Framed Animal Paintings

This is an original unique watercolour by the artist. Florence Emily Lumb lived and exhibited her work between 1897 – 1901 in Liverpool at the Walker Art Gallery.

Shepard Boy Crossing A Ford Frank Traies (British, fl. 19th Century) signed & dated 1852 oil on canvas, framed framed: 23 x 29 inches painting: 18 x 24 in...

This is a unique original Large acrylic painting on board in a naive primitivism style by Serg Graff Titled "Funny Giraffe". It comes signed, dated, and with COA (Certificate of Aut...

"Y'a toujours du soleil dan mon cœur et dans ma tête" which translates to "There is always sunshine in my heart and in my head," is a framed mixed media work on canvas by Nathalie Bo...

Approximate Date: 1920-1925 Medium: Oil on Canvas Signature: Signed Lower Right Size: 29.50" x 23.00" Interwoven Socks Advertisement Literatu...

A charming, signed and dated 1883, oil on canvas painting of a soldier and his horse in period gilt-wood frame.

"American Flamingo" is an original watercolor and layered hand-cut paper artwork by Nayan and Vaishali measuring 10.25”h x 10.25”w framed
. Vaishali...

Paul Riba (American, 1912-1977) Bighorn Sheep Oil on paper Signed lower right 25 x 30.5 inches 30.5 x 36 inches, framed Paul Riba was a painter of Magic Realism. He explored the un...

Set of Four (4) Hunting Scenes British School, 20th century signed Hallard 4 x oil on board, framed inscribed verso each framed: 8.5 x 6.5 inches each board: 7.5 x 5.5 inches proven...

Infused with the vibrancy of pop art and the emotional depth of expressionism, this acrylic and oil painting is a visual ode to affection. The synthesis of dynamic textures and sooth...

Attributed to Friedrich Voltz (1817–1886) – Bucolic Cattle Scene Artist: Attributed to Friedrich Voltz Period: 19th Century Medium: Oil on Canvas Dimensions: Framed: 35 x 40 cm Artw...

Fabulous 19th Century oil on canvas portrait of a child with their dog. It is signed and dated 1872 underneath the gold matting. I cannot decipher the signature. Painting could be ei...

Work on wood Golden wooden frame 45 x 51.5 x 3.5 cm

SAFETY IN NUMBERS 2017 New York, New York A tongue-in-cheek commentary on the herd and sense of safety in following the crowd. Four gazelle skulls are stacked together with handwritten vignettes threading together their stories, as follows: 2. CURTAINS Water Near The Bed Awake for all of it 108” 3. ALLEY DOOR Sugar High...

Harvey Gregory Prusheck (Slovenian/American, 1887-1940) Bison Oil on board Signed lower right 9.5 x 11.5 inches 16.5 x 18 inches, framed Harvey Gregory Prusheck was a Slovenian-Amer...

Medium: Oil Painting Signature: Signed Lower Right Sight Size 24.00" x 20.00", Framed 31.00" x 27.00" The Saturday Evening Post cover illustration, December 1907

Francesco Belotto (1721–1780) "Eucharistic Miracle of the Mule and the Heretic Before Saint Anthony of Padua" Framed: 82 x 170 cm Flat: 76 x 161 cm Medium: Oil on canvas This dramat...

The Country Cottage by Norman Coker (British contemporary), signed lower corner oil painting on board, framed framed size: 26 x 30 inches condition: very ...

BLACK CAT Size: 35 x 29 cm Oil on board A small and engaging portrait composition, painted in a naïve style in oil onto panel, by British artist Matt Rix. This painting features a...

Delton Demarest's "Studio Bunny" (2024) is an original oil painting depicting a small bunny eating a piece of hay. Delton Demarest has been working in the freelance industry for man...

Hunt Slonem "Mottled" Orange, White and Red Bunny A single rabbit gestured in black on a mottled orange, white and red background in a vintage frame Unframed: 10 x 8 inches Framed: ...

5023 Circus and performers in a black and white color scheme . Set in a custom frame Signed Williams 1974

Ashley John is proud to offer this artwork by: Gershon Benjamin (1899 - 1985) Gershon Benjamin is a painter of portraits, landscapes, still lives, and the urban scene. He had a pro...

Lord of Luckenback is an oil painting of a Texas Rooster prancing in the field. It is 20 x 16 and comes with a custom made frame. Artist Statement: " I am inspired by the simple ev...

