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Walter Darby Bannard1972 Abstract "Natural Christmas" Alkyd Resin Painting Walter Darby Bannard1972
1972
About the Item
Walter Darby Bannard (born September 23, 1934 in New Haven, CT)
"Natural Christmas (1972)"
Alkyd Resin Magna Medium Aquatec Gel on Canvas Painting
Walter Darby Barnard is a Professor of Art at the University of Miami, Coral Gables, Florida. His work is included in many prestigious public collections, including the Museum of Modern Art; Metropolitan Museum of Art; Whitney Museum of American Art; Guggenheim Museum; Albright-Knox Art Gallery; Aldrich Museum of Contemporary Art; Baltimore Museum of Art and the Cleveland Museum of Art.
also known as Darby Bannard, is an American abstract expressionist painter.
Bannard was born in New Haven, Connecticut and attended Phillips Exeter Academy, where he graduated in 1952. He attended Princeton University, where he befriended Frank Stella and Michael Fried, who were also interested in minimalist abstraction. This continued after graduation and eventuated in the extreme minimalism both artists engaged in around 1959 and thereafter. The first paintings from the 1959-1965 period contained few forms, as little as a single band painted around a field of color, and then developed into somewhat more complex geometric forms by the mid-60s. In the late 60s the forms dissolved into pale, atmospheric fields of color applied with rollers and paint-soaked rags. He was associated with Lyrical Abstraction, Minimalism, Formalism (art), Post-painterly Abstraction and Color Field painting.
He began using the new acrylic mediums in 1970 and his paintings evolved into colorful expanses of richly colored gels and polymers applied with squeegees and commercial floor brooms, which continues to the present.
Bannard was awarded a Guggenheim Fellowship in 1968.
Bannard’s first solo show was at the Tibor de Nagy gallery in January, 1965 and he had exhibitions there until 1970. He began showing at the Lawrence Rubin Gallery, and then in 1974 at the Knoedler Contemporary Gallery, where he showed for the next 15 years. Currently he shows at the Loretta Howard Gallery and the Berry Campbell Gallery in New York City, the Daniel Weinberg Gallery in Los Angeles and the Center for Visual Communication in Miami, Florida. He has exhibited in numerous museums and galleries nationally and internationally to the present day.
Bannard has had close to a hundred solo exhibitions, been in several hundred group shows including Six Painters (along with Dan Christensen, Ron Davis, Larry Poons, and Peter Young) “Masters of the Sixties,” Edmonton Art Gallery and Winnipeg Art Gallery, Canada, Milton Avery, Walter Darby Bannard ; Jack Bush; Anthony Caro; Helen Frankenthaler; Hans Hofmann; Morris Louis; Robert Motherwell Kenneth Noland; Jules Olitski; Larry Poons; Michael Steiner; Frank Stella and is represented in the collections of all the major New York museums and many others around the world. He is a prolific writer on art with over a hundred published essays and reviews; Bannard has taught, lectured and participated in panel discussions, and has been a Co-chair of the International Exhibitions Committee of the National Endowment for the Arts. He curated and wrote the catalog for the first comprehensive retrospective exhibition of the paintings of Hans Hofmann, at the Hirshhorn Museum in Washington, D.C.
Currently Bannard is Professor and Head of Painting of the Department of Art and Art History at the University of Miami.
In 2016, noted art historian, Barbara Rose, curated a major exhibition for Roberto Polo Gallery in Brussels, Belgium entitled, “Post-Painterly Abstraction: Belgium-USA” featuring paintings by sixteen US and Belgian artists including Walter Darby Bannard, Ed Moses and Larry Poons.
Clement Greenberg included Bannard in the exhibition Post-Painterly Abstraction at the Los Angeles County Museum of Art in 1964 an exhibition of thirty-one artists associated with these art developments. He titled it Post-Painterly Abstraction. Leading figures were Helen Frankenthaler, Morris Louis and Kenneth Noland.
