Items Similar to Caldentey Mallorca original neo figurative watercolor paper painting
Want more images or videos?
Request additional images or videos from the seller
1 of 6
Toni CaldenteyCaldentey Mallorca original neo figurative watercolor paper painting2002
2002
About the Item
original neo-expressionist acrylic painting
contemporary work by the mallorquin artist Toni CALDENTEY
Painting on paper
Perfect state
contemporary work by the mallorquin artist Toni CALDENTEY
CALDENTEY, Toni - (Portocolom, Mallorca - Spain)
The active notion of rhythm and the concept of insertion of movement in broad specific mathematical spaces, partially, Caldentey's proposal.
Play with the brushes, drawing and blurring with the grace of a veteran author of plastic legends. His painting expresses, as a rebellion and also as a search, a mystical freedom.
His strokes and the composition of his works translate into an increasingly reflective language, and as if they came from the bottom of his soul they are framed in the form of frames and the emotions lived by him, and why not, also by us.
Caldentey does not improvise, he meditates a lot on each brushstroke and each action; well visible or hidden. It leaves nothing to surprise, it refers to a very splendid trade.
ARTISTIC CURRICULUM
INDIVIDUAL EXPOSITIONS:
2000 "Escorxador" from Felanitx (Mallorca).
2001 Prisma Gallery, Barcelona.
2002 Art Reproduction Mollorí, Barcelona.
2003 Masters Art Galeries, Palma de Mallorca.
2003 Roca Gallery, Mallorca.
2004 Felanitx Town Hall (Mallorca).
2004 Oliver Maneu Gallery in Palma de Mallorca.
2005 Masters Art Galeries, Barcelona.
2005 Arabella Sheraton Hotel, Palma de Mallorca.
2006 Masters Art Galeries, Barcelona.
2006 Joan Oliver Maneu Gallery, Palma de Mallorca.
2007 Kurokawa Gallery (Tokyo, Japan).
2008 Sheila Gallery, New York.
2009 Masters Art Galeries, Palma de Mallorca.
2010 "Sa Sínia" in Porto Colom (Mallorca).
2010 Museum of Hispanic and Latin American Art of Florida, Florida (USA).
2011 Cloister of Sant Antoniet, Palma de Mallorca.
2011 Fine Arts. Paris.
2011 Guerrero Art Gallery. Barcelona.
2012 Barceló Foundation, Mallorca.
2013 Clàustre de Son Bonaventura (Llucmajor, Mallorca)
2014 Guerrero Art Gallery. Sitges, Barcelona.
- Creator:Toni Caldentey (1978, Spanish)
- Creation Year:2002
- Dimensions:Height: 13.78 in (35 cm)Width: 9.85 in (25 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:CORAL GABLES - MIAMI, FL
- Reference Number:1stDibs: LU471314220892
About the Seller
4.7
Platinum Seller
These expertly vetted sellers are 1stDibs' most experienced sellers and are rated highest by our customers.
Established in 1980
1stDibs seller since 2016
223 sales on 1stDibs
Typical response time: <1 hour
- ShippingRetrieving quote...Ships From: CORAL GABLES - MIAMI, FL
- Return PolicyA return for this item may be initiated within 3 days of delivery.
