Medium Figurative Paintings

Original Painting Steel Workers Fabric Design Industrial Deco American Modernism Antonio Petruccelli (1907 - 1994) Steel Workers Textile design 19 1/4 X ...

Beautiful, highly detailed original oil on canvas painting of a young maid stopping her work to read a book in the library room. The artist is the Belgian artist, Jean Daniel Stevens...

An original acrylic on canvas by American artist Richard Huntington entitled "Model Shoots Artist". This new work is part of the current gallery exhibition, A Sense of Place which runs through the end of June. This special exhibition is a celebration of the work of 4 extraordinary artists who used to call Western New York home. Travel lust, adventure, and livelihood have taken each of these artists to distant places, including China, Mexico, Massachusetts, and New York City, but they will always be a treasured part of Buffalo's dynamic arts community. Acknowledging that a sense of place can be an element in any work of art, shaping or transforming it depending on intentions and explorations, Resource:Art is thrilled to present this selection of new work by each of these unique artists. Richard Huntington is a writer, printmaker, and painter who lives in Buffalo, N.Y. and San Miguel de Allende, Guanajuato, Mexico. Born in Albany, N.Y., Huntington received a BFA from Syracuse University in 1959 and an MFA in 1963 from the University at Buffalo, where he studied under Seymour Drumlevitch. He taught studio and art history courses at Bradley University in Peoria, Ill.; lived and worked in New York City, where he showed at the Fulton Street Gallery and other venues; was an art critic for the Buffalo Courier...

Wonderful mid century portrait of young girl with balloon in style of Raoul Duffy by Barbara "Mari" Berkman (American, 1930-2010), 1963. Titled "La Prima Vera...

5007 Vintage Modern French girl with her cat acrylic on canvas unframed Signed Somia 1972

Heat, 2021, 78x54 cm

Still Life with Autumn Leaves Guy Nicod (French 1923 - 2021) gouache on artist paper, unframed painting : 25.5 x 18 inches provenance: artists estate, France condition: very good and...

Oil on canvas by Louis BERTHOMME SAINT-ANDRE, France, 1940s. Young Red-haired Woman. with frame: 74x63 cm - 29.1x24.8 inches ; without frame: 61x50 cm - 24x19.7 inches. Format 12F. ...

The Oxen Cart French Impressionist artist, 1960's signed oil on canvas, framed dated 68' framed: 19 x 28 inches canvas: 15 x 23 inches provenance: private collection, France conditio...

Signed figures in interior oil on canvas circa 1910 by sought after French impressionist painter Edouard Leon Cortes. This charming and nostalgic work depicts a family enjoying dinner in a typical Breton kitchen scene. A man and lady are seated at the table while a woman serves them from a steaming pot. The light of an overhead oil burner illuminates the room. Signature: Signed lower right Dimensions: Framed: 26"x23" Unframed: 18"x15" Provenance: This work will be included in the supplement to Tome III of the Catalgue Raisonne of Edouard Cortes under preparation by Mme. Nicole Verdier This work is accompanied by a photo certificate from Mme. Nicole Verdier under reference EC221203/HT/GEO-241 Edouard Leon Cortes, the son of the painter Antonio Cortès, was sent to the front during World War I to sketch enemy positions. In civilian life, his base was in Lagny in the former studio of Cavallo-Peduzzi. Although he travelled extensively in France. Notably in Normandy, Brittany, the Champagne region and Savoy painting...

Oil Painting of River Landscape in Ireland Countryside by Modern Irish Artist. This original oil painting is an early example of the more traditional...

Tina Garrett's (US based) "Magique Noir" is an original, handmade oil painting that depicts a model with a painted face. This is a secondary market work with one previous owner.

This evocative painting captures a large gathering of people silhouetted against a vibrant, fiery backdrop on bonfire night. The artist's use of bold orange and yellow hues contrasti...

This exceptional artwork is currently on display and available for sale at Signet Contemporary Art Gallery and online. In "Colbert, Afternoon," Michael Alford captures the lively am...

