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Carlton Scott Sturgill#mybouquet2020
2020
$2,200
£1,633.38
€1,903.34
CA$3,054.31
A$3,416.44
CHF 1,777.93
MX$42,057.52
NOK 22,619.01
SEK 21,221.09
DKK 14,200.82
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About the Item
medium: paint chip sample mosaic on panel
Born in 1971 in Cincinnati, Ohio, CARLTON SCOTT STURGILL received his Masters of Arts (Fine Art) from London’s Chelsea College of Art in Design in 2005, and his BA from the University of Cincinnati in 2002. Although he now lives outside of the Queen City, his work continues to be shaped by his Midwestern roots. His work has been exhibited in numerous galleries and museums in North America and Europe, including the Cornell Museum of Art in Delray Beach, Florida, Temple Bar Gallery in Dublin, Ireland and the Newhouse Center for Contemporary Art in New York City. Sturgill currently lives and works in New Orleans, Louisiana. Born in 1971 in Cincinnati, Ohio, Carlton Scott Sturgill received his Masters of Arts (Fine Art) from London’s Chelsea College of Art in Design in 2005, and his BA from the University of Cincinnati in 2002.
statement
Inspired by the bedroom communities of Mid-America, my work examines the conflict between our behavior in our most intimate moments and our desire to appear as ambassadors of a white-picket-fence America. Using materials sourced from the suburban landscape, such as paint chip samples from Home Depot and clothing from the all-American company Ralph Lauren, along with imagery and text appropriated from the Casual Encounters section of Craigslist, my work explores the dichotomy between public persona and private behavior. My paintings, sculptures, and mosaics use the vernacular of the American heartland to scratch the surface of suburban pretense, exploring the compulsion to veil ourselves behind the façade of a commoditized version of the American Dream.
- Creator:Carlton Scott Sturgill (1971, American)
- Creation Year:2020
- Dimensions:Height: 8 in (20.32 cm)Width: 8 in (20.32 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:New Orleans, LA
- Reference Number:1stDibs: LU10527755992
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View All#wildbouquet
By Carlton Scott Sturgill
Located in New Orleans, LA
medium: paint chip sample mosaic on panel
Born in 1971 in Cincinnati, Ohio, CARLTON SCOTT STURGILL received his Masters of Arts (Fine Art) from London’s Chelsea College of Art in De...
Category
21st Century and Contemporary Contemporary Figurative Paintings
Materials
Mosaic, House Paint, Wood Panel
#bouquetofflowers
By Carlton Scott Sturgill
Located in New Orleans, LA
medium: paint chip sample mosaic on panel
Born in 1971 in Cincinnati, Ohio, CARLTON SCOTT STURGILL received his Masters of Arts (Fine Art) from London’s Chelsea College of Art in De...
Category
21st Century and Contemporary Contemporary Figurative Paintings
Materials
Mosaic, House Paint, Wood Panel
Good as Gold
By Carlton Scott Sturgill
Located in New Orleans, LA
medium: paint chip sample mosaic on panel
Born in 1971 in Cincinnati, Ohio, CARLTON SCOTT STURGILL received his Masters of Arts (Fine Art) from London’s Chelsea College of Art in De...
Category
21st Century and Contemporary Contemporary Figurative Paintings
Materials
Mosaic, House Paint, Wood Panel
#414
By Tiffany Calvert
Located in New Orleans, LA
Calvert’s current paintings investigate the relationship between digital media and the reception and perception of images, and utilizes diverse technologies such as fresco, 3D modeling, AI and data manipulation through code. She is especially interested in the evolution of pictorial space. Today we view our screens and the world they occupy as a shallowly layered space of overlapping desktop windows. The picture plane has tilted up again from the flatbed to float in front of our eyes. Calvert’s paintings in turn depict an intermediate space, where the verticality of the still life paintings cohabitate with these digital panes.
Dutch floral still life paintings encapsulate multiple concerns. Their subjects were botanical fantasies, emblems of an economic mirage that has contemporary corollaries. Most important to Calvert’s pictorial concerns, they depict ephemeral things in shallow and diagrammatic space - they are all foreground. They contain an abundance of visual information in overwhelming density, creating an allover resolution; a visual field that is equivalent to digital noise. By making painterly interventions into reproductions, Calvert attempts to dissolve the layer between the resolution of the source image and abstraction of the painted mark.
