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TANCTANC - Untitled Blue & Pink2020
2020
$27,010.77
£19,819.72
€22,500
CA$36,804.47
A$41,454.27
CHF 21,467.68
MX$503,445.69
NOK 272,689.14
SEK 258,668.66
DKK 171,238.57
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About the Item
About the artist:
Tanc's work bears the clear influence of abstract expressionist artists (the artist talks about Rothko, Pollock, Reinhardt, Hartung and especially Franz Kline are sources of inspiration in his practice). Tanc's practice reached a turning point: ever since his New York show at Catherine Ahnell Gallery, the artist left aside the colorful explosion that used to mark his paintings and is now more interested in nuances of black, lineary variations and automatic writing. This new direction evokes the work of Henri Michaux. Tanc is also a composer and certain notions from the electronic and experimental music inhabit his work, without any doubt; the obsession for rhythm and pulsation tend to produce an intense, fascinating painting with a unique vibrating dimension. He has shows in France regularly, but colorful or grey, his work has gained international prominence with exhibitions in Germany (Skalitzers Contemporary Art), in the UK (The French Art Studio), Morocco (David Bloch Gallery) or New York (Catherine Ahnell Gallery). He is one of the most promising artists of his generation.
About the artwork:
While the manuscript nowadays tends to disappear, Tanc explores the aesthetic dimension of writing. Inspired by his high school years, when he took notes and produced pages as illegible as they seemed nice, he develops a system of automatic writing, executed entirely with spray paint, halfway between calligraphy and graffiti. The viewer may find meaning or even words, but the aim is not to read but feel the rhythm of writing. Large size and often monochrome works let perceive new forms, a new alphabet. We do not know if the writing goes from left to right or vice versa. Mid-abstract, semi-figurative, each piece is designed as a landscape, with an accumulation of lines that end up creating a horizon. Aided by glow and matte effects that gloss paint gives in some places on the canvas, this new series is about rhythm and frequencies, revealing a music in which the eye can get lost and escape.
- Creator:TANC (1979, French)
- Creation Year:2020
- Dimensions:Height: 78.75 in (200 cm)Width: 78.75 in (200 cm)Depth: 1.19 in (3 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:PARIS, FR
- Reference Number:1stDibs: LU1421212416582
TANC
Born in 1979 in Paris, France. Lives and works in Paris. Tanc has exhibit his work in various places across the world. His work is characterized by the uniqueness of his style, which is better understood acknowledging that Tanc grew up as a graffiti artist.
He sees street art as ephemeral, and that the creative process matters more than the result itself. To him, being an artist means embracing a certain way of life: to be fully committed, and show absolute integrity. At the turn of the century, he mainly focused on studio work. His exploration of the possibilities of a line allowed him to immediately stand out from the usual graffiti artists. His work strives towards synthesis of his name, of tags, of individuals, of music… of life. His work does not seek perfection, but spontaneity. The artist’s state defines the work’s density and its precision. His heart beat activates his arm like a metronome: the artist is not trying to control this flow, but rather understand the composition that suddenly appears on the canvas, perfect balance between consciousness and unconsciousness. Tanc composes his music and his canvasses with great spontaneity. Dense or light, thorough or unstructured, his art is not a game but rather a way of life. He appends his signature on his canvasses as he used to do so on the walls with his graffiti since his teenage years. This discipline is above all an instinctive outlet for a need to express himself: he takes over the urban space and shouts his name across the city. But soon the letters disappear and Tanc starts exploring formal abstraction. By focusing his work on line and color, he regenerates the pictorial tradition by confronting it with street art’s essential vitality: prevalence of action, perfection of the gesture, acceptance of the unexpected, and expression of a strong singularity. Above all else, we are taken back by the intensity of his work, by its musicality and by the remarkable resonance of lights and materials. Action, energy, and the artist’s emotion thus aim to touch the viewer in a sensual, intimate and immediate way.
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