Paint Abstract Paintings

Artist: Roger König b. Dessau, Germany (1968) Master student of Kurt Schönburg, HWK Halle, Germany. König combines modern painting with acrylic with old techniques and in this way, he connects contemporary art with tradition. The natural clay color bestows the pictures with a completely special dim texture which stands in an exciting contrast with the delicate luster of the acrylic color. The features of the clay color allow a more intensive treatment of the surface. Often, there are lines, scratches or breaks in the surface, as if the canvas had been covered with a fair patina. More subtle strokes in the color bring graphic characters to mind, color gradients natural phenomena, divided canvasses the contrast which is immanent in everything: the principle of yin and yan. Roger König's works are in private collections worldwide. His admirers include leading figures in international business, film and media. Submit Best Offer, all reasonable offers will be considered. Signed front 'Roger König'; signed reverse 'Roger König' This original artwork includes a Certificate of Authenticity . The piece will be stamped from Roger König Art...

This contemporary landscape painting by Carol C. Young features an abstracted barn and greenery. The front face of the barn is light, with a warm red undertone. The roof is a deep bl...

Artist: Roger König b. Dessau, Germany (1968) Master student of Kurt Schönburg, HWK Halle, Germany. König combines modern painting with acrylic with old techniques and in this way,...

Abstract Landscape Painting of Aerial View of Manhattan Island, New York City, by English Artist, Angela Wakefield. This original is a painterly and expressive depiction of an elevat...

"Volcano" Abstract Mixed Media Painting 59' x 39' in by Ahmed Farid Born in Cairo, Egypt, in 1950 where he currently lives and works, Farid is an autodidact Egyptian painters who t...

"Revitalization" Abstract Mixed media Painting 57" x 79" inch by Ahmed Farid Born in Cairo, Egypt, in 1950 where he currently lives and works, Farid is an autodidact Egyptian painte...

"Harvest" Abstract Painting 59" x 59" inch by Ibrahim Khatab "FIELDS OF HEAVEN" Khatab's recent collection is a natural sequel to and a resounding crystallization of, his previous efforts in "Kemit", which was his initial attempt to revive and reinstate one’s heritage and Pharaonic culture and emphasize its timeless relevance and continuity in modernity. This time he delves into the quintessential theme of enlightenment and the higher self, using the mystical memories...

Bursting Forth- Red 60 X 48 Acrylic on canvas Nancy Seibert began her art studies in Washington D.C. at George Washington University. She graduated from Kent State University earnin...

Artist: Roger König b. Dessau, Germany (1968) Master student of Kurt Schönburg, HWK Halle, Germany. König combines modern painting with acrylic with old techniques and in this way, h...

"Explosion" Abstract Mixed media Painting 31" x 31" inch by Ahmed Farid Comes in wooden frame as shown on photos. Born in Cairo, Egypt, in 1950 wher...

Anthony Hunter was born in Lancashire, England 1987. He graduated from Leeds Metropolitan University in 2009 from the ‘Contemporary Art Course’ where he worked collaboratively with h...

Painting of Sunset in Los Angeles California USA by British Urban Landscape Artist Angela Wakefield. This painting is on high quality art board,...

An ethereal cloud of deep blue floats across the canvas against a backdrop of fiery red, dashes of orange and black paint drips in this vibrant acrylic by Toronto’s Lynne Fernie. “...

Artist: Roger König b. Dessau, Germany (1968) Master student of Kurt Schönburg, HWK Halle, Germany. König combines modern painting with acrylic with old techniques and in this way,...

Canadian artist Scott Pattinson has chosen a predominantly blue palette (with a single touch of pink) to create this expressive oil painting. Since the early nineteenth century, blue...

Acrylic painting on canvas, 2022. Titled, dated and signed on the back. Ready to hang. The artwork comes directly from the artist's studio. Dimensions: Height: 35.51 in ( 90,2 cm ), ...

"Horses" Abstract Painting 79" x 79" inch by Leila Izzet Leila Izzet has been exhibiting her paintings for over 40 years. A great lover of animals, she was first known as a painter ...

"Untitled 14" Abstract Oil Painting 36" x 36" inch by Gayatri Gamuz In search of silence, in search of the self. Her work emerges from the silence within and the understanding of th...