3715 Acrylic on board Set in a faux vintage bamboo wood frame

Adriana van Zoest Neighbourhoodcat 13 x 20 cm Framed in a black wooden frame: 22 x 30 cm Oil paint on wood panel Dutch artist, painter, Adriana van Zoest, lives and works in Warmen...

Original holiday cover for The Sportsman magazine, published December 1934. The image features an equestrian feeding a horse. Medium: Oil on Canvas Signature: Signed Lower Right

Joséphine Beaudouin (1909-2005) Poetry of the Bird, surrealist painting, 1948 Oil on canvas Signed "Joséphine Beaudouin" and dated "1948" lower left 13,7 x 10,6 inch Born in Albi in 1909, Josephine Beaudouin (née Cals) showed an early interest in drawing. At the age of twelve, she moved to Paris where her mother, Jeanne Ramel-Cals, ran a literary salon that was frequented by art world figures such as Ambroise Vollard. In 1925, while her first drawings appeared in the magazine Crapouillot, the young artist entered the School of Decorative Arts where she studied fresco painting. She married the architect Eugène Beaudouin in 1928, with whom she traveled throughout Europe. Beaudouin, a member of the Académie des Beaux-Arts, designed a series of buildings that were precursors of modern architecture in France (Clichy, Maison du Peuple; Antony, Résidence universitaire Jean Zay). Josephine Beaudouin exhibited at the Salon des Indépendants, the Salon des Tuileries, the Salon d'Automne and the Salon des Artistes Décorateurs. The work of the one that Jean Cocteau described as "bewitching" is full of mystery. Her work bears the stamp of an extraordinary personality. Indeed, Josephine Beaudouin developed a penchant for dreams at a very early age and took refuge in the works illustrated by Gustave Doré. Her technical virtuosity and overflowing imagination were praised by the critics of her time who unanimously greeted her Marmorées (ill.1). Named by René Barotte, these are paintings made on marble slabs from 1955. The artist exploits the infinite resources of the veins of this support which inspires him poetic compositions with unusual subjects. Marked by surrealism, she returns to the fantastic by delivering a prodigious creation of the mind made of dreamed cities and trompe-l'oeil. The 1948 painting that we propose probably represents a red-billed chough. The bird is a recurring theme in the work of Josephine Beaudouin, as in her life. An avid ornithologist, she kept an aviary in her Parisian home where many island birds were kept. She also built up a collection of stuffed birds. Still on this theme, the writer Claude Aveline (1901-1992), author of the poem L'Oiseau-Qui-N'Existe-Pas, invited several visual artists to freely interpret what this bird could be. The first series of works was produced between 1956 and 1963. In 1957, Joséphine Beaudouin delivered a work with a pen of great finesse, now preserved at the Centre Pompidou (ill.2). Several renowned artists also responded to the invitation of the poet such as Jean Cocteau and Ossip Zadkine. The precision of the graphics of our painting testifies to an attentive observation of the anatomy of the birds. The artist paints with great delicacy: the technique is impeccable, the drawing is careful, the material is smooth, the details are represented with great finesse and mastery. Bibliography : Fernand Pouillon...

Sold as a pair/Final price is for two paintings of 'Hunting scenes" by Henry Barraud (1811–1874), a British painter best known for his portraits, genre scenes, and animal paintings, ...

GROWING UP (#1) is a unique oil on canvas painting by contemporary artist Zoran Šimunović, dimensions are 180 cm × 150 cm (70.9 × 59.1 in). The artwork is sold framed. Dimensions of ...

"Brahmins of Guanacaste" an oil landscape of cattle set in the northwest region of Costa Rica is painted by Hans Guerin, a descendent of the founder of the...

We are offering a painting for sale by the Swedish artist Nils Andersson (1817–1865). This beautiful landscape showcases Andersson’s characteristic style of capturing Swedish nature ...

Oil on canvas Canvas size: 30.5 x 25 inches Framed size: 35 x 29.5 inches Signed and dated 1865 lower left

Jim's of Lambertville Fine Art Gallery is proud to present this piece by Harry Leith-Ross (1886 - 1973). The son of an English father and a Dutch mother, Harry Leith-Ross was born in the British Colony of Mauritius, an island in the Indian Ocean a thousand miles off the southeast coast of Africa. His first formal art instruction began in England under Stanhope Forbes, followed by studies with Jean Paul Laurens at the Academie Julian in Paris. Leith-Ross came to the United States to enroll at the National Academy of Design in New York City in 1910, and then to Woodstock, in 1913. It was in Woodstock at the Art Students League, under the tutelage of Birge Harrison and John F. Carlson, that Leith-Ross would receive the training that most influenced his career as an artist. There he formed a lifelong friendship with fellow artist, John Folinsbee. The two artists shared a studio during this time and participated in several joint exhibitions exclusively featuring their work, including an exhibit at the Louis...