More From This SellerView All
- Caldentey Mallorca original neo figurative watercolor paper paintingBy Toni CaldenteyLocated in CORAL GABLES - MIAMI, FLoriginal neo-expressionist acrylic painting contemporary work by the mallorquin artist Toni CALDENTEY CALDENTEY, Toni - (Portocolom, Mallorca - Spain) The active notion of rhythm a...Category
Early 2000s Neo-Expressionist Abstract Paintings
MaterialsWatercolor, Cardboard
- Caldentey Small Green and Black original neo-expressionist acrylicBy Toni CaldenteyLocated in CORAL GABLES - MIAMI, FLsailboat in a storm. original neo-expressionist acrylic painting contemporary work by the mallorquin artist Toni CALDENTEY Painting on paper CALDENTEY, Toni - (Portocolom, Mallorca...Category
21st Century and Contemporary Neo-Expressionist Abstract Paintings
MaterialsWood, Paper, Acrylic
- Caldentey 7 Black and White original neo-expressionist acrylic paintingBy Toni CaldenteyLocated in CORAL GABLES - MIAMI, FL" La lluita. original neo-expressionist acrylic painting contemporary work by the mallorquin artist Toni CALDENTEY Perfect state CALDENTEY, Toni - (Portocolom, Mallorca - Spain) The...Category
21st Century and Contemporary Neo-Expressionist Mixed Media
MaterialsMixed Media, Acrylic
- Patterson Boats in the Sea. Deriva. 2020. acrylic paintingLocated in CORAL GABLES - MIAMI, FLLicenciado en Bellas Artes por ISPEJV, en la Habana en 2002, especialización en Restauración y Conservación de pintura Mural y caballete. Ha ejercido como profesor de pintura en e...Category
2010s Neo-Expressionist Abstract Paintings
MaterialsAcrylic
- Caldentey Mallorca original neo figurative watercolor paper paintingBy Toni CaldenteyLocated in CORAL GABLES - MIAMI, FLoriginal neo-expressionist acrylic painting contemporary work by the mallorquin artist Toni CALDENTEY Perfect state CALDENTEY, Toni - (Portocolom, Mallorca - Spain) The active notio...Category
Early 2000s Neo-Expressionist Abstract Paintings
MaterialsAcrylic, Cardboard
- Caldentey Red Black original neo expressionist acrylic paintingBy Toni CaldenteyLocated in CORAL GABLES - MIAMI, FLOtoño original neo expressionist acrylic painting. contemporary work by the mallorquin artist Toni CALDENTEY CALDENTEY, Toni - (Portocolom, Mallorca - Spain) The active notion of r...Category
Early 2000s Neo-Expressionist Abstract Paintings
MaterialsAcrylic, Cardboard
You May Also Like
- Michael Hafftka Figurative Neo Expressionist Oil Pastel Painting The WaveBy Michael HafftkaLocated in Surfside, FLMICHAEL HAFFTKA "The Wave" Hand signed lower right "Hafftka" Oil and pastel on paper, 30.5" x 22.25". Framed 39" x 31.5". Michael Hafftka (born 1953) is an American figurative expressionist painter and musician, composer, living in New York City. Hafftka was born in Manhattan, New York (1953) to Eva and Simon Hafftka, European refugees and Holocaust survivors. He was raised in the Bronx and attended public schools. His work is represented in the permanent collections of a number of museums, including: The Metropolitan Museum of Art, New York Museum of Modern Art, Brooklyn Museum of Art, San Francisco Museum of Modern Art, Carnegie Museum of Art, New York Public Library, McNay Art Museum, Housatonic Museum of Art, Arizona State University Art Museum, National Gallery of Art, and Yeshiva University Museum. He was included in the show Jewish Themes/Contemporary American Artists II, The Jewish Museum, New York, Hannelore Baron...Category
1980s Neo-Expressionist Figurative Paintings
MaterialsOil Pastel, Archival Paper
- Oswald the Rabbit! Large Colorful Ispiring Neo-Expressionist Pop Art PaintingLocated in Los Angeles, CAUrban abstract expressionism artist Tommy Lennartsson draws on the visual culture of street and pop art when creating his original vibrant mixed-medi...Category
21st Century and Contemporary Neo-Expressionist Abstract Paintings
MaterialsCanvas, Charcoal, Mixed Media, Acrylic, Graphite, Gouache
- German Junge Wilde Abstract Gouache Painting Hand Signed, Neo Expressionist BachLocated in Surfside, FLFramed 21.5 x 17 image 12.5 x 9 inches. Elvira Bach (born 22 June 1951) is a postmodernist German painter known for her colourful images of women. A member of the Junge Wilde art movement, she lives and works in Berlin. She is the mother of two children, including basketball player Maodo Lô. Elvira Bach was born on 22 June 1951 in Neuenhain in Hesse, West Germany. She grew up with her twin sister Ingrid in a rural setting. From 1967 to 1970, Bach studied at the Erwin-Stein-Schule (state glass vocational school) in Hadamar . Afterwards, she moved to Berlin and studied painting from 1972 to 1979 at the Berlin University of the Arts with "Junge Wilde" or "Neue Wilde" titled painters Rainer Fetting...Category
1980s Neo-Expressionist Abstract Paintings
MaterialsGouache