Bannard was awarded a Guggenheim Fellowship in 1968. He also served as co-chair of the International Exhibitions Committee of the National Endowment for the Arts.
From 1989 to 1992, Bannard chaired the Department of Art and Art History at the University of Miami in Coral Gables, Florida, where he taught painting until his death in 2016.
Bannard was associated with modernism, lyrical abstraction, minimalism, formalism, abstraction and color field painting. His art has been exhibited in nearly a hundred solo exhibitions and several hundred group exhibitions.
Bannard's paintings from 1959 to 1965 contained few forms, as little as a single band painted around a field of color, and then developed into somewhat more complex geometric forms by the mid-1960s. The critic Phyllis Tuchman wrote about a 2015 exhibition of these works at Berry Campbell Gallery, "These colors are still radiant. And the artist’s pale palette is as uniquely personal today as it was fifty years ago. You can’t even apply a name to his hues."
In the late 1960s the forms dissolved into pale, atmospheric fields of color applied with rollers and paint-soaked rags. He began using the new acrylic mediums in 1970 and his paintings evolved into colorful expanses of richly colored gels and polymers applied with squeegees and commercial floor brooms.
Bannard wrote over a hundred reviews and essays which appeared in Artforum, Art in America, and many other publications. He curated and wrote the catalog for the first comprehensive retrospective exhibition of the paintings of Hans Hofmann at the Hirshhorn Museum in Washington, D.C. Aphorisms for Artists: 100 Ways Toward Better Art, a collection of his thoughts edited by Franklin Einspruch, was published in 2022.
Selected museum collections
Buffalo AKG Art Museum
Museum of Fine Arts, Boston
Museum of Modern Art, MoMA NYC
Philadelphia Museum of Art
Portland Art Museum
Allen Memorial Art Museum, Oberlin College, Ohio
Baltimore Museum, Maryland
Blanton Museum of Art
The University at Texas, Austin
Brooklyn Museum, New York
Centre Georges Pompidou, Paris, France
Cleveland Museum, Ohio
Dallas Museum of Fine Art, Texas
Fogg Art Museum, Cambridge, Massachusetts
Honolulu Museum, Hawaii
Indianapolis Museum of Art, Indiana
Larry Aldrich Museum, Ridgefield, Connecticut
Lowe Art Museum, Coral Gables, Florida
Metropolitan Museum of Art, New York
Museum of Fine Arts, Boston
The Museum of Fine Arts, Houston, Texas
National Gallery of Victoria, Australia
Princeton University Art Museum, New Jersey
Rose Art Museum, Brandeis University, Waltham, Massachusetts
Smithsonian American Art Museum, Washington, DC
Solomon R. Guggenheim Museum, New York
Storm King Art Center, New Windsor, New York
Whitney Museum of American Art, New York
- Creator:Walter Darby Bannard (1934, American)
- Creation Year:1972
- Dimensions:Height: 24 in (60.96 cm)Width: 12 in (30.48 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:Minor wear commensurate with age. Please refer to photos.
- Gallery Location:Surfside, FL
- Reference Number:1stDibs: LU38215038242
Walter Darby Bannard
Bannard is known for his lyrical abstraction, minimalism, and color field paintings. Exhibition: Pasadena Art Museum 1973.
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View AllStop Flats Night Stops Abstract Geometric Modernist Oil Painting W.C. Richardson
By W.C. Richardson
Located in Surfside, FL
Prof. Richardson is the Chair of the Department of Art, he received his MFA degree from Washington University in St. Louis, and his BFA degree from the University of North Carolina, Chapel Hill. He joined the faculty at Maryland in 1978 and has maintained a professional focus on abstract painting and contemporary art theory. His work has been featured in 21 solo and over 100 group exhibitions in museums, galleries, and art centers in Washington, DC, New York, NY, Maryland, Virginia, North Carolina, West Virginia, Missouri, Ohio, Georgia, Minnesota, Illinois, Massachusetts, Pennsylvania, Tennessee, Texas, and internationally in Brussels, Russia, Jordan and Algiers. His work is currently represented by G Fine Art in Washington DC. Past gallery affiliations include Fusebox in Washington DC, and Baumgartner Gallery in DC and NY.
