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Norman CartonUntitledca. 1970
ca. 1970
About the Item
Waterline Fine Art, Austin, TX is pleased to present the following work:
Oil on canvas. Signed lower right, signed and sequentially numbered on verso.
44 x 30.25 in.
47.5 x 33.75 in. (framed)
Custom framed in a two-tiered matte white hardwood tray frame.
Provenance
Estate of Norman Carton
Norman Carton was born in the Ukraine, eventually immigrating to the U.S. in 1922 and settling in Philadelphia, where he attended the Pennsylvania Museum School of Industrial Art. In the 1930s, he received a scholarship to attend the Pennsylvania Academy of Fine Arts (PAFA).
Between 1939 and 1942, the Works Project Administration (WPA) employed Carton as a muralist. During World War II, Carton was a naval structural designer and draftsman at the Cramps Shipbuilding Corporation. Here, he began to create semi-abstract and non-objective sculpture with metal.
After the war, Carton co-founded a fabric design plant in Philadelphia, creating original patterns for interiors and fashion. He was commissioned by clients such as Lord & Taylor, Nina Ricci, and Gimbels. Publications such as Vogue, Harper’s Bazaar, and Interiors featured his designs. Some of these designs are on display at the Metropolitan Museum of Art. In 1949, he sold his interest in the plant to pursue painting full-time.
Carton had his first solo exhibition in 1949 at the Philadelphia Alliance, while also teaching classes at the Philadelphia Museum of Art. In 1952, he had solo exhibitions at the Sorbonne, Galerie d’Art, and Gallery Rene Breteau, and was part of many group shows in Paris salons including Les Surindependants, Salon d’Automne, and Realities Nouvelles.
When Carton returned to the U.S. from France in 1953, he settled in New York City where he worked in the company of the leading artists of the day. He appeared in numerous group shows including the 1955-1956 “Exhibit of Contemporary American Painting” at the Whitney. This exhibition included such notable artists as Richard Diebenkorn, Joan Mitchell, James Brooks, Grace Hartigan, Franz Kline, Georgia O’Keefe, and Adolph Gottlieb.
Carton received a great deal of acclaim between the mid-1950s and the 1970s, having solo exhibitions at such prominent galleries as Martha Jackson Gallery, Staempfli Gallery, and Tirca Karlis Gallery, as well as a series of group exhibitions at the Whitney, Corcoran, Dallas Museum of Art, Baltimore Museum of Art, Dayton Museum of Art, and Chrysler Museum. In all, Carton participated in more than 135 group and 20 solo exhibitions.
Carton also was an educator, joining the faculty at the New School for Social Research in New York City, and lecturing at the Pratt Institute, Whitney, and Chrysler Museums of Art. Toward the end of his life, Carton taught at Long Island University.
Carton is widely represented in private and public collections including the Whitney Museum of Art, Smithsonian Museum of Art, Musee d´Art Moderne, Albright-Knox Museum, Yale University Museum of Art, Yoshihara Museum, and many others around the world.
Norman Carton died in February of 1980.
Source: Quogue Gallery
- Creator:Norman Carton (1908 - 1980, American)
- Creation Year:ca. 1970
- Dimensions:Height: 44 in (111.76 cm)Width: 30.25 in (76.84 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:Overall good and stable condition. Inquire for additional details.