A beautiful oil on original canvas circa 1910 by French post impressionist painter Georges D'Espagnat. The work depicats a nude woman in a yellow shawl standing by a blue vase filled with pink, red and white flowers. Signature: Signed lower right Dimensions: Framed: 28"x20" Unframed: 21"x13" Provenance: Doyle New York - May 2003 From the beginning of his career, it was a constant concern of Georges d'Espagnet to assert his originality. His studies at the École des Arts Décoratifs, Paris, did not last very long, for he wanted immediate independence and decided to follow courses in the private academies of Montparnasse. In about 1900, he became acquainted with Maurice Denis, Bonnard and Vuillard, and his collaboration with Denis led to a renewal of religious art in France. In 1903, d'Espagnet was one of the founders of the Salon d'Automne, and was appointed professor in charge of studios at the École des Beaux-Arts, Paris, in 1934. He illustrated a number of books: Rémy de Gourmont's Evil Prayers ( Oraisons mauvaises) (1896), The Saints of Paradise ( Les Saintes du paradis) (1898), Simone (1907), Sistine ( Sixtine) (1922); Alphonse Daudet's The Immortal ( L'Immortel) (1930); André Gide's The Pastoral Symphony ( La Symphonie pastorale); Francis Jammes' Clearings in the Sky ( Chairières dans le ciel) (1948). D'Espagnet belongs to the group of artists who made the Courrier Français so successful. The drawings of his which are published in it are strongly expressive and some bear comparison with the designs of the great Renaissance masters. He also contributed to L'Image. He often placed cheerful nudes in a landscape, reminding us that, though he moved away from the Fauves, he retained their freedom of colour and arabesque. He painted many portraits, including those of Albert André, André Barbier, Victor Boucher, Déodat de Séverac, Albert Marque...

Original cover for The Saturday Evening Post, published March 30, 1929. J.C. Leyendecker's holiday covers, particularly his iconic New Year's baby, were instrumental in driving The...

The Madonna & Child French School, 19th century presented in carved wood scrolled frame oil on canvas, framed frame: 27 x 20 inches canvas: 15.5 x 13 inches provenance: private colle...

Conrad Kiesel (1846-1921), The gift of flowers. Oil on wood, 43 x 35 cm, 69 x 61 cm (frame), signed at lower left "Conrad Kiesel pxt [pinxit]", about 1900. In a magnificent gilt stuc...

Artist: Georges Regnault (French mid 20th century) Medium: Oil on Canvas Dimensions: Framed: 27 x 24 inches Canvas: 22 x 18 inches Provenance: Private Collection, France Condition: ...

A late 19th century oil sketch of a society figure. Though not signed the work is by repute and very much in the style of Charles Auguste Émile Durand. Presented in modern gilt and p...

Pair of fabulous vintage Chinese reverse paintings on glass. Most likely made for export in mid 20th century. Very fine detail and ...

Signed by Artist Lower Right The Saturday Evening Post, February 11, 1939, cover illustration Literature The Saturday Evening Post, February 11, 1939, cover illustration Thomas S....