"GRADIENT_02" Abstract Acrylic painting 39" x 33" by DOT ABOUT THE ARTIST: By compiling concepts from multiple philosophies, DOT’s Art seeks to explore an idea that has developed from different roots. Through the use of repeating geometric patterns enhanced by different color theories. A hallucinatory visual field is created. Thus forcing the viewer's perspective to be pushed into a moment of visual confusion. According to theories in Neuroplasticity, these perspective shifts are catalysts that have the potential to rewire neural pathways and ultimately affect thinking and behavior. Being self-taught DOT leaned into his understanding of scientific concepts and techniques to develop his artistic explorations. In his most recent body of work, a surgical repetition of shifting color fields reflects his curiosities in the space of visual perception. These lines tend to create a static movement...

Curated calligraphic, dripping brushstrokes in white -- three vertical dashes followed by a rough circle with a final horizontal dash -- are rendered on an inky black ground. In its ...

"Oxen" Abstract Painting 59" x 59" inch by Ibrahim Khatab "FIELDS OF HEAVEN" Khatab's recent collection is a natural sequel to and a resounding crystallization of, his previous efforts in "Kemit", which was his initial attempt to revive and reinstate one’s heritage and Pharaonic culture and emphasize its timeless relevance and continuity in modernity. This time he delves into the quintessential theme of enlightenment and the higher self, using the mystical memories...

"Untitled 13" Abstract Oil Painting 48" x 48" inch by Gayatri Gamuz In search of silence, in search of the self. Her work emerges from the silence within and the understanding of th...

Anthony Hunter "Curious Big Black Square Running Away from Black Blob Over there Painting" Gloss on Panel 41 inches x 61 inches Framed (piece can be vertical or horizontal) Style: M...

