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UnknownListen to a Seashell1970
1970
About the Item
An Abstract Expressionist vibrant colorful painting from 1970. signed illegibly verso with an original price tag of 2200$ from 1970. Highly textured.
- Creation Year:1970
- Dimensions:Height: 24 in (60.96 cm)Width: 18 in (45.72 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Surfside, FL
- Reference Number:1stDibs: LU38211751732
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Richard Heinsohn (American, -1961)
"Life Forms in Transit,"
Hand signed and dated 1988 verso.
Provenance: Allan Stone Gallery, New York.
Education...
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Large New York School Abstract Expressionist Colorful Mixed Media Painting
By Taro Yamamoto
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Taro Yamamoto, (American, 1919-1994)
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Chinese American Abstract Expressionist Zen Space Painting WangMing Color School
Located in Surfside, FL
Wang Ming
"Enter the World of Infinity"
Acrylic paint on Japon paper mounted on canvas
Dimensions: H: 39 inches: W: 25 inches
WANG MING WANG Artist Ming Wang, born November 4, 1921, died peacefully on Sunday, June 26, 2016 in Bethesda. Ming Wang was born in Tianjin, China and was a pilot in Chinese Nationalist Air Force during WWII. Artist Wang Ming's journey began in the 1940s. As he worked as an air traffic controller in Taiwan, he became interested in the beauty of the sky. He was a young man then, having fled from Japanese-occupied China in 1939 at age 18. He came to the US for further military training where he met his first wife, the late Suen Chin. In 1949, Wang went Taiwan to escape the Communist takeover of China. He rejoined his wife and young son in Washington DC in 1951. To support a growing family, Wang founded the National Art and Frame shop in Washington DC. He studied art independently and developed his unique artistic style melding modern art with traditional Chinese calligraphy. His paintings, done with a mixture of inks and acrylics on fine paper, are a happy marriage of traditional Chinese disciplines with Western art as it has been handled by Joan Miro and Paul Klee. His works are minimalist and abstract, marked with good design and extremely sensitive use of color. The influence of 1950s American art and abstract expressionism is also clear in his work, and he exhibited with such Washington Color School luminaries as Kenneth Noland and Gene Davis in the 1960s. He later taught calligraphy at George Washington University. Years before the Hubble Telescope began broadcasting images of rainbow clouds and blood red stars, Ming used art to convey what he imagined space to be. His work captured the attention of James Dean, the National Air and Space Museum's first art collector, who purchased two of his pieces. In the 1960's and 1970's, Wang was represented by the Franz Bader Gallery in Washington DC.
1980: Brooklyn Museum, Brooklyn, New York
American Drawing in Black & White: 1970-1980, by curator Gene Baro. “The visitors are invited to enjoy the rich variety of marks and means used in attacking subjects that range from meticulous representational rendering to extemporaneous gesture.” Included among many other artists, were Anni Albers, Jasper Johns, Willem De Kooning, Robert Rauschenberg, Jack Tworkov, Robert Motherwell and Andy Warhol.
1982: The Washington Post, by Jo Ann Lewis
“His show at the Marvin Center at George Washington University, where he teaches calligraphy, should help clarify the unique nature of his art . ... ‘Independent Reality,’ in which dramatic curves dance across an opened scroll, taking on a life of their own-in any language. The show is filled with the artist’s very special of visual poetry.”
He was included in the exhibition American Drawing in Black & White: 1970-1980, by curator Gene Baro at the Brooklyn Museum, Brooklyn, New York. Included among many other artists, were Anni Albers, Jasper Johns, Willem De Kooning, Robert Rauschenberg, Jack Tworkov, Robert Motherwell and Andy Warhol. Wang Ming was also included in the show Asian Traditions/Modern Expressions Asian American Artists and Abstraction, 1945 – 1970 at the Jane Voorhees Zimmerli Art Museum Rutgers, The State University of New Jersey New Brunswick. The senior curator Jeffrey Wechsler reviewed each artist for this traveling group exhibition, including C. C. Wang, Chen chi, Kenzo Okada...
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Large Rigoberto Mena Contemporary Cuban Abstract Expressionist Oil Painting
By Rigoberto Mena
Located in Surfside, FL
"Yellow/Green"
2004. Oil/Acrylic on Canvas. Signed lower right
Image: 34.5" x 47". Framed: 49" x 37".