Attributed by Nikolay Alekseyevich Kasatkin (1859 - 1930). In this touching artwork, the artist perfectly conveyed the character of the old woman, who has seen a lot in her life. The hands, tired out and riddled with veins, lie helplessly on the knees. Her slouched body tells us about the load of years lived. The painter skillfully conveys a sense of wisdom, kindness, and humility through her wrinkled face and detached gaze. The painting exudes warmth with a subtle touch of sadness and reflection on a life lived. Thanks to moderately contrasting colors, the portrait comes to life and shows us the depth of the artist's intention. Kasatkin not only continued the traditions of the best masters of portraiture in Russia in the 19th century, but also introduced new principles into it. He sought to display on canvas not only the external features of a person, but also to demonstrate his spiritual world. Antique oil painting on canvas, signed bottom left, framed. Size app.: 68.5 x 52.3 cm (roughly 27 x 20.6 in), frame is 80.5 x 63.5 cm (roughly 31.7 x 25 in). Very good condition, very well preserved recently conserved condition with minimal wear (notice few micro losses here and there). Please study good resolution images for cosmetic condition. In person actual painting may appear darker or brighter than in our pictures, strictly depending on sufficient light in your environment. Weight of app. 5.4 kg is going to measure 8 kg packed for shipment. Nikolay Alekseyevich Kasatkin (1859 - 1930) was a Russian painter, considered to be one of the founders of Social Realism in Russia. From 1873 to 1883 he studied at the Moscow School of Painting, Sculpture and Architecture with Vasily Perov and Illarion Pryanishnikov. Upon graduating, he received a medal for his painting "Beggars at the Church Door". In 1891, he began exhibiting with the Peredvizhniki and, from 1894 to 1917, was a teacher at his alma mater. For thirty years, beginning in 1883, he worked with Ivan Sytin, providing illustrations for his popular almanac/calendars and teaching lithography. He also contributed The Great Reform, an encyclopedia that celebrated the fiftieth anniversary of the Emancipation (1861), and a collection called "Russian History in Pictures". In 1903, he became a member of the Imperial Academy of Arts. He participated in the Exposition Universelle (1900), where he won a silver medal, and the Louisiana Purchase Exposition (1904), among others. In 1923, following the Civil War, he was named the first "People's Artist of the Republic" and became a member of the AKhRR (Association of Artists). He is considered to be one of the forerunners of Socialist Realism in the arts and was sometimes called the "Gorky of Painters". In 1956, the Soviet Union honored him with a 40 kopeck commemorative postage stamp. In 1971, his painting of a female mine worker...

Cosmos II is a unique painting by contemporary artist Lumi Mizutani. The painting is made with pigments, Indian ink, black leaves and copper leaves on Japanese paper mounted on panel...

"Danger" - Original Modernist Oil Painting on Canvas Striking modernist painting by Bay Area artist Jean Hyson (American, 1928-2023). Hard edge oil on canvas depicting a black square to the left of the canvas with a lit up cinema projector. A mans face can be seen appearing in the light coming from the projector. An orange square is seen parallel to the projector, with a yellow circle inside. The number "13" can be seen in the lower right of the orange square. Purple and light blue take up the background. Signed "Hyson" lower right in black square. Titled, signed and dated "Jean Hyson" "Danger 1966" verso. Presented in a purple wooden frame. Frame: 20 1/2"H x 24 1/2"W Image: 19 3/4"H x 24"W Born in Texas, Jean Hyson (American, 1928-2023) is best known for her modernist, sharp edge, paintings. Hyson attended the Art Student League in New York with George Grosz, Yaso Kumiyoshi and William Baziotes and Beaux Artes, Paris, France from 1954-59. She was an Artist in Residence and Instructor at the California College of Arts and Crafts, Oakland from 1970-1974. Her work is held in the Oakland Art Museum, Oakland California, Santa Barbara Museum of Art, Santa Barbara, California and the California Container Corp. of America, Chicago, Illinois. Jean Hyson and her then-husband Jacques Fabert (who typically painted under the name “Jean Faber Himbert”) were an important force within the midcentury San Francisco art scene. Her work has been featured in countless Bay Area gallery and museum exhibitions—including SFMOMA, the de Young, and the Legion of Honor—and is in numerous public and private collections. In a fantastic in-depth interview with Hilda Pertha...

This vibrant artwork of an abstract woman, "Delicate Resilience", was created by Natalya Mougenot, a French artist of Russian heritage born in Kazakhstan. It is part of a series of t...

Bill Crawford (1913-1982). Original illustration artwork depicting teams as they advance to the World Series. Depicted are representations of the St. Louis Cardinals and The Brooklyn...

Contemporary figurative painting with lots of details and movement. Beautiful statement piece for any art collection. Combining a lot of different colors in any interiors and settin...

