Women Animal Paintings

Cheval 364 Acrylic on Canvas 50 x 50 cm Cheval 364 by Grégoire Mathias is a stunning composition from his celebrated series inspired by the Lascaux Horses, a timeless homage to the...

Joseph Broghammer The Long Stay (Hummingbird, Portrait, Storytelling, Oil Painting) Oil on Canvas Year: 2023 Size: 21x17in Signed by hand COA provided Ref.: 924802-1895 *on stretch...

Aaron Bohrod Knight Horrors, 1985 Signed lower left Oil on gesso panel 12 x 16 inches Aaron Bohrod's work has not been limited to one style or medium. Initially recognized as a regionalist painter of American scenes, particularly of his native Chicago, Bohrod later devoted himself to detailed still-life paintings rendered in the trompe l'oeil style. He also worked for several years in ceramics and wrote a book on pottery. Born in 1907, Bohrod began his studies at Chicago's Crane Junior College in 1925, and two years later enrolled in the Art Institute of Chicago. But it was at the Art Students League in New York City, from 1930 to 1932, that he studied under the man believed to be his most significant early influence, John Sloan. Sloan's romantic realism is reflected in the many depictions of Chicago life...

A collection of objet d'art sit upon a gleaming table, their reflections enhanced by the light of the gilt background which is hand applied using 23K gold leaf. The objects - a toy sailboat...

Multicolor outline Bunny, Multicolor Ombre

We are please to announce that we are now representing the Pop Art cowboy and cowgirl paintings of artist Matt Straub. We at the gallery have been followin...

An Apples. ( To Steve Jobs Memory) 1998-2015. Oil on linen, 64,5 x 75 cm

Garth Bayley, Chasing the Banker, Oil on Canvas , Horse racing, There is alway a banker with the bookies at the races and he’s the one to beat. This painting is bold and colourful pa...

Oil on canvas Canvas size: 30.5 x 25 inches Framed size: 35 x 29.5 inches Signed and dated 1865 lower left

Cats Cardboard, mixed media, 75x29 cm ALEKSANDRS DEMBO (1931. Paris – 1999. Riga) Born in 1931 in Paris, France, died in 1999 in Riga, Latvia. Professional training: Janis Rozental...

Artist: Jack Graves III (American, 1988-) Title: "Rorschach Birds Supreme" Series: Eclecticism *Signed by Graves lower left. It is also signed, titled, and dated on verso Year: 2021 Medium: Original Acrylic Painting on Canvas Canvas size: 72" x 56" Condition: The stretched canvas was custom built by the artist himself. In mint condition Shipping: This painting will be shipped canvas...

"Desert Dream" Figurative Painting 13" x 20.5" inch by Ahmed Saber Medium: acrylic, ink & colored pencil on paper AHMED SABER - BIO Ahmed Saber is an Egyptian artist based in Luxor...

Brian Leo Hang in There 2020 Acrylic on stretched canvas 36 x 24 inches Brian Leo was born in New Jersey in 1976, and is currently living in New York Ci...

This striking acrylic painting by Moldovan-Spanish artist Natasha Lelenco features a surreal anthropomorphic portrait constructed from lush green leaves and blooming yellow daisies, blending botanical precision with symbolic intensity. The central figure’s face, composed entirely of flowers, is both haunting and tender, while a pink tongue and tiny plastic toy soldier create a poignant contrast that challenges the viewer’s perception of innocence, violence, and the natural world. Set against a softly gradated sky-blue background, the painting invites reflection on ecological fragility and the absurdity of human conflict. Part of the acclaimed “Fetishes” series, this work is inspired by Giuseppe Arcimboldo’s botanical portraits, reinterpreted with contemporary urgency. Lelenco’s painting critiques war and environmental destruction through a visual language that is as poetic as it is unsettling. The toy soldier, perched delicately on a green leaf-arm, acts as a miniature symbol of violence embedded in play, questioning the narratives we inherit and enact. The piece was originally commissioned for Imaxinaria, Mostra Internacional de Ilustración Contemporánea in Galicia (Spain) and remains one of the most iconic works of the series. Medium: Acrylic on board Dimensions: [Insert exact dimensions] Year: 2022 Framing: Painted edges, ready to hang, no frame needed Signed by the artist Keywords: Acrylic botanical portrait, Anti-war painting, Contemporary Arcimboldo style...

