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Pierre Morquin"High voltage" abstract acrylic on canvas 100x100cm 20222022
2022
About the Item
In this abstract canvas by Pierre Morquin, the painter plunges us into a vibrant, dynamic world. The vivid colours, the incessant movement of the shapes and the palpable tension between the different elements create a sensation of intense energy.
The painting evokes the meeting of two worlds, two opposing forces that simultaneously attract and repel. The warm colours and rounded shapes represent the inner world, the world of emotions and instinct. Cold colours and geometric shapes represent the outer world, the world of reason and logic.
This meeting of two worlds is a source of tension and conflict, but also of creation and evolution. The bright colours and dynamic shapes express the vitality and strength of this encounter.
A vibrant, dynamic abstract canvas that evokes the meeting of two opposing worlds.
- Creator:Pierre Morquin (French)
- Creation Year:2022
- Dimensions:Height: 39.38 in (100 cm)Width: 39.38 in (100 cm)Depth: 0.79 in (2 cm)
- Medium:
- Movement & Style:
- Period:
- Framing:Framing Options Available
- Condition:
- Gallery Location:Saint Pol de Léon, FR
- Reference Number:1stDibs: LU1501211346042
Using different techniques (acrylic, spray, oil pastels, charcoals) and supports (coated canvas or not, assembled wood) I trace my path between abstract expressionism, a decisive Aboriginal inspiration, modern influences, urban and my youth in Africa. It is a set of contemporary painters who, through Hélène Frankenthaler, Cy Twombly, Basquiat, Kikuo Saito to Oscar Murillo, Joe Bradley, Ida Ekblad, André Butzer..., inspires me. When I paint I make incursions into my reason, my knowledge and then I let myself be carried away by shapes, colors and emotion. The painting then comes of itself, a form by leading to another, a color by calling another until an imbalance of tasks and traits speaks to me and finally satisfies (but momentarily...) the hope that creation has generated in me.
As the idea is and remains intuitive, the artist is not aware in abstracto of the intention and purpose of his work: it is not a concept, but an idea that guides him: so he cannot give any explanation of his way of doing things: he works, as we say unconsciously, actually instinctively.”
Schopenhauer, The World as Will and Representation
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