"Reckoning" by Brian Mashburn is a captivating and haunting masterpiece that invites viewers to explore a foggy mountain landscape. This original painting is meticulously crafted usi...

(Note: This work is part of our exhibition Connected by Creativity: WPA Era Works from the Collection of Leata and Edward Beatty Rowan) Oil on canvas, 18 x 14 inches unframed, 22 x 18 inches framed, signed and dated lower right, inscribed “Mother and Son by Herman Maril ‘31” and “property Edward B. Rowan Falls Church VA” verso Literature: i) Dows, Olin, Herman Maril, The American Magazine of Art, Vol. 28, No. 7 (July 1935), p. 407 (illustrated with the title “Mare and Colt...

'Portrait of a Reposing Cat', oil on board, by F. DuParc (circa 1960s). A thoroughly modern depiction of a colourful, contented feline most likely inspired by Italian Futurist, Fortunato Depero (1892-1960). Futurism corresponded to Cubism sharing several elements including faceted or segmented shapes. Cubism however, was generally static and more subdued whereas Futurism was bright and dynamic embracing technology, mechanisation, power and energy. In this work, the vibrant colours and serene look on the subject transmit a sense of optimism - life is good...

This figurative dog portrait titled "Afghan Hound I (Hindu Kush Mountains)" is an original artwork by Emily White made of acrylic paint on wood panel. This ...

3rd Version's "Masks We Wear, to Coincide" is an oil painting depicting a fox wearing a fox mask accompanied by a furry masked friend in a desert landscape. Artist Statement: I am ...

Mid-Century - Horse Race #28 Pierre Bosco (Italy/France, 1909-1993) Oil on canvas 9 /78 x 6 7/8 (17 7/8 x 14 5/8 inches, frame size) *Frame appears to be original and made by the art...

Charles Walter Simpson. English ( b.1885 - d.1971 ). Dartmoor Ponies, Devon. Oil On Board. Signed Lower Right. Image size 20.7 inches x 28.2 inches ( 52.5cm x 71.5cm ). Frame size 29.5 inches x 37 inches (75cm x 94cm ). Available for sale; this original oil painting is by Charles Simpson and dates from the 1930s. The painting is presented and supplied in a contemporary and sympathetic wood frame (which is shown in these photographs) mounted using conservation materials and behind non-reflective Artglass AR 70™ glass. The previous ply backboard has been retained and is secured onto the new replacement backboard for posterity. This vintage painting is in very good condition, commensurate with its age. It wants for nothing and is supplied ready to hang and display. The painting is signed lower right. Previously with Harris & Sons, 70 George Street, Plymouth, Devon in July 1936. Charles Walter Simpson, known as Walter, was a leading figure in the Newlyn and St Ives art colonies in the early part of the twentieth century. He is perhaps best known in America for his horse paintings but is also widely acclaimed for his mastery of birds. It has been said that as a painter of wildfowl Simpson can have few rivals. He worked in oils, watercolors and tempera. Walter was born at Camberley on 8th May 1855. His mother was Leonora (nee Devas) and his father was Major-General Charles Rudyard Simpson of the Lincolnshire Regiment. Initially Walter was educated by a private tutor, and he later attended the Herkomer School at Bushey. As a youngster Walter was destined for a military career. However, this was prevented by a riding accident which affected both his hearing and sight. He had a considerable talent for drawing and determined to become an artist instead. Walter was initially largely self-taught, but then received guidance from family friends such as G.F. Watts and H.W.B. Davis, RA. He later studied for a short time under the renowned animal artist Lucy Kemp-Welch at Bishley, then with Sir Alfred Munnings, with whom he developed a life-long friendship, at Swainsthorpe. Munnings encouraged him to visit Cornwall, where he studied under Stanhope Forbes RA in Newlyn. Simpson’s first home in West Cornwall was Penzer House in Newlyn, where he was living in 1908. Finally, Simpson completed his studies at the Academie Julien in Paris in 1910. On his return from Paris, Simpson moved to Cornwall again and became engaged to fellow artist Ruth Alison just a couple of days after first meeting her. They were married in 1913, living first in Newlyn and then in Lamorna at “Brodriggy”. They had a daughter, Leonora, born in 1914. In 1916 Simpson and his family moved to St. Ives to set up their own School of Painting, which they ran from numbers 1 and 2 Piazza Studios. During this period Simpson dominated the St. Ives art scene. The family moved back to London in 1924 but returned to Cornwall in 1931. Altogether, they moved between West Cornwall and London eleven times. From his studio in Cornwall Simpson painted in earnest, often on a grand scale, producing wonderful large decorative canvases, specialising in wild ducks, gulls and other sea birds. He had a reputation as an outstanding animal and bird painter. Paget described Charles Simpson in 1945 as “undoubtedly the best bird painter living. He alone, of all artists past and present, can make his birds appear out of their backgrounds as one approaches them, or the light is increased as in nature…”. Simpson relished painting en plein air and Laura Knight commented, "He was so prodigal with paint, he could be traced by the color left on the bushes!". Simpson first exhibited at the Royal Academy in 1906, initially painting mainly non-sporting subjects. From then on, he was a regular contributor to the Royal Academy exhibitions. It was not until 1924, when a rodeo was held at Wembley during which he worked in the ring and produced a book call El Rodeo...