Wonderful signed oil on panel cattle and figures in landscape by French impressionist painter Jean-Francois Raffaelli. The work depicts oxen being loaded onto ships in Honfleur, France en route to England. Signature: Signed lower right Dimensions: Framed: 18"x16" Unframed: 9"x8" Provenance: Exhibition Jean Francois Raffaélli held at Galerie Simonson, 19 Rue Caumartin Paris - October 1929 (number 44) Jean-François Raffaëlli's father was a failed Italian businessman and Raffaëlli himself was, among other things, a church chorister, actor and theatre singer. He then studied under Gérôme at the École des Beaux-Arts in Paris. He travelled to Italy, Spain and Algeria and on his return to France settled in Asnières. In 1876, on a trip to Brittany, he first saw the potential of realist subject matter, if treated seriously. He became involved in meetings of artists at the Café Guerbois, where the Impressionist painters used to gather. As a result, Degas, contrary to the advice of the group, introduced Raffaëlli to the Impressionist exhibitions - according to one uncertain source as early as the very first exhibition, at the home of Nadar, and certainly to those of 1880 and 1881. In 1904, Raffaëlli founded the Society for Original Colour Engraving. He first exhibited at the Salon de Paris in 1870 and continued to exhibit there until he joined the Salon des Artistes Français in 1881, where he earned a commendation in 1885, was made Chevalier of the Légion d'Honneur in 1889 and in the same year was awarded a gold medal at the Exposition Universelle. In 1906 he was made Officier of the Légion d'Honneur. He was also a member of the Société Nationale des Beaux-Arts. In 1884, a private exhibition of his work cemented his reputation. He contributed to several newspapers such as The Black Cat (Le Chat Noir) in 1885 and The French Mail (Le Courrier Français) in 1886 and 1887. He published a collection entitled Parisian Characters, which captured his favourite themes of the street, the neighbourhood and local people going about their lives. In 1880 he participated, with Forain, on the illustration of Joris Karl Huysmans' Parisian Sketches (Croquis Parisiens). He also illustrated Huysman's Works. As well as working as an illustrator, he also made etchings and coloured dry-points. His early attempts at painting were genre scenes, but once he was settled in Asnières he started to paint picturesque views of Parisian suburbs. From 1879 onwards, his subject matter drew on the lives of local people. These popular themes, which he treated with humanity and a social conscience, brought him to the attention of the social realist writers of the time such as Émile Zola. In addition to his realist style, Raffaëlli's dark palette, which ran contrary to the Impressionist aesthethic, helped to explain the opposition of those painters to his participation in their exhibitions. More concerned with drawing than colour, he used black and white for most of his paintings. Towards the end of his life, he lightened his palette, but without adopting any other principles of the Impressionist technique. After painting several portraits, including Edmond de Goncourt and Georges Clémenceau, he returned to genre painting, particularly scenes of bourgeois life. Later in his career, he painted mainly Breton-inspired sailors and views of Venice. His views of the Paris slums and the fortifications, sites which have almost completely disappeared, went some way towards establishing a genre in themselves and perpetuated the memory of the area: The Slums, Rag-and-Bone Man, Vagabond, Sandpit, In St-Denis, Area of Fortifications. His realistic and witty portrayal of typical Parisian townscapes accounts for his enduring appeal. Born in Paris, he was of Tuscan descent through his paternal grandparents. He showed an interest in music and theatre before becoming a painter in 1870. One of his landscape paintings was accepted for exhibition at the Salon in that same year. In October 1871 he began three months of study under Jean-Léon Gérôme at the École des Beaux-Arts in Paris; he had no other formal training. Raffaëlli produced primarily costume pictures until 1876, when he began to depict the people of his time—particularly peasants, workers, and ragpickers seen in the suburbs of Paris—in a realistic style. His new work was championed by influential critics such as J.-K. Huysmans, as well as by Edgar Degas. The ragpicker became for Raffaëlli a symbol of the alienation of the individual in modern society. Art historian Barbara S. Fields has written of Raffaëlli's interest in the positivist philosophy of Hippolyte-Adolphe Taine, which led him to articulate a theory of realism that he christened caractérisme. He hoped to set himself apart from those unthinking, so-called realist artists whose art provided the viewer with only a literal depiction of nature. His careful observation of man in his milieu paralleled the anti-aesthetic, anti-romantic approach of the literary Naturalists, such as Zola and Huysmans. Degas invited Raffaëlli to participate in the Impressionist exhibitions of 1880 and 1881, an action that bitterly divided the group; not only was Raffaëlli not an Impressionist, but he threatened to dominate the 1880 exhibition with his outsized display of 37 works. Monet, resentful of Degas's insistence on expanding the Impressionist exhibitions by including several realists, chose not to exhibit, complaining, "The little chapel has become a commonplace school which opens its doors to the first dauber to come along."An example of Raffaëlli's work from this period is Les buveurs d'absinthe (1881, in the California Palace of Legion of Honor Art Museum in San Francisco). Originally titled Les déclassés, the painting was widely praised at the 1881 exhibit. After winning the Légion d'honneur in 1889, Raffaëlli shifted his attention from the suburbs of Paris to city itself, and the street scenes that resulted were well received by the public and the critics. He made a number of sculptures, but these are known today only through photographs.[2] His work was also part of the painting event in the art competition at the 1912 Summer Olympics. In the later years of his life, he concentrated on color printmaking. Raffaëlli died in Paris on February 11, 1924 Museum and Gallery Holdings: Béziers: Peasants Going to Town Bordeaux: Bohemians at a Café Boston: Notre-Dame; Return from the Market Brussels: Chevet of Notre-Dame; pastel Bucharest (Muz. National de Arta al României): Market at Antibes; Pied-à-terre Copenhagen: Fishermen on the Beach Douai: Return from the Market; Blacksmiths Liège: Absinthe Drinker...

