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Olivier Ebel"Indian" abstract painting varnishes pigment on wood triptyque 250x250cm2021
2021
$13,516.03
$18,021.3725% Off
£9,897.87
£13,197.1625% Off
€11,250
€15,00025% Off
CA$18,398.69
CA$24,531.5925% Off
A$20,622.57
A$27,496.7625% Off
CHF 10,737.57
CHF 14,316.7525% Off
MX$251,810.37
MX$335,747.1625% Off
NOK 136,328.07
NOK 181,770.7625% Off
SEK 129,226.75
SEK 172,302.3325% Off
DKK 85,615.93
DKK 114,154.5725% Off
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About the Item
abstract "Indian" triptych varnish wood panel 250x250cm black white gold
this triptych gives free rein to your imagination as to its representation, you have before a search for harmonies of colors a chain of strata whose movement and dynamics are only incidental
it is composed of 5 levels of reliefs that enrich, cut or complement each other to create a random pattern a bit like a lacquer
the color harmonies are composed and recomposed with light according to your position to highlight silver and gold
You can imagine a horse, an Indian or a small character walking in his cave, ...
Olivier Ebel
Olivier lives and works in the Nantes region.
After having participated in sketching courses, live models and a 4-year cycle at the fine arts of Cholet, 25 years in the industry in many fields, Olivier experiments with different techniques, reproduction, upcycling, sculpture on wood and metal and since 2012 painting on wood panels.
Inspired by large formats or asymmetric formats, his work is based on the superposition of layers of paint and tinted varnish to give movement and depth to his painting.
A first 18m long fresco which loops in a room on the theme of time and the cycle of life, orients it towards continuous painting by the realization of square or triangle base columns which are painted flat alternately then assembled to compose columns.
The plurality of areas of interest push Olivier to create a unique range of furniture: tables, armchairs and chairs under the Dysform brand.
Today, following a student project at the fashion school in Cholet, a second collection of men's t-shirts will see the light of day.
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Juan Suarez (Spanish, b. 1946)
Naturaleza Muerta,
Mixed media painting on three assembled canvases, (triptych)
It is either oil or acrylic paint. it seems like oil to me. A label verso has it indicated as acrylic.
Dimensions: 64 1/8 W: 64 1/4 in.
Provenance: The Cleveland Museum of Art (bears label verso);
Galerie Juana de Aizpuru Gallery (bears label verso).
Born in Puerto de Santa María (Cádiz). Studies at the ETSA and at the Superior School of Fine Arts of Santa Isabel of Hungary in Seville. Grant from the Juan March Foundation in 1976. Advanced studies in Architecture and Fine Arts, University of Seville. Although he was not born in Seville, Juan Suárez is a member of the group of painters from the city who, in the seventies, linked their artistic practice, based fundamentally on painting, to international tendencies. Rather than a set of intellectual ideas, José Ramón Sierra, Gerardo Delgado and Juan Suárez shared a life experience: they were all students at the Escuela Técnica Superior de Arquitectura in Seville and were all interested in art. Juan Suárez also studied at the Fine Arts Faculty. He held his first individual exhibition at Galería Juana de Aizpuru in 1970. (They were an important contemporary art gallery in Seville spain and showed Wolfgang Tillmans, Georg Dokoupil, Jordi Colomer, Albert Oehlen, Eduardo Chillida and Andres Serrano). In 1982 his work was shown in Diez Pintores Sevillanos, together with Manuel Salinas (1940) and Ignacio Tovar (1947), among others. At various points his worked has been shaped by American Abstract Expressionist painting, Latin American Geometric Abstraction and by Constructivist painting and sculpture. In 1976 he received a grant from Fundación March, and in 1980 another from CINFE at the Ministry of Culture. He was awarded the Drawing Prizes at the Nuremberg Biennial (1979) and ARTEDER 82, the Premio de Pintura from the Diputación Provincial de Sevilla, also in 1982, and the Premio de los Festivales de Navarra in 1985.
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Exhibition
2008
Primavera, verano, otoño, invierno. Galería Egam. Madrid. (solo)
2006
Dibujando las distancias/Retratos. Obras reciente 99/05”. Galería Rafael Ortiz. Sevilla. (solo)
2004
Lugares Geométricos. 1968/1980. Salas Caja San Fernando. Sevilla. (solo)
2003
Lugares Geométricos. 1968/1980. Salas Caja San Fernando. El Puerto de Santa María, Cádiz. (solo)
2003
VITA I, VOL. VI. Galería Milagros Delicado. El Puerto de Santa María, Cádiz. (solo)
2001
VITA I, VOL. IV. Galería Carmen de la Calle. Jerez de la Frontera, Cádiz. (solo)VITA I, VOL. V. Colegio de Arquitectos de Cádiz. (solo)
2001
VITA I, VOL. V. Colegio de Arquitectos de Cádiz. (solo)
1999
VITA I. VOL. III Galería Senda. Barcelona. (solo)
1995
Sobre Papel. El juego de la Pasión. Galería Juana de Aizpuru. Sevilla. (solo)
1994
A Passion Play - Los libros del reposo. Galería Magda Bellotti. Algeciras, Cádiz. (solo)
1991
Pinturas. Salas Nicanor Piñolé. Diputación. Gijón. (solo)
1990
Pinturas. Galería Juana de Aizpuru. Sevilla. (solo)
1988
Pinturas. Galería Michael Dunev. San Francisco. U.S.A. (solo)
1987
Pinturas y Esculturas. Galería Juana de Aizpuru. Madrid. (solo)
1987
Mirada, Memoria, Engaño 1980 1987. Museo Arte Contemporáneo. Sevilla. (solo)
1986
Pinturas y Esculturas. Galería Juana de Aizpuru. Sevilla. (solo)
1986
Pinturas. Galería Temple. Valencia. (solo)
1986
Muestra personal. Festivales de Navarra. Castillo de la Maya. Pamplona. (solo)
1986
Pinturas. Galería Fúcares. Almagro, Ciudad Real. (solo)
1983
Pinturas. Galería Juana de Aizpuru. Madrid. (solo)
1982
ARCO ‘82. Stand Galería Juana de Aizpuru. Madrid. (solo
1981
La Suerte de Pintar. Galería Juana de Aizpuru. Sevilla. (solo)
1979
Pinturas de Barcelona. Galería Ciento. Barcelona. (solo)
1978
191 x 63. Galería Juana de Aizpuru. Sevilla. (solo)
1977
191 x 63. Galería Juana Mordó. Madrid. (solo)
1974
Sobre el Paisaje de fondo del Tránsito de la Virgen de Mantenga. Galería Juana de Aizpuru. Sevilla. (solo)
1974
Paisajes Imaginarios. Salas de Cultura CAN. Pamplona. (solo)
1970
Apócrifos-Cajas. Galería de Arte La Pasarela. Sevilla. (solo)
EXHIBITIONS ONLY
1970
Apocrypha-Boxes. The Catwalk Art Gallery. Seville. Spain.
1974
On the background Landscape of the Transit of the Virgin of Maintenance. Juana de Aizpuru Gallery. Seville. Spain.
Imaginary Landscapes. Halls of CAN Culture. Pamplona. Spain.
1977
191 x 63. Juana Mordó Gallery. Madrid, Spain.
191 x 63. Juana de Aizpuru Gallery. Seville. Spain.
1979
Paintings of Barcelona...
Category
1980s Abstract Abstract Paintings
Materials
Canvas, Oil, Acrylic