Richardson has received numerous grants and awards for his work, including five Maryland State Arts Council Visual Arts Fellowships. Commissioned artwork is permanently installed at Ronald Reagan National Airport and Reston Town Center in Virginia. His work is held in numerous public and corporate collections, including the Hirshhorn Museum and Sculpture Garden (DC), the Corcoran Gallery of Art (DC), the Ackland Art Center (NC), the U.S. Department of State (Algiers), the District of Columbia Town Hall, Prudential Life (NY), IBM Corporation (DC), Richmond Federal Reserve Bank (VA), Washington Post Corporation (DC), Northrop-Grumman (VA), and Reston Town Center (VA).
Richardson’s exhibitions have been reviewed in Art In America, Artforum International, ARTnews, NYArts Magazine, The Art Papers, The New Art Examiner, The Washington Post, The Washington Times, The Philadelphia Inquirer, The Baltimore Sun, The Richmond Times Dispatch, The El Paso Times, The Winston-Salem Journal, and The Washington City Paper, among others. Essays and monographs on his work have been published in many exhibition brochures and catalogues. An extensive interview with over 40 reproductions of his work can be found at the online curatorial project geoform.
Richardson is an active visiting artist, lecturer, and juror at academic institutions and museums throughout the region and across the country.
SELECTED GROUP EXHIBITIONS
2016 Resonance. Steven Cushner, W.C. Richardson and Robin Rose...
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By Dom Mingolla
Located in Surfside, FL
Wall hanging, Framed 16 X 20. Enamel measures 16 X 12
Dominic Mingolla (1922 – 1999) Mingolla created paintings in many different materials and genres. Best known for his large abstract expressionist watercolor paintings similar in style to Paul Jenkins and for his Enamel work. His work bears affinities both to Lyrical Abstraction and to Tachisme artists such as Nicolas de Staël, Serge Poliakoff, Andre Lanskoy, Hans Hartung, Jean-Paul Riopelle, Gustave Singier, Alfred Manessier, Roger Bissiere, "Lyrical Abstraction arose in the 1960s and 70s, following the challenge of Minimalism and Conceptual art. Many artists began moving away from geometric, hard-edge, and minimal styles, toward more lyrical, sensuous, romantic abstractions worked in a loose gestural style. These "lyrical abstractionists" sought to expand the boundaries of abstract painting, and to revive and reinvigorate a painterly 'tradition' in American art. At the same time, these artists sought to reinstate the primacy of line and color as formal elements in works composed according to aesthetic principles – rather than as the visual representation of sociopolitical realities or philosophical theories." "Characterized by intuitive and loose paint handling, spontaneous expression, illusionist space, acrylic staining, process, occasional imagery, and other painterly techniques, the abstract works included in this exhibition sing with rich fluid color and quiet energy. Artists associated with Lyrical Abstraction include: Natvar Bhavsar, Lamar Briggs, Friedel Dzubas, Sam Francis, Ronnie Landfield, Pat Lipsky...
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Israeli Contemporary Abstract Geometric Painted Pierced Sculpture Zigi Ben Haim
By Zigi Ben-Haim
Located in Surfside, FL
Zigi Ben-Haim,
Metal sculpture
Hand signed and dated Zigi Ben-Haim, 1998
Untitled, patinated aluminum or steel,
Dimensions: 6"h x 2"w x 2"d
This listing is for 1. I have 2 similar ones available.
Zigi Ben-Haim (born 1945 in Baghdad, Iraq) is an Iraqi-American-Israeli painter, collage artist and sculptor who lives and works in New York City and Israel.