Majio’s decade in Japanese culture sensitized her to animistic belief that everything has a beingness which augmented her yearly retreats to New Mexico where the animal life and weat...

Oil on canvas Canvas size: 22 x 36 inches Framed size: 30.75 x 44.75 inches Signed lower right

Daphne Sweet, artist working and living in Missoula, Mt. Using acrylic, oil, clay, and fabric. Bouncing between classical references and personal allegory, the paintings and found ...

This painting is in excellent condition and has only been shown in a gallery setting. Please note that given the characteristics of the silver and gold leafing the work will photogr...

This is an original mixed media work on canvas by Southern California artist, Cheryl Tall. Its dimensions are 40" x 30" x 1.5". A certificate of authenticity will follow delivery. ...

Two horses, caught at sunrise. A morning, a quiet moment, grazing together. Abstractive, sensitive, subtle - all the beautiful qualities of horses in a pastoral setting. The natural ...

Artist: Peter Mayer Title: Dog (Orange on Pink and Black) Year: Circa 1990 Medium: Acrylic on Canvas, stamped verso Size: 24 x 30 in. (60.96 x 76.2 cm)

Waddell's paintings are a combination of rough marks, thick paint, transparent elegant strokes, and, on a few occasions a slow, hard line scratched into the canvas. You can feel the ...