Rigoberto Mena Santana (Cuban, born 1961) was born in Artemisia, Havana in 1961, where he currently lives and works. He attended the Instituto Politecnico de Diseno Industrial, La Habana, and continued his studies at San Alejandro Fine Art Academy, Havana. He traveled extensively throughout Europe to study the great masters. Mena has had Solo Exhibitions in China, Germany, Netherlands, Mexico, Cuba, Spain, France, and Holland, and in the U.S. in Miami, Massachusetts, Washington, D.C, and California. Following the inauguration of his exhibition “Hablando en Lenguas”. In 2011, Rigoberto’s work was chosen to be a part of the permanent collection of the National Museum of Fine Art in Havana, Cuba. Through the eyes of an abstract expressionist, he draws inspiration from his home’s urban landscapes and the spirit of the people and the city. The start of the Cuban Abstract movement was through a group called Los Once or The eleven. Though Mena was not an original member the influence by this new outlet began to spread ideals that put his own practice into fashion. Rigoberto is considered an important painter of his generation. He is one of the few artists in Cuba who has to have a private art gallery. Mena's private gallery at the Plaza de Armas is adjacent to the neighboring government art gallery. His work has been exhibited in Mexico, Belgium, Germany, France, Spain, and Holland.
Contemporaneous with the controversial, "La Generacion de los 80s" - The 80s Generation of Contemporary Cuban Art also referred to as New Cuban Art. This new Cuban plastic arts movement, with an expression of conceptual and non specific conscience manifestation, addressed many burning issues of the time and unveiled what these artists felt was the true reality of Cuba. It was more than a moment of artistic inspiration; it was a reflection of critical self-awareness and the new social role of art - the fundamental essence of the movement. They included Rubén Torres Llorca, Jose Bedia Valdes, Ricardo Rodriguez Brey, Juan Francisco Elso, Rogelio López Marín (Gory), Gustavo Pérez Monzón, José Manuel Fors, Leandro Soto Ortiz, Israel León, Tomás Sánchez and Carlos Alfonzo. In the second half of the decade, other artistic groups were formed, including 4 x 4, Grupo Hexágono, Arte Calle, Grupo Provisional, the duet René Francisco Rodríguez and Eduardo Ponjuán González and ABTV. Grupo Puré, another new wave of young artists, graduates of the Instituto Superior de Arte (ISA) included Ana Albertina Delgado Álvarez, Adriano Buergo, Ciro Quintana, Ermi Taño and Lázaro Saavedra, all greatly influenced by the German Kitsch art movement. Additionally, a large number of talented creators excelled independently, such as Florencio Gelabert (sculptor), Arturo Cuenca Sigarreta, Rigoberto Mena, Humberto Castro, Gustavo Acosta, Kcho, Antonio Eligio Fernandez (Tonel), Adriano Buergo, Flavio Garciandía, Tania Bruguera, Juan Francisco Elso, Carlos Rodríguez Cárdenas, Quisqueya Henríquez, Glexis Novoa, José Toirac, Carlos García, Heriberto Mora, Segundo Planes and Pedro Vizcaíno, among others.
Select Personal Exhibitions
2015 RBK 4200 ,La Cabaña,fortress. Bienal de La Habana,
2014 The shape without shape. Visual Arts Development Center, Bayamo, Cuba
2013 Allegro Ma Non Troppo. Lloyd’s Register, Havana.
2012 Spirit. Dennis Rosenthal Gallery, Chicago, U.S.A.
2011 Speaking in languages. Fine Arts National Museum, Havana.
2010 The places of time (with Alan Kleinmann). Orígenes Gallery, Havana’s Great Theater.
2009 The writing and the limit. 23 y 12 Gallery, Havana.
2007 The pleasure of absorb yourself. RAC Gallery, Veracruzan University, Xalapa, México.
2006 Coexistence. Public space, during the Ninth Havana’s Biennale.
2005 Ball change. La Casona Gallery, Havana, Cuba
Das Unbestimmbare Selbst. Refugium Gallery, Berlin.
2004 From the nothing to the infinite. La Casona Gallery, Havana, Cuba
2003 The visual poetry of life. Refugium Gallery, Berlin.
Rigoberto Mena. Recent Work. Habana Gallery, México DF.
Recent graphic work (with Jo Ann Rothschild). Graphic workshop, Havana.