- Gallery Location:Austin, TX
- Reference Number:1stDibs: LU2287211541582
Norman Carton
Norman Carton was an American artist and educator known for Abstract Expressionist works in oil on canvas. While this was his most recognized style and medium, Carton was primarily a colorist and also worked as a muralist, classically trained portrait and landscape artist, sculptor, theater set and fabric designer, and illustrator as well as in a variety of abstractions. He has a large museum collection and commercial history, showing in more than 20 solo and 135 group exhibitions." He was awarded numerous awards, prizes and fellowships for painting. In the 1930s he was part of the WPA creating murals. In the 1940s, he founded a fabric design and production firm which was featured in Interiors magazine, Vogue, Harper's Bazaar, and Women's Wear Daily. These were hand-printed fabrics and his clients were Nina Ricci, Hattie Carnegie, Lord & Taylor, and others. In 1962 Norman Carton opened his own Dewey Gallery in NYC. Carton's works continue to be included in present day exhibitions including at Quogue Gallery entitled 1950s and 1960s Works on Paper,, at the Nassau County Museum of Art entitled Blue in 2020 as well as Energy: The Power of Art in 2019, and at the Anita Shapolsky Gallery in 2019 entitled Inspiration & Exploration. Norman Carton's 2020 solo exhibition at Quogue Gallery was reviewed by Charles A Riley. A representational portion of Carton's papers which include correspondence, writings, notes, exhibition catalogs and sketchbooks were donated to the Smithsonian Archives of American Art where they remain.
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By Paul Brach
Located in Austin, TX
Waterline Fine Art, Austin, TX is pleased to present the following work:
Oil on canvas. Signed and dated lower right.
41.75 x 61 in.
44 x 63 in. (framed)
Custom framed in a hardwo...
Category
1950s Abstract Expressionist Abstract Paintings
Materials
Canvas, Oil
$30,000
Untitled
Located in Austin, TX
Waterline Fine Art, Austin, TX is pleased to present the following work:
Oil on canvas. Estate stamped and numbered verso; initialed “SF22” verso.
48.25 x 34.25 in.
49.25 x 35 in. (framed)
Custom framed in a solid maple floater.
Provenance
Estate of Samuel Feinstein
McCormick Gallery, Chicago
Samuel Lawrence...
Category
1950s Abstract Expressionist Abstract Paintings
Materials
Canvas, Oil
Untitled
By John Little
Located in Austin, TX
Waterline Fine Art, Austin, TX is pleased to present the following work:
Oil on canvas. Signed and dated lower left.
36.25 x 30.25 in.
38.5 x 32.5 in. (framed)
Custom hardwood frame with dark stain. FredEric’s Frame Studio, Chicago.
Provenance
McCormick Gallery, Chicago
Born in Alabama, John Little attended the Buffalo (NY) Fine Arts Academy as a teenager, until 1927. Soon after, he moved to New York where he began operatic vocal training and opened what would become a very successful textile business designing fabric and wallpaper.
In 1933, he enrolled at the Art Students League under the tutelage of George Grosz. Little’s early work consisted predominantly of landscapes, until 1937, when he began studying under Hans Hofmann and his work naturally shifted toward abstraction. During his time with Hofmann, he with artists such as Lee Krasner, George McNeil, Gerome Kamrowski, Giorgio Cavallon...
Category
1960s Abstract Expressionist Abstract Paintings
Materials
Canvas, Oil
$25,000
Komposition rot/schwarz
Located in Austin, TX
Waterline Fine Art, Austin, TX is pleased to present the following work:
Oil on canvas. Signed and dated lower left, inscribed label verso.
59.25 x 55.25 in.
61 x 57 in. (framed)
Custom framed in a wooden double tray frame, hand-painted white.
Provenance
Galerie Lovers of Fine Art, Gstaad, Switzerland
This work has been recorded under no. 1531 in the digital Catalogue Raisonné of the artist, prepared by Michel Reymondin, Montreux, Switzerland.
Carl Walter Liner was born in the Swiss canton of Appenzell, near the border with Liechtenstein, in 1914. The son of famed artist Carl August Liner, the younger Liner enjoyed more critical and commercial renown for his landscapes.
In 1938 at the age of 24, he undertook what would become the first of several residencies in Paris. This particular sojourn helped to establish the trajectory of his career, as Paris would provide the setting in which he became acquainted with early twentieth century masters Maurice de Vlaminck, Georges Braque, Ossip Zadkine, Gérard Schneider, and Erich Heckel. The stylistic and technical influence of his contemporaries is clearly evident in Liner’s work from this point forward.
