy intersections and writhing calligraphy feel like they are moving out of the immediate present and floating up out of time.
They are soaked in the in nuances of early modernism- Klee, Miro and Matta. She explores emotive, expressionistic tender spaces in these lyrically rendered conceptual paintings - densely layered works that operate in the enigmatic gaps between rational structure and spontaneity. Misha also echoes Kandinsky and his sensuality of musical movement, evoking his concerns with the spiritual, all emerging naturally from the rich soil she has carefully laid down in her previous work. The language and texture of her materials are important to Misha who prepares her own pigment- paying great attention to form, surface and the moment-to moment physicality of her practice.
Misha Milovanovich is a Belgrade-born artist living and working in London.
Misha works across several mediums, from sculpture to painting and live art. Characterised by vivid colour, optical movement and energetic visual cadences, Misha's visual work fuses a diverse repertoire of images and forms. She often features discarded shards of consumerism - unloved icons of disposability and careless consumption.
Misha's work is often a symphonic abstraction. Her colourful, densely layered works are held in a state of tension between order and chaos, rational structure and spontaneity. She combines depth and surface relief, orchestrating bold contrasts of form, texture and space in her pictures. An intimate colour palette of bodily fluids - red, pink, white, black, yellow and brown - animate the writhing forms and the refracted memories of cartoonish cultural production.
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Misha is herself a ‘displaced’ person, having left Serbia for London in her late teens she still carries within her a ‘stranger’s perspective’ and perceives the world as an outsider, someone ever alert to the non-verbal subtleties of communication.
Misha's artistic progenitors include her mentor Martin Kippenberger, Wassily Kandinsky and Phillip Guston as well as contemporary artists Gilbert and George, Keith Tyson, Robert Pruitt...
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Her paintings are sensorially rich and and yet muted, the masses of fleshy intersections and writhing calligraphy feel like they are moving out of the immediate present and floating up out of time.
They are soaked in the in nuances of early modernism- Klee, Miro and Matta. She explores emotive, expressionistic tender spaces in these lyrically rendered conceptual paintings - densely layered works that operate in the enigmatic gaps between rational structure and spontaneity. Misha also echoes Kandinsky and his sensuality of musical movement, evoking his concerns with the spiritual, all emerging naturally from the rich soil she has carefully laid down in her previous work. The language and texture of her materials are important to Misha who prepares her own pigment- paying great attention to form, surface and the moment-to moment physicality of her practice.
Misha Milovanovich is a Belgrade-born artist living and working in London.
Misha works across several mediums, from sculpture to painting and live art. Characterised by vivid colour, optical movement and energetic visual cadences, Misha's visual work fuses a diverse repertoire of images and forms. She often features discarded shards of consumerism - unloved icons of disposability and careless consumption.
Misha's work is often a symphonic abstraction. Her colourful, densely layered works are held in a state of tension between order and chaos, rational structure and spontaneity. She combines depth and surface relief, orchestrating bold contrasts of form, texture and space in her pictures. An intimate colour palette of bodily fluids - red, pink, white, black, yellow and brown - animate the writhing forms and the refracted memories of cartoonish cultural production.
A cultural polymath, Misha is constantly engaged in observing society and it’s distortions of desire, lust and attitudes to the body. Traditional techniques have been studied and absorbed and although her work is partly conceptual, it's execution always reflects these hard won technical abilities. Misha's main subject matter is emotion, so naturally her work is highly personal and biographical in ways that create a direct, emotional response from the viewer. Empathy and the universals of human experience - passion, nostalgia, desire and disgust are inescapable in her work.
Misha is herself a ‘displaced’ person, having left Serbia for London in her late teens she still carries within her a ‘stranger’s perspective’ and perceives the world as an outsider, someone ever alert to the non-verbal subtleties of communication.
Misha's artistic progenitors include her mentor Martin Kippenberger, Wassily Kandinsky and Phillip Guston as well as contemporary artists Gilbert and George, Keith Tyson, Robert Pruitt...
Category
2010s Abstract Abstract Paintings
Materials
Mixed Media, Oil, Acrylic
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