Byron Browne

Neoclassical Head in profile

1950

Basketball Player Gouache on card stock, c. 1940 Signed by the artist in ink lower center A study for the fresco mural in the Social Security Buildin...

Read the Signs Year 2020 Part 1. Signed with the artist's initials lower right Signed with the artist's "Yummy" drystamp lower right corner Watercolor on Arches paper Archival framin...

In Search of New Beginnings (The Paintings 1) Watercolor on Arches heavyweight paper, 2021 Signed with the artist's initials in the shadows of the books (see photo) Signed, titled an...

Signed with the artist's initials lower right Watercolor on Twinrocker heavy weight paper

Viktor Schreckengost (American, 1906-2008) Mayan Watercolor heightened with gouache over pencil on paper Signed lower right 39 x 29 inches 45.5 x 35.5 inches, framed Registered with The Viktor Schreckengost foundation, stock no. 6891 The son of a commercial potter in Sebring, Ohio, Viktor Schreckengost learned the craft of sculpting in clay from his father. In the mid-1920s, he enrolled at the Cleveland School of Art (now the Cleveland Institute of Art, or CIA) to study cartoon making, but after seeing an exhibition at the Cleveland Museum of Art he changed his focus to ceramics. Upon graduation in 1929, he studied ceramics in Vienna, Austria, where he began to build a reputation, not only for his art, but also as a jazz saxophonist. A year later, at the age of 25, he became the youngest faculty member at the CIA. In 1931, Schreckengost won the first of several awards for excellence in ceramics at the Cleveland Museum of Art, and his works were shown at the Metropolitan Museum of Art, the Art Institute of Chicago, the Panama-Pacific Exposition in San Francisco, and elsewhere. By the mid-1930s, Schreckengost had begun to pursue his interest in industrial design. For American Limoges...

This original 1940s grayscale watercolor by Charles Ragland Bunnell captures a semi-abstracted view of the Golden Cycle Mill in Colorado Springs, Colorado. Rendered in subtle blacks and grays, this striking WPA-era landscape melds industrial subject matter with a modernist aesthetic. The piece exemplifies mid-20th-century American regionalism, blending expressive abstraction with historical significance. The painting measures 8 1/8 x 9 5/8 inches (sight size) and is showcased in a custom black frame measuring 18 x 19 ½ x 1 ⅜ inches, making it an elegant addition to any collection of American art or industrial landscapes. The Golden Cycle Mining and Reduction Company was a vital part of Colorado’s early 20th-century mining boom, located in what is now Old Colorado City. Bunnell’s work documents this industrial heritage through a modernist lens, offering a unique narrative of regional development. About the Artist: Charles Ragland Bunnell (1897–1968) was a key figure in Colorado’s art scene and a pioneer of American Modernism and abstraction. Trained at Broadmoor Art Academy, he combined American Scene painting with abstract forms. Bunnell contributed to New Deal art...

Alfred Jensen Untitled two sided painting, 1947 2-sided gouache painting on board (one portrait is vertical; the other horizontal) 29 × 23 7/20 inches Signed and dated in paint on th...

Costume is an original painting in mixed media, tempera and watercolor on paper, realized by the Greek-French artist Alkis Matheos. Very good conditions. Signed by artist's stamp....