Unfortunately, the dawn of the 1940s would bring about a number of challenges for Liner. With the outbreak of war, Liner was mobilized for the Swiss Border Guard, and returned home to Switzerland in 1939. He remained on active duty until 1945, only to lose his father the following year. The death of the elder Liner left a profound impact on his son, who eventually made his way back to Paris in 1947 and embarked upon what would become a very successful series of nudes.
By his own admission, 1948 was a pivotal year in Liner’s career, as a particularly spiritual trip to Algeria would foment the emotions led to the beginning of his practice with abstraction. Henceforth, Liner would vacillate between the figurative and abstract, creating parallel oeuvres. His abstraction from the 1950s and 60s mirrored...
Category
1960s Abstract Expressionist Abstract Paintings
Materials
Canvas, Oil
Untitled
By John Opper
Located in Austin, TX
Waterline Fine Art, Austin, TX is pleased to present the following work:
Oil on canvas. Signed lower right, signed and dated verso.
62.25 x 56.25 in.
64 x 58 in. (framed)
Custom framed in a natural cherry wood floater.
Provenance
Washburn Gallery, New York
Behnke Doherty Gallery, Washington Depot, CT
Born in 1908 in Chicago, John Opper moved with his family to Cleveland, Ohio, in 1916. In high school, he began studying art and attending classes at the Cleveland Museum of Art.
After graduation, he enrolled in the Cleveland School of Art (now Cleveland Institute of Art), only to withdraw after a year and move to Chicago, where he took classes at the Art Institute of Chicago. He eventually returned to Cleveland, enrolling at Western Reserve University (now Case Western Reserve), receiving his bachelor’s degree in 1931. The Depression has taken hold during this period, so Opper found work by teaching metalworking and sketching classes at the Karamu Settlement House, the oldest African American theater in the United States.
In 1933, Opper traveled to Gloucester, Massachusetts, eventually connecting with the artist Hans Hofmann, who was teaching at the school run by Ernest Thurn. Hofmann encouraged Opper to work “in a more modern vein and start finding what it’s all about.” Heeding this advice, Opper relocated to New York, co-founding a mail-order club of American and British prints for dissemination to schools and museums.
By the mid-1930s, he joined the Works Progress Administration (WPA) Easel Division, and also began attending the 57th Street school that Hans Hofmann had established after leaving the Art Students League. Looking back at his time at the school, Opper felt that beyond Hofmann’s teaching, most advantageous was his contact with fellow artists, including Byron Browne, Rosalind Bengelsdorf, and George McNeil. At the time, he also met Giorgio Cavallon and the sculptor Wilfrid Zogbaum.
In 1936, Opper became a founding member of the American Abstract Artists, along with Balcomb and Gertrude Greene. The organization was formed to provide an opportunity for artists to show abstract works at a time when such opportunities were scarce. This led to his first solo show in 1937 at the Artists’ Gallery in New York.
During his summer in Gloucester in 1933, Opper came to know Milton Avery. Painting in Avery’s informal studio in New York City the following winter, he became acquainted with Adolph Gottlieb and Mark Rothko. Opper participated in a couple of shows during the 1930s of the American Artists Congress Against War and Fascism, whose president was Stuart Davis. About the same period, Opper joined the Artists’ Union and served as the business manager of its publication, Art Front.
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Category
1950s Abstract Expressionist Abstract Paintings
Materials
Canvas, Oil
$25,000
Untitled
Located in Austin, TX
Waterline Fine Art, Austin, TX is pleased to present the following work:
Oil on canvas. Signed lower right.
50.5 x 38.25 in.
51.5 x 39 in. (framed)
Custom framed in maple.
Theodore Franklin (“Ted”) Appleby, Jr. was born January 28, 1923 in Asbury Park, New Jersey to a very prominent family in Monmouth County. He attended the Pauling School in New York and studied at the atelier of John Corneal.