- American Neo Expressionist "Wild Horses" Modernist Oil PaintingBy Robert BeauchampLocated in Surfside, FLRobert Beauchamp (1923 – March 1995) was an American figurative painter and arts educator. Beauchamp's paintings and drawings are known for depicting dramatic creatures and figures with expressionistic colors. His work was described in the New York Times as being "both frightening and amusing,". He was a Guggenheim Fellow and a student of Hans Hofmann. Robert Beauchamp was born in Denver, Colorado in 1923. He had three brothers and three sisters, and the children were orphaned by both parents by the time Beauchamp was three. The family grew up impoverished due to the Great Depression, living in a community house with other families. As a child he dabbled in art but it wasn't until high school that he began taking art classes. When not creating art he also played sports; football and basketball, and enjoyed chemistry and geology. He was told he was good at drawing, and replaced study hall classes with art classes, receiving instruction and inspiration from a Welsh teacher named R. Idris Thomas. While in high school Beauchamp would go, every Monday, to the public library and a local museum where he would read books about art; specifically French painting, as assigned by Thomas. Beauchamp absorbed the tenets of European Modernism and American Abstract Expressionism—with which he eventually broke. While abstraction, with its focus on color and form, underlies his compositions, he filled canvas and paper with psychologically acute portraits of himself and others, nudes, animals, and objects of all kinds. Beauchamp would spend upwards of four hours a day in the art room and eventually won the Carter Memorial Prize, which provided a scholarship to the Colorado Springs Fine Arts Center. At Colorado Springs he studied under Boardman Robinson, painting landscapes in nature. Beauchamp eventually joined the Navy and then returned to Colorado Springs to continue his studies. Traveling the world as an Armed Guard, he spent a year and a half at sea and the rest of the three years in San Francisco. Seeking to make money, and to follow his love for a girl, Beauchamp decided to attend Cranbrook Academy of Art from 1947–1948. There he studied pottery, believing one could "make more money selling pots than you could selling paintings." He described his experience at Cranbrook as intimidating and claustrophobic, and eventually switched to sculpture before switching to painting. Beauchamp moved to New York City in the early 1950s and was involved in the Tenth Street galleries, which provided outlets for more experimental artists and the second generation of abstract expressionists. Despite his involvement with 10th Street and friendships with abstract artists, abstract art never interested in him. He showed at numerous galleries in New York and Provincetown, socializing with gallery owners, artists and collectors. His first exhibition was at the Tanager Gallery in New York, he also showed during the 1950s at the Hansa Gallery. In New York and Provincetown he studied under Hans Hofmann Eventually he felt that abstract expressionism became dull and stalemated. During the 1960s he showed at the Green Gallery. C. 1960 he was awarded a Fulbright Award allowing him to travel to La Romola, Italy. He traveled frequently to cities such as Rome and worked constantly. Beauchamp returned to the states and lived in Provincetown at Walter Gutman's house, who awarded Beauchamp a grant. That year he met his future wife, Nadine Valenti, whom he married in 1967. Beauchamp taught at a variety of schools during his lifetime including Brooklyn College, School of Visual Arts, Cooper Union and the Art Students League of New York during the last fifteen years of his life. Beauchamp described his drawings as painterly, seeking the spontaneity in an image. He would develop a drawing then a painting, and vice versa. His heavily impastoed paintings, often described as sculptures themselves, came from the pouring of paint from a can, with little planning and constant evolution in the medium upon the canvas. He preferred little planning to his creations, believing that an artists work would become stale and repetitive with constant planning. He also created large scale works, at times 70 inches long. Beauchamp had little intention of ever selling his large works, preferring to create them due to the slow and intense experience he received from the process. The large drawings he created on the floor, and the smaller works were created on a table. Paintings were created on either the floor or wall and he described his painting process as "splattering", "pushing the paint around," and sponging. Animals often appear in his paintings, despite a dislike for domestic animals outside of his artistic creations. He called the characters in his paintings as Beauchamps. Some Beauchamps hold meaning, with Beauchamp rarely sharing the meaning behind the symbols and characters. He made up the creatures himself, seeking to emphasize the character of each. In 2006 the University of Massachusetts Amherst College of Visual & Performing Arts hosted an exhibition of Beauchamp's pieces from the 1960s, curators stated that Beauchamp's work: "effortlessly blends innovative style elements with narrative, descriptive images. One senses equal enjoyment in the manipulation of, and interaction with, color and paint, and the often sudden and unexpected presence of a wasp or a lump of sugar." included in the important exhibit "Twelve New York Painters." New York: David Findlay Jr. Fine Art with Mary Abbott, Alcopley, Robert Beauchamp, Byron Browne, Charles Cajori, Jim Forsberg, Carl Heidenreich, Angelo Ippolito, Emily Mason, Robert Natkin, Robert Richenburg and Nina Tryggvadottir...Category