⎯⎯⎯⎯⎯
Tiffany Calvert has exhibited her work in the US and abroad including Lawrimore Project in Seattle, E.TAY Gallery in New York, the Speed Museum in Louisville and Cadogan Contemporary in London. Residencies include the Djerassi Resident Artists Program, I-Park, and ArtOmi International Arts Center where she received a Geraldine R. Dodge Fellowship. Calvert has received grants from the Great Meadows Foundation and the Pollock-Krasner Foundation. Her work was recently profiled by critic John Yau in the online journal Hyperallergic. Her curatorial projects include “Some Abstraction Occurs” at 65GRAND Gallery in Chicago and “Magic” at Mercer College (featuring work by Chris Martin, Karla Knight, and Sarah Peters...
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Floral I
Located in New Orleans, LA
Michael Tole is a figurative painter currently living in Tempe, AZ with his wife and daughters. A Texas native, most of his 20 year long career was spent in Dallas. After relocating to Tempe, his work experienced a significant shift from photo-based paintings of retail interiors to fantastical figurative inventions based on pop culture imagery he has encountered via his two daughters’ taste in music videos, and his proximity to Southern California and it’s particular brand of Disney-esque hedonism. Mr. Tole’s career includes shows in New York, Los Angeles, San Francisco, Dallas, and Miami. His work has been reviewed in Art Forum International...
Category
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#449
By Tiffany Calvert
Located in New Orleans, LA
Calvert’s current paintings investigate the relationship between digital media and the reception and perception of images, and utilizes diverse technologies such as fresco, 3D modeling, AI and data manipulation through code. She is especially interested in the evolution of pictorial space. Today we view our screens and the world they occupy as a shallowly layered space of overlapping desktop windows. The picture plane has tilted up again from the flatbed to float in front of our eyes. Calvert’s paintings in turn depict an intermediate space, where the verticality of the still life paintings cohabitate with these digital panes.
Dutch floral still life paintings encapsulate multiple concerns. Their subjects were botanical fantasies, emblems of an economic mirage that has contemporary corollaries. Most important to Calvert’s pictorial concerns, they depict ephemeral things in shallow and diagrammatic space - they are all foreground. They contain an abundance of visual information in overwhelming density, creating an allover resolution; a visual field that is equivalent to digital noise. By making painterly interventions into reproductions, Calvert attempts to dissolve the layer between the resolution of the source image and abstraction of the painted mark.
⎯⎯⎯⎯⎯
Tiffany Calvert has exhibited her work in the US and abroad including Lawrimore Project in Seattle, E.TAY Gallery in New York, the Speed Museum in Louisville and Cadogan Contemporary in London. Residencies include the Djerassi Resident Artists Program, I-Park, and ArtOmi International Arts Center where she received a Geraldine R. Dodge Fellowship. Calvert has received grants from the Great Meadows Foundation and the Pollock-Krasner Foundation. Her work was recently profiled by critic John Yau in the online journal Hyperallergic. Her curatorial projects include “Some Abstraction Occurs” at 65GRAND Gallery in Chicago and “Magic” at Mercer College (featuring work by Chris Martin, Karla Knight...
Category
21st Century and Contemporary Contemporary Still-life Paintings
Materials
Canvas, Oil, Inkjet
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this is the beginning of his career in germany. Tannous collaborates with karstadt for a long time. he creates many portraits of celebrities that pose for him, such as rudi cerne, dr volker schmidt, herbert paschen and helmut marmulla.
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the same year, paravision, chaired by raphaël berdugo, now known as europacorp, sponsors Tannous by providing him a large workshop for 8 years.
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1997 france-okinawa elects Tannous vice-president of their association. this organization promotes relationships between france and japan. it brings okinawa’s kumi odori ballet to paris.
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1998 Tannous exhibits at porsche in fulda (germany) for a private sale reserved for their customers.
the artist moves to 34 avenue des champs-élysées, where he establishes his workshop, keeping it until 2001.
1999 Tannous participates in the international kiev art festival (ukraine).
in the scientific, economic and cultural guide der pfiffikus, Tannous is presented by katja gross as an innovative painter and creator of a new technique.
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