On December 12, 1942, Appleby enlisted in the U.S. Marine Corps, subsequently seeing action in the Marshall Islands. Upon the conclusion of the war, he was stationed for a year in Yokohama, Japan, where he studied local engraving techniques.
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From 1955 to 1961, Appleby participated in group exhibitions in Chicago, Leverkusen (Germany), Lisbon, London, and Paris. He also had three notable solo exhibitions during this period: Studio Facchetti, Paris (1956); Martha Jackson Gallery, New York (1957); and the American Cultural Center, Paris (1959). In 1957, Appleby’s work was presented at the 62nd American Exposition of Painters and Sculptors at the Chicago Art Institute, where he was awarded the Norman Wait Harris Bronze Medal and Prize.
Answering the famed artist André Lhote’s call to help save the village of Alba-la-Romaine in the Ardèche, Appleby and his wife - the artist Hope Manchester - purchased a home in the village in 1950, ultimately settling there until their deaths.
Source: Taylor Graham Gallery
Category
1950s Abstract Expressionist Abstract Paintings
Materials
Canvas, Oil
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My work has always been anchored in drawing. I spent years drawing and painting from life. This instilled a strong sense of space and structure. At some point I became more interested in the negative space surrounding the objects I was observing and modifying the objects themselves. I began to organically develop an abstract language, but the sense of structure and organization remained constant in the painting.
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About the artist:
Jenny Nelson attended Maine College of Art in Portland Maine, and is a graduate of Bard College, where she received a scholarship to the Lacoste School of the Arts in France. She has been living in Woodstock, New York for nearly two decades, including a Residency at the Byrdcliffe Art Colony from November 2004-08. Jenny has been exhibiting for many years nationally and regionally.
SELECTED EXHIBITIONS:
Solo Shows:
2019 Carrie Haddad Gallery, Hudson, NY
2019 Hidell Brooks Gallery, Charlotte NC
2018 Light Waves, Hidell Brooks Gallery, Charlotte NC
2017 New Works, Carrie Haddad Gallery, Hudson NY
2016 Sailing in Place, Hidell Brooks Gallery, Charlotte NC
2013 Traveling Light, Tria Gallery, Manhattan NY
2012 New Work, Smink Modern, Dallas TX
2012 New Work, Carrie Haddad Gallery, Hudson NY
2011 Awakenings (Duo with Keun Young Park) Tria Gallery, Manhattan NY
2010 New Paintings, Chace-Randall Gallery, Andes NY
2008 Autumn Elegance, Asher Neiman Gallery, Red Bank NJ
2008 The Light Between, Chace-Randall Gallery, Andes NY
2007 New Work, Carrie Haddad Gallery, Hudson NY
2006 Of Line and Light, Chace-Randall Gallery, Andes NY
2006 Abstractions, Gallery 100, Saratoga NY
2005 Spring Collection, Coffey Gallery, Kingston NY
2005 New Work, Carrie Haddad Gallery, Hudson NY
2004 Summer, Omega Institute, Rhinebeck NY
2004 New Work, Carrie Haddad Gallery, Hudson NY
2003 Paintings from Shady, Coffey Gallery, Kingston NY
2001 Fisher Studio Art Gallery, Annandale-on-Hudson
Group Exhibitions:
2018 20th Anniversary Show, Hidell Brooks Gallery, Charlotte, NC
2017 Due East: Woodstock Artists in Nantucket, Nantucket Arts Center, Nantucket, MA
2017 Composition: The Abstract Landscape, Kleinert/James Gallery, Woodstock NY