Blue On Blue #1, original vintage 1965 abstract painting by Denver artist, Angelo Di Benedetto (1913-1992). Acrylic paint in shades of blue on shaped 3 dimensional (3D) canvas with a circular form protruding from the center of square painting. Presented in a vintage/original frame, outer dimensions measure 26 ¾ x 26 ½ x 1 ¼ inches. Image size is 26 x 26 x 3 ¼ inches. Exhibited: Whitney Museum of American Art, 1965 Annual Exhibition of Contemporary American Painting December 8, 1965 to January 30, 1966 The son of Italian immigrants from the Salerno province in southern Italy, as a teenager Di Benedetto worked as a truck driver in the mornings and a bartender in the afternoons to study at the Cooper Union Art School in New York City (1930-34) from which he graduated with a certificate in freehand drawing. He won a scholarship to the Boston Museum Art School where he studied for three years, beginning in 1934, with Russian émigré painter, Alexandre Jacovleff, a member of Mir Isskustva (World of Art) in St. Petersburg before the Russian Revolution. In 1936 he painted a religious mural for St. Michael’s Grove in Paterson, New Jersey. The following year, he entered his first juried exhibition at the Montclair Museum in New Jersey, winning first prize and first honorable mention. In December 1938, the Royal Netherlands Steamship Line sent him on a two-month ethnological study trip to Haiti, his first exposure to a different environment outside the United States. During what turned out to be an extended six-month stay, he studied and painted the life and religious customs of the island, resulting in a series of colorful, stylized paintings inspired by his immersion in the local culture. He also did scenes of Port-au-Prince and executed commissions received from prominent people in Haiti, including government officials. In 1940, his Haitian paintings were exhibited at the Montross Gallery in New York (his first solo show) and also reproduced in the January 1940 issue of Life Magazine. One of his Haitian paintings, Morning in Port-au-Prince, was owned by an American author, politician and U.S. ambassador, Clare Boothe Luce, while another image, Haiti Post Office, was acquired for the Encyclopedia Britannica Collection and later donated to Fisk University in Nashville, Tennessee. Before World War II, Di Benedetto traveled extensively around the United States in his car and trailer doing regional paintings. In 1941, he did what is considered the first authentic version of George Washington Crossing the Delaware, a contrast to the well-known painting on the same subject (1851) by German-born painter, Emanuel Gottlieb Leutze. During the war, Di Benedetto volunteered for a secret mission to Africa in 1941 before the Allied invasion, serving as director of camouflage, foreman of native laborers, and an interpreter while based in Eritrea. The following year he received a direct commission as a Second Lieutenant in the U.S. Army Air Corps in the First Photo Mapping Squadron, leading groups as a guide and interpreter and doing ground control. During his free time in Africa, he sketched and painted the local population and his fellow servicemen. Following Africa, he served as an orientation officer and aerial photographic officer for the 311th Photo Wing at Bolling Field, in the District of Columbia where he did a series of illustrated articles describing the natives in the different countries where the men of his organization were stationed during the war. In 1945 he was assigned to a mapping unit at Buckley Air Field in Denver where he served until his discharge in 1946. Like many other servicemen stationed at the time in Colorado, Di Benedetto chose to remain in Colorado, impressed by the state’s physical grandeur and healthful climate. After the war, he lived briefly for about a year in Rangely, a small town in northwest Colorado where he traveled and sketched. But finding it a little too remote, he settled in the old mining town of Central City in 1947, his home base for the rest of his life. He spent his first six years there transforming the old Sauder-McShane Mercantile warehouse into a giant art studio. His initial acquaintance with the town’s mining town history in 1947 resulted in a drawing, Death of a Miner, showing a male figure buried under a pile of collapsed rock in a mining tunnel. In 1949 Di Benedetto and his wife, ceramist Lee Porzio, opened the Benpro Art School in his studio where he conducted summer art classes. The following year he teamed up with a Denver-based artist, Frank Vavra, to open the Denver Art Center at 924 Broadway. He and Vavra were founding members of the 15 Colorado Artists who seceded in 1948 from the Denver Artists Guild because they were dissatisfied with the older organization’s underlying conservatism and the disdain of some of its members for modern art. Welcoming anyone wanting to learn how to draw or paint, the Denver Art Center in downtown Denver only lasted about a year. Undeterred by its lack of success, Di Benedetto continued throughout his career to give workshops, classes, and lectures on art-related topics in Denver and elsewhere. Examples of topics ranged from subjects such as “African Art,” Chappell House, Denver (1945) and “University or Artistic Thought” sponsored by the Art for World Friendship Committee (1954). He also taught locally at the Jewish Community Center, Steele Community Center, International House, Southern Colorado State College-Pueblo, and lectured at the University of Denver. Beginning in 1969 he sponsored over one hundred youths at his studio in Central City to spend a summer learning about art. He also conducted classes for serious working artists. His efforts earned him an honorary doctorate from the University of Colorado in 1977. He likewise promoted contemporary Colorado artists’ work in the 1950s, heading a committee that presented one-person exhibitions in a small gallery at the Vogue Art Cinema on South Pearl Street in Denver. His interest in promoting the arts led to his participation in numerous organizations. In the 1960s he became concerned with environmental and urban art and was the president of Art for the Cities, a Denver-based nonprofit organization. He also was the chairman of and a participant in the first annual environmental art exhibit held at Denver’s American Medical Center. In 1968 Colorado Governor John Love appointed him to the Colorado Council on the Arts and Humanities in which he remained active until 1975. He served for two consecutive years as program coordinator for the Governor’s Conference on the Arts and Humanities. At the 1969 conference, Governor Love presented him an award for his contribution to the art and artists of Colorado. At the same time, he actively participated in the civic life of Central City. The town’s Police Magistrate (1955-56), he twice campaigned for mayor, first in 1966 and again in 1973, and ran for commissioner in 1979. He socialized with artists Ben Shahn, Herbert Bayer and Mark Rothko, as well as theatrical stars appearing at the Central City Opera House, including Helen Hayes, Mae West, and Gypsy Rose Lee. He invited them to carve their autographs on his kitchen table. Di Benedetto worked with equal facility in a variety of media: acrylic, oil paint, watercolor, charcoal, Conte crayon, graphic arts and metal (copper, iron). Up until the early 1950s, his output was dominated by representational figure work and expressionist Colorado landscapes that were not always immune from controversy. When Life Magazine included a reproduction of his Regionalist painting, Lovers in the Cornfield (1941) in its article, “Ten Years of American Art: Life Reviews the Record of a Lively, Important Decade” (November 26, 1946, issue), three counties in Massachusetts banned the publication. Just as immediately, the painting was exhibited in Denver. He said that he liked the West because the people, despite their lack of exposure to art, were individualistic and almost “anarchistic.” In the early 1950s he did woodcuts in a modernist style, including Remembrance, showing his two young daughters. Influenced by Abstract Expressionism at that time, he began considering the elimination of the image from his work. By the end of the decade, he had decided that “the circle – pure and simple was one of the most familiar symbols of mankind and that it metaphored into everything.” At the same time, he noted that “99% of the abstract painters shied away from using…[the circle]. When they didn’t, they slaughtered it, murdered it and buried it. So it became my motif.” For more than three decades he explored the circle in paint, sculpture and shaped canvas. Two examples of the last-named medium are his Red CQ and Black C-1, both from 1969. Because abstraction touched upon his deep feelings and spirituality, he felt he could make visible that part of life which “we feel but almost never see.” His fascination with the circle also relates to his belief that to affect the dialogue existing between object and maker, the artist must “create archetypal shapes [that have universal appeal], not symbols…to reflect simply the intrinsic beauty of the shape itself.” A strong advocate for public art, Di Benedetto headed Art for the Cities, Inc., which sponsored nine sculptures for Burns Park as part of the Denver Sculpture Symposium held in the Mile High City in 1968. The catalysts for the idea of the sculptures were Beverly and Bernie Rosen, who had been instrumental in the creation of the contemporary department at the Denver Art Museum. Along with Di Benedetto, the other participating sculptors were Dean Fleming, Peter Forakis, Roger Kotoske, Tony Magar, Robert Mangold, Robert Morris, Richard Van Buren and Bill Verhelst. The park project eventually served as a prototype for twenty-two states, bringing the sculpture to urban spaces. The sculptures reflected Di Benedetto’s concept of “burden-less environmental art” with no hidden meaning for the public to decipher. His goal in public art was to “create a work which, when integrated with the site, will create a tranquil oasis, a counterbalance to the modern chaotic world we experience daily.” During the 1960s and 1970s, he received other major sculpture commissions: an 80-foot-long copper wall, Jewish Community Center, Denver (1962); sculpture garden, General Rose Hospital, Denver (1964); Fountain, First National Bank of Dallas (1966); Colorado Fuel & Iron Company, Pueblo, Colorado (1969); neighborhood park sculpture, Yonkers, New York (1971); High School Park, Northglenn, Colorado (1974); ice skating rink sculpture, Pueblo (1976). Fate was not as kind to his mural which the Colorado Supreme Court justices commissioned him to paint in 1976 for the Colorado Judicial Building from a field of twenty-two candidates. With his former student, Phyllis Montrose as his principal assistant along with three others, he spent a year and a half executing the mural. Entitled Justice Through the Ages (aka Lawgivers), it depicted sixty individuals from ancient Babylon...

