Framed Animal Paintings

Artist: Johnson Title: Secretariat Year: 1975 Medium: Oil on Canvas, signed Size: 66.5 x 50 in. (168.91 x 127 cm) Frame Size: 71.5 x 55.5 inches

Konstantin Razumov (Born 1974) Russian ‘Westie’, Study of a West highland White Terrier Oil on Canvas: 6 ½ x 9 1/2 in. (frame: 14 x 17 in.) Signed, an...

Godfrey Douglas Giles (1857-1941) British, Oil on canvas. A fine equine portrait of St Windeline & Woolwinder. Signed 'G. D. Giles' and dated (1904) lower right. Inscribed in pencil ...

Horse portrait is an original modern artwork realized in the mid-20th century by Hans Cortes. A mixed colored oil painting on canvas. Hand signed by the artist on the lower margin....

Stag & Deer Grazing In The Frozen Scottish Highlands, 19th Century by ROBERT HENRY ROE (BRITISH 1822-1905) Large 19th Century Scottish Highland scene of a deer & Stag grazing in a ...

Gerard ter Borch (II) (1617-1681), copy after, around 1700 'Boy Fleas a Dog' Oil on canvas Professionally restored (cleaned and relined) In modern frame in 17th century style Dimensions excl. frame: 33 x 27,5 cm. Dimensions incl. frame: approx. 50 x 45,5 cm. Depcited is a boy busy fleaing a dog. The boy sits on a chair with the dog on his lap. On a table on the right there is a book and a pen. On a wooden bench lies the boy's hat. What is unique about this painting by Ter Borch, is the relationship that is depicted between human and animal. Mostly animals like dogs where depicted as an attribute in paintings in the 17th century, and sometimes used to symbolize certain character traits. This boy is lovingly caring for his dog, which he is giving his full attention. Another interesting detail is that Ter Borch's brother Moses, was probably the model for this painting. Ter borch often used family members as models for his paintings. Moses was also a very talented painter and draughtsman. Several copies of this work by Ter Borch are known. One of these copies is in the collection of the Dutch Rijksmuseum (Image included in the image gallery (last image)). The original painting is in the collection of the Alte Pinakothek museum in Munich, Germany. Gerard ter Borch, also known as Gerard Terburg, was a Dutch genre painter who lived in the Dutch Golden Age. He influenced fellow Dutch painters Gabriel Metsu...

Decorative, antique oil painting, dog portrait, 19th century, signed and dated. Dimensions including frame.

Octopus - 2019 - mixed media on canvas applied on cardboard (oil painting, china ink and paint) - 28 cm x 45,5 cm - original frame designed by the author ( 37 cm x 59 cm ).

Finely painted American impressionist chicken grazing landscape oil painting. Framed. Oil on board. Image size, 9H by 11L.

Oil on canvas, signed lower left. Measures 32.25" x 37.5" including the frame. Know for his paintings of scenes in the highlands of Scotland, John Barker, British 1811 to 1886.

Constant Troyon (French 1810-1865) Shepherdess After The Storm. A large and powerful plein air Barbizon painting by The master Constant Troyon representing a Shepherdess giving at yo...

Ornamental Fowl Fighting, circa 1700 circle of MARMADUKE CRADOCK (1660-1716) Large circa 1700 Scene of ornamental fowl defending the hen and chicks, oil on canvas circle of Marmadu...

J. F. Herring Snr. (British, 1795-1865), A carriage horse partly tacked in a stable 1845 Oil on canvas Signed and dated middle right With an old inventory number verso Property of a...

The Country Cottage by Norman Coker (British contemporary), signed lower corner oil painting on board, framed framed size: 26 x 30 inches condition: very ...

Original and unique artwork by Hunt Slonem. Oil on wood Artwork is framed, framed dimension 43.5 x 33.5 inches. Signed Verso, titled and dated. This striking artwork features a gold...

