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Anna Bulkinathe princess and her dangerous stunt, Painting, Oil on Canvas2020
2020
$1,800
£1,365.80
€1,561.67
CA$2,514.11
A$2,795.35
CHF 1,459.58
MX$34,026.22
NOK 18,623.58
SEK 17,449.40
DKK 11,655.02
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About the Item
I, embraced by noon, Like a tart wine I smell like sun and mint And an animal rune; "¦ the work is done in one layer :: Painting :: Contemporary :: This piece comes with an official certificate of authenticity signed by the artist :: Ready to Hang: Yes :: Signed: Yes :: Signature Location: the signature is at the bottom right :: Canvas :: Landscape :: Original :: Framed: No
- Creator:Anna Bulkina
- Creation Year:2020
- Dimensions:Height: 37.4 in (95 cm)Width: 47.2 in (119.89 cm)Depth: 1.1 in (2.8 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Yardley, PA
- Reference Number:1stDibs: LU802112274442
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Nugzar Avtandilovich Kahiani was born in Poti, Georgia in 1952. He studied at the Art College named after Nikoladze. Then he went to serve in the Soviet Army from1970 to 1972. After completing his military service he entered the Stieglitz St. Petersburg State Academy of Art and Industry at the faculty of artistic metal, from which he graduated in 1986. During his studies, he has been actively engaged in painting. His favorite artists are Gauguin, El Greco, Botticelli, Turner and Picasso.
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Born in the ancient Kolkhida, he keeps the blissful pagan feel of entirety and completeness of being. It is embodied almost literally in his favorite personage auroral gorgeous-bodied beauty of a girl. He grants these forms even to Olympian inhabitants - Aphrodite, Athene, Arthemide, let alone the Bacchants. I remember unwittingly that Niko Pirosmani similarly painted on his impoverished buckrams the luxurious prince repasts and languid, elephantine beauties.
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But his style is not bounded by grotesque parody, as well as the irony is not the only aspect of his world outlook. In his landscapes we can catch the ecstatic admiration with Nature. In contradistinction to his favorite impressionists, he never paints from nature and never bears in mind the particular place. It is just a blooming Earth, studied very closely, so that the trees are cut by the edges of the painting, and at the same time it is a bird’s eye view revealing infinite, boundless spaces. Nougzar says that the landscape for him is first of all a color ensemble. He can just leaf through the illustrated journal, nourishing his eye with color in various combinations, and so get the impulse to create a ‘physical’ landscape image. Probably, his landscapes are no less fantastical than his figure compositions, but such is his talent, his mission - to make the world more beautiful and gentle than it is in reality.
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