Untitled XXXIX is large scale dark color abstract painting by French contemporary artist Ferle. Oil on free-standing canvas. W 200 cm x H 280 cm // W 78 3/4 in. x H 110 1/4 in. ”In ...

"GRADIENT_01" Abstract Acrylic painting 40" x 38" by DOT ABOUT THE ARTIST: By compiling concepts from multiple philosophies, DOT’s Art seeks to explore ...

Painterly swipes and drips light up an atmospheric sky in this dynamic acrylic by Lynne Fernie. The fiery horizon adds to the sense of brewing storm. Lynne Fernie is a Toronto artist...

From his studio in a renovated barn in Clyde, Ontario, abstract painter Scott Pattinson continues to create intensely colourful and captivating work. Using a broad brush and adding t...

"Untitled wp18" Abstract Painting 22" x 18" inch by Gayatri Gamuz Watercolor on paper In search of silence, in search of the self. Her work emerges from the silence within and the ...

TN 681 is a painting by Japanese contemporary artist Hachiro Kanno. The painter draws its resources from Japanese calligraphy and his favorite themes in Zen philosophy. Hachiro Kan...

Black & White Abstract Art, Contemporary Street Art,Graffiti Art-With all I have A B O U T T H I S P I E C E : “With all I have” is a piece of letter art inspired by graffiti by A...

Sad news of the recent passing of this great artist, guitarist, Rock and Blues Legend and founding member of Savoy Brown. Kim was a long-time friend who will be missed by fans and al...

Oil on cotton canvas, 30 x 40 cm. Inspired by a digital phenomenon, the Pink Paintings series revolves around a notion of abstraction. The parallel lines, so characteristic of the artist's work, imitate the result of a digital camera...

This untitled work by Jesús Villalpando (aka Feng) is colorful in its composition with it's thickly applied paint and rapid brushstrokes. The work is effortless, if not completely i...

