
1950's American Abstract Expressionist Jazz Musicians Oil Painting Terence Coyle
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1950's American Abstract Expressionist Jazz Musicians Oil Painting Terence Coylec. 1950
c. 1950
Price:$1,500
$2,500List Price
About the Item
- Attributed to:Terence Coyle (1925 - 2021, American)
- Creation Year:c. 1950
- Dimensions:Height: 25.25 in (64.14 cm)Width: 37.25 in (94.62 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:good minor wear. minor stretcher mark. please see photos. shows well.
- Gallery Location:Surfside, FL
- Reference Number:1stDibs: LU38214733602
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View AllLarge Abstract Beach Scene Oil Painting Woman with Children Raoul Middleman
By Raoul Middleman
Located in Surfside, FL
Large Orange Oil on Canvas Painting by Raoul Middleman
Beach scene, family at the shore.
38 X 52.5 inches
Raoul Middleman (born 1935 in Baltimore, Maryland) is an American painter. Middleman has been a member of the Maryland Institute College of Art faculty since 1961. American University Museum at the Katzen Center has described Middleman as a "Baltimore maestro [whose] nudes are not pretty—they are sagging, dimpled, and real. His cityscapes reveal the underbelly of post-industrial rot, his narrative paintings give contemporary life to his personal obsessions. They are intelligent, messy, and utterly masterful."
From an interview with RM "I was doing abstract art. Then Roy Lichtenstein came around, and I wanted to be current. I remember Grace Hartigan said, “You’ve gotta go to New York, seize destiny by the hand.” My friend Jon Schueler took my slides up to Eleanor Ward, who had the Stable Gallery. My Pop art paintings were discovered. I moved to New York into Malcolm Morley’s old loft down on South Street. Agnes Martin was upstairs... People who interest me come from different quarters. I knew guys around Schueler, like B.H. Friedman. But I also knew the Pop world pretty well – Al Hansen, Richard Artschwager, Lichtenstein. I became friends with Raoul Hague...
Category
1970s Abstract Landscape Paintings
Materials
Oil, Canvas
Brazilian Modernist Abstract Oil Painting Latin American Expressionist Concreta
Located in Surfside, FL
Abstract oil on canvas painting by Ivan Freitas.
25" x 31" inch canvas, framed to 30" x 36".
Bearing a Barcinski Art Gallery label verso and a second label stating that the painting was sold in 1961 at a benefit auction for the Albert Einstein Hospital held at the Museum of San Paulo.
Ivan Freitas was a Brazilian Postwar & Contemporary painter and Muralist (1932-2006)
Son of muralist Severino Araújo, Ivan started painting as a self-taught artist.
His first individual exhibition was at the Public Library, in 1957. With the success of the exhibition, he was able to move to Rio de Janeiro the following year, in 1958, where he came into contact with the work of artists such as Salvador Dali and Rene Magritte who influenced him. Between 1962 and 1963 he resided as a fellow in Paris. Between 1969 and 1972, he was on his second tour abroad, in New York City and commissioned by the International Telephone and Telegraph Corporation.
Back in Brazil, he painted a mural of over a thousand square meters on the external wall of the National School of Music in Rio de Janeiro in 1984 - the first of the Arte nos Muros Project. Still in the 70s, he married Dalva Mendes Gall whom he left after his death in 200, an extensive collection where one can find all the best works of this renowned Paraiba artist in Brazil and abroad.
The stay in New York, from 1969 to 1972, was perhaps the greatest turning point in Ivan's career. Until then, according to art critic Roberto Pontual, the plastic artist followed "a phase of abstraction close to the informal". In the United States , with so much technological influence around him, Ivan becomes interested in the machine and its movement mechanisms and inserts these perceptions in his works, as kinetic constructions with small motors hidden in boxes as Pontual defines, and also and triggering light patterns in cyclic and repeated series. (similar to the Op Art works of Julio le Parc and works by Yves Tinguely being shown at Rene Denis Gallery in Paris
In 1968, the magazine Galeria de Arte Moderna (GAM), published an article entitled Ivan Freitas and the Cosmic Space.