Saxophonist. 2021. Oil on canvas, 80x60cm Nugzar Avtandilovich Kahiani was born in Poti, Georgia in 1952. He studied at the Art College named after Nikoladze. Then he went to serve in the Soviet Army from1970 to 1972. After completing his military service he entered the Stieglitz St. Petersburg State Academy of Art and Industry at the faculty of artistic metal, from which he graduated in 1986. During his studies, he has been actively engaged in painting. His favorite artists are Gauguin, El Greco, Botticelli, Turner and Picasso. Works of artistic stone He worked also with stone, cornelian and onyx. But his soul gravitated to bright and blustery color, and so he has became engaged in painting. At first his paintings were quiet, with muted tonal gamma. The color image was built on the play of hues and halftones. Such a careful elaboration of color educates the taste, sharpness and delicacy of vision. Gradually, the painter became more experienced, and his paintings acquired assurance and power of maturity, blooming in colorful brilliancy. Nugzar's color preferences The color of Nugzar’s paintings is deep and multi-layered. It is woven of infinite number of hues and filled with light. At first sight it may be difficult to recognize the shapes in the play of flickering color dabs. The figures appear gradually, they draw the first breath just before our eyes, crystallizing from the color heap. The painter is attracted by major tonality and motives that years ago could be called “the gallant feasts” - repasts, assiduities, music parties, and airings. After somewhat daemonic, infernal imagery of early paintings, it has appeared the theme of “Le joie de vivre,” the joy of life. Source of inspiration Born in the ancient Kolkhida, he keeps the blissful pagan feel of entirety and completeness of being. It is embodied almost literally in his favorite personage auroral gorgeous-bodied beauty of a girl. He grants these forms even to Olympian inhabitants - Aphrodite, Athene, Arthemide, let alone the Bacchants. I remember unwittingly that Niko Pirosmani similarly painted on his impoverished buckrams the luxurious prince repasts and languid, elephantine beauties. Working style But his style is not bounded by grotesque parody, as well as the irony is not the only aspect of his world outlook. In his landscapes we can catch the ecstatic admiration with Nature. In contradistinction to his favorite impressionists, he never paints from nature and never bears in mind the particular place. It is just a blooming Earth, studied very closely, so that the trees are cut by the edges of the painting, and at the same time it is a bird’s eye view revealing infinite, boundless spaces. Nougzar says that the landscape for him is first of all a color ensemble. He can just leaf through the illustrated journal, nourishing his eye with color in various combinations, and so get the impulse to create a ‘physical’ landscape image. Probably, his landscapes are no less fantastical than his figure compositions, but such is his talent, his mission - to make the world more beautiful and gentle than it is in reality. Exhibitions Nugzar Kakhiani is a matured and recognized master, as follows from the long list of his exhibitions and countries where his works reside. 1987 - Exhibition of Georgian Artists in the Museum of Ethnography, Saint-Petersburg, Russia 1989 - Exhibition of Artists of Leningrad-Lenexpo, Russia 1990 - Exhibition of Van Gogh's memory, "Palette" , Russia 1991 - Exhibition Gallery Palette 1991 - Festival of Leningrad galleries in Manege, Saint-Petersburg, Russia 1992 - Exhibition at Gallery Pinatin, Berlin. 1993 - Exhibition of Piraeus, Athens, Greece. 1993 - Exhibition Gallery 47...

Dynamic jungle drummer scene by unknown NYC American artist. Oil on canvas measuring 20 x 26 inches. Signed "T 42" in ink on verso. Anco stretchers and Grumbacher NYC store stamp con...

Work on canvas with frame The frame is new and the total size is 70x80 cm Signed " V. Marendaz ", Unknonwn artist from the gallery Dated 1920

'The Fishermen', oil on canvas, by Anna Costa (circa 1970s). Cassis is a small, Provencal fishing village in southern France, located about 45 minutes east of Marseille and 45 minute...

Gordon Hunt Woodland walk to the beach Acrylic painting on deep edge stretched Belgium linen Size: 80 cm x 80cm x 4 cm Sold Unframed Please note that in situ images are purely an ind...

In my painting, I've captured the exhilarating moment of human spirit breaking through nature's tumultuous wave. The bold palette and dynamic brushstrokes showcase the raw power of e...

In this piece, I've captured a blend of realism and symbolism using acrylic and lacquer, focusing on the textured depth and emotional resonance. The subject wears yellow leather glov...

What do we know about ourselves? How deeply do we know our inner world? When I was creating this picture, I thought that the hustle and bustle of the outer world took a person far aw...