Antique Orientalist Oil on Board 'Desert Bedouin', by Spanish Artist Ortega Spanish, early 20th Century Frame: Height 51cm, width 59cm, depth 2cm Board: Height 44cm, width 53cm, depth 0.5cm Fluidly painted, this vibrant oil on board depicts a dusty Orientalist scene. Four Bedouin ride camels alongside a flurry of goats, carrying lambs and hens in saddlebags. Other figures clothed in Middle Eastern garments walk with them, and the busy scene fades into a dusty, evening landscape. The colour palette is vibrant and hued with dusky pinks and oranges, giving the impression that these Bedouin are returning back to camp. The cropped composition also gives a dynamic feel to the picture: a glance into early 20th Century desert life. The present painting was created by Spanish artist José Benito Ortega...

Hunt Slonem Original Framed Oil Painting. Signed on Verso. Our Gallery works directly with Hunt Slonem. This painting was acquired directly from the artist and has the Artist's St...

In this vibrant creation, I've harnessed the raw power and rhythm of a galloping horse, depicted in a kaleidoscope of fiery oranges, vivid reds, and pulsating yellows. The fluid expr...

In this painting, I've unleashed a vibrant fusion of reds to capture the raw and wild essence of a zebra. The intense hues symbolize vitality and passion, while the expressive stroke...

This is an oil on canvas by the important Hungarian-born and internationally celebrated Denes de Holesch (1910-1983).this is the original rare oil painting. Denes de Holesch was an international equestrian artist. His works have been exhibited all over the world, including in New York, Beverly Hills, Boston, Chicago, Paris, Mexico City, Montreal, Tokyo, Sydney, and Madrid. His horse paintings fall into one of seven themes, including polo, cowboys, circus, rodeo, hunt, bull-fight, race-course and running free. His mastery of the subject has been compared to that of Picasso, Delacroix and Franc Marc. 1910 Denes Dezo George de Holesch was born on 9 February, 1910 at Banska-Bystrica, Northern Hungary. He was the third child and youngest son of Hugo de Holesch, an architect and Margit, nee Wagner. Many generations of the de Holesch family had worked as professional architects. He studied at the Hungarian Academy of Fine Arts in Budapest on a scholarship. Early in his career he traveled to China, Japan, Philippines, Java, Bali and Australia, where his reputation grew rapidly. Here he produced portraits in oils, and lithographs of the Chinese, as well as landscape works in oils,depicting the local countryside, and canal, street and city scenes. His exposure to the arts of the Chinese, with their simplicity of line, greatly influenced his later works. In 1939 he established a studio at Lavender Bay near Sydney. In 1940 he exhibited at the Macquarie Galleries in Sydney. In 1944 he married Joyce Greer, the Melbourne concert pianist. In 1945 the couple moved to New York where his interest in horses grew. He held exhibitions at Gallery Wildenstein, Herve, and FAR Gallery. In 1946 Holesch moved to Montreal where he exhibited at the National Gallery of Montreal. In 1947 he moved to Boston where he continued painting portraits and horses. He exhibited there at the Ehrmann and Vose galleries. Later in the year he moved to San Francisco where he was invited to participate in the "Renoir to Picasso" Exhibition held at the Maxwell Gallery.1946 He moved to Montreal, Canada and exhibited at the National Gallery of Montreal. (Frederic Remington and Charles Russell) 1947 Early in the year he moved to Boston and continued painting portraits and horses. In June, he painted the portrait of Harvard Law School Dean, Erwin N. Griswold, and in October his works were exhibited at Margaret Brown's Galerie Intime, Newbury Street, Boston. 1948 He produced a clay sculpture head of Egon Petri, one of a number of clay sculptures that he produced. He also produced a number of wood carvings. His paintings were chosen for inclusion in a Group Exhibition in the National Gallery of San Francisco, and in the important and prestigious 'Renoir to Picasso' Exhibition held at Maxwell's Galleries, 372 Sutter Street, San Francisco. 1953 His works were included in a Group Impressionists Exhibition held at the Ohana Gallery, London 1954 He travelled to New York, where he was commissioned to paint Herbert Gasser, Nobel Prize Winner in Biochemistry. 1955 He returned to England, and then travelled to Paris to exhibit works in the Galerie Marcel Lenoir. 1956 He again returned to New York to work on portrait commissions and for exhibitions of his works, mainly of horses. These exhibitions were held in New York, Boston, San Francisco and late in the year at the Galleries of Frank J. Oehlschlaeger at 107 East Oak Street, Chicago. During this year, visits with his family to Ringling Circus and to a rodeo in Tucson, Arizona must have impressed him greatly, for images of these events soon appeared on his canvases. His work was greatly admired by Hollywood film- stars, such as Ann Rutherford and Burt Lancaster, and David Niven purchased one of the horse paintings to give as his wedding present to Grace Kelly on her marriage to Sovereign Prince Rainier III of Monaco. 1959 The prints of 'Courtship' and 'Chargers' were produced. It has been estimated that close to a million copies of his prints were sold over the next ten years, with 'Courtship' being advertised by Stern's Book Dpt. on 5th Avenue, New York along with prints by Picasso, Degas, Goya, Modigliani, Renoir and Van Gogh. 1960 He moved to Antibes, on the French Riviera in the South-East of France. An exhibition of his works was held in the Galerie des Etats-Unis, Cannes and his works were now permanently exhibited at Galerie Madsen, Rue St. Honore, Paris and Galerie Davis, Place Vendome, Paris. 1961 Known to Picasso, he was invited to attend a special bull-fight held in the South of France, which was organized for Pablo Picasso's 80th birthday. 1975 He moved from Voulangis to Castelfontana in the Dorf Tirol overlooking Merano, Italy. He remained there for close to a year and exhibited his works in a group exhibition in Merano in which works by Salvador Dali and Annigoni were also displayed. 1979 He returned to the old farmhouse at Voulangis. During this time he painted the portrait of Pope John Paul II. 1989 a catalog and biography of Holesch entitled Holesch Horse Paintings 1910-1983 was published by Andrew Mackenzie...

