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Vitor MejutoSynthesized musical harp, poetic abstraction, blue and garnet canvas2020
2020
About the Item
Vítor Mejuto introduces a geometric synthesis that breaks down painting into its most structural essence. His work, in which line, stain and shape establish a precise chromatic balance, shares affinities with the formal research of Ellsworth Kelly (Line Form Color, 1951) and with the reflection on pictorial modernity developed by Clement Greenberg (Modernist Painting and Other Essays, 2012). However, Mejuto’s geometry is neither univocal nor rigid: there is in his compositions a vibration that refers to the tradition of Malevich’s constructivism (The World Without an Object, 2013), but also a chromatic sensitivity that brings him closer to the emotional abstraction of Rothko (Modern Painting and the Northern Romantic Tradition, Rosenblum, 1975).
The dimensions are 50 x 40 cm. Acrylic on cotton canvas mounted on a wooden frame.
It is part of the "run out of paint" exhibition at the Manolo Eirin Contemporary Art Gallery. For more questions, contact us, send us a message and we will help you quickly.
- Creator:Vitor Mejuto (1969, Spanish)
- Creation Year:2020
- Dimensions:Height: 19.69 in (50 cm)Width: 15.75 in (40 cm)Depth: 1.19 in (3 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Carballo, ES
- Reference Number:1stDibs: LU2117216040332
The artist introduces a geometric synthesis that breaks down painting into its most structural essence. His work, in which the artist demonstrates a demanding investigation over the years between line, stain, and form, establishes a decisive chromatic balance between them. It shares affinities with Ellsworth Kelly's formal investigation in the highly refined visual transcription that Mejuto creates. We speak of geometry and abstraction, without it being in any way univocal or rigid, since the artist allows us to see the sketches themselves. There are vibrations in each of his compositions that can refer us to Malevich's Suprematism, as well as a sensitivity that brings them closer to emotional abstraction and the chromatic autonomy of forms, which we can see in artists such as Carmen Herrera.
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Located in Carballo, ES
Vítor Mejuto introduces a geometric synthesis that breaks down painting into its most structural essence. His work, in which line, stain and shape establish a precise chromatic balan...
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Category
21st Century and Contemporary Constructivist Abstract Paintings
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Vítor Mejuto introduces a geometric synthesis that breaks down painting into its most structural essence. His work, in which line, stain and shape establish a precise chromatic balan...
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21st Century and Contemporary Constructivist Abstract Paintings
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Category
21st Century and Contemporary Constructivist Abstract Paintings
Materials
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Vítor Mejuto introduces a geometric synthesis that breaks down painting into its most structural essence. His work, in which line, stain and shape establish a precise chromatic balan...
Category
21st Century and Contemporary Constructivist Abstract Paintings
Materials
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This is a unique work
Frame Included: floated and framed in vintage wood frame under acrylic with Castelli label on back
This unique mixed media Robert Petersen pigment collage, with drawing and gold leaf and acrylic painting is floated against beveled edges, then matted and framed in a gorgeous light wood museum frame. It bears the label of Castelli Uptown on the back.
Petersen, an American contemporary artist born in 1945, worked as an assistant to Robert Rauschenberg for 10 years from 1970 to 1980. He is a versatile artist, working in painting, drawing, printmaking, sculpture and collages, but is perhaps best known as a collagist, Robert Petersen was born in 1943 in the small farm town of Le Mars, Iowa.
Petersen lived and worked closely with Rauschenberg on Captiva Island until 1980.
In 1973, Petersen had his first solo show at Galerie Sonnabend in Paris, France, which was followed by numerous solo and group exhibitions worldwide. His work is represented in private and public collections internationally including the Centre Georges Pompidou, Musee National d'Art Moderne in Paris, France; The Metropolitan Museum of Art, New York, NY; Francois Pinault, Venice, Italy; Robert Rauschenberg Foundation, New York, NY; James Rosenquist, Aripeka, FL; Ileana & Michael Sonnabend, New York, NY; Cy Twombly Foundation, Rome, Italy, and Universal Limited Art Editions, NY.
Measurements:
Framed:
31 inches x 38.25 inches x 1.75 inches
Artwork:
25 inches x 32 inches
More about Robert Petersen:
Robert Petersen was born in 1945 in the small farm town of Le Mars, Iowa and was raised there until 1952 when he moved with his family to Whittier, California. His education as an artist began in 1963 at Fullerton Community College where his interest in architectural drafting led him to develop a passion for drawing, painting, and printmaking. In 1966, he pursued his love for printmaking further at California State University, Long Beach under the former Tamarind Lithography Workshop printer, Robert Evermon.
In 1969, Petersen went on to work as an assistant printer at Gemini G.E.L. where he printed editions for Frank Stella, Roy Lichtenstein, and Robert Rauschenberg. Most notably, Petersen served as one of the head printers for Rauschenberg's Stoned Moon series, during which the two formed a close friendship. In late 1970, Rauschenberg invited Petersen to live and work with him on Captiva Island, Florida, which had recently become the artist's permanent residence and studio. In 1971, Rauschenberg and Petersen established the experimental print shop, Untitled Press, Inc., where they not only printed their own work but also for visiting artists including David Bradshaw, Brice Marden, Hisachika Takahashi, Cy Twombly, and Robert Whitman.
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