This small acrylic painting shows a woman with a white horse along a beach. It is a smaller painting in which the artist Stoja shows an incredible skill in the rendering of details . The bright shades of blue of the sky and ocean create a magnetic atmosphere. The painting is sold with a wonderful gold frame. Altin Stoja...

This lovely British Victorian oil painting is by noted 19th century landscape artist Thomas Baker of Leamington. It was painted on 18th September 1854 as a special commission. The co...

Hunt Slonem "Doubles" Orange Heart Bunny A rabbit pair gestured in yellow and orange on a matching Diamond Dust background in a vintage frame. Unframed: 14.5 x 14 inches Framed: 20 ...

Artist/ School: Dutch School, late 20th century, signed Title: At the Close of Day Medium: oil painting on board, framed framed: 21.5 x 25 inches board: 15.5 x 19.5 inches Proven...

"Patriarch" is an original oil painting by Kyle Fisher on panel in a handmade wood frame measuring 42in x 59in. Kyle Fisher's use of delicate, organic elements to create the strong ...

Nanci France-Vaz's "Majestic Arabian, Thoroughbred Golden Brown" is an original, handmade oil painting that depicts a regal horse with a dark coat and wearing a leather bridle.

Genevieve Hamel Winter Wonders Oil on Wood Panel Year: 2024 Size: 36 x 6 x 1.625 inches Signed by hand COA provided *wired and ready to hang Genevieve Hamel’s passions for design ...

"Finches New Orleans" is a framed Neo-expressionist oil painting on canvas by Hunt Slonem depicting a large group of colorful birds set against a white background. This piece is fi...

A really appealing view of the English countryside in the springtime with rolling hills, cattle grazing in lush pasture and a windmill off in the distance. George Graham (1881-1949)...

Rustic Farmyard Scene signed by Édouard Righetti (1924-2001) mounted in a card frame oil painted on artist paper, beautifully painted. very good condition framed: 21.5 x 29 inches ar...

Acrylic on paper. 2009. 48.9 × 67.3 cm 94 x 94 cm (framed) A mesmerizing Damien Hirst Spin painting with explosions of vivid color amidst the timeless, mysterious form of a shark. T...

The blue sky merges with the color of the ocean. The feeling of sea wind, sea freshness. This painting is dedicated to courage, strength and beauty. Man and horse, interaction, love....

Oil on canvas Canvas size: 27 x 24 inches Framed size: 33 x 30.5 inches Signed and date '87 lower left

Rineke Engwerda is a Dutch young artist with a unique style. Even without a signature you can immediately recognize the work of Rineke. Her studio in an old school, near the Fanny ...

Original acrylic painting on canvas. Hand-signed on front by the artist. Canvas size 48 x 60 inches. Custom framed as pictured. Frame size approx 55.5 x 67.5 inches. Artwork is in ...

Images may be seen better on a mobile device. FREE SHIPPING . Framed Size 15 x 15 Fuzzy is a new Manchega sheep painting by Cristian Mesa Velazquez. Fuzz...

5212 Italian Modernist Cubic colorful painting Framd Signed on verso Patrick Poletti