Attributed to Morten Müller (1828-1911) and Olaf Christopher Dahl (1842-1895), signed lower right, this extraordinary antique oil painting captures the timeless beauty of 19th century Norwegian pastoral landscape. This exceptional collaborative masterpiece, painted circa 1870-1880 during the golden age of Norwegian landscape art, depicts an enchanting countryside scene where a young shepherd boy guides his cattle to a tranquil watering hole. The composition unfolds like a gentle poem of rural life, with lush vegetation embracing rolling hills while an ancient windmill stands majestically on the distant hillside, creating striking focal point and masterful perspective. Rich oil painting technique reveals the artists' shared vision of Norway's serene countryside, where peaceful pastoral tranquility below contrasts dramatically with gathering storm clouds above. This romantic Norwegian landscape tradition showcases nuanced brushwork and atmospheric effects that exemplify the peak of Scandinavian art movement. Both renowned Norwegian artists are prominently featured in National Museum Oslo permanent collection, confirming their significant contribution to Nordic artistic heritage. This rare antique oil painting represents sublime testament to 19th century collaborative artistry, where two masters united their talents to create lasting vision of Norway's natural beauty. Size app.: 46 x 69 cm (roughly 18.1 x 27.2 in), with frame 60 x 84 cm cm (roughly 23.6 x 33.1 in). Good condition with wear, tiny losses to paint in minor areas and craquelure. So it needs minor care and conservation. Please study good resolution images for overall cosmetic condition. In person actual painting may appear darker or brighter than in our pictures, strictly depending on sufficient light in your environment. Weight of app. 4.4 kg is going to measure some 6 kg volume weight packed for shipment. Morten Müller began his art studies with Adolph Tidemand and Hans Gude in Düsseldorf, Germany, from 1847 to 1848. From 1850 he was again a student at the Kunstakademie Düsseldorf, with Johann Wilhelm Schirmer as a teacher. From 1850 to 1851, Müller painted with the Swedish landscape painter Marcus...

Artist: Slonem, Hunt Title: Player Date: 2024 Medium: Oil on Wood Unframed Dimensions: 10" x 8" Framed Dimensions: 14.5" x 12.5" Signature: Signed Verso Edition: Unique Proven...

A small octopus is inked in the Japanese style of Gyo-Taku print making. Using sumi ink to "print" the octopus, the artist then embellishes it with colored pencil to convey an extraordinary dimensionality. By printing it on Mulberry paper, which mimics the swirl of water, the artist achieves a beautiful aesthetic. The artwork is matted and framed in a white wooden frame measuring 18.25h x 24.25w x 1d inches. Jeff Conroy Cobalt Canary sumi ink and colored pencil on mulberry paper 12.50h x 18.25w in 31.75h x 46.35w cm JEC122 Gyotaku - A Japanese word translated from "gyo" meaning fish and "taku" meaning stone impression and is believed to get its inspiration from Chinese stone rubbings...

Thomas Swanston was born 1956 in Annapolis Md., Naval Hospital. He graduated from Hobart & William Smith Colleges 1978 with a Bachelor of Arts, with studi...

Hunt Slonem’s "Monsoon India" features two vivid blue parrots facing each other amid a swirl of bold, gestural brushstrokes. Slonem’s signature layering technique adds depth and te...

If anyone would like to do the research on the painter “J. Ericson” who signed this wonderful late 19th-century painting of cows grazing in a swamp, you might find they were really n...

Derek Hirst (British, 1930-2006) La Mouche No.I (1952) Oil on canvas 20 x 24.1/4 in. (51 x 61.6 cm.) Provenance: Flowers East Gallery, Richmond Derek Hirst (b. in Doncaster, Y...

Claudia Griesbach- Martucci's "Timeless Dreamer" is an original, handmade oil painting that depicts a mouse perched atop a clock with a crescent moon in the background. About the A...

