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Al SaralisNothing Gold Can Stay 11, Oil painting, portrait of woman in red dress2024
2024
About the Item
Al Saralis – "Nothing Gold Can Stay II"
Oil on Canvas 47.2 x 39.4 inches (120 x 100 cm)
A poised woman in a flowing red dress sits quietly against a softly glowing, golden-toned background—her presence luminous yet fleeting. “Nothing Gold Can Stay II” by Al Saralis is a powerful figurative oil painting that captures the tension between grace and impermanence. The rich crimson garment contrasts beautifully with the warm backdrop, evoking emotional depth and drawing attention to the fragility of beauty and time.
This piece takes its title from Robert Frost’s iconic poem, reflecting on the transient nature of life and emotional moments. The woman’s gentle expression and subtle posture invite reflection, while the golden light and red dress create a visual metaphor for passion, memory, and change.
Saralis, a British artist of Greek heritage, is acclaimed for his emotionally resonant paintings of the human figure. Educated at Cardiff with a BA Honours in Fine Art, his style is deeply influenced by Renaissance masters, yet intentionally avoids narrative—allowing viewers to engage freely with the work. “I regard myself as a figurative painter but not a realist painter,” Saralis notes. “The realism I’m interested in is the emotional connection made when making or looking at a painting.”
Collected internationally and named one of the top British artists to invest in, Saralis continues to develop a compelling visual language of introspection and timeless beauty.
- Creator:Al Saralis (1967, British)
- Creation Year:2024
- Dimensions:Height: 47.25 in (120 cm)Width: 47.25 in (120 cm)Depth: 1.58 in (4 cm)
- Medium:
- Movement & Style:
- Period:
- Framing:Framing Options Available
- Condition:
- Gallery Location:Dallas, TX
- Reference Number:1stDibs: LU640316280712
Al Saralis
Al Saralis is a British painter whose evocative figurative works explore the quiet tension between light, shadow, and human introspection. Born in a Welsh mining town in the Rhymney Valley in the 1960s, his heritage is a blend of Welsh resilience and Greek legacy, reflected in the timeless, classical sensibility of his art. A graduate of Cardiff with a degree in Fine Art, Saralis now paints full-time in Hampshire, England. His work, often featuring a solitary figure, is stripped of overt narrative yet rich with unspoken emotion. Strong chiaroscuro compositions heighten the atmosphere, drawing the viewer into moments of contemplation. While rooted in the traditions of figurative painting, his approach transcends realism—favoring an emotional truth over mere representation. Nature’s fleeting beauty is a recurring motif in his work, underscored by a subtle yet pressing awareness of climate change. His series Nothing Gold Can Stay, inspired by Robert Frost’s poignant poem, meditates on the impermanence of innocence and the cycles of life, echoed in the shifting winds and delicate environmental cues woven into his portraits. “I regard myself as a figurative painter but not a realist painter. The realism that I am interested in is the emotional connection made when making or looking at a painting,” Saralis explains. “My work has been described as conjuring a feeling of thoughtful introspection. I strive to create something beautiful as well as intriguing, contemporary as well as classical—something timeless.”
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