2014 Women in Abstract, Hidell Brooks Gallery, Charlotte NC
2013 Hidell Brooks Anniversary Show, Hidell Brooks Gallery, Charlotte, NC
2013 AD Boston Art Fair, Gold Gallery, Boston
2012 Contemporary Painters, Carrie Haddad Gallery Hudson, NY
2012 Featured Artist, Dragonfly Gallery, Martha's Vineyard, MA
2012 Tria Gallery Summer Exhibition, Manhattan, NY
2012 AAF NYC, Tria Gallery, Manhattan, NY
2011 Featured Artist, Dragonfly Gallery, Martha's Vineyard, MA
2011 AAF NYC, Tria Gallery, Manhattan, NY
2011 Figures and Abstractions, Carrie Haddad Gallery, Hudson NY
2010 Art Hamptons, Tria Gallery, Manhattan NY
2010 Featured Artist, Dragonfly Gallery, Martha's Vineyard MA
2009 LA Art Fair, Bryant Street Gallery, Palo Alto CA
2009 Curators Choice, Chace-Randall Gallery, Andes NY
2009 Instructors Exhibition, Woodstock School of Art, Woodstock NY
2009 Group Exhibition, Bryant Street Gallery, Palo Alto CA
2009 Small Works, Anne Irwin Fine Art, Atlanta GA
2009 Winter White, Tria Gallery, Manhattan NY
2009 Contrasts, Anne Irwin Fine Art, Atlanta GA
2009 AAF NYC Tria Gallery, Manhattan NY
2008 Summer Cocktail, Tria Gallery, Manhattan NY
2008 5"x7" Show, Kleinart-James Gallery, Woodstock NY
2007 Faculty Plus One, Columbia Greene Community College, Hudson NY
2007 Art Basel Miami, Carrie Haddad Gallery, Hudson NY
2007 One New Work, Chace-Randall Gallery, Andes NY
2007 5"x7" Show, Kleinart-James Gallery, Woodstock, NY
2006 Beach, Gallery Yellow, Cross River NY
2006 Flow, Kleinart/James Gallery, Woodstock, NY
2006 Group Exhibition, James Cox Gallery, Woodstock NY
2006 Collectors Choice, Kleinert/James Gallery, Woodstock NY
2005 Group Exhibition, Chace Randall Gallery, Andes NY
2005 Passionate About Art, Kleinert/James Gallery, Woodstock NY
2005 New Talent, Alpha Gallery, Boston MA
2004 Six Women Painters, Albert Shahinian Fine Art, Poughkeepsie NY
2004 New York Underground Art Fair, Pool Art Addict, Four Points Hotel NY
2003 Senate House Show, Kingston NY
2002 Group Exhibition, Carrie Haddad Gallery, Hudson NY
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2004 Woodstock Artists Association, Woodstock NY
2002 Hudson Valley Artists 2002, Samuel Dorsky Museum, New Paltz NY
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Warren Bierwirth, Paris, France
Cecilia Greene, New York NY
Helen Chapman, New York NY
Michael & Sheila Faharty, New York NY
Christopher Dlutowski, New York NY
Jim & Dianne Footlicke, New York NY
Laurent Gaudry, New York NY
Nancy Seigal, Boca Raton FL
Holli Gersh, Boca Raton FL
Kenneth & Margaret Uhle, Ridgefield CT
Dr. Lee Sider, Mt. Tremper NY
Friedrike Merck, Woodstock NY
Weston & Julia Blelock, Woodstock NY
Miller Howard Investments, Woodstock NY
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Located in Kansas City, MO
Katherine Bello
Title: Path
Medium: oil and graphite on canvas
Year: 2021
Size: 30" x 20" x 1.5"
Signed, dated and inscribed by hand
COA provided (issued by representing gallery)
Katherine Bello's aim as an artist is to capture a sense of place, a moment of time, or a feeling - to evoke a sense of wonder. Bello loves paint and paint brushes; bold, gestural mark-making and the interplay of color. She is influenced by light and landscape, poetry, history and science. Formerly educated in Chemical Engineering and Interior Design, Bello is drawn to the process of creating Something out of Nothing.
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