Unknown

Abstracted Israeli Landscape

Joseph Wolins 1915-1999 Subject: Jewish, Dancing with the Torah (New Torah, Simchat Torah) Hand signed oil painting In this painting, Joseph Wolins uses vibrant and complimentary co...

Efraim Modzelevich (1931-1995) Work is abstract in subject, and expressive in terms of technique. The artist uses a muted color palette, and thick layers of paint to build up his co...

Large gilt framed abstract modernist landscape of Jerusalem. Framed it measures 33.25 X 41.25 inches. Canvas measures 28 x 36 inches. Bold Blue sky. Avraham Binder was born in 1906 in Vilnius (or Vilna), now part of Lithuania. He began painting at an early age and completed the prescribed studies in painting at the academy of arts in his native city. Upon graduation, at the commencement exhibition of works submitted by the graduates, he was awarded a prize in recognition of his talents. Artistic talent had deep roots in the Binder family. Avraham's father and grandfather were both artistically inclined, as was his sister Zila Binder and daughter Yael. In fact, he came from a long line of master artistic bookbinders, hence the family surname. The Binder family emigrated to Palestine in 1920. There, his father established a bookbinding workshop in Tel-Aviv while Avraham pursued painting. Binder has not identified with any particular modern school nor narrow artistic doctrine. He struggles to verbally explain his personal conception. Instead, he derives inspiration from emotions, resulting in a great variety of artistic treatments. Particularly memorable are his urban landscapes with their predominance of blues and aquamarines, composed of a profusion of squares and rectangles, crowding one another and covering nearly the entire canvas. The angular shapes are interspersed with radiant dots of red, gold and yellow, like the lights of the big city. Those squares and rectangles reflect, perhaps, impressions of a childhood spent among books which were scattered about the home and workshop of his father, the bookbinder. These shapes, no doubt, had their influence upon the artist whose first youthful impressions were – books. Traces of these shapes are discernible in Binder’s work to this day, in the angularity of splashes of color which, no longer crowded together, are now well separated to create an airy spaciousness. Not only the splashes of color – the inventing space, too – creates figurative effects in the artist’s treatment. Avraham Binder is not a “cerebral” painter. Neither identified with any particular modern school, nor preaching any narrow artistic doctrine, he is an emotional artist: his inspiration, derived from the heart, leads him on to the most varied range of treatments in his artistic work. In vain might one try to persuade him to define his personal conception of painting. He is not one to indulge in verbal explanation. But his sheer artistic skill, his virtuosity with the paint brush, did impel him to experiment widely with the artistic techniques of the modern age. And his exceptional talent stood him in good stead in all this experimentation. Binders large-scale urban landscapes are not mere constructs to represent our present-day architecture with its pervasive angularity. Made up as they are of color, Binder’s unique color composition qualifies these canvases to be ranked among the foremost artistic works in Israeli painting. They are uniquely Binder, very different from what we see in the work of his contemporaries. Here and there, Binder also introduces the human element into these paintings. He lives and breathes the atmosphere of his surroundings, deeply experiencing the sea and the shore of Tel-Aviv that confront him day after day, and which he has transferred to his canvases, as metaphors in paint, throughout the life. More recently, he has created a new series of shore-and-seascapes, in tones ranging from brown to blue. ochre, violet and pale yellow – marvelous views of the sea and of figures enlivening its shore. In yet another series, featuring nearly the same range of hues, he lets us view, through his eyes, the Carmel Market in Tel-Aviv, or the city’s coffee houses with their crowds of people, heads bunched together as if in search of human closeness, with the windows looking in upon them. He has also done large paintings of Jerusalem – not the Jerusalem of gloom and holiness, but a Jerusalem in contrast to the flat topography of Tel-Aviv; it is this different topography which here provides the challenge for him as a painter. And the colors – the colors are bright, full of light, an inner illumination which seems to emanate from the artist himself, rather than from the sun beating down from above. So many great artists have built their life’s work upon watercolors. Binder’s watercolors are in no way inferior in their artistic worth to many of those, what with their spontaneity, their translucent quality, their color combinations, and the artist’s ability to say so much with an economy of brush strokes. We have here a painter who, until the end of his life, was still in his full creative powers, and who continued to add to his impressive storehouse of artistic works. Hundreds of his paintings grace the homes of collectors in Israel and throughout the world, or hang in his private collection; they include Israel landscapes and, most importantly, cityscapes; an exquisite series of wild flowers; many portrait paintings; experimental wood sculptures; murals painted on wood panels; reliefs…, etc. All these are testimony to an artist who refuses to rest on his laurels, who forever reaches out to try his hand at new challenges, strikes out in novel directions, discovers innovative techniques, and experiments in all the dimensions of the plastic arts. On the Israel Museum website they have listed an exhibition of his Artists in Israel for the Defense, Tel Aviv Museum of Art, Helena Rubinstein Pavilion, Tel Aviv 1967 Artists: Avraham Binder, Motke Blum, (Mordechai) Samuel Bak, Yosl Bergner, Nahum Gilboa, Jean David, Marcel Janco, Lea Nikel, Jacob Pins, Esther Peretz Arad, Dani Karavan, Reuven Rubin, Zvi Raphaely, Yossi Stern...