Blue Monday, 36" x 36", mixed media on canvas Original Artwork, signed on the back by the artist. The artist believes this piece can be hung either vertically or horizontally. Tric...

Red Bodice Nude Abstract A vibrant abstract painting in reds accented in canary yellow with gray background, by California-based artist, Ricardo de Silva (American/Brazil, 20th C)....

"Borders, boundaries, and language, exist throughout my work and have manifested themselves in my sensibilities as an artist. The repetitive mark-making within my practice explores t...

Two Face Abstract on Wrapper of Interview Magazine in Acrylic on Paper Lively abstracted portrait by Ricardo de Silva (Brazilian, 20th Century). A face is divided in two parts, righ...

Abstract painting, like architecture, speaks to us about surfaces that interact with each other, forming a representation of space through optical perspective. But while the architec...

TITLE: Periodo Messicano 1 ARTIST: Ornella Uboldi YEAR: 2018 CLASSIFICATION: Unique MEDIUM TYPE: Painting MEDIUM/MATERIALS: Acrylic on canvas DIMENSIONS: 100 x 70 cm

Signed lower right, 'V. Wicht' for John Von Wicht (German-American, 1888-1970) and painted circa 1965. Born in Germany, this abstract expressionist painter, muralist, printmaker, mo...

Abstract painting, like architecture, speaks to us about surfaces that interact with each other, forming a representation of space through optical perspective. But while the architec...

View from a Verandah, acrylic on canvas, 30cm x 23cm, 2021 Even in his most realistic images, there is a beautiful exaggeration in the paintings of Peter Rodulfo. It may be an overl...

Artist in Gouache on Interview Magazine Back Page 1989 Modernism Portrait of a man and commemorating The Fall of the Berlin Wall on Andy Worhol's Interview Magazine back page and pai...

The Birthday, acrylic on canvas, 77cm x 77cm, 2021 Even in his most realistic images, there is a beautiful exaggeration in the paintings of Peter Rodulfo. It may be an overly flambo...

Sandpaper Island Abstract Color Field A vibrant abstract painting in turquoise blue with a cutout of sandpaper adhered to the paper and painted in bright yellow, orange, and red, by...

The Klagenfurt Organ, oil on canvas, 100cm x 80cm, 2014 Even in his most realistic images, there is a beautiful exaggeration in the paintings of Peter Rodulfo. It may be an overly f...

"Untitled 16.22" Abstract Oil Painting 36" x 58" inch by Gayatri Gamuz This artwork ships rolled in a tube due to its size In search of silence, in search of the self. Her work em...

"Borders, boundaries, and language, exist throughout my work and have manifested themselves in my sensibilities as an artist. The repetitive mark-making within my practice explores t...

Blue Landscape oil on Canvas 100x120x3.5 cm Ready to Hang Marilina Marchica, born in 1984, was born in Agrigento, where she lives and works. She graduated in Painting at the Academy...

"Borders, boundaries, and language, exist throughout my work and have manifested themselves in my sensibilities as an artist. The repetitive mark-making within my practice explores t...

Andy Worhol Gouache on Interview Magazine Back Page 1989 Modernism Portrait of Andy Worhol on Andy Worhol's Interview Magazine back page and painted over in Gouache by Ricardo (Richa...

"Samba Rio" Abstract Expressionist Figural A vibrant abstract painting in red, black, white, iridescent teal and shimmering metallic gold, by California-based artist, Ricardo de Sil...

As part of the Journey series, This paint is a metaphor of an orgasmic blossoming as an awakening of the mind, where I want to celebrate the power of creativity and self expression

Original minimalist acrylic painting by Karli Henneman. Artist Statement: Karli Henneman is a Los Angeles based artist exploring abstraction through a minimalist vocabulary of ha...

"Abstract Composition 3" Abstract Oil Painting 24" x 18" inch by Youssef Sida Signed and dated 1990 Youssef Sida 1922-1994 Born in 1922 in Damietta, and in 1945 he got his degree f...

Original minimalist acrylic painting by Karli Henneman. Artist Statement: Karli Henneman is a Los Angeles based artist exploring abstraction through a minimalist vocabulary of ha...

Painting from COVID-19 documentary art collection. Participant SWISS ART EXPO 2020 in Zürich! All COVID paintings are published in the official catalog (the copy is Included in your...