In the Brazilian Dictionary of Plastic Artists , the Italian art critic Giuseppe Marchiori refers to Ivan Frentas as someone who "controls and dominates each part of the painting with a desire to deepen the image that surprises and enchants". Still according to the critic, Ivan is someone who preserves the mystery in the harmony between lines and the colorful atmosphere, where he creates pauses and rhythms for the reading of his "secret structures". Arte Neo Concreta artists Lygia Clark, Helio Oiticica and Lygia Pape, were all contemporaries
The poet Ferreira Gullar writes: "Freitas does not turn to the subjective world, does not inquire into the arcana of the unconscious; he inquires into the future and, in the solitude of his paintings, promises us a serene and orderly world. And, if in his landscapes man does not appear, it is not that this order excludes him - it is that he has not yet reached it. "
Selec Solo Exhibitions
1957 - João Pessoa Public Library; João Pessoa, PB.
1960 - Ivan Freitas: Painting Exhibitions , at the Penguin Gallery; Rio de Janeiro - RJ.
1961 - MAM-BA , Salvador , BA.
1962 - Rubbers Gallery; Buenos Aires , Argentina .
1962 - La Cabana Galeria; Trieste , Italy .
1962 - Brazil-United States Cultural Institute; Rio de Janeiro - RJ.
1962 - Brazil-Uruguay Institute; Montevideo , Uruguay .
1962 - Barcinski Gallery; Rio de Janeiro - RJ.
1963 - Galleria Del Canale, Naples , Italy.
1963 - Ivan Freitas: Paris 1963, at the Barcinski Gallery ; Rio de Janeiro - RJ.
1964 - Barcinski Gallery; Rio de Janeiro - RJ.
1966 - Relief Gallery; Rio de Janeiro - RJ.
1968 - Relief Gallery; Rio de Janeiro - RJ.
1969 - Pan American Union; Washington , United States.
1971 - Miramar Gallery; New York, United States.
1971 - Bloomingdale's Art Gallery; New York, United States.
1973 - Individual, at Galeria Bonino; Rio de Janeiro - RJ.
1973 - Galeria Collection; São Paulo , SP.
1974 - Ivan Freitas: Paintings / Objectives , at the Rio de Janeiro Art Exchange; Rio de Janeiro - RJ.
1975 - Arte Global Gallery; São Paulo-SP.
1976 - Ivan Freitas: Paintings / Space / Movement , at Galeria Ipanema; Sao Paulo-SP.
1977 - Paulo Prado Gallery; Sao Paulo-SP.
1978 - Paraíba State Cultural Foundation; João Pessoa, PB.
1979 - Gallery B. 75 Concorde; Rio de Janeiro - RJ.
1980 - Individual, at Galeria do Sesi; Sao Paulo-SP.
1980 - Paulo Prado Gallery; Sao Paulo-SP.
1986 - Ivan Freitas: The Reinvented Landscape , at Galeria Arte Aplicada; Sao Paulo-SP.
1987 - Applied Art Gallery; Sao Paulo-SP.
1989 - Evasion Arte Gallery; Sao Paulo-SP.
1994 - GB Arte Gallery; Rio de Janeiro - RJ.
Select Group Exhibitions
1959 - 8th National Salon of Modern Art; Rio de Janeiro - RJ.
1960 - 9th National Salon of Modern Art; Rio de Janeiro - RJ.
1961 - 10th National Salon of Modern Art - jury exemption and critical award; Rio de Janeiro - RJ.
1961 - 6th São Paulo International Art Biennial , at the Ciccilo Matarazzo Pavilion; Sao Paulo-SP.
1963 - Art from America and Spain; Europe .
1963 - 2nd Youth Biennial; Paris, France.
1963 - 7th São Paulo International Art Biennial, at the Fundação Bienal; ; Sao Paulo-SP.
1964 - 2nd Art Summary of Jornal do Brasil, at MAM-RJ; Rio de Janeiro - RJ.
1965 - Current Brazilian Art; Bonn , Germany .
1965 - Current Brazilian Art; London , England .
1965 - 1st Esso Young Artists Salon, at MAM-RJ; Rio de Janeiro - RJ.
1965 - Opinion 65, at MAM / RJ; Rio de Janeiro - RJ.
1965 - 1st Esso Salon of Young Artists, at MAC / USP; Sao Paulo-SP.