Wonderful scene of the Moulin Rouge cabaret nightclub at Place Pigalle in Paris. Painted in wonderful moody blue and red colors. Size includes frame. Abram Abraham Krol was born Jan...

"If not now when" Abstract Painting 85" x 76" inch by Patricio Gonzalez Oil and gold leaves on cargo blanket From "Looking for Happiness" series ...

Falling Man, Black on White Background by Ernest Tino Trova. 52.5" x 52.5" Known for his Falling Man series in abstract figural sculpture, he created ...

Sunil Das - Untitled - 20.75 x 17.5 inches (unframed size) Oil on Canvas , 1997 ( ALL IN DOOR DELIVERED ROLLED ) The exceptions are the faces such as the profiles of bearded men in which the content is a mere excuse for the lines to create a pattern of untrammeled playfulness. Of course the Japanese face (Portrait) attempts a straight portrait but for the cartoonist exaggeration of the chin and cheek. Sunil Das ( 1939-2015) was a Master Modern Indian Artist from Bengal. Extremely successful right from his college days, Sunil Das has been extremely well lauded by art critics , the press , artists and the art and culture glitterati across the world. Sunil das was the youngest artist to have won the National Award - The Taj Shiromani Kala Puraskar Recipient of the much coveted Govt. of India's 4th Highest Civilian Award : The PadmaShree (2014) Highly talented Sunil Das has done shows all across the world, got fame as early as while he was still in college, youngest recipient of the Lalit Kala Academy Awards and received a scholarship to study at L’Ecole Nationale Superior des Beaux arts, Paris. " There are painters who transform the Sun to a yellow spot, but there are others who, with the help of their art and intelligence, transform a yellow spot into Sun" - Pablo Picasso . Sunil Das was exactly one such artist. About the Artist and his work : Sunil Das : (1939 - 2015 ) Calcutta . Education : 1954-59 – Government College of Arts & Craft, Calcutta. 1961-63 – L’Ecole Nationale Superior des Beaux arts, Paris. Selected Exhibitions : 1958 – National Ex.,RB.LKA (LKNA: Three Horses) 1966 – The Gallery Chemould, Mumbai and Calcutta. 1969 – Retrospective, BAAC. 1975 – Pioker Gallery, New York. 1976-78 – Ex. in Basle, Zurich, Dusseldorf, Hamburg, New York. 1987 – Chitrakoot Art Gallery, Calcutta. 1994 – C I M A, Calcutta. 1995 – Village Gallery, New Delhi. 2007 – Group show ‘Modern to contemporary’ at Gallery Kolkata, Kolkata. 2011 – Solo show “ BEWARE-BEAWARE” at Gallery Kolkata, Kolkata. Award / Honours (As 3rd Student of Art Collage) : 1959 – Lalit kala National Award. 1959 – Gold Medal – G.C.A.C., Kolkata. 1959 – Gold Medal, Calcutta University. 1960 – 10 Awards India and abroad. 1960 – Gold Medal, Academy of Fine Arts, Kolkata. 1978 – Lalit Kala National Award. 1980 – Siromoni Puroskar- West Bengal. 1983 – Commissioner, Triennale, India. 1989 – Commissioner, Sao Paulo Binnale, BRAZIL. Jury – Lalit kala Academy, New Delhi. Jury – Different Place India, abroad. Style : Sunil Das' style of work is very original and shows no specific influence. He had risen to fame like MF Hussain...

Ken Anderson (20th century) was active/lived in United States. Ken Anderson is known for Abstract hanging sculpture. *See included images and video