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Henriëtte Ronner-Knip
Waiting with the Day's Rewards

Price:$4,136.80
$4,596.44List Price

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'3 Terriers and a Gillie' and '3 Spaniels and a Gillie', a pair of oil paintings
By Paul Jones b.1856
Located in St. Albans, GB
Paul JONES Oil on canvas These paintings are signed Paul Jones on the bottom left. Canvas size: 20 x 25cm (8 x 10") Outside frame size: 36 x 41cm (14 x 16") Flourished 1855 – 1888 ...
Category

1850s Victorian Animal Paintings

Materials

Oil

'Attilla' A Chestnut Horse in a Stable. Oil on canvas
By John Frederick Herring Sr.
Located in St. Albans, GB
Canvas Size: 28 x 36" (71 x 91cm) Outside Frame Size 36 x 44" (91 x 111cm) It is signed on the middle right on the wooden window. This is a stunning painting of a racehorse signed and dated J F Herring Sen 1842. The horse is named above the water trough as Attilla. As Herring was a renowned painter of racehorses it is likely that this was done for a wealthy patron who owned several. Although he painted many of the winners of the St. Ledger Cup Attilla was not one of these. Free carriage worldwide John Frederick HERRING Snr 1795 – 1865 A sporting painter, born in Surrey of American/Dutch extraction. At first he was a sign and coach painter. He then worked as a stable boy and coachman in Yorkshire until with the help of patrons he was able to study with Abraham Cooper RA, the only art education he appears to have had. He specialised in racing subjects and his few hunting scenes are rare. Herring painted the start of the 1844 Derby, which became known as ‘the dirtiest Derby in history’. He sometimes collaborated with his three sons, J.F.Jnr, Benjamin Jnr and Charles. He also collaborated with James Pollard on a number of racing scenes inc. ‘The Doncaster Gold Cup’, 1838, ‘The Emperor of Russia’s Cup at Ascot’ 1845 and ‘The Dead Heat for the Doncaster Great St. Ledger’ 1849 Herring painted 33 successive winners of the St. Ledger and not surprisingly lived a large part of his life in the Doncaster area before settling in Newmarket in 1830 and then in London in 1835. He suffered serious financial difficulties after his move to London which, thanks to a great friend and patron William Taylor Copeland (1797 – 1868) head of the Spode Porcelain factory at Stoke on Trent, was resolved. He painted many pictures of the Copeland family, some of which were adapted and used as designs on the Spode china...
Category

1840s Victorian Animal Paintings

Materials

Oil

A Still Life of the Madonna, Flowers and a China Pot
Located in St. Albans, GB
Henri Lucien Joseph BURON This is potentially Henri Buron's premier work of art. It was exhibited in the Salon des Artistes Française in 1934 having been painted in 1933. The revers...
Category

1930s Impressionist Still-life Paintings

Materials

Oil

The Cardinal Painting the Virgin Mary
Located in St. Albans, GB
This painting by Henri Brispot stands out amongst many pieces that he ever painted. It was sold in New York for $20 000 and is a wonderful example of his satirical nature shown throu...
Category

Late 19th Century French School Interior Paintings

Materials

Oil

A Mother and her Children
By Bernard Pothast
Located in St. Albans, GB
'The New Arrival' A Mother with her Children A first class example of Pothast's work. The faces are beautifully done with fantastic light cascading into the room. The mother is shar...
Category

1920s Dutch School Figurative Paintings

Materials

Oil

Two Terrier Dogs
Located in St. Albans, GB
Paul JONES Oil on canvas This painting is signed Paul Jones on the botttom right. Canvas size: 20 x 25cm (8 x 10") Outside frame size: 36 x 41cm (14 x 16") Flourished 1855 – 1888 ...
Category

Mid-19th Century Animal Paintings

Materials

Oil

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19th century romantic oil - Loving horses in a countryside hay harvest landscape
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Located in Aartselaar, BE
"Loving horses in a countryside hay harvest landscape" signed P. Laruche, which appears to be a pseudonym used by Henry Schouten This peaceful painting two loving horses in a sun-li...
Category

19th Century Romantic Animal Paintings

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Confrontation, Charles Van Den Eycken, Brussels 1859 – 1923, Belgian Painter
By Charles Van Den Eycken
Located in Knokke, BE
Confrontation Van Den Eycken Charles Brussels 1859 – 1923 Belgian Painter Signature: Signed bottom right Medium: Oil on canvas Dimensions: Image size 28 x 21,50 cm, frame size 36 x 30 cm Biography: Van Den Eycken Charles (alias Charles Duchene) was born in Brussels in 1859. He was an animal painter, mainly dogs and cats and interiors. He was the son of Charles Van Den Eycken...
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19th Century Romantic Animal Paintings

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‘Meal Time for all’ by Hermann Werner (1816 – 1905), signed and dated 1870
By Hermann Werner
Located in Knokke, BE
Hermann Werner Samswegen 1816 – 1905 Düsseldorf German Painter ‘Meal Time for all’ Signature: signed lower right and dated ‘H. Werner. 1870
' Medium: oil on canvas
 Dimensions: ima...
Category

Late 19th Century Romantic Interior Paintings

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‘Cats Playing around a Mirror’ by Joseph Bail (1862 – 1921), French Painter
Located in Knokke, BE
Joseph Bail Limonest 1862 – 1921 Paris French Painter ‘Cats Playing around a Mirror’ Signature: signed lower right ‘Bail Joseph’
 Medium: oil on canvas
 Dimensions: image size 45,5...
Category

19th Century Romantic Animal Paintings

Materials

Canvas, Oil

STILL LIFE OF A CAT, BASKET FLOWERS AND SCISSORS Nantucket Artist Reggie Levine
Located in Brookville, NY
Nantucket artist Reggie Levine, evolved from his figurative work in the 40's-50's to abstract in the 1960's and later to found object art. Interestingly I see his interest in found...
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1950s American Modern Animal Paintings

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Antique oil painting, Boy Fleaing a Dog, Gerard ter Borch, Dutch golden age
Located in DEVENTER, NL
Gerard ter Borch (II) (1617-1681), copy after, around 1700 'Boy Fleas a Dog' Oil on canvas Professionally restored (cleaned and relined) In modern frame in 17th century style Dimensions excl. frame: 33 x 27,5 cm. Dimensions incl. frame: approx. 50 x 45,5 cm. Depcited is a boy busy fleaing a dog. The boy sits on a chair with the dog on his lap. On a table on the right there is a book and a pen. On a wooden bench lies the boy's hat. What is unique about this painting by Ter Borch, is the relationship that is depicted between human and animal. Mostly animals like dogs where depicted as an attribute in paintings in the 17th century, and sometimes used to symbolize certain character traits. This boy is lovingly caring for his dog, which he is giving his full attention. Another interesting detail is that Ter Borch's brother Moses, was probably the model for this painting. Ter borch often used family members as models for his paintings. Moses was also a very talented painter and draughtsman. Several copies of this work by Ter Borch are known. One of these copies is in the collection of the Dutch Rijksmuseum (Image included in the image gallery (last image)). The original painting is in the collection of the Alte Pinakothek museum in Munich, Germany. Gerard ter Borch, also known as Gerard Terburg, was a Dutch genre painter who lived in the Dutch Golden Age. He influenced fellow Dutch painters Gabriel Metsu...
Category

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