Lucy Moore

Summer Pop Meadow #3 by Lucy Moore, Meadows, Floral, Wildflowers, Painting

2022

Amanda Horvath Secret Spring Original Acrylic Painting on Canvas Acrylics on canvas Image size: 61cm x 61cm x 3.5cm Sold Unframed “Secret Spring” is inspired by the lovely woods clo...

Changing Clouds [2020] Original Landscapes and seascapes Acrylic and acrylic inks on board Image size: H:20 cm x W:30 cm Frame Size: H:23 cm x W:33 cm x D:4cm Sold Framed Please note...

Changing Light 1 by Karen Birchwood Original Painting Acrylic on Canvas Image Size: 90 cm x 90 cm x 4.5cm Sold Unframed Changing Light 1 is an original painting by Karen Birchwood. This piece is inspired by a coastal shoreline, grasses, wild flowers and seed heads blowing in the wind with the essence of sea and sky. This painting is all about the energy of natural elements of the coast. I have used cool blue colours with hints of yellow, pink and green with blurred sweeping strokes to reflect the coastline. The dark horizon...

Adele Riley Remembering You Original Landscape Painting Acrylic Paint and Ink on Canvas Canvas Size: H 35cm x W 35cmx D 5.5cm Sold Unframed Please note that insitu images are purely ...

Landscape mixed media on canvas 65x46 cm 2020 Ready to Hang Marilina Marchica, born in 1984, was born in Agrigento, where she lives and works. She graduated in Painting at the Acade...

As one of the last generation to remember a childhood lived in the desert hunting and gathering with her family, Walangkura Napanangka's paintings recall the stories of country and the location of specific sites in her traditional homeland west of the salt lake of Karrkurutinjinya (Lake Macdonald). Born around 1946, at Tjitururrnga west of Kintore, in the remote and arid country between the Northern Territory and Western Australia, she lived with her father Rantji Tjapangati and mother Inyuwa Nampitjinpa and later, while still a teenager, travelled by foot with her family over the hundreds of kilometres from their remote desert home eventually joining Uta Uta Tjangala's group as they walked in to the settlements of Haasts Bluff and then Papunya. The lure of settlement life with its promise of plentiful food and water belied the harsh conversion they would make to an alien lifestyle with its many problems and unfamiliar demands. The upheaval however, was ameliorated to some degree by the proximity of her immediate family including her mother Inyuwa, adoptive father Tutuma Tjapangati, and sister Pirrmangka Napanangka (now deceased) all of whom became artists. Relocated to the community of Kintore in 1981 when the outstation movement began, Walangkura participated in the historic women's collaborative painting project (1994) that was initiated by the older women as a means of re-affirming their own spiritual and ancestral roots. It was a time of specifically female singing, ceremony and painting, away from the gaze of outsiders and men folk. The huge and colourful canvases that emerged from the women's camp were 'alive with the ritual excitement and narrative intensity of the occasion' (Johnson 2000: 197). Within a year, Papunya Tula Artists, now established at Kintore, had taken on many of these women as full-time artists, revitalising the company after the deaths of many of the original 'painting men'. While individual women forged their own stylistic trajectory, these paintings were immediately distinguishable from the men's more cerebral and symmetrical style. They radiated an exuberant and vibrant energy, the felt heart-beat of women's affinity to country and spirit. Walangkura's early works, created from 1996 onward, are characterized by masses of small markings and motifs covering large areas of canvas. Her favorite colour, a deep sandy orange predominates, accentuated against more somber blacks and reds and dusky greens or yellows. More recent works show a gestural quality though still tightly packed with an intensity of geometric line work representing sandhills. In a sense this provides a strong visual and contextual link to the men's linear style as exemplified by the works of George Tjungurrayi...

A rhythm exists here on the farm, beginning with the sunrise and the sounds of nature awakening. My art is a reaction to this sense of place. Whether I’m in the studio, tending to th...

Tranquil Tides - Soft pastels and blues create a peaceful, atmospheric seascape. Abstract Sea Landscape using earthy tones by Contemporary British Artist, Angela Wakefield. Art meas...