Ben-Haim unveiled his sculpture, Treasure the Green, in SoHo on Broadway. The project was sponsored by the SoHo Broadway Initiative and the New York Department of Transportation's Art Program. The sculpture is considered to be the first sculpture to receive permission to be installed on a bus bulb on Broadway. The sculpture was made to "emphasize the importance of nature in our lives," and stands as a reminder of "the importance of reconnecting with the pure nature of the green." The sculpture uses the symbol of the leaf, which has been a major icon of Ben-Haim's work for the past 30 years. It symbolizes nature and it is a metaphoric way of emphasizing nature and the surrounding environment. He is of the first generation of Israeli artists to develop large international followings like Yaacov Agam, Menashe Kadishman and Avigdor Arikha.
Ben-Haim has received numerous grants and awards, including from Pollock-Krasner Foundation, National Endowments for the Arts, New York State Council on the Arts, The German Academic Exchange Service (DAAD), Emily Harvey Foundation Venice, Muestra Int. de Obra Grafica (Spain), and the Ministry of Culture in Israel. His works are included and exhibited in numerous public and private collections around the world, including the Guggenheim Museum in N.Y.C., the Jewish Museum, the Brooklyn Museum, the Israel Museum, and the Tel-Aviv Museum.
Education
1972-74 M.F.A., San Francisco State University, San Francisco, California, USA.
1972-73 M.A., J.F.K. University, Orinda, California, USA.
1971 California College of Arts & Crafts, Oakland, California, USA.
1966-70 The Avni Institute of Fine Arts, Tel Aviv, Israel.
Selected public collections
Splendid Step (2003) next to the Tel Aviv Museum of Art
Museum of Contemporary Art, Athens, Greece
Columbia Museum of Art, Columbia, SC
Israel Air Force Center Foundation, Tel Aviv, Israel
NASA, Houston, Texas
Bank Leumi USA, Fifth Avenue, New York, NY
Pfizer Company Collection, New York, NY
Reading Public Museum, Reading, PA
Guggenheim Museum, New York, NY
Haifa Museum, Haifa, Israel
Herbert F. Johnson Museum of Art, Cornell University, Ithaca, NY
New School, New York, NY
University of Maryland, College Park, Maryland.
Israel Museum, Jerusalem, Israel.
Brooklyn Museum, Brooklyn, NY
Malmö Museum, Malmö, Sweden.
Jewish Museum, New York, NY
Tel Aviv Museum of Art, Tel Aviv, Israel.
Museum of Fine Arts, Ghent, Ghent, Belgium.
National Gallery of Art, Washington D.C.
Fine Arts Museum of Long Island, Hempstead, NY
Buscaglia-Castellano, University Museum, Lewiston, NY
Dan Eilat Hotel, Israel.
International Paper Company, New York, NY
World Bank, Washington D.C.
Westminster Bank, New York, NY
Israel Embassy, Washington D.C.
Frederick R. Weisman, Los Angeles, CA.
Rikers Hill Sculpture Park, Livingston, NJ
Heckscher Museum of Art, Huntington, NY
Allen Memorial Art Museum, Oberlin College, Oberlin, Ohio
Group Exhibitions
Bertha Urdang Gallery, NY, USA
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Israeli Contemporary Abstract Geometric Painted Pierced Sculpture Zigi Ben Haim
By Zigi Ben-Haim
Located in Surfside, FL
Zigi Ben-Haim,
Metal sculpture
Hand signed and dated Zigi Ben-Haim, 1998
Untitled, patinated aluminum or steel,
Dimensions: 6"h x 2"w x 2"d
This listing is for 1. I have 2 similar ones available.
Zigi Ben-Haim (born 1945 in Baghdad, Iraq) is an Iraqi-American-Israeli painter, collage artist and sculptor who lives and works in New York City and Israel.