20th Century Neo-Expressionist Abstract Paintings
MaterialsPaper, Oil
- American Neo Expressionist "Wild Horses" Modernist Oil PaintingBy Robert BeauchampLocated in Surfside, FLSigned lower left. Robert Beauchamp (1923 – March 1995) was an American figurative painter and arts educator. Beauchamp's paintings and drawings are known for depicting dramatic creatures and figures with expressionistic colors. His work was described in the New York Times as being "both frightening and amusing,". He was a Guggenheim Fellow and a student of Hans Hofmann. Robert Beauchamp was born in Denver, Colorado in 1923. He had three brothers and three sisters, and the children were orphaned by both parents by the time Beauchamp was three. The family grew up impoverished due to the Great Depression, living in a community house with other families. As a child he dabbled in art but it wasn't until high school that he began taking art classes. When not creating art he also played sports; football and basketball, and enjoyed chemistry and geology. He was told he was good at drawing, and replaced study hall classes with art classes, receiving instruction and inspiration from a Welsh teacher named R. Idris Thomas. While in high school Beauchamp would go, every Monday, to the public library and a local museum where he would read books about art; specifically French painting, as assigned by Thomas. Beauchamp absorbed the tenets of European Modernism and American Abstract Expressionism—with which he eventually broke. While abstraction, with its focus on color and form, underlies his compositions, he filled canvas and paper with psychologically acute portraits of himself and others, nudes, animals, and objects of all kinds. Beauchamp would spend upwards of four hours a day in the art room and eventually won the Carter Memorial Prize, which provided a scholarship to the Colorado Springs Fine Arts Center. At Colorado Springs he studied under Boardman Robinson, painting landscapes in nature. Beauchamp eventually joined the Navy and then returned to Colorado Springs to continue his studies. Traveling the world as an Armed Guard, he spent a year and a half at sea and the rest of the three years in San Francisco. Seeking to make money, and to follow his love for a girl, Beauchamp decided to attend Cranbrook Academy of Art from 1947–1948. There he studied pottery, believing one could "make more money selling pots than you could selling paintings." He described his experience at Cranbrook as intimidating and claustrophobic, and eventually switched to sculpture before switching to painting. Beauchamp moved to New York City in the early 1950s and was involved in the Tenth Street galleries, which provided outlets for more experimental artists and the second generation of abstract expressionists. Despite his involvement with 10th Street and friendships with abstract artists, abstract art never interested in him. He showed at numerous galleries in New York and Provincetown, socializing with gallery owners, artists and collectors. His first exhibition was at the Tanager Gallery in New York, he also showed during the 1950s at the Hansa Gallery. In New York and Provincetown he studied under Hans Hofmann Eventually he felt that abstract expressionism became dull and stalemated. During the 1960s he showed at the Green Gallery. C. 1960 he was awarded a Fulbright Award allowing him to travel to La Romola, Italy. He traveled frequently to cities such as Rome and worked constantly. Beauchamp returned to the states and lived in Provincetown at Walter Gutman's house, who awarded Beauchamp a grant. That year he met his future wife, Nadine Valenti, whom he married in 1967. Beauchamp taught at a variety of schools during his lifetime including Brooklyn College, School of Visual Arts, Cooper Union and the Art Students League of New York during the last fifteen years of his life. Beauchamp described his drawings as painterly, seeking the spontaneity in an image. He would develop a drawing then a painting, and vice versa. His heavily impastoed paintings, often described as sculptures themselves, came from the pouring of paint from a can, with little planning and constant evolution in the medium upon the canvas. He preferred little planning to his creations, believing that an artists work would become stale and repetitive with constant planning. He also created large scale works, at times 70 inches long. Beauchamp had little intention of ever selling his large works, preferring to create them due to the slow and intense experience he received from the process. The large drawings he created on the floor, and the smaller works were created on a table. Paintings were created on either the floor or wall and he described his painting process as "splattering", "pushing the paint around," and sponging. Animals often appear in his paintings, despite a dislike for domestic animals outside of his artistic creations. He called the characters in his paintings as Beauchamps. Some Beauchamps hold meaning, with Beauchamp rarely sharing the meaning behind the symbols and characters. He made up the creatures himself, seeking to emphasize the character of each. In 2006 the University of Massachusetts Amherst College of Visual & Performing Arts hosted an exhibition of Beauchamp's pieces from the 1960s, curators stated that Beauchamp's work: "effortlessly blends innovative style elements with narrative, descriptive images. One senses equal enjoyment in the manipulation of, and interaction with, color and paint, and the often sudden and unexpected presence of a wasp or a lump of sugar." included in the important exhibit "Twelve New York Painters." New York: David Findlay Jr. Fine Art with Mary Abbott, Alcopley, Robert Beauchamp, Byron Browne, Charles Cajori, Jim Forsberg, Carl Heidenreich, Angelo Ippolito, Emily Mason, Robert Natkin, Robert Richenburg and Nina Tryggvadottir...Category
20th Century Neo-Expressionist Abstract Paintings
MaterialsPaper, Oil
- American Neo Expressionist Woman with Monkeys Abstract Modernist Oil PaintingBy Robert BeauchampLocated in Surfside, FLRobert Beauchamp, American (1923-1995) Untitled Hand signed lower right, titled verso. MIxed media oil painting on heavy art paper sight: 22 3/4 x 29 1/2 inches frame dimensions: 23 1/4 x 30 1/4 x 1 1/4 inches, metal frame with glazing Provenance: Private Collection. Frame inscribed 'Property of AT&T' Bears label from their corporate art collection. Robert Beauchamp (1923 – March 1995) was an American figurative painter and arts educator. Beauchamp's paintings and drawings are known for depicting dramatic creatures and figures with expressionistic colors. His work was described in the New York Times as being "both frightening and amusing,". He was a Guggenheim Fellow and a student of Hans Hofmann. Robert Beauchamp was born in Denver, Colorado in 1923. He had three brothers and three sisters, and the children were orphaned by both parents by the time Beauchamp was three. The family grew up impoverished due to the Great Depression, living in a community house with other families. As a child he dabbled in art but it wasn't until high school that he began taking art classes. When not creating art he also played sports; football and basketball, and enjoyed chemistry and geology. He was told he was good at drawing, and replaced study hall classes with art classes, receiving instruction and inspiration from a Welsh teacher named R. Idris Thomas. While in high school Beauchamp would go, every Monday, to the public library and a local museum where he would read books about art; specifically French painting, as assigned by Thomas. Beauchamp absorbed the tenets of European Modernism and American Abstract Expressionism—with which he eventually broke. While abstraction, with its focus on color and form, underlies his compositions, he filled canvas and paper with psychologically acute portraits of himself and others, nudes, animals, and objects of all kinds. Beauchamp would spend upwards of four hours a day in the art room and eventually won the Carter Memorial Prize, which provided a scholarship to the Colorado Springs Fine Arts Center. At Colorado Springs he studied under Boardman Robinson, painting landscapes in nature. Beauchamp eventually joined the Navy and then returned to Colorado Springs to continue his studies. Traveling the world as an Armed Guard, he spent a year and a half at sea and the rest of the three years in San Francisco. Seeking to make money, and to follow his love for a girl, Beauchamp decided to attend Cranbrook Academy of Art from 1947–1948. There he studied pottery, believing one could "make more money selling pots than you could selling paintings." He described his experience at Cranbrook as intimidating and claustrophobic, and eventually switched to sculpture before switching to painting. Beauchamp moved to New York City in the early 1950s and was involved in the Tenth Street galleries, which provided outlets for more experimental artists and the second generation of abstract expressionists. Despite his involvement with 10th Street and friendships with abstract artists, abstract art never interested in him. He showed at numerous galleries in New York and Provincetown, socializing with gallery owners, artists and collectors. His first exhibition was at the Tanager Gallery in New York, he also showed during the 1950s at the Hansa Gallery. In New York and Provincetown he studied under Hans Hofmann Eventually he felt that abstract expressionism became dull and stalemated. During the 1960s he showed at the Green Gallery. C. 1960 he was awarded a Fulbright Award allowing him to travel to La Romola, Italy. He traveled frequently to cities such as Rome and worked constantly. Beauchamp returned to the states and lived in Provincetown at Walter Gutman...Category
20th Century Neo-Expressionist Abstract Paintings
MaterialsPaper, Oil