David Skillicorn

"Harmonia 43-9" Contemporary Abstract Circles Framed Acrylic on Canvas

"Harmonia 43-8" is a framed acrylic painting on canvas by David Skillicorn, with two intertwining circles in yellow and sage green. This piece is finished in a silver floater fram...

"Harmonia 43-6" is a framed acrylic painting on canvas by David Skillicorn, with two intertwining circles in deep red and sage green. This piece is finished in a silver floater fra...

"Harmonia 43-3" is a framed acrylic painting on canvas by David Skillicorn, with two intertwining circles in shades of blue. This piece is finished in a silver floater frame with a...

"Black Hole In A Purple House With Orange Roof"" is a framed contemporary acrylic painting on canvas by Aron Hill, depicting abstract shapes in different shades of plum, orange, blac...

Les enfants de la liberté by Lélia Pissarro (b. 1963) Acrylic, pigment and gold powder on canvas 100 x 120 cm (39 ³/₈ x 47 ¹/₄ inches) Signed lower right, Lélia Pissarro Signed, titl...

Indecent Exposure by Lélia Pissarro (b. 1963) Acrylic and glitters on canvas 150 x 120 cm (59 x 47 ¹/₄ inches) Signed lower right, Lélia Pissarro; signed, titled and dated on the rev...

Erotic Dreams by Lélia Pissarro (b. 1963) Acrylic and glitters on canvas 51 x 40.5 cm (20 ¹/₈ x 16 inches) Signed and titled on the reverse This work is accompanied by a certificate of authenticity from the artist. Artist biography Born in Paris in 1963, Lélia is the third and youngest child of Hugues-Claude and Katia Pissarro. She was raised, however, in the loving care of her grandparents Paulémile Pissarro, Camille’s youngest son, and his wife Yvonne, in Clécy, Normandy. From a young age, Lélia’s interest in drawing and painting was nurtured by her grandfather while she sat beside him at his easel, captivated. He taught her the fundamental Impressionist and Post-Impressionist techniques he had learnt from his father and brothers before him and watched as her skills blossomed rapidly. Standing readily on the shoulders of giants, Lélia sold her first painting to New York art dealer Wally Findlay, when she was only four years of age. When Lélia turned 11 she moved to Paris to live with her parents where, with the guiding support of her father’s teachings she began to broaden her skill sets. Under the watchful eye of her father Hughes Claude Pissarro, she became exposed to new environments and learnt to experiment with abstract styles and subjects. At age 14 Lélia submitted some of these works to the exhibition ‘Salon de la Jeune Peinture’ at the Luxembourg Museum in Paris. Being underage, however, she had to submit these works secretly under the pseudonym Rachel Manzana Pomié. With her parents dividing their time between France and California, Lélia found herself moving between Tours, Paris and San Francisco, all the while studying fine art and psychology at the University des Beaux Arts. She eventually settled in Paris to teach art at the Moria School and study oil painting conservation under the guidance of a teacher from the Louvre museum. During this time she began to present her work in solo exhibitions in Paris, Lyon, Mulhouse and Rennes. In 1988 Lélia married English art dealer David Stern and moved to London. Their three children Kalia, Lyora and Dotahn, all paved their own way in the art world. From 1995 Lélia participated in a series of exhibitions entitled Pissarro – The Four Generations, which were held in galleries in London, Tel Aviv, Boston, Austin, San Francisco, Cleveland, Milwaukee and Los Angeles as well as a number of museums in Japan in 1998 and the Museum of Art in Fort Lauderdale, Florida in 2000. In 1999 Lélia also became one of the founders of the Sorteval Press, a group of artists dedicated to developing techniques in etching and printmaking. Their first exhibition took place at the Mall Gallery in London. In 2005 following a long break in painting because of cancer, Lélia started a journey into modern art creating a number of different series: Circles, Shoes, Animals, exploring these until she reached the point of abstraction and minimalism. Developing innovative techniques, she began incorporating in her work new materials such as gold, wax and encaustic paint. To coincide with a major exhibition at Stern Pissarro gallery...

Avec ou sans coeur? by Lélia Pissarro (b. 1963) Acrylic, gold and a heart brooch on canvas ​​​​​​​145.5 x 114 cm (57 ¹/₄ x 44 ⁷/₈ inches) This work is accompanied by a certificate o...