Oil on canvas by Vicente CRISTELLYS (1898-1970), School of Paris, late 1950s. "Lolo", portrait of Gina Lollobrigida in Notre-Dame de Paris (film). Arriving in Paris during the 1920s, Vicente Cristellys settled in Montparnasse like many of his colleagues from the Ecole de Paris. He paints characters and scenes largely inspired by his native Spain. It was after a bohemian period that he began to illustrate cinema posters and he managed to settle in the Parisian cinematographic milieu. For example, he will sign posters for The Big Sleep, The Man in The iron mask...

Sebastià Congost (1919-2009) - Citizens - Oil on canvas Sebastià Congost i PLA, also called Sebastià Congost (September 1919 in Olot - August 7, 2009) was a Catalan painter in the ...

The Family Portrait British School, 20th century (painted in an earlier style) oil on canvas, unframed canvas: 30 x 24 inches provenance: private collection, England condition: overa...

Neoclassical Head in profile Watercolor and graphite on paper, 1950 Signed and dated lower left in ink (see photo) Provenance: Washington, D.C. priva...

The setting is the French coast, on a tranquil summer's evening. Clouds are drawing in, the sky is turning dusky pink and purple, but there is still time left for play, for the children on the beach...

St. Tropez Harbour French mid 20th century artist signed oil on canvas framed framed: 24 x 28 inches canvas: 20 x 24 inches provenance: private collection, France condition: very goo...

Rolf Stoll (American, 1892-1978) Spanish Seaside Village (Cadaques Catalonia) Oil on canvas Signed lower right 28 x 38 inches Exhibited: The 11th Annual May Show, Cleveland Museum of Art, 1929 Rolf Stoll, a painter of figure subjects, landscapes and floral still lifes, was an important member of the Cleveland art scene during the second quarter of the century. He was also an influential teacher, as well as one of Ohio’s foremost portrait painters. Rolf Stoll was born in Heidelberg, Germany, in 1892. As a boy, he attended a military academy, during which time he developed an interest in art. He received his early formal training at the Academy of Fine Arts in Karlsruhe and at the Academy of Fine Arts in Stuttgart. He emigrated to the United States in 1912, settling in New York City. A decade later, after studying at the school of the National Academy of Design and supporting himself by working as a commercial artist, Stoll decided to leave New York. Upon the recommendation of Warren Pryor, one of his teachers, he decided to move to Cleveland, Ohio. After arriving in Cleveland, Rolf Stoll continued to work as a commercial artist. However, in 1926, he joined the faculty of the Cleveland School of Art, where he taught drawing. Two years later Stoll was appointed head of the school’s portrait painting department. A talented portraitist, Stoll’s sitters included industrialists, community leaders and many prominent members of Cleveland and Ohio society, as well as over twenty faculty members from Case Western Reserve University. Stoll also gave portrait classes at the John Huntington Polytechnic Institute from 1926 to 1953. In his male portraits especially, he was admired for his ability to convey the dignity of his sitter’s professional position without sacrificing individuality. As noted by one contemporary reviewer, Stoll was a “master of rich color, a searching student of human types, a forceful portrayer of all that the face reveals of the mind and the soul.” In addition to his activity as a portraitist, Rolf Stoll painted figure subjects and floral still lifes. He was also known for his views of the Ohio countryside and Canada. Stoll also painted views of Spain and depictions of Spanish peasants, inspired by an extended trip to that country (1926), during which time he was entertained by the famous Spanish portrait painter, Ignacio Zuloaga. Moving easily between oil and watercolor, Stoll worked in an direct realist style, combining his characteristic firm draftsmanship with the use of simplified forms and decorative color. Rolph Stoll was a member of the Cleveland Society of Artists, the Cleveland Print Club...

The sitter is Mary Charlotte Anne Wellesly-Pole, eldest daughter of William, 4th Earl of Mornington and niece to the Duke of Wellington. This is one of Hoppner's best works. The sitt...

Signed lower left, 'Hessam' for Hessam Abrishami (Iranian, born 1951) and painted circa 2000. Titled by artist, 'Color Me Music'. Paper dimensions: 28 x 21.75 inches. Hessam Abrisha...

Portrait of a Country Lady English artist, mid 19th century oil on canvas, unframed canvas: 30 x 25 inches provenance: private collection, UK condition: some former restoration and s...