William M. Hart (1823 - 1894) Interior of a Stable Oil on canvas 17 x 12 inches Provenance William Macbeth Gallery, New York Mrs. Mabel Brady Garvan Collection Christie's New York, Sporting Art, November 28, 1995, Lot 116 Ann Carter Stonesifer, Maryland Estate of above Brunk Auctions, Asheville, North Carolina, January 27 2018, Lot 777 Exhibited New York, The Metropolitan Museum of Art, Life in America, April 24 - October 29, 1939, no. 123, illustrated. New York, Macbeth Gallery, 1892: Sixtieth Anniversary Exhibition, April 1952, p. 5, no. 18. Literature Turner Reuter Jr, Animal and Sporting Artists in America, Middleburg, Virginia, 2008, p. 306. Gary Stiles, William Hart: Catalogue Raisonné and Artistic Biography, no. 1126, illustrated. It should be noted that the Francis Patrick Garvan and Mrs. Mabel Brady Garvan collection, of which this painting was a part of, was one of the foremost American Art collections and now makes up a large part of the Smithsonian American Art Museum and the Yale University Art Gallery collections. Born in 1823 in Paisley, Scotland, William Hart emigrated with his parents to the United States at the age of nine and settled in Albany, New York. It was here that Hart first began his artistic training when he was placed under the tutelage of Messrs, Eaton & Gilbert, the prestigious coach-makers from Troy, New York. During this time, Hart learned how to decorate coach panels, covering them with either landscapes or figurative compositions. At the age of seventeen, he was eagerly contemplating an artist’s profession. Consequently, he left the mechanical trade of coach-making and began expanding his artistic pursuits to more refined endeavors. Hart followed coach-making with decorating window shades and later developed an interest in portraiture. Around 1840, he established his first formal studio in his father’s woodshed in Troy. There, he created many likenesses of individuals, affording him a nominal income. Once, he remarked that he felt prouder over his first fee of five dollars for painting a head then for the larger sums he would command later in his career. Nevertheless, his wages from portraits during this early period proved insufficient. Thus, he expanded into landscape painting, allowing him to barter his works or sell them for modest prices. In 1842, Hart moved to Michigan in an attempt to further his success; portraiture remained his primary means of support. Unfortunately, his experiences in the West were disappointing. Hart spent three years living a rough existence until he finally returned to Albany in 1845. Upon his return, he fully devoted himself to the art of landscape painting. Despite his failing health, he worked diligently to perfect his skill until 1849 when he traveled abroad to his native land of Scotland. This trip was made possible through the generosity of his patron and advisor, Dr. Ormsby of Albany. For three years, he studied in the open-air, creating brilliant sketches of the Scottish Highlands and the surrounding British Isles. Returning to Albany once more in 1852, Hart enjoyed improved health and was reinvigorated with purpose. The following year, he moved to New York and opened a studio, promoting himself as a specialist in landscape painting. Hart became a regular contributor to the National Academy of Design. His works received a great deal of attention from artists and connoisseurs alike, all of whom praised him for his fresh, self-taught style. In 1855, he was designated as an associate of the National Academy of Design; three years later he was elected to Academician. In 1865, he was unanimously chosen to be the first president of the Brooklyn Academy of Design. It was during his tenure there that he delivered his famous lecture The Field and Easel, which emphasized the distinguishing principles of landscape art in America. Hart argued that landscape painters should express the “look of the place” being depicted.Critics during the 1870s noted his sensitive balance between capturing a strict “real” interpretation of nature and that of a more “ideal” sentimental tone. For instance, in 1869, Putnam Magazine noted that Hart brought back “exquisite studies” of the surrounding Tappan...

Rural Mountain Scene with Sheep in Ireland by Post War Modern Irish Artist, David Overend. Art measures 16 x 12 inches Frame measures 25 x 21 inches ...

Alfred BRUNEL NEUVILLE (1852-1941) Interior with cats Oil on canvas signed low right Old frame re-gilded with gold leaves Dim canvas : 54 X 75 cm Dim frame : 74 X 85 cm Alfred BRUNE...

Monogram work A.B. Work on cardboard Plaster moldings frame and gilded wood 44.5 x 39.5 x 5 cm

George SMITH RSA 1870 – 1934 Canvas Size 16 x 20" (40 x 50cm) Outside Frame Size: 23 x 27" (59 x 69cm) He was born in 1870 at Midcalder, where his father had a meal mill. Probably f...

Walter Herbert Wheeler (British, 1868-1960) A noble bulldog signed ‘WH Wheeler (lower right) oil on board 7 ¾ x 7 ¼ in. (19.7 x 18.3 cm.) with frame 10 x 9 ¾ in. (25.4 x 24.8 cm.) ...

Alexander Koester 1864-1932 German Ducks in a Pond Signed "A. Koester" (lower right) Oil on canvas Alexander Koester is one of the great animal painters of art history, and this ...

Waddell's paintings are a combination of rough marks, thick paint, transparent elegant strokes, and, on a few occasions a slow, hard line scratched into the canvas. You can feel the ...

A delicate oil on canvas landscape capriccio of an Arcadian landscape with figures and sheep and goats in the foreground. A stormy sky and blasted tree populate the landscape and the...

GEORGE (SMITH) ARMFIELD This is a classic example of George Armfield's paintings with terriers. Picture Size: 10 x 14" (25 x 35cm) Outside Frame Size: 16 x 20" (40 x 50cm) Exhibitio...

Divertente interno con tavolo ,oggetti e rospo, il titolo -Baciami- è riferito al rospo..... magari diventa un principe...

This 20th century oil painting of mare and two foals is set in an idyllic landscape with mature old tree, stone well and cottage in the background; by Robert Alexander, signed and da...

Wonderful English late 20th century Field Mouse in a landscape. Signed and dated 1981 Chris Howells was born in 1947 and passed away in 2013. He studied Graphic Design at Stourbrid...

Hunt Slonem - Lakeside Original Framed Oil Painting. Signed on Verso. Our Gallery works directly with Hunt Slonem. This painting was acquired directly from the artist and has the ...

"On the Hunt", is a 24x36 oil painting on board by artist Leslie Peck featuring a fox hunt scene of horses and hound dogs crossing a stream, following the ...