Composition of pink hop, oil on paper. Signed lower left HRAIR.

Rene Gonzalez (b.1983, Montreal, Canada) grew up first in Canada as the son of political refugees, then in Costa Rica interacting with a new tropical set...

Acrylic paint on small canvas depicts Young Coyote learning the trade of trickster, not just as a folk story but as archetype that walks among the communities in New Mexico, turning ...

Garth Bayley Mother always said purple and Orange will never do! Pen and ink on watercolour paper Watercolour Paint on Canvas Board Image size: H 25cm x W32 cm x 0.1 cm Sold Unframed...

"A Girl with Her Cat" was painted by EM Watts in 1947. The portrait is oil on canvas The painting measures 26 3/4" x 22 3/4" with its frame.

This bold and colorful equine impressionist painting, "Secretariat Tremendous Machine" by artist Lisa Palombo is a 24x18 acrylic painting on canvas. Depic...

This piece, "Moonlit", is a 40x60 equine oil painting on canvas by artist Marie Channer. Featured is a horse caught mid run, silhouetted by the moonlight above. This minimalist appro...

This is an original acrylic painting on board by Southern California artist, Cheryl Tall. Its dimensions are 13.25" x 16.5" x 1.5". It is framed. A certificate of authenticity will f...

Artist: Daniela Nikolova Medium: Oil and sand on canvas Size: 47.2" x 31.5"

This piece titled "Rebirth" is an original artwork by Katherine Fraser and measures approximately 58"h x 46"w. This oil on canvas work marks a new chapter in Fraser's practice as s...

Goggles Down. A wonderful depiction of horses on the gallop by local animal artist Sophie Harden. Using white oil to pick out where the light hits the subject, Sophie uses small brus...

A common interpretation of Botticelli's masterpiece, "Birth of Venus" is that the goddess reappears to herald a new age of love and enlightenment after the prolonged unrest of the Mi...

In "Escapee", a huge ceramic figure of a bambi runs away from its owner in the middle of a strange and threatening landscape. This painting depicts a completely absurd situation that...