Judy Rifka (American, b. 1945) "Ice Hockey" Acrylic or oil paint on Fabriano paper paintings featuring multiple hockey players executed in yellow, white, purple, and black hues. Ha...

Oil Painting on board realized by Miloslava Vrbova (1909-1991) in the mid-20th century. Good condition, framed.

Early 18th Century still life, very close to Pedro de Camprobín.

This captivating artwork, "Woman in a Blue Dress", was created by Natalya Mougenot, a French artist of Russian heritage born in Kazakhstan. The piece offers an abstract portrayal of...

The French Market by Michel Kritz (French 1925-1994) oil on canvas, unframed canvas: 24 x 32 inches provenance: private collection, France condition: very good and sound condition

Kathleen Keifer's original artworks represent one of the most significant expressions of New California Realism. Keifer brings a fresh perspective to her colorful scenes of everyday life in the sun along the Pacific coastline (and beyond). Her detailed paintings show us the breathtaking California scenery with its recognizable elements in a new light and with a keen eye for clever composition and layered colors. Her modern landscapes and sublime seascapes capture an impressive visceral visual. This one-of-a-kind 30-inch high by 15-inch wide and 1.5-inch deep original artwork is a composition created with acrylic paint on canvas. It is stretched, wired, and ready to hang. The sides are painted as a continuation of the front and it does not require framing. It is signed by the artist on the front of the artwork. A certificate of authenticity issued by the gallery is included. Convenient local Los Angeles area shipping. Affordable Continental U.S. and global shipping also available. Kathleen Keifer is a California-based internationally collected artist. Her paintings invite the viewer to consider the complex relationship between time and timelessness. It is the sheer visual interaction between the elements, taken in their bare simplicity that interests her. Water, sky, and architecture change their appearance with the shifts in weather and light. Her broken brushstrokes depict light and color in luminous waves, dissolving form into a shimmering surface of vibrant light. For her, painting captures the very essence of time and its passage. While painting landscapes she became fascinated with isolating the objects in her paintings. She believes that actual sites and places have individual magic. The goal is to take objects from popular culture and paint them in a new context. She began to paint the silhouette of the Life Guard Tower more as a pop art symbol than a landscape element. With a high level of technical virtuosity, Keifer creates a new sense of reality with textures and colors that seem to add lighting effects and distinct shadows, confronting the viewer with new interpretations of familiar objects. Born and raised in Chicago, Kathleen Keifer is a second-generation artist. Her mother, also a fine artist, exposed Keifer to the world of art and supervised her training from a very early age. This legacy continues today as Keifer closely nurtures the development of the artistic leaning in each of her three daughters, inspiring a third generation of female artists. Her works are represented by Artspace Warehouse Los Angeles and have been exhibited and collected internationally, including Chicago, New York, and London. Artspace Warehouse has been representing and exhibiting Kathleen Keifer's original artworks since 2017. The gallery has been a 1stdibs partner since 2014 with consistently excellent reviews from clients worldwide. The gallery exhibits a large selection of affordable original artworks from established and emerging international artists with diverse backgrounds at high standards. Artspace Warehouse is known to provide accurate descriptions, images, reliable services, communication, and delivery. REPRESENTATION Artspace Warehouse, Los Angeles, CA EXHIBITIONS 2023 “Postcards From Nowhere”, Artspace Warehouse, Los Angeles, CA 2022 “The Comforting Familiar”, Artspace Warehouse, Los Angeles, CA 2020 “Midnight Blue”, Artspace Warehouse, Los Angeles, CA 2018 Morris Inn, Notre Dame, IN Malibu Beach House, Malibu, CA Bon Voyage, Coda Gallery, Palm Desert, CA Solo Exhibition, Jeffrey Breslow Gallery, Chicago, IL Art Palm Springs Fine Art Fair, CA Artspace Warehouse, CA 2017 Affordable Art Fair New York, NY Affordable Art Fair London, UK Art Palm Springs, CA “Pop Futurism and Abstraction”, Artspace Warehouse, Los Angeles, CA 2016 Susan Schomburg gallery, Santa Monica, CA Jazz in the Pines, Idyllwild, CA 2015 Official artist of Chitag, Chicago Toy and Game Fair, Chicago, Il Jazz! Dion Gallery, Redondo Beach, CA Art 90266, LA 25, Manhattan Beach, C Political Commentary, Linus gallery, Long Beach and Pasadena, CA 2014 RETROspective, Coast Gallery, Long Beach, CA ArtHampton, Bridgehampton, NY The Pursuit of…, Lurie Gallery, Los Angeles, CA Art 90266, LA 25, Manhattan Beach, CA 2013 Pop meets Painterly, CODA Gallery, Palm Desert, CA University of Notre Dame, Notre Dame, IN Puzzles and Games, Liss Gallery, Toronto, Ontario, Canada 2012 Art, Wine & Roses, Home Gallery, Malibu, CA Pop Meets Painterly, Oh My Godard Gallery, Atlantic City, NJ 2011 Beach Games, Riley Arts Gallery, Manhattan Beach, CA Art of The Game, Oh My Godard Gallery, Atlantic City NJ Art of The Game, Liss Gallery, Toronto, Ontario, Canada 2010 Art of The Game, Gallery 319, Santa Monica, CA One Woman Show, Canfin Gallery, Westchester, NY 2009 American Riviera, ARTfront Gallery, Los Angeles, CA American Landscape, Hilliard Gallery, Kansas City, MO 2008 Coastal Living, Gallery 319 Santa Monica, CA 2007 On the Beach, Gallery 319 Santa Monica, CA Why We Live Here, Dion Gallery, Redondo Beach, CA 2006 Mc Lean Gallery, Malibu. CA BOOK: Perspective on Coastal Beauty, From Malibu to Manhattan Beach 2005 Along the PCH, Mc Lean Gallery, Malibu, CA FRESH!, MOCA, Los Angeles, CA Gallery C, Hermosa Beach, CA California Visions, Long Beach Museum of Art, Long Beach, CA 2004 President’s Show, CA Heritage Museum, Santa Monica, CA Coastal Nostalgia, Mc Lean Gallery, Malibu, CA Gallery C, Hermosa Beach, CA 2003 Los Angeles County Museum of Art, Los Angeles, CA Coastal Nostalgia, 2003, Mc Lean Gallery, Malibu, CA 2002 Coastal Nostalgia, 2002, Mc Lean Gallery, Malibu, CA 2001 Los Angeles County Museum of Art, Los Angeles, CA Ambient Light, Mc Lean Gallery, Malibu, CA 2000 The Coastal Landscape, Mc Lean Gallery, Malibu, CA Malibu Artists Juried Show, Weisman Museum, Malibu, CA Montecito Art...