Rigoberto Mena. Recent Work, Boston Art Institute, Lesley Boston University,
2001 Two plus one doesn’t make three (with Julio Girona and Angel Rivero), L Gallery,
2000 Cuba I, Space 12 Gallery, Boston, Massachusetts, United States.
Three abstract painters (with Jo Ann Rothschild and Julia Valdes...
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20th Century Abstract Expressionist Abstract Paintings
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Large Modernist French Abstract Expressionist Colorful Bird Painting Roger Lersy
By Roger Lersy
Located in Surfside, FL
Roger Lersy, French (1920 - 2004)
Oil on canvas
Signed, R. Lersy, dated 1961 lower right
Measuring 35 X 31 Matted and framed. sight 26 X 21.5
Roger Lersy was born in Paris, France 1920, in the rough neighborhood surrounding Place Pigalle. His youth was marked by extreme poverty. Lersy studied art and music at the École des Arts Apppliqués. He was a painter, lithographer and musician-composer He belongs to the École de Paris and was a member in the movement of the Young Painting. By 1946, when he first exhibited in Paris, Lersy became one of the founders of the School of Paris’ New Graphic School. Lersy received the Prix des Amateurs d’Art in 1953, the Shell Prize in 1954 and the Grand Prize of the City of Marseilles in 1953. Lersy could be defined as a Baroque expressionist. For Bernard Dorival, Roger Lersy is along with Gabriel Dauchot, Jean Commère and Raymond Guerrier among "the most noted champions of this expressionism which is part of the continuation of Bernard Buffet's miserabilism".
Famous works:
New Year's Eve , Aubusson tapestry of the Manufacture des Gobelins , Permanent Mission of France to the United Nations , One Dag Hammarskjöld Plaza , New York .
Venice , bridges , watercolor, 1963 (theme of the Roger Lersy exhibition, Chicago).
The poppy , original lithograph, Imprimerie Bellini, 1978, collection of the Cabinet des estampes , BNF . Still life at the pedestal table , oil on canvas, Jonzac town hall.
Lohengrin , oil on canvas, Versailles Administrative Court of Appeal.
Portrait of the painter Tony Agostini , drawing. Series Eiffel Tower.
Stained glass:
Saint-Laurent Church, Longlaville ( Meurthe-et-Moselle ), 29 stained glass windows.
Musical works:
Stained glasses for clarinet , saxophone, cello and percussion , creation in the church of Longlaville, 1972. Three pieces for two waves Martenot : 1. Scum of dream, 2. Scare and jubilation. Malicious connivance, sheet music Editions A. Leduc, Paris, 1979.
Work for trumpet and piano , published by Éditions G. Billaudot, Paris, 1984.
Five pieces for piano , scores published by G. Billaudot, Paris, 1989.
Five preludes for piano and alto saxophone , scores at Éditions Combre, premiere at Flâneries musicales de Reims , 1993. In memory of Chagall , piece for flute and percussion , recording of Duo Hyksos (Henri Tournier, flute and Michel Gastaud, percussion) in 1995. Preface in black and yellow for horn and piano , score at Éditions Combre, Arc-en-ciel collection, 2000.
Soundtracks: Diatomées Note 4 , 19 , film by Jean Painlevé...
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Materials
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Large Modern Abstract Cast Stencil Painting Paul Maxwell Mod Constructivist Neon
By Paul Maxwell
Located in Surfside, FL
Paul E. Maxwell (1925–2015)
This is a unique painting on either paper or canvas. It is framed in a gold toned metal frame
Framed 46 X 34 sheet 41 X 29 inches
Hand signed and dated.
This can be hung either horizontally or vertically.
Paul Maxwell was a modern artist and sculptor (known as both a Texas and a California artist) who developed a technique for using stencils to create thickly textured and layered surfaces, as well as objects he patented as “stencil casting” but that later became known as “Maxwell Pochoir.” He worked in numerous styles including Abstract Constructivist, Contemporary Modern and Abstract Expressionism. He was also known for creating the “Max Wall” in the West Atrium of the Dallas Apparel Mart; though demolished in 2006, it can be seen as a backdrop in the science-fiction movie Logan’s Run. His work is highly abstract and often consists of some kind of grid—a form that is non-hierarchical and illustrates a major theme of both his sculpture and his painting works. This piece is influenced by the Light and Space movement, a loosely affiliated art movement related to op art, minimalism and geometric abstraction originating in Southern California in the 1960s and influenced by John McLaughlin. Famous proponents included Peter Alexander, Larry Bell, Robert Irwin, Bruce Nauman, Eric Orr and James Turrell. Paul Maxwell was born in Frost Prairie (Ashley County) on September 17, 1925, to the farm family of Willie F. and Robert M. Maxwell. The sixth of seven children, Maxwell considered himself an artist from an early age and recalled the landscape of Frost Prairie as “pure form—wide unbroken fields of tall grass which the slightest breeze could shape into waves and ripples of golden light.” He said that drawing in the exposed clay soil there may have been an early inspiration for the kind of textured, expressionist, surfaces he would later create.