Ben-Haim unveiled his sculpture, Treasure the Green, in SoHo on Broadway. The project was sponsored by the SoHo Broadway Initiative and the New York Department of Transportation's Art Program. The sculpture is considered to be the first sculpture to receive permission to be installed on a bus bulb on Broadway. The sculpture was made to "emphasize the importance of nature in our lives," and stands as a reminder of "the importance of reconnecting with the pure nature of the green." The sculpture uses the symbol of the leaf, which has been a major icon of Ben-Haim's work for the past 30 years. It symbolizes nature and it is a metaphoric way of emphasizing nature and the surrounding environment. He is of the first generation of Israeli artists to develop large international followings like Yaacov Agam, Menashe Kadishman and Avigdor Arikha.
Ben-Haim has received numerous grants and awards, including from Pollock-Krasner Foundation, National Endowments for the Arts, New York State Council on the Arts, The German Academic Exchange Service (DAAD), Emily Harvey Foundation Venice, Muestra Int. de Obra Grafica (Spain), and the Ministry of Culture in Israel. His works are included and exhibited in numerous public and private collections around the world, including the Guggenheim Museum in N.Y.C., the Jewish Museum, the Brooklyn Museum, the Israel Museum, and the Tel-Aviv Museum.
Education
1972-74 M.F.A., San Francisco State University, San Francisco, California, USA.
1972-73 M.A., J.F.K. University, Orinda, California, USA.
1971 California College of Arts & Crafts, Oakland, California, USA.
1966-70 The Avni Institute of Fine Arts, Tel Aviv, Israel.
Selected public collections
Splendid Step (2003) next to the Tel Aviv Museum of Art
Museum of Contemporary Art, Athens, Greece
Columbia Museum of Art, Columbia, SC
Israel Air Force Center Foundation, Tel Aviv, Israel
NASA, Houston, Texas
Bank Leumi USA, Fifth Avenue, New York, NY
Pfizer Company Collection, New York, NY
Reading Public Museum, Reading, PA
Guggenheim Museum, New York, NY
Haifa Museum, Haifa, Israel
Herbert F. Johnson Museum of Art, Cornell University, Ithaca, NY
New School, New York, NY
University of Maryland, College Park, Maryland.
Israel Museum, Jerusalem, Israel.
Brooklyn Museum, Brooklyn, NY
Malmö Museum, Malmö, Sweden.
Jewish Museum, New York, NY
Tel Aviv Museum of Art, Tel Aviv, Israel.
Museum of Fine Arts, Ghent, Ghent, Belgium.
National Gallery of Art, Washington D.C.
Fine Arts Museum of Long Island, Hempstead, NY
Buscaglia-Castellano, University Museum, Lewiston, NY
Dan Eilat Hotel, Israel.
International Paper Company, New York, NY
World Bank, Washington D.C.
Westminster Bank, New York, NY
Israel Embassy, Washington D.C.
Frederick R. Weisman, Los Angeles, CA.
Rikers Hill Sculpture Park, Livingston, NJ
Heckscher Museum of Art, Huntington, NY
Allen Memorial Art Museum, Oberlin College, Oberlin, Ohio
Group Exhibitions
Bertha Urdang Gallery, NY, USA
Artists: Larry Abramson, Yosef Zaritsky, Zelig Segal...
Category
1980s Abstract Geometric Abstract Paintings
Materials
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American Figurative Abstract Geometric Mixed Media Painting Judy Rifka
By Judy Rifka
Located in Surfside, FL
Judy Rifka, American, 1945
Laborde Head
Mixed Media on Canvas (acrylic paint and ink)
1989
Hand signed, titled, and dated verso
30 X 24 inches
Provenance: The Estate of Theodore A Bonin.
(Ted Bonin was a principal in Alexander and Bonin, a New York gallery known for its diverse slate of conceptual artists. He started at Marlborough gallery London in the 60s, then in partnership with Brooke Alexander. In its stable were a host of esteemed artists: Willie Cole, Rita McBride, John Ahearn, Paul Thek...