The Circus by Josine Vignon (French 1922-2022) signed on front and back oil painting on canvas, framed in original 'Montparnasse' style frame. framed: 26 x 23 inches canvas: 18 x 1...

Studying the Maps Italian School, late 19th century signed lower corner watercolour on board, framed framed: 24.5 x 17.5 inches painting: 20.5 x 14 inches provenance: private collect...

Los Angeles street artist Gary John exploded onto the international art scene first during Art Basel Miami in 2013. John’s playfully bold work quickly gained attention and he was nam...

Vinsent G. Stiepevich (1841 - 1910) Russian and American artist. Emigrated to New York in 1878, where he lived in Brooklyn, Vincent Stiepevich was noted for his realist painting style of portrait, figure and genre subjects, especially in Harem and Orientalist* settings. Memberships in New York included the Artists Fund Society* the Brooklyn Art Association*, 1878-82, 1891; National Academy of Design*, 1878-91; Pennsylvania Academy of the Fine Arts* annual, 1885, 1888-91; Boston Art...

Portrait of a Dancing Women French artist, mid 20th century signed oil on canvas, framed in original 'Montparnasse' style frame framed: 30 x 25.5 inches canvas: 22 x 18 inches Prove...

This piece titled "Tuck and Roll" is an original artwork made from acrylic, aerosol, & ink on canvas by Still Life Crew. This piece is shipped in the pictured wooden frame and measures 21.25”h x 29.25”w. The artists behind the joint "Gardening Above" collection, Mando Marie...