Parrot, Snake, Lizard and Ducks, 17th Century Genoese School Fine Large 17th Century Italian Old Master from the Genoese School of a parrot, ducks a lizard and snake, oil on canva...

20 x 24 (canvas size) 25.5 x 29.5 (w/ frame) Signed and Dated Lower Left Paul Harney (1850-1915) Born in New Orleans on October 21, 1850, he was a landscape, portrait and still-li...

Artist: Slonem, Hunt Title: Green Peace Date: 2024 Medium: Oil on wood Unframed Dimensions: 10" x 8" Framed Dimensions: 14.5" x 12.5" Signature: Signed verso Edition: Unique ...

This lovely dog portrait oil painting is attributed to an artist from the English School. It is an oil on board portrait oil painting and depicts a brown and white Italian greyhound with a black collar called Midfield Role in a landscape. Lower left is a ribbon with the dogs name on it. The accomplished animal artist has perfectly captured the Italian greyhound...

Charming late 19th or early 20th century oil on board. This little gem has great detail of a horse with a feedbag in a landscape. It is signed or initialed but I cannot make it out. ...

Signed and dated lower left: "E. BURRILL. /96." Edward Burrill is best-known today as one of the seven Lynn Beach Painters. However, his career as a painter began, not with the be...

Bovine Beauties Realist, Light/ Shadow Oil Painting 20"x16" Landscape . The second image shows how the painting will look. I am waiting for professional photos by 2/14. Bovine B...

Dramatic and colorful painting of two Koi. Circa 2000. Signed lower right corner "Linda H." Presented in white painted frame. Image size: 18"H x 36"W.

Terriers Ratting in the Barn by Frank Cassell (British 1862-1908) signed and dated 1889 oil on canvas, framed framed: 14.75 x 19.75 inches canvas : 12 x 16 inches Provenance: private...

To see more, scroll down to "More from this Seller" and below it click on "See all from this Seller." Michel Dureil (1929 - 2011) La Table du J...

Wright's works often depicted scenes of hunting, coaching, and rural life, reflecting the traditions and leisure activities of the British upper class. His attention to detail and ab...

‘Trois Amis’, large antique Orientalist oil painting by Adam Styka Polish/ French, Early 20th Century Canvas: Height 61cm, width 73cm Frame: Height 78cm, width 91cm, depth 5cm This ...

Hunt Slonem - Pale Blue Hutch Original Framed Oil Painting. Signed on Verso. Our Gallery works directly with Hunt Slonem. This painting was acquired directly from the artist and h...

Study Of Farm Birds, 17th Century attributed to Melchior DE HONDECOETER (1636-1695) Huge 17th century Dutch Old Master still life of various farm bir...

Gouache and ink on paper artwork of horses by Alexander Calder framed under glass in gold leaf frame. Signed and dated "Calder 76" in lower right corner....

John Cordrey (c.1765-1825) A light chaise and four signed 'J.Cordrey/1793' lower left Oil on canvas Canvas Size 13 x 17 in Framed Size 15 1/2 x 20 1/2 in John Cordrey (active c. 179...

Henry Barraud British, (1811-1874) Horses & grooms at Mount Mascal Oil on canvas, signed Image size: 15.25 inches x 29.25 inches Size including frame: 21.25 inches x 35.25 inches ...

Artist: Slonem, Hunt Title: Lilliana Date: 2023 Medium: Oil on wood Unframed Dimensions: 10" x 8" Framed Dimensions: 16" x 14" Signature: Signed verso Edition: Unique Hunt S...

"Saratoga stables", is a 24x36 oil painting on canvas by artist Dahl Taylor featuring a brown horse being led back to the stable after morning workouts at Saratoga Race Course. Bright sun saturates the side of the green structure while a canopy of trees provide shade. About the artist: Over 30 years Taylor has worked on a wide variety of projects. Taylor has concentrated on illustration assignments for national corporate & publishing clients and museums. Commissioned portraits include the official portrait of a former NYS Attorney General, which hangs in the N Y State Capitol, and portraits for major institutional & corporate collections. Taylor has created paintings for limited edition prints for the National Law Enforcement...

Wright Barker R.B.A. (1864-1941) "Faithful companions" - Collies in a Highland loch landscape signed and dated 'Wright Barker/ 1898' (lower right) Oil on canvas Canvas Size - 36 x 48...

Early 20th century English portrait oil of a Falcon hunting bird in a landscape. George Anderson Short was an English painter of Animal, Hunting...

A vivid and densely populated cockfighting scene painted in 1950 and signed Allatteini L., lower right, with the inscription St. Thomas 50. This large-scale oil captures the spectacl...