The collaboration between Keng Wai Lee and Marco Araldi is based on the contrast between the techniques used. Marco uses ink pen and gold...

A beautiful watercolor painting by Israeli artist Reuven Rubin. Featuring a camel trainer and his camel. Signed and framed. In very good condition.

Original on canvas, modern art, graffiti art, street art, contemporary artwork, neon Tadas Zaicikas work is fun and joyful, his use of acrylics, charco...

Edwin Loder of Bath (1827-1885) General Sir W.R. Mansfield's Arabian charger, held by a groom signed, inscribed and dated 'E. Loder/ Bath/ 1868' (lower right) Oil on canvas Painting ...

This is a one of a kind surrealist oil painting on canvas by San Diego artist, Charlene Mosley. Its dimensions are 16"x 16" x1.5". It is unframed. A ce...

"Canyon Renegades" by Robert Hagan is an original oil on canvas and measures 62x96. In this large original painting by Robert Hagan, three cowboys on horseback run through the canyon mountains kicking up dust trying to reign in runaway stallions. The contemporary cowboys are in trench coats with their cowboy hats flying off into the sky while holding Mustang Australian-style bullwhips that are ready to strike. Translating scenes of everyday life into nostalgic and blissfully peaceful visions of the world, Robert Hagan has become a premier Western artist of our time. A man of many talents his impressionistic style using a limited palette of oil brings a sense of tranquility that make his paintings come alive. Robert Hagan is an Australian painter...

Turquoise Channel - 60 X 40 Acrylic medium is troweled onto the wood with a layer of resin. Acylic paint with silver leaf encasing the fish. A blue wash is applied over the silver leaf with a coat of resin to protect the silver leaf. Frank Hyder has participated in more than 150 group shows and has had over 80 solo exhibitions throughout North, South and Central America, including 10 individual exhibitions in New York City. He has been one of the few North Americans to have solo museum exhibitions in Venezuela at the Museo de Arte Contemporaneo de Caracas Sofia Imber (MACCSI), and Museo Universidad de Los Andes . Other solo museum exhibitions include the Pennsylvania Academy of Fine Art’s Museum of American Art, the Carnegie Museum in California, the La Salle Museum of Art in Philadelphia, and the National Museum of Catholic Art and History in New York. His work has been collected by Museum Jacobo Borges...

This is a framed original painting. Biography Creating paintings inspired by western movies and by Remington and Russell, he is a native of the West, having been born and raised in rural Colorado. He studied art at Baylor University in Waco, Texas; at the California Institute of the Arts in Valencia, and at the University of Colorado, Boulder where he earned a Master's Degree in 1979. For two decades he worked as curator at the Yellowstone Art Museum in Billings, Montana, before leaving in 1999 to begin work as a full-time painter and independent curator. His work is in the collections of the Buffalo Bill Historical Center in Cody, Wyoming; the Art Museum of Missoula; and the Yellowstone Art Museum; the Federal Reserve Bank in Helena, Montana; and the Deaconness Medical Center in Billings, Montana. Artist Statement For a long time, the images in my paintings have been identifiably, even iconically, western-stagecoaches and false-front main streets, poker games and gun battles, cowboys, Indians, cavalry troopers and horses, all suspended in a choreographed matrix of dancing paint. Distinct from the traditional western genre-which inventories the minutia of cowboy gear or tells sentimental stories of rangeland romance-my paintings embody something more elemental and timeless, animated and abstract. The images tend to be stark, graphic, and charged with painterly energy. Though they are derived from fugitive television images, the paintings, as paintings, are still, silent and non-ephemeral. They register the technological transfer of primal shadows onto the electroluminescent screens of our collective consciousness, a shimmering blur of perception and memory transposed in an interchange of gesture and description, painted marks simultaneously arresting and embodying movement. I've always liked what a painter friend, Marc Vischer, wrote in 1988 about an early group of my western paintings. Now, I'm fourteen years closer to actualizing my vision for this work, and his astute remarks seem more pertinent today than they did then. He wrote in part, "For McConnell, a searing light emanates from a new desert: that of television. And from that most desolate backdrop, he salvages fragments from a movie world that spoke of honor in a land that was lawless. In a romantic sense, McConnell's works are a visual seance. Figures, like specters distorted through intense heat waves, are captured from their eternity of 24 frames a second. Their shapes and shadows are brought back into a radically different world and given substance and texture. It is an impossible attempt to freeze them, to arrest the present's ceaseless molestation of the past, to close off the continuum. Sometimes this is done darkly and thickly as an emphatic gesture of permanence. In other works a few light strokes quickly applied suggest the ephemeral nature of film and perhaps the fleeting nature of our own lives." I have been examining new imagery in my paintings, drawing subjects from Mexican graphic novelas, modern women and men of romance and mystery from the mid-20th century, motorcycles and airplanes. The end titles of movies, stated in several languages, have inspired me to begin a new series of cross-media translations in both acrylic and watercolor. My paintings have long begun where the movies have left off. The elements of water and light co-mingle in some pieces from this series and in others which take the viewpoint of a swimmer, watching other swimmers from the wet side of this aqueous membrane, looking up toward the light. My arrival in Montana in 1982 brought me into intimate contact with some of the most storied places of the historic West and also gave me the opportunity to study the paintings of two of the most influential codifiers of western imagery, Frederic Remington and Charlie Russell...