1965 - 8th São Paulo International Art Biennial, at the Fundação Bienal; Sao Paulo-SP.*
1965 - Current Brazilian Art; Vienna , Austria .
1966 - 5 Contemporary Painters from Brazil; Buenos Aires, Argentina.
1966 - 5 Contemporary Painters from Brazil; Montevideo, Uruguay.
1966 - 1st National Biennial of Plastic Arts; Salvador BA.
1967 - 9th Bienal Internacional de Arte de São Paulo, at the Bienal Foundation; Sao Paulo-SP.
1968 - 2nd Esso Young Artists Salon, at MAM / RJ; Rio de Janeiro - RJ.
1969 - 7th JB Art Summary, at MAM-RJ ; Rio de Janeiro - RJ.
Local de realização:(Brasil / Rio de Janeiro / Rio de Janeiro) Instituição de realização:Museu de Arte Moderna do Rio de Janeiro, Ficha Técnicado evento Resumo de Arte JB
Artista participante: Anna Letycia, Darel, Farnese de Andrade, Fayga Ostrower, Flexor, Frans Krajcberg, Ione Saldanha...
Category
1960s Abstract Expressionist Abstract Paintings
Materials
Canvas, Oil
Arc en Ciel Abstract Expressionist French Oil Painting Nouvelle École d'Paris
Located in Surfside, FL
Rene Duvillier (French, 1919-2002), "Arc en Ciel, Arc en Mer" 1990, oil on canvas, signed lower left, signed, titled, and dated verso, Provenance: gallery label from Galerie Mostini, Paris, France affixed verso,
canvas: 25.5"h x 32"w, overall (with frame): 27.5"h x 33.75"
Done in a bold, vibrant, blue with red and white.
René Duvillier (1919-2002) Born in Oyonnax (Ain) and died in 2002 in Paris. French artist. Painter of the new school in Paris.
Despite studying at the École nationale supérieure des beaux-arts de Paris (workshop of Charles Guerin, pupil of Gustave Moreau), Duvillier nevertheless asserted himself to be self-taught.
1939-1945: Five years of captivity. Duvillier was deported to Ukraine and then to Poland for several escape attempts and for acts of resistance.
1945: moves to Paris.
1952: A decisive meeting with Charles Estienne , an influential critic who tried to reconcile gestural abstraction and surrealist automatism. This integrates him into the group of painters of the new school in Paris which he shows at the gallery of Babylon. This is how Duvillier got to know Jean Degottex, Jean Messagier, Hans Hartung, Charles Lapicque and Serge Poliakoff. He was very much supported by the critic to whom great intellectual complicity links him.
1954-1955: René Duvillier, invited to Brittany by Charles Estienne , discovers the sea: "I found the movement and the gesture, it was a dreadful shock" explains the painter. Duvillier painted a series of polychrome canvases (black, purple, blue) on the sea as well as the series of "Seahorses", colored inks on paper. He was part of the New Ecole de Paris along with Nicolas de Staël, André Lanskoy, Pierre Soulages, and Jean René Bazaine.
1966: Contacts with scientists (CERN, School of Chemistry, Faculty of Geneva ). Duvillier discovers an astonishing similarity between some of his works and photos of physical and cosmic phenomena. Professor at the National School of Architecture of Versailles.
René Duvillier joined the Ecole des Beaux-Arts of Paris in 1935. After five years of captivity and an exhibition at the Stalag in Krakow, he joined the Nouvelle École de Paris. Under the guidance of the art critic Charles Estienne, it gathered painters from Surrealism and gesture or lyric abstraction that finally won the art scene in 1955. André Breton exhibited him and Benjamin Péret exalted his pictorial work, in which the brush movement brings to life natural elements, sea striking rocks and giving them almost supernatural attributes (1955).
