Montserrat Tobella

El túnel

2023

Miscellaneous and qualified materials

Self-taught by the author

Mexican-American contemporary visual artist and celebrated architect Javier Arizmendi-Kalb created this abstract painting with bold brush stokes creating strong visual zest and appeal on a small scale. The artist often creates autobiographical paintings that are comprised of both abstract and representational elements that consider the natural world as it intersects with utilitarian and architectural design. 'Light at the End of the Tunnel...

Carlos J. Tirado (born on April 3, 1964 in Caracas, Venezuela) is an artist, painter and sculptor who has developed a very personal and precise line of work linked to Neo-Pop art. With plenty of personal art exhibitions, Tirado has participated in numerous collective exhibitions, receiving different awards such as “III Premio de Escultura” del Certamen Aires de Córdoba in 2004 and other recognitions, among them, at the Venezuelan Embassy in DC (2005), and the X Latin Art Festival of Atlanta (2005). Childhood Tirado grew up in an upper-middle-class family environment. His inclination for the arts started from an early age. At 8 years old, he was already experimenting with tridimensional forms, creating molds out of cast lead from pieces previously gathered on the streets. These first artistic experiences led by his inquisitive nature, provided the ground to continue exploring the possibilities with different materials like wood, waste and plaster. His childhood games were centered around painting and sculpting, which played an important role that ranged from recreational to aesthetics. When Tirado turned 12 years of age, his parents agreed for him to attend private art classes with professor Javier Hernandez in Caracas. Later on, he realized that Art was a profession that required investment in materials, reason that led him to work at a furniture store painting landscapes and figurative art to decorate the exhibit room. He created numerous paintings of Caracas’ famous mountain: El Avila, and other art pieces that not only served as a source of income, but more importantly, led him to deepen his figurative expression. In 1985, he started drawing comic sets for a renowned newspaper El Diario de Caracas, alongside Jorge Blanco...