When Maxwell was nine, the family moved to Bastrop, Louisiana, where he completed high school. Maxwell went on to graduate from Principia College in Elsah, Illinois, in 1950 with a BA in art, followed by graduate work at Claremont College in California. While at Claremont, Maxwell had his first museum show in Stockton, California. In 1951, Maxwell exhibited his work at the Los Angeles County Museum of Art in a show that included such artists as Pablo Picasso, Joan Miro, and Roberto Matta; also that year, he had his first commercial gallery exhibition.
From 1955 to 1958, Maxwell taught at the Houston Museum of Art and at the University of Houston. From 1959 to 1961, he lectured and exhibited his work in Europe under the sponsorship of the U.S. Information Agency while maintaining a gallery in Switzerland. During the rest of the 1960s and into the 1970s and 1980s, Maxwell lived and worked in Texas and Oklahoma, receiving commissions for works in public spaces such as a mid century mod wall hanging relief sculpture in the Will Rogers World Airport in Oklahoma City, Oklahoma, and the free-standing sculpture for the lobby of the Stark County Library in Canton, Ohio.
It was also during the 1970s that Maxwell developed and created pieces using his stencil-casting technique. similar in style to American Modernist Robert Natkin, In 1985, a twelve-minute documentary that dealt with Maxwell’s work was produced by Carol Schroeder and broadcast by PBS. The documentary, titled Paul Maxwell: Lines/Horizons, won the American Film Festival Red Ribbon Award for Best Short Documentary and the Mitchell Wilder Gold Medal Award given by the Texas Association of Museums, both in 1986. Maxwell was also the subject of the 2007 short film Through a Veil of Knowledge: The Legacy of Paul Maxwell, directed by Richard Balin.
Maxwell had exhibitions in galleries and museums throughout the United States and in England, Switzerland, France, Canada, and Australia. The permanent collection at the Arkansas Arts Center in Little Rock (Pulaski County) includes the Modernism masterpiece Regimenta (1980), an acrylic painting on paper.
Paul Maxwell was born in 1925 in Frost Prairie, Arkansas. After earning his bachelor’s degree in art from Principia College, he studied under Millard Sheets at Claremont Graduate School in California. While in Houston, Maxwell taught art and exhibited regularly and successfully in statewide competitions. He holds the patent for his own printmaking medium, a process he calls “stencil-casting". His work bears a style and color affinity to 1980's modernist art movements such as Memphis Milano, (Ettore Sottsass, Peter Shire, etc.) with the bold colors and geometric shapes that characterized the era. His earlier work was also associated with the Pop Art era artists.
Selected Exhibitions:
1948 10th Texas General Exhibition 1948–1949, circulated: Witte Museum, San Antonio; Museum of Fine Arts, Houston; Dallas Museum of Art, Dallas, Texas 1950 Scripps College, Claremont, California
1951 Solo, Pioneer Museum, Stockton, California
1951 Los Angeles County Museum of Art, Los Angeles, California
1952 Solo, De Cordova Museum, Lincoln, Massachusetts
1953 Solo, James Bute Gallery, Houston, Texas
Texas; Museum of Fine Arts, Houston; Dallas Museum of Art, Dallas, Texas
1959 Solo, Galerie du Colisée, Paris, France
1959 34th Annual Houston Artists Exhibition, Museum of Fine Arts, Houston, Texas
1959 Made in Texas by Texans, Dallas Museum of Contemporary Art
1959 21st Annual Texas Painting and Sculpture Exhibition, Dallas Museum of Art, Dallas; Witte Museum, San Antonio; Beaumont Art Museum, Texas Tech University, Lubbock, Museum of Fine Arts, Houston, Texas (purchase prize)
1959 Solo, Oklahoma Art...
Category
20th Century Abstract Expressionist Abstract Paintings
Materials
Acrylic
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