Select exhibitions
2010 - Ivre de peinture, Galerie Alain Margaron, Paris
2009 - René Duvillier, Galerie L'Or du Temps, Paris
2008 - Vous êtes le feu dans l'eau, Galerie Alain Margaron, Nice
2003 - Accrochage d'oeuvres de René Duvillier, Galerie Larock-Granoff, Paris
2003 - Ici - Ailleurs, Galerie Doris Benno, Saint-Paul-De-Vence
1999 - À l'Ouest du Monde, FIAC, Paris
1993 - Le ciel de la mer, Galerie Larock-Granoff, Paris
1987 - Peintures 1955-1983, Galerie Mostini, Paris
1986 - Galerie du Manoir, La Chaux de Fonds, Suisse
1971 - Ensemble de Peinture, Palais des Expositions, Genève
1970 - Têtes Chercheuses, Galerie Le Lutrin, Lyon
1965 - Benrath et Duvillier, Galerie Argos, Nantes
1964 - Galerie Byron, New York
1961 - La Mer des Vents, Galerie Smith, Bruxelles
1943 - La Genése, Stalag de Cracovie, Kobierzyn
Select Group Exhibitions
2017 - Ailleurs est ici, École des Filles, Huelgoat
2017 - Le geste et la matière une abstraction "autre" Paris, 1945-1965, Fondation Clément/Centre Pompidou, Martinique
2011 - L'Aventure de l'Art Abstrait, Musée des Beaux-Arts de Brest, Brest
2008 - Les Nuagistes, Collégiale Saint-André, Chartres
2002 - Art ou Nature ?, Musée du Luxembourg, Luxembourg
1999 - Actualité des collections du XXe siècle 1996-1999, musée des Beaux-Arts, Lyon
1999 - L'Intimité des dessins, Galerie Alain Margaron, Paris
1997 - Un combat pour l'Art Moderne, Hommage à René Déroudille., Musée des Beaux-Arts de Lyon, Lyon
1995 - Nantes et le surréalisme, Musée des beaux-arts de Nantes, Nantes
1991 - André Breton, La beauté convulsive, Centre George Pompidou, Paris
1990 - André Breton, Musée national, Madrid
1989 - I Surrealisti, Palazzo Reale, Milan
1987 - Le Visionnaire, Galerie du Manoir, La Chaux de Fonds, Suisse
1986 - Blanc/Noir/Blanc, Centre Culturel de Landerneau et Musée des Jacobins, Morlaix
1984 - Autour de Michel Ragon, Paris Art Center, Paris
1981 - Paris-Paris 1937-1957, Centre Georges Pompidou, Paris
1980 - Bilan de l'art contemporain, Palais des Congrès, Québec
1973 - Exposition internationale du dessin original...
Category
1990s Abstract Expressionist Abstract Paintings
Materials
Canvas, Oil
1972 Abstract Oil Painting Homage to Ilya Bolotowskiy Hard Edged Abstraction
By Johnathan Singer
Located in Surfside, FL
This work takes its cues from Ilya Bolotowsky and Piet Mondrian. A fine example of 1970's hard edged geometric abstraction.
Artist, painter & master photographer Jonathan Singer was...
Category
1970s Abstract Geometric Abstract Paintings
Materials
Canvas, Oil
Large Colorful MCM Abstract Expressionist Oil Painting Modernist Ralph Rosenborg
By Ralph Rosenborg
Located in Surfside, FL
Ralph Rosenborg (American, 1913-1992) Mountain Weed with Two Clouds, oil on jute canvas, canvas is hand signed recto and verso, artists label and Snyder Fine Art gallery label, The p...
Category
1960s Abstract Expressionist Abstract Paintings
Materials
Canvas, Jute, Oil
1960's Large Colorful Abstract Expressionist Swiss Oil Painting Robert Lauro
Located in Surfside, FL
Oil Painting on canvas
Hand signed to lower right Lauro.
Provenance: Eleonore Austerer Gallery, San Francisco, CA
Work Size: 39.5 x 39.5 in. framed 44 X 44 inches.
Roberto Lauro is a British-Swiss Post War & Contemporary artist who was born in 1932.
Roberto Lauro was born in 1932 in Gorey Harbor on the island of Jersey (Great Britain) the son of a Swiss mother, Rosa Ramseier, from Oberdiessbach / Emmental, Switzerland, and and Italian father Innocenzo Roberto Lauro, born in Mondovi, Italy. In 1941 he moved to Switzerland with his mother. 1949-1953 he lived in Gunten (Switzerland) where he did an Apprenticeship as a lithograph and offset printer and graphic designer in Thun. There he was introduced to the color theory of Johannes Itten by Hermann Oberli at the Bern School of Applied Arts. From 1953 to 1955 he worked as a fine art printer in Norway where he was influenced by the color theory of Edvard Munch. These works bears the influence of Russian artist Andre Lanskoy, Tachisme and the Cobra artists Karel Appel, Constant, Corneille, Christian Dotremont, Asger Jorn, and Joseph Noiret.