Brian Keith Stephens' painting "All the Wild Ones Act 4" (2018) is a delightful exploration of wildlife through the lens of contemporary artistry. Rendered in oil on panel, this orig...

Medium: Oil on Canvas Signature: Signed Lower Right Cover Illustration for Top-Notch Magazine, August 15, 1921 Forsythe was a major influence on many great artists and had many important friends. He was Rockwell's studiomate and mentor and actually helped Rockwell to get his first cover at The Saturday Evening Post. Forsythe was also friends with Teddy Roosevelt, who was the first President to drive a car. "The Race is On" 1921 depicts Teddy Roosevelt racing a cowpoke on horseback. This is a phenomenal painting in many respects - historical, western, presidential, car. Roosevelt is a major collector's market. The car is a Red Model T Roadster as well. It also contains great action and drama - and beautifully rendered, as good if not better than any WR Leigh...

Acrylic paint on small canvas depicts the individual presence of animals, strongly influenced by the enchanted land of New Mexico. Animal iconography is woven deeply throughout three...

This abstracted painting of a Pit Bull dog features a loose, energetic style and a warm neutral palette. The artist layers wide brush strokes and thin, swirling lines to create the dog's full form in warm tones on a light grey background. The painting is made with acrylic paint on gallery wrapped canvas. It has painted sides and is signed by the artist in the lower right-hand corner of the painting. It is wired and ready to hang. Russell Miyaki is a contemporary artist and creative director in New York City. His studio is at Metro Art Studios in Bridgeport, CT, which is a renovated historic 1800s...

Gaston Le Sargeant De MONNECOVE Oil on Canvas Picture Size : 18 x 24" (46 x 61cm) Outside Frame Size: 26 x 32" (66 x 81cm) A classic example of De Monnecove's work capturing French hunting art...

Waddell's paintings are a combination of rough marks, thick paint, transparent elegant strokes, and, on a few occasions a slow, hard line scratched into the canvas. You can feel the ...

Here for your consideration is a vibrant and richly painted original work of a horse by the well known American artist, Neith Nevelson. Signed lower right and dated 2000. Condition ...

Kusbudiyanto is an Indonesian artist born in 1969 who lives & works in Jogjakarta, Indonesia.

Fish & Garlic signed by Georges Bordonave (French contemporary) dated 1978 oil painting on canvas, unframed canvas: 24 x 20 inches condition: very good provenance: from a large priva...