Category
1980s Abstract Geometric Abstract Paintings
Materials
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Large Pop Art Painting Dennis Hollingsworth LA Artist Post Modernist Abstract
By Dennis Hollingsworth
Located in Surfside, FL
Dennis Hollingsworth (American, b. 1956)
large scale painting, 1994
"Leaf Blower #15", oil & alkyd on canvas over wood panel,
Hand signed and dated verso,
Dimensions: 72" X 72"
Dennis Hollingsworth, Born 1956 in Madrid, Spain he has lived and worked in Los Angeles, California. He currently lives and works in New York City and Tossa De Mar Spain.
He attended Claremont Graduate School, Claremont, USA, 1991, B.A. Architecture, California Polytechnic State University, San Luis Obispo, USA, 1985
Dennis Hollingsworth is a painter whose works combine abstraction with a pop art sensibility. The newer pieces bring to mind other artists whose work also investigates the structure and support, including Molly Zuckerman-Hartung, Elizabeth Murray, Ron Gorchov, James Hyde, Rosy Keyser, and Fabian Marcaccio.
His first exhibition was Painting Beyond The Idea at Manny Silverman Gallery in Los Angeles, CA in 1995, and the most recent exhibition was TEN at Hionas Gallery in New York City, NY in 2021. Dennis Hollingsworth is most frequently exhibited in United States, but also had exhibitions in Germany, Spain and elsewhere. Hollingsworth has at least 27 solo shows and 67 group shows over the last 26 years. Hollingsworth has also been in no less than 14 art fair. A notable show was Dennis Hollingsworth - Wet On Wet at Blum & Poe in Los Angeles, CA in 1996. He was included in the show “Under Erasure” at Pierogi Gallery curated by Heather and Raphael Rubinstein. Artists included: Jean-Michel Basquiat, Mel Bochner, Jane Hammond, Dennis Hollingsworth, Glenn Ligon, Richard Prince, Robert Rauschenberg, Nicole Eisenman and Antoni Tapies. His work was exhibited in 1999 at the Kunsthalle Basel as part of the group show ‘Nach-Bild’, which also featured artists Richard Hamilton and Laura Owens. Other notable shows were at Nicole Klagsbrun Gallery in New York City, NY and Kohn Gallery in Los Angeles, CA. Dennis Hollingsworth has been exhibited with Katharina Grosse and Herbert Brandl. Dennis Hollingsworth’s art is in museum collections, including MOCA Grand Avenue in Los Angeles, CA and Columbus Art Foundation in Ravensburg among others. He is represented by Hionas Gallery, New York, NY
1956, BORN IN MADRID, SPAIN
1985, BACHELOR OF ARCHITECTURE, CALIFORNIA POLYTECHNIC STATE UNIVERSITY
1991, MASTERS OF FINE ARTS, CLAREMONT GRADUATE SCHOOL
LIVES AND WORKS IN NEW YORK CITY, USA AND TOSSA DE MAR, SPAIN
SOLO EXHIBITIONS:
GALERIA MIGUEL MARCOS, BARCELONA, SPAIN
GALERIE RICHARD, NYC, USA
HIONAS GALLERY, NYC, USA
FRONT GALLERY, HOUSTON, TEXAS, USA
TOMIO KOYAMA GALLERY (HIKARIE),TOKYO, JAPAN
MICHAEL KOHN GALLERY, LOS ANGELES, CA, USA
CIRRUS GALLERY, LOS ANGELES, CA, USA
GALERIA PELAIRES, PALMA DE MALLORCA, SPAIN
NICOLE KLAGSBRUN GALLERY, NEW YORK, NY, USA
GALERIA ANA SERRATOSA, VALENCIA, SPAIN
GALERIE ANDRÉ BUCHMANN, COLOGNE, GERMANY
GALERIE TANYA RUMPFF, HAARLEM, NETHERLANDS
GALERIE MARK MULLER, ZURICH SWITZERLAND
CHAC MOOL GALLERY, LOS ANGELES, CA, USA
BRETT/MITCHELL SHAHEEN GALLERY, CLEVELAND, OH
BARBARA FARBER/LA SERRE, TRETS FRANCE
THE BOX, TORINO, ITALY
STEENDRUKKERIJ AMSTERDAM, M.V., HOLLAND
BARBARA FARBER/ROB JURKA GALLERY, AMSTERDAM, HOLLAND
LAWING GALLERY, HOUSTON, TX, USA
SCHMIDT CONTEMPORARY ART, ST. LOUIS, MI
MEYERSON & NOWINSKI GALLERY, SEATTLE, WASHINGTON
BLUM POE GALLERY, SANTA MONICA, CA, USA
SCARABB GALLERY, CLEVELAND, OH
BENNETT ROBERTS FINE ART, LOS ANGELES, CA, USA
LEE ARTHUR STUDIO, NEW YORK, NY
STUDIO RAID GALLERY, LOS ANGELES, CA, USA
GROUP EXHIBITIONS
2020 “OEUVRES CHOISIES”, GALERIE RICHARD, PARIS
GALERIE RICHARD, NYC, PARIS Rainer Gross, Dennis Hollingsworth, Kim Young-Hun, Jeremy Thomas.
“UNTITLED”, GALERIE RICHARD, NYC, PARIS
2019
“LITTORAL”, MUNICIPAL MUSEUM OF TOSSA DE MAR, TOSSA DE MAR, SPAIN
“DIVINE INTERVENTIONS”, CHRIST EPISCOPAL CHURCH IN SAG HARBOR, LONG ISLAND, USA
“ANGLES DE REFLEXIÓ”, GALERIE RICHARD VANDERAA, GIRONA, SPAIN
2018
“UNDER/ERASURE”, PIEROGI GALLERY, NYC, USA
“COLOR MATTERS”, GALERIE RICHARD, NYC,USA
“EVOLUTION”, GALERIA MIGUEL MARCOS, BARCELONA, SPAIN
“WORKS FROM THE GALLERY ARTISTS AND THE COLLECTION 3”, TOMIO KOYAMA GALLERY, TOKYO, JAPAN
2012
“NEXUS”, GALERIA MIGUEL MARCOS, BARCELONA, SPAIN
“FOR EXAMPLE PAINTING”, GALERIE MARK MÜLLER, ZÜRICH, SWITZERLAND
“FRÜHLING”, GALERIE EUGEN LENDL, GRAZ, SWITZERLAND
2011
GROUP SHOW, GALERIE MARK MÜLLER, ZÜRICH, SWITZERLAND
“ALUSIONES-ILUSIONES”, GALERIA MIGUEL MARCOS, BARCELONA, SPAIN
“THE WORKING TITLE”, BRONX ART CENTER, BRONX, NEW YORK, USA
“GREATER LA”, NEW YORK, NEW YORK, USA
2010
25TH ANNIVERSARY SHOW, MICHAEL KOHN GALLERY, LOS ANGELES, CALIFORNIA, USA
“CRYSTAL WORLD”, ANDRE BUCHMANN GALLERY, BERLIN, GERMANY
GROUP SHOW, TOMIO KOYAMA GALLERY, TOKYO, JAPAN
PINTURA SIN TREGUA GALERIE MIGUEL MARCOS, BARCELONA, SPAIN
GROUP SHOW, TANYA RUMPFF GALLERY, HAARLEM, NETHERLANDS
PALM PAINTINGS, ANDRÉ BUCHMANN GALLERY, BERLIN, GERMANY
2007
“QUIRKY”, WESTPORT ART CENTER, WESTPORT, CONNECTICUT
“ROOM 3: ACCROCHAGE”, GALERIE MARK MÜLLER, ZÜRICH, SWITZERLAND
“POP ART 1960’S TO 2000’S”, HIROSHIMA CITY MUSEUM OF CONTEMPORARY ART, HIROSHIMA, JAPAN
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