In 1955-1956 he worked as an offset printer in Amsterdam (Netherlands). Visit to the Instituut voor Kunstnijverheidsonderwijs. In 1957 he returned to Gunten, Switzerland. Where he started working in printmaking and and oil painting. He resumed his studies at the Bern School of Applied Arts. He was greatly impacted and influenced by abstract art on the occasion of a large Paul KIee exhibition. In 1958 he moved to Zurich where he worked part-time work as an offset copyist; fulfilling graphic orders for advertising agencies. In 1962 he took his final examination as graphic designer at the Zurich School of Applied Arts. In 1980 he begins his development of three-dimensional picture objects, Sculpture, detachment from the canvas, using metal as a support and play space for light and color. By 1981 he has turned full time to fine art. He spends the next years growing and developing his considerable talent. Inspired by classical music, the rhythm, mood and lightness of which form the basis for the large swings and loops of his colorfully lacquered metal and blown glass sculptures. These are "pensieri", thought sketches that capture the emotions in countless versions. There is something dance-like about his rotating sculptures. Everything becomes music and the rhythm of colors. In 1988, after exhibitions in Europe, he has his first exhibitions in Atlanta and San Francisco (USA), In 1989 he does his first glass and metal sculptures at the Roberto Niederer glassworks, Hergiswil (Switzerland). In 1992 has a retrospective exhibition in the Tan Gallery, Zurich, and the Eleonore Austerer Gallery, San Francisco. They Publish a catalogue raisonne, Eine Retrospektive, covering a 45 year career. In 1993 he creates A Retrospective, a unique sculpture in a table top form that contains his catalogue raisonne and an original lithograph.
1993–1995 he begins work on a number of large scale public outdoor commissions, including Light Columns for a Bank building, and a commission of a sculpture-fountain in Oetwil am See. In 2001 he creates a wall sculpture entitled "Color Poems of the Yearly Cycle. A linen bound book enclosed in a unique plexi display with a one - of a - kind metal and glass sculpture,containing 12 linocuts each printed in colors and signed.
Roberto Lauro's sculptural work work is spontaneous and loaded with energy. The furrows, rifts, cracks and scars in the metal allow light to enter; it is then reflected back by the glass. His work is a clear statement of our times, uniting the intellect and the heart in search of the spiritual. Like the interplay of light and shadow, his sculpture combines fragile, transparent glass with solid, heavy iron. These colorful and luminous sculptures convey a powerful presence and emit vibrant positive energy. With their jagged exteriors and translucent cores, the spectacular sculptures created by the synergy of metal and glass are powerful - yet fragile. Lauro has created and mastered his own idiom and proven that through the artist sheer will and vision, seemingly incompatible materials such as iron and glass can indeed be combined. In 2004 he has an anniversary exhibition Light and Color, Love of Life on the island of birth, Jersey. Ceramic works (raku with glass inclusions). Eleonore Austerer Gallery, Abstraction and Surrealism, 565 Sutter Street, San Francisco, CA. Group exhibition with Joan Davis, Francesca Genoves. Vladimir Cora. Lauro's works have been shown in numerous exhibitions in Europe and the USA around the world, and he has also realized projects such as "KUNST AM BAU" in public spaces and for industry. He lives and works in Switzerland.
Select Exhibitions
Eleonore Austerer Gallery, Palm Desert
ART IN THE FRAME FOUNDATION: The Harbour Gallery, Isle of Jersey
Galerie fur Gegenwartskunst,, Bonstetten, Switzerland
Galerie Annamarie Anderson, Zurich, Switzerland
“Color and Light,” Austerer-Crider Gallery, Palm Springs, CA, USA
“Color and Light: the art of Roberto Lauro,” Eleonore Austerer Gallery, San Francisco, CA, USA
“Flower Power,” with Ed Baynard, Roberto Azank, Siegward Sprotte, and Daniel Phil...
Category
1960s Abstract Expressionist Abstract Paintings
Materials
Canvas, Oil
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